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poipoipoi-2016 · 2 years

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So uh.... killing yourself for Elon

Or anyone really. But specifically Elon.

My bonafides:

2 dead coworkers, of whom I remember one name. This is a point of deep personal shame.

$2 Million and counting in medical bills

On good days, feeling in 8 out of 10 fingers

5 surgeries (defined as "Something they knocked me out for") and I bet that number goes up

Is working yourself to the bone something worth doing?

Oh yeah. You'd better understand for what though and you'd better have hard red lines. But go get that bag.

Career growth

Learning

$$$$$$$$

You understand what you're doing and what you're giving up? GOOOOOO.

You'd also better understand what your marathon pace is and what your sprint pace is and what that takes out of you before you can go back to marathon pace. Even now, if you need me to pull an all-nighter, I'm good until 3PM the next day, but that night I'm probably going to bed around 5PM and sleeping "until I'm no longer tired" which sometimes means noon.

Specifically, my marathon pace (defined as >= "I have to do laundry and my fridge is empty") is:

8 hours of sleep

A shower

1 cooked meal a day with some protein in

A walk around the block

Clean clothing

4 doctor's appointments a year by default because I need contacts, dental, and a physical.

I have a couple of prescriptions. I need to make it to CVS before they close or I stop breathing.

SOME ability to take deliveries and stuff. Or at least get to Fedex during the hours of Fedex to grab things they're holding for me.

I see the sun at least once a week after the first month

All the things that are needed to make that happen.

My sprint mode is sacrificing some or all of that, but also notice I said sprint. Usain Bolt is very very fast for 9.58 seconds. And then you pay for that.

(Is this prison? Well, I mean, you can't leave prison. And prison doesn't pay $200K/year, albeit a $200K/year where $90K is taxes and $60K is rent and the remaining $50K is going into a Cost of Living where rent is $60K or rent-controlled. But I mean yes, most of you would take that deal on the money side)

Is Twitter a good bag by the standards of tech or San Francisco?

No.

You can absolutely slide up or down the payscale vs. WLB vs. 'Having to live in the Bay Area and pay Bay Area rents" sliders, but right now, Twitter is sort of pants on all of the above and also pants on the career growth, vision, and ability to drive great products people ask of you at more senior levels. Some really good experience that I use later in my career is desperate pivoting, but you can't get a job off of that; The result is extremely awkward interviews.

And what's the upside? There's no check, there's no growth, there's no equity...

Even at a startup, there's a shot at a $10 Million check and just brilliant career growth because you get to build everything. Or if you're done taking risks, you can move to Ohio and make 80-90% of your salary in OHIO from a whole entire house. Or you can move jobs and not work 105 hours/week.

Some really good experience that I use later in my career is desperate pivoting, but you can't get a job off of that; The result is extremely awkward interviews.

Also, I'm pretty sure working at Twitter on those salaries would kill you. We'll get to this.

If you're in an office, you can't be parallel processing

Laundry is simultaneously 3 hours and 25 minutes. Because it's 5 minutes every 45 minutes for 3 hours. If I'm HOME, I can do laundry. If I'm in an office, the laundry machine isn't running.

You will turn money into time

In NYC, there is a helicopter service from Hudson Yards to the airport. This is totally worth it to the sort of person who works in Midtown. Because you turn $200 into an hour.

This is your mindset now.

Amazon is awesome because it means you don't have to travel to a whole entire store. Stuff just shows up and you spend 2 minutes running upstairs to get packages off the front porch.

BUT this means you'd better make enough money that you can convert large fractions of the median American income into time.

Or on the corporate level, the point of the corporate cafe is that you don't HAVE TO go the grocery store because there's a bacon tray full of bacon and now you don't have to buy and cook bacon. Which is why I think getting rid of the corporate cafes is dumb.

Don't move to SFBA for $250K, it's unironically not enough money, but also you really cannot do this specific thing

Maybe if you're 20 and have no life or kids and can do the roommate thing.

12 hours a day isn't 12 hours

Specifically, I hated the San Francisco Bay Area because I had a 90-minute one-way commute. 12 hours is FIFTEEN hours and if you need 8 hours of sleep....

Normally, you wouldn't need that sort of commute.... except it's SFBA. Twitter doesn't pay enough to NOT have that sort of commute. See above about Money into Time and understand that Twitter doesn't pay you enough to turn Money into enough Time. Because San Francisco is so wildly expensive.

