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#patrick hubbard
joesboo · 1 year
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Couple questions why wasn’t joe nominated for the Walter Peyton man of the year ? Also why wasn’t joe there last night? It’s things like this that leaves people confused if you’re a actor or a musician with success like it or not you have to show up on the red carpet show a little face and support whatever you’re working on it’s the same in this situation nominated for MVP but still absent not OK Joe and he’s definitely somewhere out there because Olivia is posting pictures of cactuses so get your shit together put on a nice suit I know you have one or there’s 1 million designers Who would love to dress you walk the carpet answer some questions put on a fake smile and sit in the audience in support of your team last year was bad enough he looked like he wanted to shoot his self winning comeback player of the year it’s hard for people to appreciate you when you’re getting ready to sign a huge contract maybe the biggest in Cincinnati history when your absent disinterested and like a puzzle no one can figure you out all those players had their girlfriends by their side and they were proud to show them off Joe walks 5 feet ahead of his and doesn’t mention her existence Time to grow up Joey you’re not in Athens anymore you have to soak up the fanfare get people to like you because these things don’t last forever there’s 100 guys waiting for you to fall so they can take your position and on any given Sunday it could happen just saying 
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downthetubes · 1 year
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Rebellion Releases: Durham Red fronts latest 2000AD
An old enemy is back, and vampire Durham Red is intrigued...
2000AD Prog 2327 is in newsagents and comic shops now, and digitally, too, featuring moody Rogue Trooper cover art by Simon Davis. The Thrills that kicked off last prog — “Rogue Trooper”, “Durham Red” and “Enemy Earth” — all dive into their scrotnig second episodes, while “The Order” barrels towards its explosive series finale in a couple of weeks time, and Judge Dredd has another Mega-City case…
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redcarpetview · 1 year
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Official Statement Regarding The Passing Of Kevin Lemons
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Photo courtesy of JP Designs Art | Brand Agency.
         It is with deep sadness that we join the family of Kevin Lemons in announcing his transition January 7, 2023. Kevin Lemons was not only an extraordinary, highly respected songwriter, artist and choir director, he was a devoted and loving husband, a trusted leader of his music ministry and a pillar of gospel music’s vital choir scene.
     Details about memorial services will be announced soon.
      Bishop Hezekiah Walker is heartbroken, saying “Kevin Lemons was one of the kindest, most humble artists that I know, even though his gift and talents were enormous. His love for God seasoned everything that he did, and his palpable love for people was an extension of that. Kevin Lemons was just a beautiful human being and he will be sorely missed.”
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          Kevin Lemons. Media image.
     Lemons’ HezHouse Entertainment labelmates are also devastated by his sudden passing:
       Vincent Bohanan says: “I am in total disbelief concerning the untimely transition of my labelmate Kevin Lemons. Kevin has been a light in the gospel community for many years. His stance, leadership and command over the choir was like none other. There are many things in life we may not understand, but we trust the sovereignty of God. My prayers are with the family and Higher Calling. The Gospel Choir community will forever remember the life and legacy of Kevin Lemons.”
        Mark Hubbard says: “My heart is broken! You were more than just my labelmate. You considered me to be your uncle, and one of the mentors that you grew up listening to in the industry. I (we) will miss you in the physical, but your impact, legacy, and spirit will live on forever in our hearts. My Prayers are with Lady T, the family, and Higher Calling. Rest Well Nephew.”
       Patrick Riddick says: “My heart is heavy and full of sadness. From the moment the phone call came in, until now, I have been speechless. Maestro Kevin was our Thomas Whitfield and made up a third of OUR generation's Brat Pack. Our friendship was so genuine, we would challenge one another musically and share our unfiltered thoughts/critiques of each other in a way that only we could. The brotherhood went beyond music; we held each other accountable and integral. I am going to miss my brother. I am praying for Lady T, Higher Calling and every friend, artist, and colleague who will feel the impact of this loss.”
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   Kevin Lemons. Media Image.
                 Kevin Lemons was the founder and director of the extraordinary chorale Higher Calling, who will have been together 27 years this year. Their most recent recording, Third Round, garnered Dove and Stellar Gospel Music Award nominations as well as robust acclaim at radio and on social media. Their breakout single, "For Your Good," accumulated over 100,000 streams and reached #3 on the Billboard Gospel Digital Sales Chart. Additionally, Lemons served as the vocal director for the celebrated Netflix film Come Sunday.
       “Lemons’ passing is a huge loss for the gospel music industry,” says Bishop Hezekiah Walker. “We are keeping Kevin’s wife of 15 years, Tiunna Lemons, in our heartfelt prayers, along with his family, extended family, members of Higher Calling and all those who knew and loved Kevin Lemons.” 
      Kevin Lemons & Higher Calling was founded when Kevin and a group of young singers came together for a special music event created by Kevin’s father, Wilbert Lemons. Kevin’s father was the director of the historic Atlanta Masonic Choir, which was founded by Kevin’s grandmother Annie Ruth Lemons. The group enjoyed singing together so much that they decided to stay together. Kevin Lemons & Higher Calling became a 100-member ensemble with 50 Atlanta-based singers and 50 additional singers from California, Virginia, the DMV area, New York, New Orleans, Texas, North Carolina, Florida and Alabama.
    Kevin Lemons & Higher Calling have taken their mesmerizing vocals and energetic performances to stages around the world. They have recorded three albums:  Their first album, Destined for Greatness, was released to critical acclaim; its title track caught the attention of choir maestro Ricky Dillard, who later recorded it with his ensemble New Generation.
        Their second album, The Declaration, peaked at #10 on Billboard’s Gospel Albums Chart. Their third album, Third Round, was released in 2021 and featured the breakout single “For Your Good.” Kevin Lemons & Higher Calling is a staple in Gospel music, and have performed with Gospel greats including Kirk Franklin, Bebe Winans, Donald Lawrence and Hezekiah Walker.
