By the way, Carmen is the reason that Ghetsis will forever be known as ‘Get Hit’.
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“um, you are actually supposed to hate this character with your whole chest, the text is EXTREMELY clear that he is terrible and you should not like him”
well i like him anyway. what are you going to do about it, tell my mom?
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DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
The Divine Twins in Early Greek Poetry, Corolla Torontonensis
Iliad 24 and the Judgement of Paris, C.J. Mackie
Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
Paris/Alexandros in the "Iliad", I. J. F. de Jong
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SPARK
this is. about the dialogue between Bonifacio and Rizal, the impact that one had on the other, the way Rizal's novels could spark desire for freedom like a wildfire that will not be tamed. there's an element of 'I would have gone through life half asleep if I never met you,' to it. the linked tragedies, the characters from the novels themselves seem to echo forward onto Bonifacio and Rizal in their own way as well.
Rizal and the Revolution, Floro Quibuyen
The First Filipino, Leon Ma. Guerrero
Closet Queeries, J. Neil C. Garcia
additionally! the illustrated panel of Ibarra and Elias! it's a combination of a few things; them in Noli, but it's combining the character trajectory Ibarra/Simoun has gone on with El Filibusterismo (hence. the flames. dude said I came here to burn shit to the ground, and damn, it was a speech.) like. do you see the similarities between Bonifacio and Rizal in this because I cannot stop thinking about it.
Introduction to Ma. Soledad Lacson-Locsin's translation of Jose Rizal's El Filibusterismo
🍊 twitter 🍊 pixiv 🍊 bsky
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The way Matt Murdock thinks of himself and his need to be Daredevil makes me so sad.
He thinks he's got the devil in him because he's so violent when really it's empathy that drives him. Empathy for the good people of Hell's Kitchen that are being hurt and not getting help due to deep-rooted corruption (and other things).
He doesn't feel that he needs to attack, but that he needs to protect and there's such a fundamental difference between the two that it's heartbreaking that Matt himself can't see it.
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Normally I’m a huge fan of people leaving reviews and comments on things. Really I am!
HOWEVER. If you are listening to an audiobook narrated by a feminine voice or has a female main somewhere, I am BEGGING you. If your comment is “omg I loved the main male MC but the female mc is SO ANNOYING” or “great plot but the narrators voice is SO SHRILL AND ANNOYING” honestly? Don’t post that. Please examine your internalized misogyny. I certainly had to when I was younger and I still have spots that come up.
And if you must comment negatively, consider helpful reviews such as: “the narrator mumbles and is hard to understand” or “their attempt at a British accent is not very good” or “the sound quality is horrible and the plosives blow my ears out. This sounds unedited”.
Specificity of experience is what makes reviews valuable. Saying “people with feminine voices are shrill and annoying” just makes you sound like misogynistic chihuahua.
The world has trained us to loathe feminine voices. Don’t let it win, especially not against the marathon runners of VA—or you.
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Now that he thought about it...none of Rosa’s cat Pokemon are as large as Lucas’ Luxray.
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
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