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itsclydebitches · 9 months

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I honestly have no idea how they intend to greenlight volume 10 if it's not been greenlit already. They've announced the final season of Red vs Blue and a lot of early day fans are in agreement that the end of RvB is the signaling of the end of RT in general. It's their second biggest money maker next to RWBY. After this new season, it's over. What do they do next? Do RT really believe that RWBY is popular enough to coast on for another decade? It'll be a miracle if it lasts even one more year.

Their viewership has been on a decline since Volume 6, they've abused so much of their animation department that there's almost no one left, most of their VA talent for RWBY's popular characters aren't coming back due to all the controversies, any spinoffs or soft reboots or whatever keep going back to the Beacon era and don't really do much to help with the overall problems that are down to the roots of the company.

They even made their biggest ship that kept what few fans are left canon and put out half assed merch that sold out in minutes, and somehow they still haven't managed to find enough money to greenlight another volume?

If they somehow miraculously get Volume 10 made, it's probably going to be the last.

The last few years of RWBY have really highlighted for me how challenging it is to define "popularity" and "success" nowadays. Granted, a good chunk of that is simply my own ignorance about how the production side of things are run, but it nevertheless feels like there's this intense level of ambiguity that wasn't there in the past (or at least wasn't as obvious). Fandom itself has always been an unreliable source because depending on the corner of the internet you're in, you can get a wildly skewed perspective without engaging with everything that contradicts how "good" or "bad" you think things are going. As you say, merch sells out in minutes, yet neither the finances nor the implied security of that seems to be enough to land another Volume. There are questions about whether this could be a marketing scheme, wherein Volume 10's future is simply being kept under wraps to drum up interest. There's the question of whether popularity matters at all when we've got companies cancelling and pulling undoubtedly successful shows, all according to their own, long-term algorithms. On the one hand the information surrounding RT is all about the abuse of their workers, another scandal, how this might all tie into the strikes... and yet most of this is nothing new and RWBY has still secured movies, a soft reboot, comics, and books. I agree completely with your list above of all the ways in which the series is struggling (massively) and yet RWBY has been "dying" for half its run-time. So is this the final nail in the coffin—the inevitable ending that's been a long time coming—or just another year where the fandom unintentionally cries wolf?

I'm not so naive as to believe that things were actually simple 'back in the day'—that's the nostalgia talking—but it still seems like things were simpler in comparison to what we've got now. TV and its media equivalents used to be—or at least felt like—a fairly straightforward journey of airing, ratings, syndication, cancellation, renewal, and then (eventually) the viewer securing a copy for themselves via VHS and DVDs. Now it's like, "What do I do with the newbie webseries eventually bought up by a major corporation and moved from a free watch, to a company-specific streaming watch, to a different, more expensive streaming watch, all of which has led to a decade of success with various spinoffs, but apparently this webseries still isn't making enough money to continue? Regardless, it and everything else I love to watch is inching more and more towards digital-only copies, a status that is inherently nerve-wracking, which means that if it does suddenly crash and burn (given that this is one of two series keeping the original company afloat) circulating this story and maintaining the fandom will be that much harder."

I find that depressing and I'm someone who thinks RWBY is pretty awful right now. I can't imagine what that ambiguity and the state of streaming media in 2023 feels like to fans still in love with the show.

So yeah. Idk how they intend to greenlight Volume 10 either.

#rwde #rwby #mymetas

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robotnuts · 8 months

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i dont know much and i havent really Read a lot of theory so id probably be laughed out of the room by anyone that has but even as someone who knows nothing i do think its clear that like. even if the broader political implications werent fully intended by burnie (which, considering the problems with disability rep in rvb, i sure Hope they weren’t), there’s still meat to sink your teeth into there.

reading the AI as assistive tech in the story creates some really interesting thoughts about biopolitics and the military. there’s interesting stuff about how maine’s disability is treated and how care is forced on him that he doesn’t ask for and how york is treated of course, i just reblogged a post on it, but i think pushing the framework further to extrapolate what it means for characters who Aren't understood as disabled being provided assistive tech highlights some interesting points about disability politics. what does it mean if you consider even the able bodied freelancers being (classified as) ‘disabled’ by not living up to a superhuman standard that no one can access without modifications.