        Lemons was vocal director for the celebrated film Come Sunday, and has been the choir director for How Sweet the Sound and BET’s Sunday Best.
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midnight-star-world · 2 months
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CMT 2-17-24
#CountryMusic
So today I will be bringing you the Hottest 20 Country Music Videos for the week of 2/17/24 from CMT (Country Music Television). So let's get started right now.
Number 20 belongs to Michael Ray with Meghan Patrick who are new to the list this week - Spirits and demons.
Number 19 belongs to Ashley Cooke who is new to the list this week - your place.
Number 18 belongs to Kenny Chesney who is moving up 1 spot this week - Take her home.
Number 17 belongs to Sam Hunt who is dropping 2 spots this week - Outskirts.
Number 16 belongs to Jason Aldean who is moving up 1 spot this week - Let your boys be Country.
Number 15 belongs to Scotty McCreery who is moving up 1 spot this week - Cab in a solo.
Number 14 belongs to Megan Moroney who is staying in the same spot as last week - I'm not pretty.
Number 13 belongs to Tyler Hubbard who is dropping 1 spot this week - Back then right now.
Number 12 belongs to Old Dominion featuring Megan Moroney who are moving up 1 spot this week - Can't break up now.
Number 11 belongs to Gabby Barrett who is staying in the same spot as last week - Glory days.
Number 10 belongs to Cody Johnson who is staying in the same spot as last week - The painter.
Number 9 belongs to Jordan Davis who is staying in the same spot as last week - Tucson too late.
Number 8 belongs to HARDY who is dropping 7 spots this week - TRUCK BED.
Number 7 belongs to Carly Pearce featuring Chris Stapleton who are staying in the same spot as last week - We don't fight anymore.
Number 6 belongs to Jackson Dean who is moving up 2 spots this week - Fearless (The echo).
Number 5 belongs to Parker McCollum who is moving up 1 spot this week - Burn it down.
Number 4 belongs to Conner Smith who is moving up 1 spot this week - Creek will rise.
Number 3 belongs to Chayce Beckham who is staying in the same spot as last week - 23.
Number 2 belongs to Kane Brown who is moving up 2 spots this week - I can feel it.
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Number 1 belongs to Warren Zeiders who is moving up 1 spot this week to take the top - Pretty little poison.
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And that's a wrap for the Hottest 20 Country Music Videos for the week of 2/17/14 from CMT (Country Music Television). Thanks as always goes out to CMT for doing their weekly Country Music Video Countdowns. And thanks as well goes out to you for taking the time to read this weekly list. See ya all next time.
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jackbatchelor3 · 9 months
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Phil Kidnaps His Own SON! EastEnders
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movie-titlecards · 10 months
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Daniel Boone, Trail Blazer (1956)
My rating: 4/10
Generic 1950s western nonsense, with all the requisite shitty stereotypes, though I have to admit the Weekend at Bernie's bit was a surprise.
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mitjalovse · 2 years
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All Pink Floyd members worked during the 90's, though the breakup into two camps meant they never worked together. I mean, Roger Waters' Amused To Death might've benefitted greatly from the output of his former bandmates, though I must admit the album does seem to be one of his finest solo works, so perhaps this was for the best. Still, the parallels persist as there's an overarching theme, i.e. the media manipulation, and the entire tone does resemble the late period Pink Floyd. To be honest, when I listened to the tune on the link, I kept thinking the piece sounds so Gilmouresque Mr. Waters could've been sued. Of course, I always thought the 80's collapse never got emotionally resolved despite both sides trying to connect – to no avail.
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How a billionaire’s mediocre pump-and-dump “book” became a “bestseller”
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/02/15/your-new-first-name/#that-dagger-tho
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I was on a book tour the day my editor called me and told me, "From now on, your middle name is 'Cory.'"
"That's weird. Why?"
"Because from now on, your first name is 'New York Times Bestselling Author.'"
That was how I found out I'd hit the NYT list for the first time. It was a huge moment – just as it has been each subsequent time it's happened. First, because of how it warmed my little ego, but second, and more importantly, because of how it affected my book and all the books afterwards.
Once your book is a Times bestseller, every bookseller in America orders enough copies to fill a front-facing display on a new release shelf or a stack on a bestseller table. They order more copies of your backlist. Foreign rights buyers at Frankfurt crowd around your international agents to bid on your book. Movie studios come calling. It's a huge deal.
My books became Times bestsellers the old-fashioned way: people bought and read them and told their friends, who bought and read them. Booksellers who enjoyed them wrote "shelf-talkers" – short reviews – and displayed them alongside the book.
That "From now on your first name is 'New York Times Bestselling Author' gag is a tradition. When @wilwheaton's memoir Still Just A Geek hit the Times list, I texted the joke to him and he texted back to say @jscalzi had already sent him the same joke (and of course, Scalzi and I have the same editor, Patrick Nielsen Hayden):
https://www.harpercollins.com/products/still-just-a-geek-wil-wheaton
But not everyone earns that first name the same way. Some people cheat.
Famously, the Church of Scientology was caught buying truckloads of L Ron Hubbard books (published by Scientology's own publishing arm) from booksellers, returning them to their warehouse, then shipping them back to the booksellers when they re-ordered the sold out titles. The tip-off came when booksellers opened cases of books and found that they already bore the store's own price-stickers:
https://www.latimes.com/local/la-scientology062890-story.html
The reason Scientology was willing to go to such great lengths wasn't merely that readers used "NYT Bestseller* to choose which books to buy. Far more important was the signal that this sent to the entire book trade, from reviewers to librarians to booksellers, who made important decisions about how many copies of the books to stock, whether to display them spine- or face out, and whether to return unsold stock or leave it on the shelf.
Publishers go to great lengths to send these messages to the trade: sending out fancy advance review copies in elaborate packaging, taking out ads in the trade magazines, featuring titles in their catalogs and sending their sales-force out to impress the publisher's enthusiasm on their accounts.
