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#rajiv joseph
doyouknowthismusical · 3 months
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do-you-know-this-play · 5 months
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tv-moments · 8 months
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Extrapolations
Season 1, “2059 Part II: Nightbirds”
Director: Richie Mehta
DoP: Jaime Reynoso
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didtheykiss · 11 months
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King James at MTC
Did they kiss?
No, the only two named characters in the play, Shawn (Davis) & Matt (Perfetti), did not kiss. (Khloe Janel was a DJ for the show and interacted with no actors until curtain call.)
Should they have?
No. The play is about male friendship so it’s good that there wasn’t sexual tension of any kind between them so the friendship could be the focus. Shawn and Matt are also both written to be aggressively heterosexual. Davis & Perfetti had fine chemistry, although Matt was such a typical annoying white friend that it was hard to aggressively root for their relationship. 
King James by Rajiv Joseph directed by Kenny Leon starring Glenn Davis, Chris Perfetti, & Khloe Janel Runs at MTC’s New York City Center Stage I through June 18 This production was previously produced at Steppenwolf and CTG
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strazcenter · 2 years
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Know When to Fold ‘Em
Know When to Fold ‘Em #fromtheblog
The art of origami might mean more than you think Photo: Ned Averill-Snell Mother Nature loves to fold. Flowers, wings, you name it. Just look at us, human beings: our brains and guts are wrinkles doubling back on themselves; proteins, the building blocks of life are intricately folded amino acids. And if those amino acids don’t fold themselves into the exact right pattern, they’ll malfunction…
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freshmandarin · 2 years
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wrote a lil' something after seeing this premiere...
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unvexes · 4 months
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don’t deny i was the better spy! / i liked it better when you were dead!
soldier & rose, ghost quartet // tumblr, @/ojibwa // describe the night, rajiv joseph // problem area, melissa broder // the duel, natasha, pierre, and the great comet of 1812
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stevebattle · 6 months
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Kaa (1995) by Rajiv Desai, Charles Rosenberg, and Joseph Jones, IS Robotics (iRobot), Somerville, MA. Taking its name from Rudyard Kipling's "The Jungle Book," Kaa is a pair of serpentine arms able to grasp objects by wrapping itself around them, with force servoing giving it that extra squeeze. It has two arms, each 1ft long; a total of thirteen links with individual torque sensors. Each arm terminates in a single rounded fingertip that includes an infrared (IR) proximity sensor. The central body contains power and compute provided by three 8 bit Motorola 6811 microprocessors; one for servo control, one for behaviour control, and the other for IR control. Kaa is best known for acting as the arms of Rodney Brooks' IT (final photo).
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autismkendall · 2 years
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kendall roy – water as religion
shipwreck in stormy seas by joseph vernet | rajiv joseph | succession, 3x08, chiantishire | succession, 1x03, lifeboats | the storm on the sea of galilee by rembrandt van rijn | alex z. moores | succession, 2x10, this is not for tears | leila chatti | succession, 1x10, nobody is ever missing
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leporellian · 1 year
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i love when we study plays in class and i just know that tumblr would go crazy for them (and therefore i am glad tumblr does NOT know about them). that is all to say you motherfuckers would go APESHIT over Guards at the Taj by Rajiv Joseph
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edwardalbee · 8 months
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ok also i re-read describe the night by rajiv joseph for class and i literally could not sleep afterwards. what was he cooking
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writemarcus · 11 months
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Finalists/Semifinalists Revealed For 46th Bay Area Playwrights Festival
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The festival received 614 applications from playwrights across the United States.
By: Chloe Rabinowitz
Jun. 01, 2023
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Playwrights Foundation, the West Coast's premier launchpad for exceptional new plays and playwrights, has revealed the semifinalists and finalists for the 46th Bay Area Playwrights Festival, which will be presented in a hybrid festival (both in-person and streamed attendance options) April 12-21, 2024, per Playwrights Foundation's recent announcement to shift to a biennial festival structure. BAPF continues to uphold its legacy as one of the oldest and most successful new play festivals uplifting playwrights' new works early in their career.