2. SF doesn't support the 24-hour lifestyle like NYC does

15 hours is a lot, but also it's 15 specific hours. And there's a decent chance your nearby CVS isn't open when you're home. Or Safeway.

But in NYC, everything is open 24 hours; It's so so ridiculously awesome. You'll feel the pricing more than you'll feel it in SF in many cases, but allergy meds that keep me alive are priceless. And for the specific laundry case, there's a drop-off/pick-up service. So you can absolutely be in the office with a laundry machine running.

As a bonus, there's lovely relatively safe gentrifying neighborhoods within a 45 minute commute of Midtown and Downtown where you make a million bucks a year in finance and can really get serious about this Money -> Time thing.

The right way of doing 12 hour days is actually really awesome

So the way I usually do this is called "Core Hours".

And what this means is that I, a bit of a night owl, work for a PST-based startup from EST and every meeting I have is between noon and 5 EST. Or sometimes, I share a team with Europe and all my meetings are before noon, that's also an option.

So if I have to run errands, I run errands. Or if I was up until 4AM, I sleep until noon (And if we're doing the Europe thing, I don't work until 4AM).

And I'll give you 12 hours, but I, within a certain pretty broad degree of reason, get to pick which hours they are.

In Summary: Twitter will literally fucking kill you. For zero upside.

So right now, Elon has effectively created a world where:

You work 15 hour days

Firefighting

Which are 15 hard-coded specific hours. And they're not even off hours, the nice part about starting a 12-hour day at 4AM is that every store in the world is open at 4PM.

With effectively no PTO ever, even at holidays because that's not "hardcore"

From an office in the most expensive city in the world with some of the longest commutes in the world.

Which is also a city (or at least metro) without much in the way of 24-hour pharmacies or grocery stores

With a terrible package theft problem so you can't even do delivery. to try to deal with those problems.

Do you begin to understand my problems here? Do you understand why when I tried to do this, I went into full-on ICU psychosis after a couple of years?

You're skipping sleep, food, water, mental health...

And not even for a good bag! For a bunch of reasons, I don't want a union, but this is why people make unions people!

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morimakesfanart · 3 years

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Sindria's Prophet #13

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12]

[AO3]

((edited because I figured out to add some more history facts that I think are important))

~POV Sinbad~

"The Kou Empire, huh?"

"That is going to make things risky."

With all of the Generals caught up with what happened in Balbadd, they needed to start planning for King Sinbad's trip to the Kou Empire, as well as catching him up with everything that had happened in Sindria while he was gone.

"LadY YamuRAI H AA AA A" A yell came from the hallway accompanied by the sounds of running.

((Sinbad is hidden on the left. There's a hint of him poking out.))

A panting magician gave apologies for disturbing their meeting and ran to the head of Sindria's magicians. "I wish I knew you were here so I didn't search the tower first~" Then he started explaining about some magical proof. Most of his words sounded like gibberish to the rest, but it was clear that he had made some kind of break though.

Yam jumped out of her seat. "How did you finally figure it out?! Who figured it out?!" She whipped her head to her King, "Sorry your majesty," and then looked back to the other magician.

"It was the work of the Prophet!” the magician answered. "We were talking about her illness and she pulled out scrolls that- you just have to read them for yourself!”

Mori had said that she had written other scrolls before she started coping down Fate. This must have been what she was working on.

Both magicians bowed out to go test out this new information. Before they could leave, Sinbad ended the meeting; there was no way he was going to wait to learn what other information Mori had blessed them with. Ja'far followed as did a few of the other Generals.

When they got into the court yard, the doctors that had been sent to take care of Mori were already pushing their supply cart back to their main building. The magician that had stayed behind spotted them and raised two scrolls up triumphantly. "She let me take the scrolls!"

---

News of the scrolls written by a Prophet spread throughout the Black Libra Tower within an hour. Yamuraiha and the doctors explained their significance to King Sinbad.

If even a fraction of the theories in the scrolls proved true it would completely changed their understanding of how illnesses work. If Mori wasn't sick she would undoubtedly be swarmed with questions and demands for proof. According to the magicians, nothing in the scrolls went against any known information. Instead, they gave explanations to why certain things that had been attempted in the past had failed. What she wrote about 'cells' was what really caught the eyes of the white magicians and doctors. As an example, according to Mori's writing there were blood types and most couldn't mix; that would explain why most past attempts at blood transfusions had failed.