Even the advance can be a way to signal the trade: when a publisher announces that it just acquired a book for an eyebrow-raising sum, it's not trumpeting the size of its capital reserves – it's telling the trade that this book is a Big Deal that they should pay attention to.
(Of all the signals, this one may be the weakest, even if it's the most expensive for publishers to send. Take the $1.25m advance that Rupert Murdoch's Harpercollins paid to Sarah Palin for her unreadable memoir, Going Rogue. As with so many of the outsized sums Murdoch's press and papers pay to right wing politicians, the figure didn't represent a bet on the commercial prospects of the book – which tanked – but rather, a legal way to launder massive cash transfers from the far-right billionaire to a generation of politicians who now owe him some rather expensive favors.)
All of which brings me to the New York Times bestselling book Read Write Own by the billionaire VC New York Times Bestselling Author Chris Dixon. Dixon is a partner at A16Z, the venture capitalists who pumped billions into failed, scammy, cryptocurrency companies that tricked normies into converting their perfectly cromulent "fiat" money into shitcoins, allowing the investors to turn a massive profit and exit before the companies collapsed or imploded.
Read Write Own (subtitle: "Building the Next Era of the Internet") is a monumentally unconvincing hymn to the blockchain. As Molly White writes in her scathing review, the book is full of undisclosed conflicts of interest, with Dixon touting companies he has a direct personal stake in:
https://www.citationneeded.news/review-read-write-own-by-chris-dixon/
But this book's defects go beyond this kind of sleazy pump-and-dump behavior. It's also just bad. The arguments it makes for the blockchain as a way of escaping the problems of an enshittified, monopolized internet are bad arguments. White dissects each of these arguments very skillfully, and I urge you to read her review for a full list, but I'll reproduce one here to give you a taste:
After three chapters in which Dixon provides a (rather revisionistd) history of the web to date, explains the mechanics of blockchains, and goes over the types of things one might theoretically be able to do with a blockchain, we are left with "Part Four: Here and Now", then the final "Part Five: What's Next". The name of Part Four suggests that he will perhaps lay out a list of blockchain projects that are currently successfully solving real problems.
This may be why Part Four is precisely four and a half pages long. And rather than name any successful projects, Dixon instead spends his few pages excoriating the "casino" projects that he says have given crypto a bad rap,e prompting regulatory scrutiny that is making "ethical entrepreneurs … afraid to build products" in the United States.f
As White says, this is just not a good book. It doesn't contain anything to excite people who are already blockchain-poisoned crypto cultists – and it also lacks anything that will convince normies who never let Matt Damon or Spike Lee convince them to trade dollars for magic beans. It's one of those books that manages to be both paper and a paperweight.
And yet…it's a New York Times Bestseller. How did this come to pass? Here's a hint: remember how the Scientologists got L Ron Hubbard 20 consecutive #1 Bestsellers?
As Jordan Pearson writes for Motherboard, Read Write Own earned its place on the Times list because of a series of massive bulk orders from firms linked to A16Z and Dixon, which ordered between dozens and thousands of copies and gave them away to employees or just randos on Twitter:
https://www.vice.com/en/article/n7emkx/chris-dixon-a16z-read-write-own-nyt-bestseller
The Times recognizes this in a backhanded way, by marking Read Write Own on the list with a "dagger" (†) that indicates the shenanigans (the same dagger appeared alongside the listing for Donald Trump Jr's Triggered after the RNC spent a metric scientologyload of money – $100k – buying up cases of it):
https://www.nytimes.com/2019/11/21/books/donald-trump-jr-triggered-sales.html
There's a case for the Times not automatically ignoring bulk orders. Since 2020, I've run Kickstarters where I've pre-sold my books on behalf of my publisher, working with bookstores like Book Soup and wholesalers like Porchlight Books to backers when they go on sale. I signed and personalized 500+ books at Vroman's yesterday for backers who pre-ordered my next novel, The Bezzle:
https://www.flickr.com/photos/doctorow/53531243480/
But there's a world of difference between pre-orders that hundreds or thousands of readers place that are aggregated into a single bulk order, and books that are bought by CEOs to give away to people who may not have any interest in them. For the book trade – librarians, reviewers, booksellers – the former indicates broad interest that justifies their attention. The latter just tells you that a handful of deep-pocketed manipulators want you to think there's broad interest.
I'm certain that Dixon – like me – feels a bit of pride at having "earned" a new first name. But Dixon – like me – gets something far more tangible than a bit of egoboo out of making the Times list. For me, a place on the Times list is a way to get booksellers and librarians excited about sharing my book with readers.
For Dixon, the stakes are much higher. Remember that cryptocurrency is a faith-based initiative whose mechanism is: "convince normies that shitcoins will be worth more tomorrow than they are today, and then trade them the shitcoins that cost you nothing to create for dollars that they worked hard to earn."
In other words, crypto is a bezzle, defined by John Kenneth Galbraith as "The magic interval when a confidence trickster knows he has the money he has appropriated but the victim does not yet understand that he has lost it."
So long as shitcoins haven't fallen to zero, the bag-holders who've traded their "fiat" for funny money can live in the bezzle, convinced that their "investments" will recover and turn a profit. More importantly, keeping the bezzle alive preserves the possibility of luring in more normies who can infuse the system with fresh dollars to use as convincers that keep the bag-holders to keep holding that bag, rather than bailing and precipitating the zeroing out of the whole scam.
The relatively small sums that Dixon and his affiliated plutocrats spent to flood your podcasts with ads for this pointless 300-page Ponzi ad are a bargain, as are the sums they spent buying up cases of the book to give away or just stash in a storeroom. If only a few hundred retirees are convinced to convert their savings to crypto, the resulting flush of cash will make the line go up, allowing whales like Dixon and A16Z to cash out, or make more leveraged bets, or both. Crypto is a system with very few good trades, but spending chump change to earn a spot on the Times list (dagger or no) is a no-brainer.