having an ‘abled’ or ‘disabled’ body isn’t a natural inherent objective state of being but a classification produced by and given to you by sociopolitical circumstances, what is considered 'disability’ is subject to change with shifting cultural norms, etc. so in an incredibly high-control hierarchical environment like the military, with absolute control over your environment and body and goals, the standard of behavior you need to achieve to be considered 'abled’ can be pushed so far to the extreme that it falls out of the range of behaviors that can even exist without assistive tech so fantastical that can't exist in the real world. this view challenges the 'common sense' conceptualization that being abled is just the ‘natural, healthy’ condition of one’s body as an inherent physical state with no societal influences or contexts. instead, disability and ability is produced by the interaction between one's physical body and those contexts, and in extreme contexts, we get extreme conclusions. no one at club errera would consider agent carolina disabled, but under project freelancer, in order to further the aims of the people she works for, her not being able to run 50mph is a ‘disability’ that needs assistive tech in order to fix.

and also under the control of the military, the abilities of agent carolina’s body are owned by her superiors. her assistive tech isn’t given to her in order to allow her to run fast because she wants to and thinks it would enrich her life, and being granted More Ability is not an unquestioned net good with no drawbacks**, but a material tradeoff that comes with different advantages and disadvantages for one's dayt o day life. it's not for her, it's solely because it would allow her employers to continue exerting power and maneuvering towards their political aims. in short, her own well being is completely disregarded, because, well. duh. it’s the military.

assistive tech’s designs and aims are also not apolitical and always a positive thing. using the AI has extreme physical and mental risks and harms for all the freelancers, as well as just being a MASSIVE interpersonal burden/change in how they’re expected to interact with the world on a fundamental level, which makes sense as a trade-off! in order to be able to perform the superhuman feats required by PFL the tech is fundamentally invasive on the deepest possible level. but it helps PFL look better and satisfies the director’s enigmatic whims,* so get on the operating table.

this point reminds me of posts i’ve read about prosthetic arms and how they’re extremely difficult to learn to use and how most people give up on them because they aren’t comfortable and aren’t helpful in the long run, but people are still encouraged to be fitted with prosthetic arms, because thats the Natural state of an Abled body and wouldnt it be best if everyone could Return to that, instead of considering assistive tech that might actually treat the needs of an amputee, such as tools modified to be able to be used with only one hand (also, militaries even use soldiers who are given these devices after losing their arms as promotional fluff pieces, calling them bionic arms and showing off how high tech and cool they are, even though from what i understand, they suck! fuck the military!!!)

*(and i don’t think the director’s enigmatic whims are necessarily me being snarky about weird character writing and don’t reflect any real life phenomena either- this being the director’s Pet project and theory and people with power being able to use that power to extreme ends to get incredibly stupid ideas manifested in reality reminds me of the elizabeth holmes, the silicon valley blood girl, and how she got investors excited because they were sold on the story of the idea and not because of any real merits it had. NFTs work as another example. the director decided he’s going to do this dumb fucking AI dissociative identity disorder scheme because it seemed so clever, and there’s no checks on his power as the nepo baby in charge of the big shiny war machine, so he can totally just fucking implode his entire organization and ruin countless lives on this pipe dream fueled by his fucking dead wife angst

**this is why this essentially just being the case and all we're given wrt wash's disability in zero drives me so crazy lol. i mean most of the stuff i find interesting here is in 6-10, its not really doing the same kind of interesting stuff in 17 either, but i do think a story about a disabled character coming to terms with what his and future will look like is an important story to tell, even if i don't have as many interesting thoughts how the plot intersects with the explicitly political environment of the military in the same way i do with 9/10

#rvb #sorry all the easy jokes and posts have been taken already ive been here too long now all my posts are fucking Weird