The 2nd scroll showed a break down of even smaller particles, and how the structures of different particles made up everything. This was going to bring alchemic magic to a whole new era. Sure, such things would most likely be limited to high magicians, group efforts, and the Magi, but it looked possible now. A lot of common magic of the current day took extreme amounts of magoi in the past because they hadn't found the right formula yet. Mori's writing -if true- could easily be used as a guide to finding the right order of commands for many spells.

And even more than that, Mori had said that she had even more information to share; she had just ran out of scrolls and ink.

Mori's presence in Sindria, and everything that went with it were Fate and the Rukh's guidance. King Sinbad could see it -the future he wanted.

---

~POV Mori~

In Sindria's Palace there is a Great Bell. It is rung during celebrations, and to signify the King returning home like it did earlier that day, but it's main use was to ring every 2 hours to tell everyone the time since clocks weren't invented yet. So even though I was a sick person trying to rest during the day, I was woken up by the Great Bell every 2 hours... which of course is also situated right on top of the guest tower.

For obvious reasons, I was awake again.

I wish I knew how the others responded to the scrolls. I really wanted to know Yam's opinion most. Those scrolls basically gave away the secret to Yunan's signature alchemy magic.

I still had the first scroll I had worked on -the one on the science behind blimps-, and the last science scroll I had started. That one was on DNA, and reproductive systems. It was the last one I started in Balbadd. I hadn't started working on it until sunrise on my 2nd sleepless night and it showed; there were missing words everywhere, many incomplete sentences, and I couldn't stay in topic.

These mistakes were too great to fix with an ink knife. Editing was going be super annoying and time consuming since I couldn't work digitally. I'd have to physically cut up the first draft to put everything in the right order before making the next one.

Wait- Did this world have scissors???

Back home the first evolution of shears that could be labeled as scissors was in Roman barber shops in the last hundred years or so before Rome fell. China would spontaneous also create something akin to scissors not long after. Reim and the Kou Empire seemed to line up with Rome and ancient China for the most part, so I tend to use them to place the time period, but the dress Princess Dunya wears is centuries off and throws all historical accuracy questions out the window. Rome was long gone by the time boning was added to women's undergarments, and that dress had all the signs of boned corsetry.

Fuck it. I'll ask for scissors and if they don't have them I'll just invent them myself. I had been drafting professionally for the past 4 years. That may have been for microelectronics, but it uses all the same skills; I could do this. I needed to get a ruler -or at least a straight edge- and a drafting compass which they probably have based on the look of maps in the series, and pencils, or at least colored inks if they had them. I probably needed to reinvent the French curve(stencil tool used in art & drafting)...

Since I was struggling to fall back asleep I moved to the table and pulled out my test scroll. It was full of random marks and some of my early drawing attempts that I used to practice with the dip pen -it's also where I wrote down the dreams from the Rukh. I'd write the list of things I needed, rip the section out of the scroll, and pass the list to someone who could get me what I was asking for. I added some living necessities too like sleep wear and a comb.

The maids that came to give me dinner, and next dose of medicine were not pleased that I wasn't in bed -I was an important guest who was sick after all. And I wasn't pleased to have to drink more of that bitter medicine, but we can't have nice things all the time, now can we?

My voices was strained but I managed to communicate enough. I gave them my list, and laundry (the clothes I wore on the boat) before they left. They'd get me the things the next day. I was instructed to sleep until someone brings me breakfast the next day... which is what I was going to do anyway since the sun was practically gone. I might be a bit of a workaholic but I'm not going to let myself pull an accidental all-nighter when I know I'm still sick. I'm far more self aware than that.

And besides, the Great Bell didn't ring at night.

---

Maids brought my breakfast (& meds) the next morning and let me know that my clothes would be cleaned and dry by the end of the day. I guess they didn't use magic for everything.

They also gave me all of the drafting and inking supplies I asked for except for scissors. In one of the omakes Sinbad was shown cutting his hair with a knife as a part of his normal grooming. I had hoped he was just old fashioned.

For the greater good and the future of my own hair care, I drafted up detailed designs for a few different types of basic scissors. They wouldn't look fancy, but hopefully I had put enough of a detailed explanation on everything for the smith to figure out what I was asking. Steel wasn't developed until the middle ages and some of the counties of this world matched that so I hoped

that God and anime were on my side. I really wanted scissors that would be a good quality.