After all, the kinds of people who buy crypto are, famously, the kinds of people who think books are stupid ("I would never read a book" -S Bankman-Fried):
https://www.washingtonpost.com/opinions/2022/11/29/sam-bankman-fried-reading-effective-altruism/
There's precious little likelihood that anyone will be convinced to go long on crypto thanks to the words in this book. But the Times list has enough prestige to lure more suckers into the casino: "I'm not going to read this thing, but if it's on the list, that means other people must have read it and think it's convincing."
We are living through a golden age of scams, and crypto, which has elevated caveat emptor to a moral virtue ("not your wallet, not your coins"), is a scammer's paradise. Stein's Law tells us that "anything that can't go on forever will eventually stop," but the purpose of a bezzle isn't to keep the scam going forever – just until the scammer can cash out and blow town. The longer the bezzle goes on for, the richer the scammer gets.
Not for nothing, my next novel – which comes out on Feb 20 – is called The Bezzle. It stars Marty Hench, my hard-driving, two-fisted, high-tech forensic accountant, who finds himself unwinding a whole menagerie of scams, from a hamburger-based Ponzi scheme to rampant music royalty theft to a vast prison-tech scam that uses prisoners as the ultimate captive audience:
https://us.macmillan.com/books/9781250865878/thebezzle
Patrick Nielsen Hayden – the same editor who gave me my new first name – once told me that "publishing is the act of connecting a text with an audience." Everything a publisher does – editing, printing, warehousing, distributing – can be separated from publishing. The thing a publisher does that makes them a publisher – not a printer or a warehouser or an editing shop – is connecting books and audiences.
Seen in this light, publishing is a subset of the hard problem of advertising, religion, politics and every other endeavor that consists in part of convincing people to try out a new idea:
https://pluralistic.net/2021/07/04/self-publishing/
This may be the golden age of scams, but it's the dark age of publishing. Consolidation in distribution has gutted the power of the sales force to convince booksellers to stock books that the publisher believes in. Consolidation in publishing – especially Amazon, which is both a publisher and the largest retailer in the country – has stacked the deck against books looking for readers and vice-versa (Goodreads, a service founded for that purpose, is now just another tentacle on the Amazon shoggoth). The rapid enshittification of social media has clobbered the one semi-reliable channel publicists and authors had to reach readers directly.
I wrote nine books during lockdown (I write as displacement activity for anxiety) which has given me a chance to see publishing in the way that few authors can: through a sequence of rapid engagements with the system as a whole, as I publish between one and three books per year for multiple, consecutive years. From that vantagepoint, I can tell you that it's grim and getting grimmer. The slots that books that connected with readers once occupied are now increasingly occupied by the equivalent of the botshit that fills the first eight screens of your Google search results: book-shaped objects that have gamed their way to the top of the list.
https://www.theguardian.com/commentisfree/2024/jan/03/botshit-generative-ai-imminent-threat-democracy
I don't know what to do about this, but I have one piece of advice: if you read a book you love, tell other people about it. Tell them face-to-face. In your groupchat. On social media. Even on Goodreads. Every book is a lottery ticket, but the bezzlers are buying their tickets by the case: every time you tell someone about a book you loved (and even better, why you loved it), you buy a writer another ticket.
Meanwhile, I've got to go get ready for my book tour. I'm coming to LA, San Francisco, Seattle, Vancouver, Calgary, Phoenix, Portland, Providence, Boston, New York City, Toronto, San Diego, Salt Lake City, Tucson, Chicago, Buffalo, as well as Torino and Tartu (details soon!).
If you want to get a taste of The Bezzle, here's an excerpt:
https://www.torforgeblog.com/2023/11/20/excerpt-reveal-the-bezzle-by-cory-doctorow/
And here's the audiobook, read by New York Times Bestselling Author Wil Wheaton:
https://archive.org/download/Cory_Doctorow_Podcast_459/Cory_Doctorow_Podcast_459_-_The_Bezzle_Read_By_Wil_Wheaton.mp3
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poemaseletras · 9 months
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ENCONTRE UM AUTOR:
Envie sugestões. Leia uma citação no modo aleatório.
