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#rico tubbs
red-hot-moon · 8 months
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MIAMI VICE SEASON 4 + cinematography
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daniwib · 16 days
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Eddie chose their bachelor party outfits
Buck explains that it was an 80’s themed party and that he was dressed as Crocket and Eddie as Tubbs, then Eddie corrects him and says HE is Crockett and Buck is Tubbs.
We all know Buck’s pop culture knowledge is lacking and the fact that he got their character names mixed up and Eddie corrects him tells me that Eddie chose them. Why is this interesting?
Because Crocket and Tubbs are the guys from Miami Vice. If you don’t know it we’ll forgive you since it aired from 1984 – 1989, before a lot of you were probably born or old enough to be watching it. Before either Buck or Eddie were born too, by the way (and Christ don’t I feel old since I was in high school when it ended).
So, Eddie choosing to go as Sonny Crockett is FASCINATING to me. Quoting heavily from this article:
“Sonny struggles with depression, gets attached easily and just as easily hurt and makes dad jokes. Sonny is prickly, vulnerable, and deeply sad. I would also argue that he’s pretty heavily queercoded, and I don’t think it’s entirely unintentional.”
Sound somewhat familiar at all?
Interestingly, the penultimate episode of season 1 is titled Evan. Why is that interesting, you ask? As this article says, “Oh, you know, it’s then the moment Sonny’s possible bisexuality starts to seem like an intentional implication rather than an accident of incautious scripting”…
There’s a lot more to Miami Vice of course, and my memory of it is filtered through 30 years of life so it’s not perfect. You can find out more for yourselves if you want. I just find it very interesting that it’s Eddie who went as Crockett instead of Buck.
Interesting and exciting when we view it through the lens of Buddie possibly going canon in the future.
Why did you choose to be Crockett, Eddie? What is your subconscious telling you that you aren’t ready to hear yet Mr Diaz ‘who freaked out that your girlfriend was a Catholic nun’, hmmm?
I wonder…
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yodeleyewho · 4 months
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they will never escape the being in love with your partner allegations
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wardenmop · 5 months
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((puts your 80s cops in crop tops))
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Miami Vice S1E16: Smuggler's Blues
Sonny and Rico fly to Colombia with Eagles frontman Glenn Frey.
The first time I watched this one was before I'd watched Wiseguy, so I don't think I had much of an opinion about Glenn Frey other than TAKE IT EEEEEASY, TAKE IT EEEEEEASY
Anyway I actually really like him as an actor and I think he does a great job of playing a super burnt out aging hippie Vietnam vet here
This is also the second (and unfortunately the second to last) episode directed by my best pal Paul Michael Glaser, so it's thoughtful and well-paced and fairly homoerotic, which is all one really needs for a solid Vice episode
The DEA does not come off well at all in this episode:
Sonny tells a callous and "results oriented" DEA agent who blames casualties on the "politics of contraband" that "the politics of contraband does not involve killing children," and then straight up calls him a fascist
And later a Rico expresses a sense of surprise that they're involved in such "a big operation, moving people to Cartagena," and a DEA agent responds with "not people, just you two"
...which is all fair because the DEA is terrible, although we're still in the portion of the series where (Sonny especially believes) "regular cops" are still positioned as good, so a bit of pot-kettle going on there
Trudy SO wants to go to Cartagena and make a drug deal but the DEA agent tells her she is staying in Miami and posing as Rico's wife. : (
We'll see later in Prodigal Son that PMG is really good at directing Don Johnson, but it's very clear in this episode that he's also extremely good with Philip Michael Thomas
There's a bunch of moments in this one that are very Starsky & Hutch -- the fight in the alley could literally be ripped from an S&H episode, and the later scene where Sonny and Rico have a wordless conversation in matching doorways feels very S&H as well
The lyrics to the Glenn Frey song Smuggler's Blues straight up narrate part of the episode, to the point where it feels a little silly. Trudy sure does have a suitcase when you're singing about suitcases
We don't get to see if their hotel room only has one bed but I like to believe
So. I think this is the episode where Sonny, who is very good at ignoring his own feelings and refusing to process anything, suddenly realizes that he might care about Rico More Than Is Normal or Acceptable. When Tubbs is captured by the Colombian police, he lets him go fairly quickly, and without pushing back too much on Jimmy-- until they get back to the hotel. He doesn't freak out until he has the time and space to process, and then he snaps. Jimmy asks if he's going to just take on the entire Colombian police force, and Sonny says 'maybe,' and he tries to strangle Jimmy. When he calms down, and Jimmy offers him a cigarette, he breaks the filter off. And then as he and Jimmy sit and discuss loss, Sonny genuinely looks like he is (and frankly he could be) crying. He tells Jimmy that Rico is the one guy he's "gotta wait for," and then when Rico gets out of jail, he sees that Jimmy has left and Sonny has completely trashed the hotel room.