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ehhgg-art · 11 months

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wanted to try my hand at sketching with pens and highlighters again with some rvb folks (also working on my tex design because hhrrrggrhrhbrgh)

#ouughhhh agent texas you are the woman ever #agent texas #michael j caboose #franklin delano donut #rvb tex #rvb caboose #rvb donut #rvb #red vs blue #rvb fanart #fanart #art #drawing #artists on tumblr #artist #sketch #tradart

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smol-ruby · 2 months

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love the relationship between caboose and sarge

#rvb #red vs blue #rvb highlights #rvb caboose #michael j caboose #rvb sarge

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sco07ut · 2 years

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i don’t think we give simmons enough credit for his more creative abilities tbh. I think out of all the bgc he is canonically one of the most creative members, these r just off the top of my head but:

- he’s a writer, in the original captains’ logs (not the machinimated ones, the original text based ones) we can see the title of some of his fanfic when grif starts snooping through his files, and i’m pretty sure it’s also been mentioned in a few psas that he frequently writes fanfic (ik this doesn’t inherently make him a Good writer but he still has the drive and motivation to write a full fic, something that i definitely don’t have)

- building off of that, the rvb fan guide book reveals that simmons has made several text-based storytelling games, highlighting both his writing skills, and abilities to code. and considering the rest of his technical prowess, is it too far to assume that he’s capable of coding regular video games too?

- especially games that have a soundtrack, that’s right, our man is also musically inclined. epsilon revealed that simmons can play the banjo and grif revealed that he can play enough instruments to not make just one jazz song, but an entire album of them! this likely means he can play at least the piano, saxophone and trumpet in order to actually make something that counts as a song, but who knows, maybe he knows even more

- not 100% sure if this counts as creativity but he’s also a relatively decent gardener! during the days shipwrecked on chorus, and in the season 14 get bent episode, simmons has personal gardens that he tends to, meaning he also has at least some affinity for plants and garden layouts/presentation

idk where i was really going with this but i just wanted to bring it up

#rvb #rvb simmons #anyway the conclusion i’m drawing from this is that simmons is wirt from otgw #i would bet my left leg that he’s made poetry and read it aloud over an instrumental backing

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high-voltage-rat · 10 months

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Posting my RvB Project Freelancer playlist because I have brainrot about some of these songs and also crave public opinions on them.

This playlist was built with two things in mind- the badass space marine vibes, flashy fight scenes, and fast-paced action that embody the freelancer arc, for one. Some songs I included primarily because they contributed to this overall energy that Freelancer was based around. That feeling of flying through the battlefield, guns blazing, with no regard to the danger. The kind of confidence that lets you jump off a building without worrying too hard about how you'll survive the impact- that lets you face an entire base worth of enemies and still crack jokes as they surround you. The kind granted by a ranking system that tells you "you've been chosen. you're the better than the rest. you're on the leaderboard."

But the other motivation, in perhaps direct opposition to the first, was the set of underlying narrative themes that poisoned the Freelancers from within.

(Further discussion, Spotify link, tracklist, and choice lyrics under the cut:)

The ignorance, intentional and otherwise, to the purpose of their missions- to the Director's true motivations, to the ethical principles being violated with every step, to the thinly veiled lies. The need to prove oneself- to stay on that leaderboard no matter what the cost, to remain worthy of approval, of power, of support that could mean your very survival. The betrayal and infighting to remain on top, to right the wrongs done- the break between the agents who valued loyalty and those who valued morality. The manipulation by The Powers That Be to participate in and perpetrate the horrors of war, to stain one's hands with blood and commit horrible deeds which ultimately have no purpose- believing the lies of 'us versus them', throwing away your innocence and believing that it's all for the greater good, only to discover that the people you've done these horrible things to are no different, no more evil than yourself. Eventually breaking free from those influences, despite the potentially lethal consequences, and being left with the near-impossible task of trying to become 'good' again. All of these were themes I tried to keep in mind and channel in this playlist. Bonus points touched on were the impact of AI on their hosts' physical and mental health, the quest to gain justice, and the attempts to find peace and be better after it's all said and done.