And if that didn't work I'd just have to get used to using knives and bladed rollers like a regular person.

The Great Bell rung for 10 am. There were at least another 2 hours before someone would show up, to give lunch, that I could ask to take my draft for the scissors to a black Smith.

I should be resting as a sick person. I should be more exhausted and in pain as a sick person. What was making me recover this quickly?

I still didn't feel like laying back down, so I decided to start drafting up the materials and equipment for proving everything I had written in the scrolls I gave the previous day.

Globally, micro-organisms, viruses, and bacteria were not really accept or proved until the late 1800's. Since Magi seems to take place some time around our 100AD-1300, and Yunan hinting at chemical compounds was seen as shocking by Yam, I knew that my bio scrolls were probably causing an uproar in the Black Libra Tower. I refused to use actual people or wait for an outbreak to prove it like how it happened in history -like how John Snow proved it when finding the cause of cholera outbreaks in 1848 and 1854 England. No, I needed to show how to prove these things in a lab, and to do that I was going to need to explain how to keep samples and invent a way to see microorganisms.

First was for a glass petri dish and other containers for samples. I'd need at least 3 -preferably more. I know glass works have been around since BC, and that this world had glass windows in some scenes, but I worried about the quality of the glass contaminating the experiments. I was going to have to boil them beforehand to sterilize them anyway.

Gosh I wish I had access to nonporous, air tight containers, and a temperature controlled environment. The heat and humidity of Sindria could easily mess everything up.

Wait... I suddenly remembered a scene from the Magnostadt arc when they showed how a sample was being stored. They already had good enough glass. I knew there were magic bio experiments but I had no idea how they worked.

With the realization that I was getting ahead myself, I switched to writing about how to use the scientific method to test for germs. It was basically the bread in a bag test to teach young children about germs but with petri dishes. I also wrote about how to analyze samples with a microscope to see micro organisms so I was going to have to figure that out next.

Lunch came as the perfect break.

Just thinking about reinventing this thing made me nervous. I knew magnifying glasses existed in ancient Rome, but they would be nothing like what I was used to. I had to explain how light moves and made multiple diagrams showing how concave and convex lenses affect light as well as the material of the lens. I ended up also showing how to make a telescope even though I knew Yam already had one.

Magicians were the only ones shown with glasses. Maybe now the rest of the world could have them too.

4 o'clock came and so did 3 doctors and a magician. It was less than yesterday, but still more than necessary to treat or analyze one person. I only recognized one of the doctors from the previous day. All of the new faces looked nervous. None of them looked young by any measure, so I really doubted this was their first time treating someone.

They weren't happy to see me at the table and made me return to my bed -their loss.

The doctor from the previous day was the one doing most of the talking. "Your recovery is amazing. You will most likely be better in another 3 days at this rate if not sooner. It's practically a miracle."

I smiled. "It's pretty shocking for me too." As long as I spoke quietly and kept my comments short, I found I could talk again for a bit.

The doctor was silent for a moment before changing the subject. "I know you need rest, but would you be willing to answer a few questions about those scrolls from yesterday?

The 3 other men looked expectant. This was why they were here.

"I don't mind as long as you don't make me talk too much."

Then came the question I was expecting since I had first made the scrolls. "I know you are a Prophet and the information came from your visions but is there any way you can prove what you wrote?"

I pointed to the table with the scroll I had started earlier. "I can't prove it with the current equipment I have, so I've been drafting up the needed equipment and processes for proving it."

They all turned to look at where I was pointing.

I added, "It's not done, but you're welcome to read what I have so far."

I was thanked as they went to the table they had called me away from when they entered.

'He called it 'visions?' Really?' I had to ask Sinbad later what he was telling his people about me so I could keep the story straight.

The magician confirmed for the others what I wrote about light bending. There was magic to do that, but not everyone is a magician. I had just invented a way for non-magicians to bend light.

Just wait until I show them a prism that can split light into colors. Or teach them how light is perceived in the eye. Or even better, show them the double slit experiment that proves that light is a particle not just a wave... Did they know light was a wave yet?

"Lady Prophet."

I was pulled out of my thoughts.

"You said this isn't finished and there is plenty of space in this scroll for more, but would you let us take this back to the tower so we can get started?"