Autores Desconhecidos
Adélia Prado
Adrian Tchaikovsky
Affonso Romano de Sant’anna
Alain de Botton
Albert Einstein
Aldous Huxley
Alexander Pushkin
Amanda Gorman
Anaïs Nin
Andy Warhol
Andy Wootea
Anna Quindlen
Anne Frank
Antoine de Saint-Exupéry
Aristóteles
Arnaldo Jabor
Arthur Schopenhauer
Augusto Cury
Ben Howard
Benjamin Alire Sáenz
Benjamin Rush
Bill Keane
Bob Dylan
Brigitte Nicole
C. JoyBell C.
C.S. Lewis
Carl Jung
Carlos Drummond de Andrade
Carlos Fuentes
Carol Ann Duffy
Carol Rifka Brunt
Carolina Maria de Jesus
Caroline Kennedy
Cassandra Clare
Cecelia Ahern
Cecília Meireles
Cesare Pavese
Charles Baudelaire
Charles Chaplin
Charlotte Nsingi
Cheryl Strayed
Clarice Lispector
Claude Debussy
Coco Chanel
Connor Franta
Coolleen Hoover
Cora Coralina
Czesław Miłosz
Dale Carnegie
David Hume
Deborah Levy
Djuna Barnes
Dmitri Shostakovich
Douglas Coupland
Dream Hampton
E. E. Cummings
E. Grin
E. Lockhart
EA Bucchianeri
Edith Wharton
Ekta Somera
Elbert Hubbard
Elizabeth Acevedo
Elizabeth Strout
Emile Coue
Emily Brontë
Ernest Hemingway
Esther Hicks
Faraaz Kazi
Farah Gabdon
Fernando Pessoa
Fiódor Dostoiévski
Florbela Espanca
Franz Kafka
Frédéric Chopin
Fredrik Backman
Friedrich Nietzsche
Galileu Galilei
Georg Wilhelm Friedrich Hegel
George Orwell  
Hafiz
Hanif Abdurraqib
Helen Oyeyemi
Henry Miller
Henry Rollins
Hilda Hilst
Iain Thomas
Immanuel Kant
Jacki Joyner-Kersee
James Baldwin
James Patterson
Jane Austen
Jean Jacques Rousseau
Jean Rhys
Jean-Paul Sartre
Jeremy Hammond
JK Rowling
João Guimarães Rosa
Joe Brock
Johannes Brahms
John Banville
John C. Maxwell
John Green
John Wooden
Jojo Moyes
Jorge Amado
José Leite Lopes
Joy Harjo
Juan Ramón Jiménez
Juansen Dizon
Katrina Mayer
Kurt Cobain
L.J. Smith
L.M. Montgomery
Leo Tolstoy
Lisa Kleypas
Lord Byron
Lord Huron
Louise Glück
Lucille Clifton
Ludwig van Beethoven
Lya Luft
Machado de Assis
Maggi Myers
Mahmoud Darwish
Manila Luzon
Manuel Bandeira
Marcel Proust
Margaret Mead
Marina Abramović
Mario Quintana
Mark Yakich
Marla de Queiroz
Martha Medeiros
Martin Luther King
Mary Oliver
Mattia
Maya Angelou
Mehdi Akhavan-Sales
Melissa Cox
Michaela Chung
Miguel de Cervantes Saavedra
Mitch Albom
N.K. Jemisin
Neal Shusterman
Neil Gaiman
Nicholas Sparks
Nietzsche
Nikita Gill
Nora Roberts
Ocean Vuong
Osho
Pablo Neruda
Patrick Rothfuss
Patti Smith
Paulo Coelho
Paulo Leminski
Perina
Peter Ilyich Tchaikovsky
Phil Good
Pierre Ronsard
Platão
Poe
R.M. Drake
Raamai
Rabindranath Tagore
Rachel de Queiroz
Ralph Emerson
Raymond Chandler
René Descartes
Reyna Biddy
Richard Kadrey
Richard Wagner
Ritu Ghatourey
Roald Dahl
Robert Schumann
Roy T. Bennett
Rumi
Ruth Rendell
Sage Francis
Séneca
Sérgio Vaz
Shirley Jackson
Sigmund Freud
Simone de Beauvoir
Spike Jonze
Stars Go Dim
Steve Jobs
Stephen Chbosky
Stevie Nicks
Sumaiya
Susan Gale
Sydney J. Harris
Sylvester McNutt
Sylvia Plath
Sysanna Kaysen  
Ted Chiang
Thomas Keneally
Thomas Mann
Truman Capote
Tyler Knott Gregson
Veronica Roth
Victor Hugo
Vincent van Gogh
Virgílio Ferreira
Virginia Woolf
Vladimir Nabokov
Voltaire
Wale Ayinla
Warsan Shire
William C. Hannan
William Shakespeare
Wolfgang Amadeus Mozart
Yasmin Mogahed
Yoke Lore
Yoko Ogawa
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starryeyedadmirer · 1 year
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🌌The Stars:🌌
Aaron Maternowski •Asher Angel
Avan Jogia •Brad Schemmel
Cameron Monaghan •Charlie Puth
Damiano David •Danny Wagner
David Corenswet •Deven Hubbard
Ethan Dolan •Evan Peters
Felix Mallard •Garrett Curto
Grayson Dolan •Harry Styles
Hayes Grier •Kit Connor
Jacob Sartorius •Jack Griffo
Jack Harlow • Jake Bass
Jake Kiszka •Jeremy Hutchins
Joe Locke •John Agras
Josh Kiszka •Joshua Bassett
Lil Pump •Louis Tomlinson
Malcolm Suarez •Marcus Scribner
Matt Howard •Matty Lee
Michael Sanzone •Mizkif
Noah Beck •Noah Centineo
Noel Fisher •Oscar Isaac
Patrick Mahomes •Pedro Pascal
Penn Badgley •Rafael Serafini
Ross Lynch •Rowan Eldridge
Sam Kiszka •Shawn Mendes
Sturniolo Triplets •Todd Smith
Tom Holland •Tyler Funke
Tyler Posey •Wrestlers •Yungblud
Zachary Smith
Take a Trip through the Galaxy:
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My Twitter:
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letters2fiction · 2 months
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Welcome to Letters2fiction!
The concept here is to send in a question or a letter request, and you’ll get a response from your fictional character of choice, from the list below. Please stick to the list I’ve made, but of course, you can ask if there’s some other characters I write for, I don’t always remember all the shows, movies or books I’ve consumed over the years and I’m sure I’m missing a lot 😅
Status: New Characters added - Thursday March 21st, 2024
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TV SERIES
A Discovery of Witches:
Matthew Clairmont
Baldwin Montclair
Gallowglass de Clermont
Marcus Whitmore
Philippe de Clermont
Jack Blackfriars
Sarah Bishop
Emily Mather
Diana Bishop
Ysabeau de Clermont
Miriam Shepard
Phoebe Taylor
Gerbert D’Aurillac
Peter Knox
Father Andrew Hubbard
Benjamin Fuchs
Satu Järvinen
Meridiana
Law and Order:
Rafael Barba
Sonny Carisi
Joe Velasco
Mike Duarte
Terry Bruno
Peter Stone
Hasim Khaldun
Nick Amaro NEW!