You know.
Normal coworker kind of behavior.
Thank you PMG for always supporting your loyal queers
There is an unremarked upon and incredibly ominous small boy who follows Grocero (the drug dealer) around throughout the episode, and I'm sure the intention is something-something the way the drug trade fucks up kids bla bla BUT what it actually comes off as is just. David Lynch Red Room shit. Haunted child.
When Trudy is captured later and Castillo is deciding who is going to try to defuse the bomb she's strapped to, twice Gina asks for it to be her, and twice the entire rest of the team ignores her. It's a really interesting little moment, especially coupled with the DEA agent shutting down Trudy's desire to go to Colombia earlier-- Gina and Trudy are often given short shrift, but it's not usually remarked upon. These lines didn't need to be included-- Gina and Trudy could've just been excluded from the missions as they often are-- but instead this episode actually highlights the ways they're sometimes dismissed and prevented from fully participating in things the men of Vice are never questioned on. I'm not 100% certain, but from what I recall this may be the only time this tendency is lampshaded in this way-- I suspect because this episode was written by Miguel Piñero, which is to say: Calderone himself.
Piñero was a playwright and poet known for piercing portrayals of modern society and its ills (especially with regards to the treatment of Black and Hispanic populations). He died very young, but in that time was nominated for or received a number of prestigious writing awards and helped found the Nuyorican art movement. I do not think it's a coincidence that this man saw some things (Vice's iffy track record with women, the abject uselessness and evil of the DEA, even the portrayal of the Colombian police captain not as corrupt but desperate) more clearly than many of the other writers on the show. It's also worth noting that Piñero was bisexual, and in a relationship with gay painter Martin Wong at the likely time of writing this episode-- which is to say I don't think Sonny's "oh. Oh no." moment about Rico ought to be brushed off as "straight writer accidentally makes something homoerotic because they don't think or care about women."
Tubbs blesses himself when he hears that Sonny and Trudy are okay-- he is not generally portrayed as particularly religious, but he probably had a Catholic upbringing, given his background, and it feels like a very real reaction.
The episode ends with Tubbs waxing philosophical about why anyone would do any of this shit and deciding that "the bottom line is money," and Castillo agreeing, "usually is." That's it folks! That's the show!
So uh. Is Jimmy dead
I know in a later episode some other smuggler will be like "yeah Jimmy told me all about you guys" to Sonny and Rico but like. Someone forgot to wrap up Glenn Frey's storyline here
He gets shot and then we just never see him again
R(?)IP Jimmy
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Miami Vice 4x20 A Bullet for Crockett
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hysterekbuddiez · 10 days
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Tubbs wears a St Christopher medallion just like Eddie?
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courdorygirl · 16 days
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For the baby gays/bis/allies on my timeline (I say that with affection) Crockett and Tubbs were the two main characters on Miami Vice. Totally lots of pastels, silly eps, and subtext. My parents ate that shit up too (I was an 80s baby, so my memories are kind of... blurry? But my genx bro remembers watching every week)
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nullphysics · 2 months
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80sheaven · 1 year
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Don Johnson as James “Sonny Crockett” and Philip Michael Thomas as Ricardo “Rico” Tubbs in the very 80s crime drama series Miami Vice.
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assignmentimprobable · 7 months
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Welcome to Miami.