I wanted to say 'no.' I was still coming up with things to add to it, but I also knew that holding things back because I wanted to save paper was a fool's game. Besides, I could always add more to it later.

I nodded and they thanked me before making me promise not to leave my bed. They were grateful for this new scroll but not at the expense of my health -they were doctors after all.

And then they left.

It was probably about 5pm if my internal clock was on schedule, so I had about an hour before the next ring of the Bell.

Even if I wasn't a man of my word, I would have lost the motivation to work with my current project taken from me while I was still in the middle of making it.

So, I did the thing I grew up doing when I was bedridden from illness: I looked out the window. From the bed I could only see the tops of the buildings on the other side of the courtyard. The Tower that was just poking in from the left had to be the Black Libra Tower.

The waves in Sindria were calmer yet stronger than those in Balbadd. It was probably due to Sinbad's influence. He brought stability and security to his people. I could understand why so many chose to follow him or ally with him. But I knew where all this would lead. As he obtains more power and influence he will stop being able to see himself from the pedestal that he and everyone else put him on; his greed will make him blind to the wants and needs of others, and like a middle aged parent that isn't ready for their child to leave the nest he will take out his frustration on the world that was moving on without him. When Sinbad dies at the end of the manga, Drakon realizes that they all put too much on Sinbad's shoulders.

To change Fate, I was going to have to make sure I never put him on that pedestal nor rely on him for much. And I was going to have to convince the 8 Generals to do the same -or at least to start pulling more of the weight.

The 6 o'clock Bell came faster than I expected, as well as my dinner not long after. They brought my clean laundry, a sleeping gown, and some other common clothes and things for my convenience.

I would have preferred something much shorter for the night gown since I hate having a lot of extra fabric around my legs when I already have blankets. I was not going to risk being walked in on by doctors or whoever when sleeping naked, so I would make do for now.

There was no way King Sinbad wasn't going to reward me for those scrolls. If it was some kind of treasure I'd sell it and buy a new wardrobe for myself that actually suited me, and if the reward was a request then I would ask that he pay for everything directly.

The light coming in my windows changed, and I watched my 2nd sunset in Sindria.

When Sinbad found this island 10 years ago, he completely terraformed it. He didn't get rid of all of the vegetation that was here, but he did break down one of the sides to allow for easier access by boat. The side he carved out faced northish towards all of the other known countries, so no boat would have a reason to circle the island. It was a decision that would benefit the merchants and make it easier to defend.

It also meant that my windows faced west, so I could watch the Sun set every day. I couldn't help but see that as a blessing and a curse. Sure not getting the sunrise meant I'd need to put more effort into

waking up in the morning but that wasn't the part I was worried about.

See- The thing is... I have synesthesia (having 2 or more senses overlapping). I see sounds, letters, and numbers as colors and textures. I have it mild enough that I can normally block it out so it's not too distracting (thank God because music is a main stim), but sometimes I'll hear something and get overwhelmed by how it looks.

Each letter and number is a color. So every voice can make every color, but language, pitch, tone, and accent all affect the colors and textures I see from a person's voice like a filter. There have definitely been some people that I struggled to give my full attention to when I first met them because I was entranced by how their voice looked. The more I hear a person's voice the more I'm able to move its visuals to the background so I can focus -desensitizing myself to it.

Luckily, Sinbad's voice is normally not so distracting that I stop paying attention. Since it's like a merger of every voice actor I've heard play him (All the characters I had met so far were like this.) I'm already desensitized. The similarities across all of the VAs meant that his voice looked like a sunset -full of deep purples and magentas, and bright reds, peach, and gold, and with a smooth and flowing texture like painting in acrylic with a wet brush -like a painting of the last moments of a sunset.

His voice was as pretty as he was.

I hadn't actually gotten to see or hear him for a whole day. But I'd get to look at his voice's equivalent every day while living under his protection.

It was frustrating to admit -I barely knew him as a real person- yet I couldn't deny that I missed him. I feel asleep watching the sun set.

((I wasn't going to write about my synesthesia, but this is my fanfic and I thought it might be fun to reference the colors peoples voices make when the characters talk. I'm not going to paint every VA and head cannon, but I will describe them as I go. Ja'far's Japanese and English VAs have voices that look very different so finding the middle ground is proving tricky.