Mike Dodds
Grace Muncy
Kat Tamin
Toni Churlish
Amanda Rollins
Olivia Benson
Rita Calhoun
Casey Novak
Melinda Warner
George Huang
Sam Maroun
Nolan Price
Jamie Whelan
Bobby Reyes
Jet Slootmaekers
Ayanna Bell
Jack McCoy
Elliot Stabler
One Chicago:
Jay Halstead (Could also be Will if you want)
Antonio Dawson
Adam Ruzek
Greg "Mouse" Gerwitz
Dante Torres
Vanessa Rojas
Kevin Atwater
Sean Roman
Matt Casey
Kelly Severide
Joe Cruz
Sylvie Brett
Blake Gallo
Christopher Hermann
"Mouch"
Otis
Violet Mikami
Evan Hawkins
Mayans MC:
Angel Reyes
Miguel
Bishop
Coco
Nestor
911 verse:
Athena Grant
Bobby Nash
Henrietta "Hen" Wilson
Evan "Buck" Buckley
Eddie Diaz
Howie "Chimney" Han
Ravi Panikkar
T.K. Strand
Owen Strand
Carlos Reyes
Marjan Marwani
Paul Strickland
Tommy Vega
Judson "Judd" Ryder
Grace Ryder
Nancy Gillian
Mateo Chavez
The Rookie:
Lucy Chen
Tim Bradford
Celina Juarez
Aaron Thorsen
Nyla Harper
Angela Lopez
Wesley Evers
BBC Sherlock:
Greg Lestrade
Mycroft Holmes
Sherlock Holmes
Moriarty
Molly
Bridgerton:
Anthony Bridgerton
Benedict Bridgerton
Simon Basset
Daphne Bridgerton
Eloise Bridgerton
Kate Sharma
Edwina Sharma
Marina Thompson/Crane
Outlander:
Jamie Fraser
Claire Beauchamp Randall Fraser
Frank Randall
Black Jack Randall
Brianna Fraser
Roger MacKenzie
Fergus Fraser
Marsali Fraser
Jenny Fraser Murray
Ian Murray Sr.
Ian Fraser Murray
Murtagh Mackenzie
Call The Midwife:
Shelagh Turner / Sister Bernadette
Dr. Patrick Turner
Nurse Trixie Franklin
Nurse Phyllis Crane
Lucille Anderson
Nurse Barbara Gilbert
Chummy
Sister Hilda
Miss Higgins
PC Peter Noakes
Reverend Tom Hereward NEW!
Narcos:
Horacio Carrillo
Peaky Blinders:
Tommy Shelby
Downton Abbey:
Robert Crawley, Earl of Grantham
Cora Crawley, Countess of Grantham
Lady Mary Crawley
Lady Edith Crawley
Lady Sybil Crawley
Violet Crawley, Dowager Countess of Grantham
Isobel Crawley
Matthew Crawley
Lady Rose MacClare
Lady Rosamund Painswick
Henry Talbot
Tom Branson
Mr. Charles Carson
Mrs. Hughes / Elsie May Carson
John Bates
Anna Bates
Daisy Mason
Thomas Barrow
Joseph Molesley
Land Girl:
Connie Carter
Reverend Henry Jameson (Gwilym Lee's version)
Midsomer Murder:
DCI Tom Barnaby
Joyce Barnaby
Dr. George Bullard
DCI John Barnaby
Sarah Barnaby
DS Ben Jones
DS Jamie Winter
Sgt. Gavin Troy
Fleur Perkins
WPC Gail Stephens
Kate Wilding
DS Charlie Nelson
Sergeant Dan Scott
NEW! Once Upon A Time
Regina / The Evil Queen
Mary Margaret Blanchard / Snow White
David Nolan / Prince Charming
Emma Swan
Killian Jones / Captain Hook
Mr. Gold / Rumplestiltskin
Neal Cassidy / Baelfire
Peter Pan
Sheriff Graham Humbert / The Huntsman
Jefferson / The Mad Hatter
Belle
Robin of Locksley / Robin Hood
Will Scarlet
Zelena / Wicked Witch
Alice (Once in Wonderland)
Cyrus (Once in Wonderland)
Jafar (Once in Wonderland)
Gideon
Tiger Lily
Naveen
Tiana
Granny
Ariel
Prince Eric
Aladdin
Jasmine
Dr. Jekyll and Mr. Hyde
Hercules
Megara
Tinker Bell
Merida
Red Riding Hood
Mulan
Aurora / Sleeping Beauty
Prince Phillip
Cinderella
Prince Thomas
NEW! The Vampire Diaries / The Originals
Stefan Salvatore
Damon Salvatore
Caroline Forbes
Elena Gilbert
Bonnie Bennett
Enzo St. John
Niklaus Mikaelson
Elijah Mikaelson
Kol Mikaelson
Rebekah Mikaelson
Freya Mikaelson
Finn Mikaelson
Mikael
Esther
Marcel Gerard
Davina Claire
MOVIES
The Pirates of the Caribbean:
Captain Jack Sparrow
Barbossa
Will Turner
Elizabeth Swann
James Norrington
Kingsman:
Merlin
Harry Hart
Eggsy Unwin
James Spencer / Lancelot
Alastair / Percival
Roxy Morton / Lancelot
Maximillian Morton / The Shepherd
Orlando Oxford
Jack Daniels / Whiskey
Gin
BOOKS
Dreamland Billionaire series - Lauren Asher:
Declan
Callahan
Rowan
Iris
Alana
Zahra
Dirty Air series - Lauren Asher:
Noah
Liam
Jax
Santiago
Maya
Sophie
Elena
Chloe
Ladies in Stem - Ali Hazelwood books:
Olive
Adam
Bee
Levi
Elsie
Jack
Mara
Liam
Sadie
Erik
Hannah
Ian
Fourth Wing - Rebecca Yarros:
Xaden Riorson
Dain Aetos
Jack Barlowe
Rhiannan Matthias
Violet Sorrengail
Mira Sorrengail
Lillith Sorrengail
Bodhi Durran
Liam Mairi
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zimulacrum · 3 months
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Total Drama Camp Island au
Fuck it. Au where Camp Wawanakwa is a Theatre camp. Chris is the director, Chef is the technical director. Mixing Gen 1 and Gen 2, the cast and crew splits up like this:
(PS, if two people have the same role, it’s just double cast.)