I found that while my primary focus was on the Freelancers themselves, a fair number of the songs applied just as well, if not better, to the simulation troopers and even the soldiers of Chorus. I enjoy that this kind of highlights how the main message kind of echoes through all the RvB arcs. I also think it's a notable point that a lot of the songs that I used to portray the manipulation and abuse of the Freelancers by the men in charge have the real-world messages of highlighting wealth and social inequality and abuse of the working class by the rich. This isn't something necessarily explicit in the RvB canon- but the vast majority of military recruitment comes from their exploitation of the desperation of the working class. This real-world issue has echoes throughout the story- in the Reds and Blues, yes, but also in the Freelancers. They say multiple times, "The Director's given us everything"; they've been lifted up, granted a better life, but it all depends on remaining in line, staying in the good graces of those with power. They eat, sleep, breathe because of Freelancer- they live on the ship, spend their whole days submerged in it. One wrong step, and they're back to having nothing.

Anyway, without further ado, here's the playlist lmao

True Friends- Bring Me The Horizon

I wouldn't hold my breath if I was you // 'Cause I'll forget but I'll never forgive you // Don't you know, don't you know? // True friends stab you in the front

2. Go To War- NOTHING MORE

With every battle we lose a little more // Remember everything that we'd die for // You are everything that I'd die for

3. Only Us- Thrice

Finally when will it be enough // To find there's no them // There is only us // There's only us

4. Wicked Ones- Dorothy

This night ain't for the faint of heart // For the faint of heart, for the faint of heart // This night ain't for the faint of heart // 'Cause the faint of heart gonna fall apart

5. Saints of the Sinners- The Faim

When jokers smile and angels cry // We lose ourselves and lose our minds

6. All Eyes on You- Smash Into Pieces

Now the whole world's watching every move // Still your heart so much to prove // Fight for all the things that you believe in // Now the whole world's watching every move // Take your shot, don't act a fool // All you've got and all you'll ever need // Is one bullet in the chamber

7. Used To The Darkness- Des Rocs

Now would you pray before you twist the knife? // Yeah, would you take my hand and take a life? // I'm too damn young to give up on the light // I'm used to the darkness, I'm used to the darkness

8. Can't Go To Hell- Sin Shake Sin

It's no mystery, what can I say, we're blind by design // And history keeps getting paid to change it's mind // Some wounds will never mend // Divided by deception, but together we must rise // Deafened by the naive while we silence the wise

9. 12 Rounds- Bohnes

'Cause I fight for everything I die for // Everything I bled onto the ground sacrificed for // When the reaper comes knocking at my door // We'll be going 12 rounds

10. Hold Steady- The Glorious Sons

What ya think? // I do it for free? // Either you're lyin' // Or you must not think much of me // I gave you my soul // I gave you my bloody, ragged soul

11. Chosen Ones- Mountains vs. Machines

We are, we are the chosen // We are, we are the few // The end will never come // We are the chosen ones

12. I'm So Sorry- Imagine Dragons

So you gotta fire up, you gotta let go // You'll never be loved till you've made your own // You gotta face up, you gotta get yours // You never know the top till you get too low

13. Machines- All Good Things

Hands to the sky I swore I'd try // Searching for a better life // They would take us far from home // Far from all the things we know

14. The Kids Aren't Alright- Fall Out Boy

And with the black banners raised // As the crooked smiles fade // Former heroes who quit too late // Who just wanna fill up the trophy case again

15. Man or a Monster (feat. Zayde Wølf)- Sam Tinnesz

It's so hard to tell which side you're on // One day is hell, the next day is the dawn // The lines are blurred, you keep rubbing your eyes // The tables turn, now it's time to survive

16. Spaceman- The Killers

And you know I'm fine // But I hear those voices at night sometimes // They justify my claim

17. Down (feat. Trella)- Simon

All the secrets that I keep // Like a bomb inside of me // I've been waiting to be free // All the shades of who I am // Try to catch me if you can // I just slip right through your hands