Also, anyone who noticed that the purple I see in Sinbad's voice is the same as the purple I've been using for the illustrations and comics is super smart and cool.))

#magi prophet fanfic #magi fanfiction #magi fanfic #sinbad magi #king sinbad #magi sinbad

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tangerinegod · 4 years

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Hello! I am sorry to bother you but I am a senior getting ready for college this year. I am in the US and I wanted to major in the same thing you did, do you have any possible tips for me? I still haven't even looked for colleges that would be best for animation majors so I figured if you were up to giving out any tips/saying any basic ideas if you wanted to/if you had the time to then maybe I'll have a better idea! I apologise for if I sound weird! I'm tried to word it correctly but I can't 😿

hi!! i’m totally down to share my experiences! someone else also had some questions so i’m going to put them all together in this post haha, hopefully this helps! it’ll get pretty long so apologies ahead of time but art school is a lot to think about so i wanna be as helpful as i can around it, its a lot of time and money. I’m gonna put it all under a read more cus it is really really long!

i wanna start off with the fact that I had the privilege of attending school in a financially stable environment, my parents were/are really supportive so w merit scholarship i only came out with around 20-30k in debt and i also had housing support my entire time in school. they were ok with me focusing on academics so i didn’t hold a retail job unless i was out of school like summer/winter break. Ofc though i regularly take commissions/do merch/cons to try and pay for all bills that arent rent cus i did want to be financially independent where it was possible. I also did try and work during the semester but everytime i did my body would deff start to breakdown from the fact that i didnt wanna compromise schoolwork with jobs.. so just read ahead know this experience is from a student who was able to attend focusing only on school work for most of the time!

the biggest thing is knowing art school is not required to become a professional in either freelancing or industry! there are a huuuge amount of online tools and classes these days that provide the exact same education and for cheaper too. i think it depends on what experience you prefer/can handle/want but it’s definitely possible to make art/animation art your living without higher education. the thing that college will for sure give you though is the ability to meet deadlines, work even when you dont want to, and connections with peers+teachers. i think the connections part is invaluable because you’re basically coming out with a network of people you already know and who know you!

also its good to know if you want to attend/can handle art school! it’s a lot of time and energy and students get burned out really fast. the best piece of advice i got before going was ‘if you draw every single day, even if its for only like 5-10 minutes or a doodle for a whole year you should be fine’ consistency is super key because you’re attending school to draw, and you’ll have to create work for stuff you aren’t excited for at some point or another. burnout is extremely real and the only reason i didn’t experience it was probably because i got super into drawing naruto fanart again inbetween sophomore and junior year! it helped give me something to draw seperated from school which is the only thing i was drawing for since i had entered rip. a heads up id also consider myself a workaholic so i fit in ok with the ‘art school’ environment but it is suuper unhealthy. if you are fantastic at managing your schedule then it’s definitely possible to take care of yourself! freshman year i got 8 hours a sleep a night and only pulled all nighters for some second semester finals at the end. sophomore year + up though i ended up prioritizing hw over sleep and like for sure, definitely shortened my life span. there’s another q down below where i’ll go more into detail but ya, be careful w ur work balance!

another tip especially for animation is knowing for a fact what type of animation you’re looking to go into, and what the school is offering. I didn’t think i’d get into art school at the time so i only applied to two places + decided if i didnt get into either id attend community to get credits out of the way while building portfolio. honestly? i did not do a lot of research LOL but like i did end up having the chance to tour and stuff! just know that each school will have a very different curriculum. The main differences are schools that prioritize 3D (cg animation, cg modeling, ect) and 2D/traditional (hand drawn, ‘oldschool’, digital or traditional based) this is a huge difference so make sure you do research for it! in most cases a 2D/traditional program will also offer 3D since it’s at the forefront of the industry animation wise rn. My school taught 2D but like hand drawn on physical paper 2D, frame by frame. while it was a good experience it’s super outdated because digital tools make it way faster + easier! i’d recommend looking for a program that is digital 2D over traditional 2D.

if after your senior year covid is still affecting campuses in the US to keep them shut down i’d recommend attending a community college to get credits and then transferring into school. one of the negatives is paying money for gened classes when ur not there for them; if you can get them out of the way sooner and cheaper there is absolutely no negative + you could graduate earlier or use the extra time for better work or to work a job!

these are all the general tips i think i’d give on like a broad basis of attending or not to think about? let me know if u have more q’s! someone asked q’s im answering below that go more into personal experiences + work culture so heres those:

- how many hours a week do u spend studying, in class, otherwise making art? like how much of ur life does it consume?