The festival received 614 applications from playwrights across the United States. Applicants underwent a thorough evaluation process and were reviewed by Playwrights Foundation staff in collaboration with 189 committee readers-local and national theatre professionals serving as evaluators, with 57% who identify as playwrights. From this pool of 614 applicants, 148 semifinalists were carefully chosen based on the writer's voice, skills, and the play's potential. Applicants were narrowed down further to 45 finalists encompassing unique voices, under-represented narratives, and bold theatrical forms across various levels of experiences. Ultimately, five playwrights will be selected among the finalists and announced at a later point.
"The current landscape of contemporary playwriting is so vibrant. There is an abundance of writing which blooms with strong points of view, memorable plots and characters, and risk-taking moments of stagecraft." says Literary Manager Heather Helinsky. "Our community of readers were highly engaged by a wide range of theatrically innovative styles, compelling narratives, and poignant issues and themes. The semifinalists and finalists are deserving of reaching audiences in need of catharsis-from communal grieving to a good laugh."
Bay Area Playwrights Festival is one of the oldest and most successful new play festivals for new works in their early stages. Established in 1976 by acclaimed director Robert Woodruff, the festival has built a respected reputation for uplifting original and distinctive new voices in the theater, investing in the development of their work, and launching storied careers. Among the first writers developed at the inaugural BAPF was the young Sam Shepard. Since then, more than 500 prize-winning, nationally significant playwrights have received one of their first professional experiences at the BAPF, including Pulitzer Prize winners Nilo Cruz, Jackie Sibblies Drury, Paula Vogel, and Annie Baker; and acclaimed playwrights Lauren Gunderson, Rajiv Joseph, Katori Hall, Christopher Chen, Lauren Yee, and Marcus Gardley. BAPF's ongoing success in supporting and amplifying exceptional, newly emerging writers and launching their ground-breaking new work is its enduring legacy.
"We are excited to spotlight these talented playwrights and incredible plays in this year's BAPF semifinalists and finalists," says Executive Artistic Director Jessica Bird Beza. "There are an abundance of powerful narratives included on the list that made for an incredibly difficult selection process. We want to uplift and advocate for the dynamic work of this next generation of playwrights to other theatermakers and hope to see them on stages around the country."
After listening closely to playwrights and other constituents, Playwrights Foundation recently announced that the Bay Area Playwrights Festival model will shift from an annual festival to a biennial hybrid festival in order to expand the pre-festival program from 4 to 12 months. This change will allow staff to be more intentional and responsive to each playwright's needs and increase the amount of time, care, and resources dedicated to each playwright.
"The past few years have been a time for reflection and growth at Playwrights Foundation, resulting in newly expressed purpose, vision, and values," said Beza. "We move forward with a deeper commitment to center and empower the playwrights we serve, guided by a strategic plan co-created with significant playwright representation, and the 46th Bay Area Playwrights Festival program model changes reflect this."
45 FINALISTS FOR THE 46th BAY AREA PLAYWRIGHTS FESTIVAL
Calley N. Anderson, The Alligator
Jennifer Barclay, Behave Yourself
Nikki Brake-Sillá, ReWombed
Karen Marguerite Caronna, Dream of a Marginal Deity
Sam Chanse, Fellowship
Sean-Joseph Choo, otou-san
Avery Deutsch, The Last Beach Day
NJ Draine, The Housing Situation on Neptune
Lisa Sanaye Dring, Seven Hoshi
Jahna Ferron-Smith, Are We There Yet?
Noa Gardner, Nan
Sara Guerrero, Have to Believe We Are Magic
Mya Ison, Laure
Hasti Jafari, Superposition: A Crawling Play in Two Parts
Alicia Kester, Water Spirits
Garrett David Kim, Belligerency
Claire Koenig, DYKER BYKES
Molly Olis Krost, Nanay
Melissa Leilani Larson, A Form of Flattery
Minna Lee, My Home on the Moon
Jeffrey Lo, Balikbayan Box
Ethan Luk, Flight of a Legless Bird
Zizi Majid, They Came in the Night
Nick Malakhow, Optional Boss Battle
Divya Mangwani, Vigil-Auntys
Schaeffer Nelson, Hottest Church Dads
Miles Orduña, Lola
Rena Patel, Pyar aur Coffee
a.k. payne, Dwellers
Aidaa Peerzada, Children of the Wise
Phanésia Pharel, R&B
Eliana Pipes, Cowboy and the Moon
Christina Pumariega, Her Math Play
Ankita Raturi, Fifty Boxes of Earth
Aurora Real de Asua, The Pride Before
Harrison David Rivers, maybe the saddest thing
Nia Akilah Robinson, The Great Privation: How to flip ten cents into a dollar.