CAST
Alejandro - Joined because he enjoyed theatre as a class. He easily gets roles, though his charm is sometimes seen as an unfair advantage to others so he doesn’t audition much.
NOTABLE ROLES
the Phantom
the SQUIP
Emmett Forrest
Rocky
Kenickie Murdoch
Sierra - Joined because OBVIOUSLY she wants a place to nerd out! She gets good roles because she’s one of the only people who put all her emotions and being into her lines AND songs.
NOTABLE ROLES
Sandy Cheeks
Jenna Rolland
Columbia
Ronette
Delia Deetz
Duncan - I can’t decide whether he joined as a joke, or if his parents forced him to hang out with other teens. Maybe both. But surprisingly, he’s a good actor—AND can, surprisingly, do an incredible Mr. Krabs impression. He also constantly fights with crew to not wear a wig, keeping his mohawk onstage.
NOTABLE ROLES
Mr. Krabs
Jake Dillinger
Eddie
Orin Scrivello
Beetlejuice???
Tyler - Joined because he thought it would be like High School Musical. His roles are never big, but he has fun with them and always treats them like they’re the lead.
NOTABLE ROLES
Patchy the Pirate
one of the businessmen that purchases an Audrey II
Harold - He WOULD be a threatre kid if he could. He auditions with rapping EVERY TIME. And it works for him.
NOTABLE ROLES
Sheldon J. Plankton
Kevin G
Riff Raff
Geoff - Joined as a dare, and ended up loving it. He’s super chill about cast lists, and whatever he ends up with, he makes sure it’s including Bridgette.
NOTABLE ROLES
Patrick Star/Larry the Lobster/Gary the Snail
Damien Hubbard
Heather - She likes being in the spotlight. She expects roles, and she gets roles. .. not always. She’s typecast as the mean girl.
NOTABLE ROLES
Chloe Valentine
Regina George
Magenta
Vivian Kensington
Betty Rizzo
Lindsay - Loves movies and musicals and wants to be like that!! But she usually forgets her lines… and when she does, they’re all from Mean Girls. Even if she’s doing Rocky Horror, she’ll say her Karen Smith lines. Oh well.
NOTABLE ROLES
Karen Smith
Paulette Bonafonté
Frenchy Facciano
Leshawna - She has a big voice, so she’ll join to get big roles. Although, she’s never really cast in dance heavy roles…
NOTABLE ROLES
Pearl Krabs
Janice Ian
Audrey II/Chiffon
Elle Woods
Owen - He thought theatre camp could be fun! He has a surprisingly nice voice, and is just really good at embodying characters.
NOTABLE ROLES
SpongeBob SquarePants/Patrick Star
Michael Mell
Noah - “Joined as a joke”. He secretly really wanted to. He has the gay theatre kid energy here… his voice is also quite pleasant.
NOTABLE ROLES
Squidward Tentacles
Adam Maitland
Brad Majors
Warner Huntington III
Trent - Joined for fun since he had a free summer. He always brings his guitar, and sometimes plays it for script read throughs.
NOTABLE ROLES
an Electric Skate
Aaron Samuels
Cody - Family got him to join. They hoped he could get really cute roles, and he acts like he doesn’t care. He does.
NOTABLE ROLES
SpongeBob SquarePants/Old Man Jenkins
Seymour Krelborn
Bridgette - A friend suggested she signed up, so she did—tries to get a couples role with Geoff ever since they got together.
NOTABLE ROLES
Mayor of Bikini Bottom
Brooke Lohst
Janice Ian
Brooke Wyndham
Courtney - She’s done every subject and activity, of COURSE she’ll try theatre! She’s destined to be a star! She takes everything extremely seriously. And if she doesn’t get the role she wants… it’s scary.
NOTABLE ROLES
Christine Daae
Jenna Rolland
Gretchen Weiners
Vivian Kensington
Barbara Maitland
Crystal
Katie and Sadie - They picked a summer camp they wanted to do together, chose this, and auditioned for EVERYTHING together. They don’t really do roles that aren’t a duo.
NOTABLE ROLES
the Delta Nu girls
Justin - Decided to join because he assumed he’d get roles IMMEDIATELY for how he looked. He did not.
NOTABLE ROLES
an Electric Skate
Kyle the delivery man
Cameron - His mom suggested he joined a theatre camp because it felt “safe”—plus, he can actually sing and dance pretty well, since he grew up with his mom’s disco music.
NOTABLE ROLES
Seymour Krelborn
Anne Maria - She REALLY wants a shot at being a lead in a musical, but is painfully… tone deaf. But she’s pretty good at dancing, actually!
NOTABLE ROLES
Cha-Cha DiGregorio
Mike - His psychiatrist suggested he take a theatre camp, since his excuse for his switches is that he just “likes to act”. In reality, Mike… doesn’t really like acting. He’ll take one role, but all his others are usually done by… not. Him.
NOTABLE ROLES
Jeremy Heere
Beetlejuice (Mal)
Danny Zuko (Vito)
Zoey - She actually loves musicals! Big theatre kid! She can make her own costumes and knows way too much about the shows she’s in, but barely says anything about it because she’s nervous about appearing as weird.
NOTABLE ROLES
Karen
Christine Canigula
Cady Heron
Chutney Wyndham
Janet Weiss
Lydia Deetz
Sandy Olsson
Lightning - Joined by accident. He doesn’t know where he is. He likes the attention, though.
NOTABLE ROLES
an Electric Skate
Brick - He was too nervous to join theatre at school, so he tried a summer camp no one had ever heard of… and it was perfect!
NOTABLE ROLES
Perch Perkins
Dr. Scott
Scott - Joined as a joke. Auditions as a joke. Usually tries to get someone to mess up a line or say the M word onstage…
NOTABLE ROLES
Rich Goranski
Dakota - OOOFF COOUURRSEEE she has to be center stage! Of COURSE! It’s not Broadway, but this’ll do!