I was basically working on art.... 24/7! since i wasnt working a job at the same time i crammed as many credits as possible into my schedule so on avg i did 18 credit semesters (around 6 classes) art classes go for 6 hours and non art go for 3, so i’d spent around 30-35 hours in class a week! hw wise it varied on the class but combined it would be around 35-50 hours a week... im guessing? on average studio classes would have 8-10 hours of hw, maybe 5 for a light week, and gened classes 5 hours w them all combined. or this was probably how things were before junior year? junior+senior year i had thesis + everything else ontop.. i’d spend around 30-40 hours on thesis a week with other classes ontop of that bc my film was super long cus im a dummy!

- is it hard going to art school n realising that altho u were probably quite talented… so is everyone else? Like. all of a sudden. ur not special and everyone seems as good as u, you know? More generally, how do u deal with comparison?

kinda?? i think instead of the idea of like you vs others it feels more of like a competition at first to be the best. this varies hugely on school culture though; my animation year was really friendly with each other and get along extremely well, so my answer to this is v different than some others who attended different schools. i think that the idea of ‘comparison’ only lasts a portion of the first year because at some point you realize that it’s not a who’s better as much as its a ‘these are my coworkers’ type thing? like healthy competition 100% because we’re all working to improve but i think most of us learned pretty early on that viewing each other as peers going into the same workforce helped a lot. also at some point everyone develops their own style/starts to develop their artistic preferences so there isn’t a way to compare whos 'better’ anymore? i dont think there ever is tbh because style is appealing based off of an individuals preferences. If anything realizing everyone else is also amazing makes you wanna work harder ig? or thats how i felt! it’s inspiring to be surrounded by so many people who create such amazing work.

- is there a lot of workaholic culture? all nighter culture?

100000% there can be a workaholic and all nighter culture. i know people who avoided it and thats honestly fantastic because i fall super easily into that pit. sometimes i’ll pull all nighters on a personal project just because i really want to finish it... i am definitely considered a workaholic all the way through and its not healthy rip... i’d estimate at the worst i was pulling 2-3 all nighters a week and only 4-5 hours of sleep on the nights i didn’t? that was only for one year tho, after that i was like yeah ok this is really bad for my health in the long run LOL so i tried to cut it down to one all nighter a week and around 5-6 hours of sleep the rest of the week! by senior year my decision to cram in full semesters paid off and i was able to consistently get around 7 hours of sleep a night + no all nighters minus finals since my schedule was lighter despite thesis 😭 while there is that culture i don’t think people view it as like a badge of honor or something to be proud of anymore which is good, we mostly view it as a flaw of the art school system and something that needs to be fixed!!

- are you glad u did it? how did u know it was what u wanted?

i am glad i did it! i’m definitely in a limbo right now of if it was worth both my time, money, and my parents money rip but i think with what i got out of it i definitely wouldn’t be as far skill wise or knowledge wise when it comes to the art industry. i would say it was only worth it for be because i had so much support going in though so i was able to focus so much on improving. if i had only been able to put in part of the effort and not make full use of the resources provided i would honestly have a different answer..

i knew it was what i wanted when i realized i really couldn’t see myself pursuing a different profession happily! despite all the bumps and stuff im fully in love with drawing still and feel honored that it’s a field that can provide a living. my second profession choice was to go into culinary school? and third option i think going was into music cus i was also a band kid hehe.

- how do u cope with ur hobby becoming ur job? how do u deal with art going from something u do for fun to something u do on command constantly?

i think seperating work art from personal art is important! in my case im doubling naruto into being personal work so i have something to fall back onto that isn’t work related. its been a hyperfixation for 12+ years? so drawing it at this point is just like personal art imo. some people have hobbies outside of art and only draw for their job! i think after attending classes for so long the idea of hobby turning into job feels extremely natural? also i enjoy doing it so thats a huge plus!

sorry this is SO long but i hope i answered your guys’ questions! if you have more just lmk!

#anon #ask #long post #im so so sorry this is like long as shit #ill literally tell you guys everything though art school should not feel like a mystery esp if ur planning to go into it!#Anonymous

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