Ahhh, portraits of Bagration! They are something of a mess, with every engraver and their dog claiming to repeat after Tonci, but with every repetition Bagration's features became more and more exaggerated. Not to mention, we don't actually have Tonci's original. There is a very bad copy by an unknown portraitist and many engravings 'based on'.
(Let's put aside the 'mistaken identity' portraits, because at least two Bagrationi are regularly called by Petr Ivanovich's name, including a younger brother, who, at that, wore a moustache.)
In fact, there is a case to be made that there is a bit of truth in Dawe's portrait. The way Dawe's whole enterprise worked, he and his team produced copies after earlier originals, just in the right size and in uniform style. Fairly faithful copies with a bit of poetic licence in details, often kept at exactly the same angle if only possible. The portraits were based on one of the following things: the generals who were still around, portraits send in by families or by those who couldn't make it to Petersburg. Those portraits were gathered and handled by the General Staff. It was a Big Deal. And if no likeness could be tracked, then no dice - they left an empty frame.
So, where am I going with this? George Dawe and his team had to be copying something. And it certainly wasn't Tonci. So what could it have been? The most probable theory - or at least one that kinda works - is that it was a portrait by R. M. Volkov. It is fairly indisputed that Bagration ordered a pair of portraits from Volkov between 1810 and his death, of him and his absent wife. But we don't have this Bagration... or do we? There are at least two paintings languishing in Russian museums, a 1830s copy of an unknown portrait, another older and a mystery. The older one, the Rybinsk Bagration, is thought to be what Dawe might have worked from.
How do we know that they're not copied from Dawe? That's easy. Dawe's workshop produced copies of the gallery paintings as it breathed (because money). And there are a few Dawe-copy Bagrations around. But they all have the wrong, 1817 uniform on, like the Dawe original does and the same arrangement of orders, which doesn't look like that with Dawe - not on the portrait, not on the workshop engraving. Those two, whatever they were copied from, have the version of uniform just right for the time.
Now, we don't actually know that the Rybinsk portrait is the missing Volkov or its copy. But it could very well be. It roughly fits Volkov's style. And we know that of all possible paintings of Kutuzov, Dawe chose Volkov's to extrapolate from when painting his Kutuzov in full length. There was a reason for that. It was widely known that before Dawe arrived, Alexander was Volkov's great fan and indeed pronounced his own portrait to be a magnificent one.
This is wonderful detailed information. Thank you!
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Buds™✨
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Right after that fateful introduction Billy and Petya instantly became fast friends. He showed him around everywhere around campus and beyond, accompanying him to every place if needed be (admittedly bordering on possesiveness (there was a time where Petya wanted to meet up with fellow Georgian compatriots in town and Billy insisted on going with him he had to be turned away politely a few times 🤣🙈)).
Petya, on his part, highly appreciated his new friend and guide, not just to the new university, but also to the city and the country as a whole. There was almost no day where they weren't having fun together (often with Thomas in tow as well 😂).
Needless to say that Billy was one of the reason why Petya's exchange year became the most memorable time of his college year.
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