TyLie Shider, Whittier
DeAndre Short, At Ease
Phillip Christian Smith, Riverside Drive
Caridad Svich, Chelsea & Ivanka
Jason Tseng, Fear & Wonder
Emma Watkins, Elizabeth is Going into the Ground
Madison Wetzell, The Body Play
David Zheng, Ching Chong Maka Haya
103 SEMIFINALISTS FOR THE 46TH BAY AREA PLAYWRIGHTS FESTIVAL
Ai Aida, The True Tale of Princess Kaguya
Boni B. Alvarez, Sticky Rice
Amanda L. Andrei, Lena Passes By
Brent Askari, The Refugees
Alayna Jacqueline, You Know I'd Never (Even If I Did)
Jen Browne, Standing in the River While the World Falls Down
Phillip Gregory Burke, The Suncatchers of Sahel: An Ancestral Tale Told To Today's Griot, Part II: The Two Twilights
B.J. Burton, Maddie on Her Way Home
Nora Sørena Casey, The Censorship of Dreams
Chima Chikazunga, 1 Letter Shy of Coincidence
Matthew Chong, Lessons
Xavier Clark, backstroke boys
Katie Coleman, The Madonna of Logan Square
Lynne Conner, The Mother
Samantha Cooper, She Lives with a Shrine
Kate Danley, Working for Crumbs
Angela J. Davis, Griswold
Maddie Dennis-Yates, We're Just Redoing The Kitchen
Nelson Diaz-Marcano, 1898 or How Sugar Conquered the Enchantment
Judy M. Dove, Shinsei (rebirth)
Sean Dunnington, The Children's Farm
Alisha Espinosa, The Dirt is Fertile
Helen Everbach, Tea Patches
Zachariah Ezer, The Stones of Life
Jeanette Farr, Hedda on Fire: A Play Inspired by Ibsen and Climate Grief
Gina Femia, the thing about air
Lisa Dellagiarino Feriend, Come Again
Elizabeth Flanagan, Meth
Jeremy Gable, Carpenter Gorge
Craig Garcia, The Here and Now
Taylor Dodd Geu, Passing Over
Ruth Geye, These and Those
Emma Gibson, Lumin
Maximillian Gill, Blank Slate
Mikki Gillette, American Girl
lily gonzales, my eyes are up here honey
Franky D. Gonzalez, Escobar's Hippo
Ahon Gooptu, Seasons of Love
Keiko Green, Hells Canyon
Malique Guinn, Bounty on Our Heads
Katherine Gwynn, All I Want to Do is Be Pretty Like You
Rach Harris, Trophically Cascaded
Andrea Hart, Mounds or Talking Shit about a Pretty Sunset
Alli Hartley-Kong, People Should Talk About What's Real
Steven Hayet, Hugo Saves Christmas...in May!