18. Mars- Sleeping at Last

As life replayed, we heard a voice proclaim // "Lay your weapons down // They're calling off the war // On account of losing track // Of what we're fighting for"

19. What Are We Fighting For- The Federal Empire

The price of our freedom // Is blood in the water // We’re looking for hope what will it take // We keep on repeating // The fate of our fathers // Somehow there’s got to be a change

20. Follow My Feet- The Unlikely Candidates

There's a fork in the road in front of me // At the crossroads of identity // The Devil is standing to the left // He says "either way, they both lead to death" // And the high road's steady and steep // And the low road's easy and deep // Guess I'll follow, follow, follow my feet

21. Hysteria- Muse

Yeah, it's holding me, morphing me // And forcing me to strive // To be endlessly cold within // And dreaming I'm alive

22. Go Get Your Gun- The Dear Hunter

And to those who'll die, please try to understand // That for those who die, we tried the best we can // With our one foot in the grave // While the other one's kickin' its way right down to Hell

23. The Fear- The Score

I've battled hard with the face in the mirror // Every scar makes me dig down deeper // Push it 'til there's nothin' more // 'Cause I'm stronger than I was before

24. Lunatics and Slaves- Sin Shake Sin

Hate what they tell you to hate // Love when they say it's okay // Still, you have nothing to say anyway // And you don't even know you're a slave

25. Try Honesty- Billy Talent

Sew up my eyes, need no more // In our game, there is no score // Forgive me father, why should ya bother? // Try honesty, try honesty

26. Blood On Our Hands- KNGDAVD

So walk with me and you will see // That your enemy may be your remedy // 'Cause we all got blood on our hands // But we still got hope in our souls

27. Free- Mother Mother

A bloody war // Behind my eyes // I come out right on the other side

28. Back Against the Wall- Cage the Elephant

Blanket of silence makes me want to sink my teeth in deep // Burn all the evidence of fabricated disbelief // Pull back the curtains, took a look into your eyes // My tongue has now become a platform for your lies

29. Spirits- The Strumbellas

I spend a lot of nights on the run // And I think, oh, like I'm lost and can't be found // I'm just waiting for my day to come // And I think, oh, I don't wanna let you down

30. Blindness- Metric

I was a blind fool // Never complained // All the survivors // Singing in the rain // I was the one with // The world at my feet // Got us a battle // Leave it up to me

31. Champion- Barns Courtney

I've been on a long road // With the devil right beside me // Rising with the morning sun // It's a hunger that drives me

32. All These Things That I've Done- The Killers

Another head aches, another heart breaks // I'm so much older than I can take // And my affection, well, it comes and goes // I need direction to perfection, no, no, no, no

33. Imaginary Friends- Des Rocs

Do you wanna leave me here? // With you 'til the end, imaginary friends // Give in to the fire and the fear, the liar in your ear // And you'll never be lonely again

34. Dear Dictator- Saint Motel

And at the trial, there'll be no jury // And all the dead are going to play witness // Not too late to say you're sorry // It's too late to truly mean it

35. False Confidence- Noah Kahan

Why won't you take me seriously // Look at me all fucked up over someone I'll never meet // And I wonder why I tear myself down // To be built back up again

36. Villains, Pt. 1- Emma Blackery

I don't feel anything // Because I became possessed and obsessed // With the idea of revenge

37. Woke Up A Rebel- Reuben And The Dark

I am wild, I am lost // I am sick, I am damned // But I am holding redemption in the palm of my hand // So I tighten my fist // And sharpen my teeth // It's a promise I made // It's secret I keep

38. Revolution- John Butler Trio

So tell me family now what do you think // Watch it all go down the great big sink. // Watch how the scum it rises to the top. // Don't you wonder when it's all gonna stop? // Sometimes I wonder how we do sleep, // Serving the dodgy companies we keep. // All kicking and scrounging for the very first place // Dictionary definition of a rat race

39. Survivor Guilt- Rise Against

Carry on // Don't mind me // All I gave was everything // And yet you ask me for more // Fought your fight // Bought your lie // And in return I lost my life // What purpose does this serve?