(Miami Vice 2006 Edit
Track: Miami - Will Smith)
For @power-chords who gave me the brilliant idea 7 months ago to do a Miami Vice edit to the actual Miami song. Icon. Legend. Im giving you like 69 potato
The sheer difficulty of doing this because of Mann’s evenly paced directing style lmao. It was pure simpery for the cast that got me through this lowkey 😭 Definitely worth the obsessive 24 hour period spent scrubbing through clips on iMovie to get the timing right
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red-hot-moon · 10 months
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MIAMI VICE SEASON 3 + cinematography
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yodeleyewho · 5 months
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wardenmop · 6 months
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the way he thinks he's Mr. Darcy and the way he's right
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Miami Vice S1E17: Rites of Passage
Tubbs' old flame Valerie arrives in Miami hoping to find her sister.
At the beginning of the episode, when Zito and Switek are failing to fix the bug van, Tubbs suggests it's possessed and then laughs like the fucking Crypt Keeper, and it is absolutely delightful
Sonny looks like a kicked puppy when Rico wanders over to see Pam Grier
There's a lot going on with the reunion between Val and Tubbs. He's clearly thrilled to see her, but her initial reaction is doubtful at best and actively distressed at worst-- she's not interested in whatever he's selling. When they go for a walk together, he is immediately very familiar and frankly somewhat possessive-- he asks her why she didn't call him when she's been in Miami for 2 weeks, and when she starts to explain he just doubles down on the questioning.
It's an interesting facet of his personality-- he's both very quick to assume a level of relationship seriousness with anyone he likes, and also incredibly pollyanna about being able to fix any problem in that relationship-- often to the point of both ignoring the other person's feelings and the reality of their situation. Tubbs is often framed as the "reasonable" one between himself and Crockett, but like... let's be serious, that's only because Crockett is a sad wet disaster man. Tubbs is also a huge fucking mess, especially when it comes to romance.
Sonny asks Val if "Tubbs abandoned her" and when she laughs and says no he asks "so when's your flight." He's not jealous or anything.
Gina, interestingly, bristles a little at Val in the handful of scenes they share together, but it's really not clear why.
There's a shopping-and-cocaine sequence with Val's little sister Diane set to Change Your Ways by Rockwell that is just spectacular-- it's beautifully shot, wonderfully choreographed, and just so, so cheerfully, bleakly ominous. It's a really classic bit of Vice cinematography, the kind that has been misremembered as empty MTV glitz but is in practice a quick, gutting image poem. "Well, have you considered the price of the life you want to live?" indeed.
John Turturro is in this one as a sleazebag pimp; we see his nipples
The scene where Tubbs and Crockett make stupid jokes about the nouveau riche and quiche kills me, because it's a perfect example of how they are truly only funny to each other
Sonny puts an entire sandwich in a woman's drink at a party while she is not looking.
Rico tells Val she could stay with him. Could she, Rico? Could she?? You 100% live in your car, baby, you are the only member of Vice Squad whose home we never see
The second "music video" sequence in this episode is set to I Wanna Know What Love Is by Foreigner; we watch Val and Tubbs have slightly-less-operatic-than-usual-for-Tubbs sex, and Diane gets murdered. Is it a little on the nose? Yes, absolutely. However, there's minor off-and-on distortions in the music-- little hiccups, like a warped record skipping-- that elevate it from borderline-didactic to genuinely creepy. From Tubbs' (and maybe-- but probably not-- Val's) perspective, the lyrics play themselves straight. From Diane's perspective, they become a prophecy-- Foreigner signs of love, "I better read between the lines In case I need it when I'm older;" Diane, too trusting, never gets the chance. We see Sonny, too, realizing he has to be the one to break the news-- that it's also a form of love to be willing to tell someone the truth even when it's going to hurt them.
(If you subscribe to the idea that it finally dawned on him in the previous episode that he cares a little more than he ought to for Rico-- well, it tracks with all his reactions throughout this one.)
When Val goes to leave, Sonny's first question is "is there anyone meeting you at Kennedy?" because despite everything, at his core Sonny is kind
Val does not return Rico's little kissy gesture : (
So how the hell does Sonny get Val out of the uh, y'know, the whole. Murder charges thing. She implies in the next episode she appears in that he "pulled some strings," but like. What strings, James Sonny Crockett? What strings did you pull that got Valerie "I 100% Shot This Guy In Cold Blood, Cuff Me Boys" Gordon out of prison???
Very smooth, though, getting your boyfriend's girlfriend out of jail. Smooth like your damn brain, Sonny
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vancruejovi · 4 months
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Tubbs 💜
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