Howard Ho, Reset
Daniel Holzman, Me & Who
Poliento Ico, A Love Letter to Loss
J. Lynn Jackson, Lucía Fuentes
Keenya J. Jackson, The Return of the Shogun
KJ Jarboe, Soured Milk
Jen Jarnagin, demolition extreme
Jacob Juntunen, See You in a Minute
Lisa Y. Kang, American Migration
M.J. Kang, The Battle of Saratoga
Ambata Kazi-Nance, M Power: A (Re)Birth Story
Lisa Kenner Grissom, here comes the night
Alex Lead, Easter Eggs for a Statistic
Tracey Conyer Lee, The First Time
Matthew Libby, Sisters
Alex Lin, Bad Chinese Daughter
Alicia Louzoun-Heisler, Bashert
John Mabey, Desert Oceans
Gloria Majule, Uncut
Eric Marlin, AirSpace
Leigh M. Marshall, The Hunters & All the Haunted
C. Meaker, Ghosts in the Graveyard
Francisco Mendoza, Piggyback
Alison Minami, Sinkhole
LJ Morizono, Transcending the Belly of the Beast
Aya Sophie Nassif, Without Her
Asia Nichols, The Incredible Darling(s)
Cynthia Galaz Ochoa, Matriarch
Dave Osmundsen, More of a Heart
Novid Parsi, Remains and Returns
José Pérez IV, Very Berry Dead
Reynaldo Piniella, Son of an Unknown Father
Zahida Rahemtulla, The Frontliners
Andrew Rincón, El Mito or The Myth of my Pain
Colette Robert, [landscape play]
Jacob K. Robinson, The Lark Ascending
Kira Rockwell, Space Bound
Ashley Lauren Rogers, Don't Think About Elephants
Lisa Marie Rollins, Token
Madeline Rouverol, You're Not a Mystery to Me
Martine Sainvil, Indispensable
Marcus Scott, There Goes the Neighborhood
Mak Shealy, exceptional
Nic A. Sommerfeld, Pieces
travis tate, YOUR MAXIMUM POTENTIAL
Sebastian Timpe, The House of Mulberry Street
Amy Tofte, The Rest of Us
Jackson Tucker-Meyer, The Perfection of the Donut
Josiah Thomas Turner, BECOMING!!, or, The Making of the Musical Sensation of 2279 and All that Followed
James Anthony Tyler, Pranayama
Joseph D. Valdez, Warrior's Blood
Hope Villanueva, Brackish
Caity-Shea Violette, Rx Machina
Stephanie Kyung Sun Walters, Come to Me, Cling to You
LaDarrion Williams, Hurt People
Lauren Wimmer, The Cookie Institute
Susan Yassky, The Women's Center
Laura Zlatos, Show Trial
ABOUT PLAYWRIGHTS FOUNDATION
Playwrights Foundation, led by Executive Artistic Director Jessica Bird Beza, was founded in 1978 and is widely recognized as one of the top playwright service organizations and new play incubators in the U.S., dedicated to supporting and championing playwrights' artistic growth and careers while uplifting their voices on a national level. PF envisions a future where playwrights are radically centered as visionary leaders who transform the world through storytelling. Serving emerging and mid-career playwrights from the Bay Area and around the country, PF has identified over 500 exceptional writers early in their careers and given them space, time and professional artistic collaborators to explore new theatrical ideas free from the pressures of the marketplace for more than 45 years. Playwrights PF has worked with have won every award in the theater including the Pulitzer, the Tony, the Obie, the National Critics Circle Award, the Susan Smith Blackburn Award, and many more. On its 40th Anniversary, Playwrights Foundation was recognized with a Theatre Bay Area Legacy Award for its substantial impact on the field. PF has received two Glickman Awards for best new play to premiere in the Bay Area through its Producing Partnership Initiative. Among the many PF-developed works that have premiered across the country are Katori Hall's The Mountaintop, Rajiv Joseph's Bengal Tiger at the Baghdad Zoo, Jihae Park's Hannah and the Dread Gazebo, Lauren Gunderson's The Revolutionists, Lauren Yee's King of the Yees, Madhuri Shekar's House of Joy, Mike Lew's Teenage Dick, and Mona Mansour's We Swim, We Talk, We Go To War, and many more.
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mo0124 · 1 year
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~february 2023 reading wrap-up~ hello loves!! this month i procrastinated so much on school and work, and instead i read sooo much. so here is a brief recap of what i read!
Total Books: 24 | Re-Reads: 2 | Average Rating: 4.06 ★ | Overall 2023 Reading Goal: 40/50
note: if you read further,, there will be some minor spoilers. also if you decide to pick any of them up make sure to check the trigger warnings. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
#1 - Toilet-Bound Hanako-Kun, Vol. 2 by Aidalro Rating: 5★ | Format Read: Physical this manga series is continuing in such a fun and interesting way. there is a development in the romance and found family,, and I LOVE the found family in this series. #2 - Fade by Tanya Saracho Rating: 3★ | Format Read: E-Book this play was okay, there is some interesting commentary on the characters LatinX identities and those parts were engaging. i felt like the ending was predictable. my rating might change if i saw this staged. #3 - Kaguya-Sama: Love Is War, Vol. 3 by Aka Akasaka Rating: 4.5★ | Format Read: Physical it's been sooo long since i continued this story, and i'm so glad i picked it back-up. great deepening of romance and friendships. definitely need to continue this series.