40. Pressure- Muse

Get out of my face, out of my mind // I see your corruption // I'm not blind // I'll carry the burden and take the strain // And when I am done I will make you pay

Note for anyone who actually read this far or looked at the selections here: yes I know these selections and bands imply something very specific about me, and the idea of some of these more popular and overplayed songs being paired with my melodramatic write-up might be laughable. I feel the need to qualify by promising my taste is not just the basic "action movie trailer" vibes or early 2010s radio hits this playlist sort of lets on... but these are the songs that make me Feel The Vibes and part of the vibes is the inextricable fact that I watched the Freelancer Saga in 2011-2012 when I was an edgy teen listening to Linkin Park and Fall Out Boy on repeat daily. Just be glad I branched out more than I did 11 years ago for this one.

#not video games #rvb #red vs blue #it's not 'done' cause I'm still tweaking it but I crave external validation lmao #late nights with ali #playlist #project freelancer #spotify #ali watches rvb #in deciding on the title for this I discovered that the motto they chose for the pfl shirt logo translates to 'strength through science'#which. yeah I'm sure that's exactly what the director advertised his work as but in hindsight his 'experiments' kind of did the opposite lo #anyway sorry this is hella long blame @yer-yellow-stripes for encouraging me

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prototypelq · 2 years

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Some things that made me dislike Freelancer Saga so much is it's obsession with making Freelancer looks Cool TM. We're explicitly shown and told that Tex is #1, Carolina is second best, and that Washington is "the rookie". And while I, as a viewer, have absolutely no questions why Tex is the top of the leaderboard, I have A Lot of questions why Wash is the least skilled of all. But I don't really wanna dig into him here, we can assume that Wash trained harder and became much better after being designated as Recovery agent (which is, kinda still hard to believe because how would a freshly traumatised agent train to be Better than he was before said trauma and in highly competitive environment, but let's Assume he became better)

Tex being #1 on the leaderboard is very easy to explain - even before the big reveals of the plot, during Blood Gulch chronicles we see Tex: having mechanic skills, using a sniper rifle, being an infiltration and explosives expert, and good hand-to-hand combat skills. She's good at all of these, which gives her a range of tools which she can utilize to get tactical advantage in pretty much any situation. All the while, she doesn't become a Mary Sue, because everyone in the series has a rifle and grenades which are lethal to every character, Tex in the first episode included.

For the next part I believe, there should be a disclaimer: this is a personal opinion, and Not an analysis. I have seen Freelancer just once, and can't say I want to rewatch it, as I didn't like those seasons. While I understand the shift to more epic animation sequences of super-cool space soldiers, I do not like the plot armor it requires characters to have, and this is not why I fell in love with RvB.

My main problem with the "competition" setting of Freelancer saga is that, well, there Is no competition if the missions are a team effort. Competition requires every character to be on a even ground with others, so they could compare their skills with each other, but this doesn't work if they don't have similar skills to compare. Every Freelancer has their speciality and role in the team (York - security, North - sniper, South and Maine - muscle, etc), so they can't exactly compete with each other. Even Carolina, the supposed leader of the team and 'the best', doesn't show any skills in security or marksmanship, mostly she just does hand-to-hand combat or camouflages herself to have a better position in hand-to-hand, so she couldn't exactly compete with other Freelancers too. She has a rivalry with Tex, but she doesn't have all the skills Tex has to really compete with her, except chasing each other, or close combat. Also, Carolina doesn't really have leadership skills necessary for her position in the group, she just stations everyone according to their main skill so the mission goes on correctly, but she is not responsible for her team, or concerned for them, she uses her position just to show off. (I'm really full of Caroline 'the best' worship)

Freelancers character-wise are actually good, they have easily distinguishable traits, good dynamics and banter, especially some agent-AI combinations are a highlight here (York-Delta and North-Theta). I wish we had more time dedicated to agents themselves, so we could learn more about them, but well, we got what we got.