#4 - The Tradition by Jericho Brown Rating: 5★ | Format Read: Physical this poetry collection is absolutely beautiful. and exploration of race, love, queerness, rape, and so much more. my favorite poems were: Trojan, As a Human being, and Bullet Points
#5 - Braiding Sweetgrass by Robin Wall Kimmerer Rating: 4.5★ | Format Read: Physical wonderful non-fiction discussion of indigenous wisdom and scientific information. there were a few mentions of pretty traditional roles (that she believes in for herself) that i didn't love. but overall it was beautiful written and had a lot of wisdom.
#6 - Uncomfortable Conversations With A Black Man by Emmanuel Ocho Rating: 4.5★ | Format Read: Audio this is a very palatable non-fiction about racism that black people face in america. for white people who haven't done any anti-racism work, i highly recommend.
#7 - The Son Of Neptune by Rick Riordan Rating: 5★ | Format Read: Audio i love this book, i love the new camp and this trio. hazel and frank have my whole heart.
#8 - Gruesome Playground Injuries by Rajiv Joseph Rating: 1.5★ | Format Read: E-Book i did not like this play at all but i had to read it for class so i finished it. it is a glamorization of abusive relationships that are built on an idealization of self-harm. the only reason it wasn't a 1-star was because there is the use of a cool narrative tool of jumping around in time through traumatic events that connect the characters. but besides that it made me physically ill because it made me so upset.
#9 - Electric Arches by Eve L. Ewing Rating: 4★ | Format Read: Physical this is a beautiful collection of poetry, prose, and visual art that explores black womanhood. i wish it was longer. my favorite quote was: "i wanted a map not to know where things are but to know where i am." #10 - Tristan Strong Punches A Hole In The Sky by Kwame Mbalia Rating: 5★ | Format Read: Audio i have had this middle-grade on my tbr for sooo long and i kept procrastinating,, and why did i keep myself from this gem for so long?? love the characters, the world-building, and the important topics discussed.
#11 - I'm Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown Rating: 5★ | Format Read: Audio amazing non-fiction that focuses on the intersectionality of black womanhood. it is wonderful to hear her experiences and she needs to write more because it is so good.
#12 - Stage Management Theory As A Guide To Practice: Cultivating a Creative Approach by Lisa Porter and Narda E. Alcorn Rating: 3.5★ | Format Read: E-Book i had to read this for class, but it was interesting. full of a lot of great theory about stage management/organizing people. i wish there was more pracitcal advice.
#13 - The Very Secret Society of Irregular Witches by Sangu Mandanna Rating: 4.5★ | Format Read: Audio this book was so wonderful. it is as if the book "Nothing To See Here" had a cozy baby. and the romance?? i was crushing on the love interest sooo much.
#14 - Tristan Strong Destroys the World by Kwame Mbalia Rating: 3.5★ | Format Read: Audio i didn't love the addition of the new technology in this book, and all the gods are the worst in this book. the antagonist in this book was cool though and the ending was interesting. opptimistic for the last book, but this was kind of a let down compared to the last one (for me).
#15 - Wash Day Dairies by Jamila Rowser Rating: 4★ | Format Read: E-Book this is such a cute graphic novel about love, friendship, family, and health.
#16 - The Mark of Athena by Rick Riordan Rating: 4.5★ | Format Read: Audio re-read for me, i love this book but it is probably my least favorite in the heroes of olympus... obviously, i love *and hate* the ending, percabeth, and the group dynamics... but they use the word "schizophrenic" to describe the gods in this novel and that feels icky.
#17 - Toilet-Bound Hanako-Kun, Vol. 3 by Aidarlo Rating: 5★ | Format Read: Physical and the series is still good... this volume has lots of great backstory and a good cliff-hanger.
#18- Don't Cry For Me: A Novel by Daniel Black Rating: 5★ | Format Read: Audio this is a retelling of a man's life through letters to his son, an exploration of black manhood, familial trauma, homophobia, and relationships. i have to re-read it physically so i can annotate it.
#19 - How The Word Is Passed by Clint Smith Rating: 5★ | Format Read: Physical a must-read non-fiction about different locations across the united states and their history of slavery and racial segregation and how that history is hidden and changed.
#20 - Off-Headset: Essay on Stage Management Work, Life, and Career by Christopher Sadler and Rafael Jaen Rating: 3★ | Format Read: E-Book another read for class, and it was okay. since it's by a bunch of different authors the quality varies and some parts are very repetitive.
#21 - Cinderella Is Dead by Kalynn Bayron Rating: 2.5★ | Format Read: Audio when i explained this plot to my roommate she said it sounded like shrek 2 fan-ficiton... anyways, even though it was published in 2020 it felt very early 2010's with the main characters "not like other girls" energy. i liked having a sapphic character, and i wanted to love her romances but it is so much of insta-love. cool villian, but the magic system is not at all what i was expecting.
#22 - What A Match by Mimi Grace Rating: 3★ | Format Read: E-Book i have the biggest crushes on characters in this book. the plot is a little all over the place, but if you just want a fun romance reed i recommend it.
#23 - Consumed: The Need For Collective Change: Colonialism, Climate Change, and Consumerism by Aja Barber Rating: 4★ | Format Read: E-Book overall lots of wonderful information about fashion consumption, it is a little disorganized but provides good intersectional discussion. i wish it would have discussed the use of prison labor and the problems with that, but that might need to be an entirely separate book.
#24 - Nick and Charlie by Alice Oseman Rating: 3★ | Format Read: E-Book sadly, this is my least favorite story in the osemanverse that I have read... nick and charlie felt extremely out of character, and i hate this miscommunication trope and that is what this is. i do still love the writing and the ending was cute.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ if you read this far thank you so much <3 share what you have read recently ~mo
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moonstruckwytch · 1 year
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★ 15 Questions ★
tagged by @skeptiquewrites 💜
Nickname: Cor! Wytch if you're feeling brave (?)
Height: 5'3
Last thing googled: hours for my local library
Song stuck in my head: underneath the tree by kelly clarkson (it's like half a line and i'm gonna lose it)
followers: no clue, in the hundred-ish range?
Amount of sleep: 9? I was up for ~36 hours to try and reset my schedule and then this happened?
Dream job: something in museum collections where I get to be a gremlin who hides among the things, but can be paraded out to teach children about objects. Or a historic sites tourguide fulltime but that's not a feasible fulltime position under capitalism.
Wearing: black joggers, grey sweatshirt
Movie/book that summarises you: hmmmmmm, nonfiction: Stiff by Mary Roach, fiction: Hitchhiker's Guide to the Galaxy by Douglas Adams
Favourite song currently: GROWING UP IS __ by Ruel
Aesthetic: Goth/punk/vulture culture witch
Favourite authors: Mary Roach, Caitlin Doughty, Douglas Adams, Lindy West, Anthony Bourdain, Edgar Allen Poe. if we're talking plays then Tony Kushner, Tectonic Theatre Project, Rajiv Joseph, Oscar Wilde
Random fact: there's a species of jellyfish that's functionally immortal - when injured it returns to a previous stage of its lifecycle and grows a new medusa. scientists don't know how many times it can do this / how long it can do it for - source
i'm tagging @secretartlair, @vukovich, @corvuscrowned, @helle-bored, @softlystarstruck, and @lou-isfake. no pressure, but i'd love to see your answers 🖤
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magnificentmoose · 2 years
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tagged by @kvothes to do a mid-year book rec !!
uncommon charm by emily bergslien & kat weaver
the half life of valery k by natasha pulley
space struck by paige lewis
hell followed with us by andrew joseph white
peerless by jihae park
describe the night by rajiv joseph
tagging @pomprincesse @realisaonum @sea-changed @aconissa @catsincafes @skiddykid & anyone else who'd like to !
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officiallralsei · 1 year
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omg, rosencrantz & guildenstern are dead, i just read that for my playwriting class a couple of weeks ago!!! such a good play. i can def see where that comes into this whole deal.
while i'm here, actually: we read it in class as part of a kind of mini-unit on waiting for godot - adjacent plays, and the last one we read for that unit is one i think you'd also get a lot out of. it's called "guards at the taj" by rajiv joseph; it looks like a version of the script is available on google, and it's a fairly quick read :)
oh I'll have to read it! it seems cool, thanks :)
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