#rant #rvb freelancer #rvb #rvb tex #agent texas #agent carolina #agent washington #agent york #rvb wash #rvb york

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theemarsrover · 2 years

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I’ve been wanting to make this post for awhile but have been back and forth on it in fear that I’ll come across as a bitchy youtube comment or one of those people who are just “waiting for the death of RT/AH”.

I am neither of those.

I’ve been a part of this community, consistently, for the last 11 years. I’ve watched series, cast members, entire production teams, and offices come and go. I was here during the kickoff of the Project Freelancer arc in RvB. I started watching the same year Michael Jones was hired full time.

I know there’s a lot of opinions going around about the new editing style of YDYD and the whole ‘catering to the algorithm’ debacle. I’m not here to tell anybody what I think the right answer to this is because

1) I am not behind the scenes and I don’t have an extensive knowledge on how the algorithm works

And 2) I don’t think there is a right answer because of how often the algorithm changes

However, if Achievement Hunter is interested in feedback then I have some.

Way back in the day we had journals and forums on the Rooster Teeth website. I know a few of you remember them but for those who don’t: these journals were a way for RT to update the community about big things that were happening. Gavin and Barbara got their start in RT from being active on these forums in the company’s early days. And I stay active in this community, on this platform specifically, because it’s the closest thing to the camaraderie I felt in the old forums.

Once journals were becoming more obsolete, I transitioned into watching AHWU (and the RT Recap) weekly and got updates about what was happening in Achievement Hunter since that was the content I watched the most. AHWU gave us live action shenanigans, a tease of what videos we could expect, and other special announcements like Extra Life, live shows, new merch, livestreams, etc. etc. Then we had P.O. box openings and it really felt like those videos were a place the entire community could come together and everyone got something out of it. And, with a handful of exceptions, they were short form videos!

When life got busy for me, I knew that AHWU was the best starting off point because they told me about anything I missed, any videos that were already out, and I felt like I was still part of what was happening in the community as things were happening rather than weeks later, especially with time-sensitive announcements. AHWU was a tool I could use instead of relying on youtube’s algorithm to show me a video or having a twitter account to see announcements for a livestream.

Now with that being said, AHWU had a lot of valid reasons for ending. None of which I’m going to get into here because I don’t think bringing back AHWU as it was is the answer. What I’m highlighting here is that since the end of the series there has been a disconnect between the content/announcements that are coming out and the community not knowing they’re there or where to find them in the first place.

I listen to the Off Topic podcast where a lot of these things are announced. Sometimes it’s at the beginning of an episode, sometimes it’s not until we’re 45 minutes in. Something can be said about the fact that people aren’t watching this specifically to get AH news, people who don’t watch it probably don’t know things even get announced there, and also I don’t watch every single episode so I miss things. But I digress. This is not the only place announcements are being made. There’s announcements that happen in random twitter threads, reddit threads, instagram stories, and while that’s all well and good it’s too much to keep track of. I’ll make a post on here about a new series or a returning one and half the comments and tags are people saying they didn’t even know that series existed much less there being multiple episodes out already. Gifmakers will make a post from a video and their comments are a lot of the same.

I consider myself a fairly active member of the community, but it feels like now, if I get busy for even a week, there is so much I miss and I don’t know where to look for it because it could be anywhere or nowhere.

Like… We literally made a website to combat this issue.

I don’t know if I’m feeling this way because I’ve been a fan for so long. Am I standing on my digital lawn shaking my fist in the air at change? Maybe. But I don’t feel like I am.

Achievement Hunter is so important to me and has been for over a decade. I’m genuinely so proud of all of the things that they do, even the things they try that don’t work out. I want more people to engage in their content and be excited about what’s coming next! Unfortunately, that’s hard to do when we don’t know where to get the information in the first place.

I do not have all the answers. I only have what I can do, what I can say, and a community here that’s willing to keep the spirit alive as the seasons change.

#achievement hunter #i'm so hesitant to put this in the main tag but i just cannot be quiet about this anymore lol #anyways if you want to catch up on AH news and exciting things that are happening in the community check out our website that i linked #it's also the pinned post on my blog #long post

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