NOTABLE ROLES
Brooke Wyndham
Miss Argentina
Dawn - (is usually crew)
NOTABLE ROLES
Audrey
CREW
DJ - paints sets!
Eva - helps with exercises and choreography!
Gwen - head of makeup!
Izzy - she does the practical effects/special effects/visuals!
Courtney - she has FOUGHT with Chris and Chef to be allowed to act and do crew at the same time. she does lights. do NOT let her be stage manager.
Ezekiel - also pants sets!
Beth - assists in costuming!
Cameron - prop master!
Mike - when he can avoid acting, he helps Cam!
Dawn - she’s an assistant stage manager, and always knows who’s playing what before the cast list gets written somehow…
B - to save money on hiring various companies for flying or using other big machinery, he handles that himself.
Sam - sound master!
Brick - when he’s not acting, he works on being head of costumes!
Jo - stage manager!
PPS. I know most of these are adult shows, but do you think Chris gives a shit
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misspeppermint2003 · 8 months
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Can you do a headcannon about pat from postman pat please
Patrick Clifton, also known as "Postman Pat", is a main character of British stop motion animated children's television series from September 1981 to March 2017. He is the postman who lives in an English village of Greendale with his wife Sara and their son Julian and their pet black-and-white cat named Jess in the United Kingdom.
He works as a postman for the Royal Mail postal service in the fictional village of Greendale (inspired by the real valley of Longsleddale near Kendal).
He brought Jess with him to accompany him as he delivers the post through the valley of Greendale. Although he initially concentrates on delivering his letters, he nearly always becomes distracted by a concern of one of the villagers, and is always keen to help resolve their problems.
Notable villagers include the postmistress, Mrs. Goggins; farmer couple Alf and Dorothy Thompson; the Reverend Timms; PC Selby, the police constable; Jeff Pringle, the school teacher; Peter Fogg, a farm hand; George Lancaster, a chicken farmer; Miss Hubbard, an upper-class woman; Julia Pottage, who runs Greendale Farm and Ted Glen, the local handyman and inventor.
In the spin-off series, Postman Pat: Special Delivery Service, Pat has been promoted to Head of the SDS and is now called upon to deliver anything. Each episode follows Postman Pat on a Special Delivery mission, from rescuing a runaway cow to delivering a giant ice cube. In his new role, Postman Pat commutes to the nearby town of Pencaster where he collects his special deliveries from the Pencaster Mail Centre. Postman Pat now has a newer fleet of vehicles including a bigger van, gyrocopter, 4x4 Jeep and motorbike, complete with side-car for Jess. He has a new boss, Ben, who tends to give him instructions (whereas he was his own master before the "promotion"). Pat also seems to make more mistakes in his work since moving to SDS, largely because the new format is always based on one delivery, which has to go wrong somehow (thus often because of Pat's errors).
In the 2014 animated comedy film "Postman Pat the Movie", Pat is planning to take his wife, Sara on a late honeymoon to Italy. He tries to afford it through a bonus from his employer, the Special Delivery Service (SDS), but their new boss, Edwin Carbunkle, has cancelled all bonuses. He plans to make SDS more efficient by replacing its human workers with robots, thinking that being friendly is a waste of time.
When Pat gets home and tries to tell Sara about the fact that the honeymoon is cancelled because the new boss has cancelled all bonuses, his son Julian shows him a television talent show, "You're the One", hosted by Simon Cowbell, who states the next auditions are coming to Greendale. Cowbell also confirms that the person who wins the contest will be awarded a holiday to Italy and a recording contract.
Pat decides to take part in the contest and his unexpected singing voice (Ronan Keating) wins the contest. Pat is to sing again in the finale, in a head-to-head contest with the winner of another heat, Josh. His Scottish-accented manager, Wilf, however, is very keen to make sure it is his client who wins at all costs.
The CEO of the SDS, Mr. Brown, and Carbunkle had been watching the contest on television. They say that they would like to use Pat in a publicity campaign including his own television series. Carbunkle also confirms that because Pat will be away participating in the contest, a robot replica of him called the "Patbot 3000" will be taking over his postal duties, along with another robot replica of Jess called the "Jessbot" as well.
After Pat and Jess are gone, the Patbot delivers the rounds like Pat normally does, but it behaves oddly and the people of Greendale are starting to complain about Pat behaving in such a way. Sara and Julian are starting to worry about Pat too. Meanwhile, Ben Taylor (TJ Ramini), the manager at the SDS, is fired by Carbunkle and is convinced that Pat doesn't want him anymore, not realising that Pat is a robot. Meanwhile, Wilf tries his schemes to stop Pat, not realising that the "Pat" going around Greendale is in fact a robot but they all backfire. The more Pat's family and friends become concerned, the more Pat feels guilty about coming on the contest in the first place.
And despite Pat's efforts to tell his wife the truth about why he entered the competition, he fails and starts to become fearful that he might have pushed his family away. It isn't until shortly after Pat's departure for the final competition that Ben and Jess discover that there appears to be more than one Pat and Edwin Carbunkle's true intent is exposed. It turns out that Carbunkle is in fact an evil megalomaniac and is making these robots to try and take over the world. Ben then rushes to tell Sara and Julian the terrible truth about Mr Carbunkle's plan.
Now fully aware of Carbunkle's plan, a desperate Sara informs the whole of Greendale about Carbunkle's true intentions and explaining that deep down, Pat has not changed. They all agree to head to London to support Pat, in an effort to thwart Carbunkle's plan. Meanwhile, Jess, who has stowed away on one of the SDS helicopter replicas that one of the Patbot 3000s used, manages to make his way to where Pat's performance, and he helps Pat escape after he is locked away in a dressing room by a Patbot and Carbunkle, who reveals that Pat's publicity was just to make people like him, so Mr Carbunkle could replace him with Patbots. They are then pursued by the Patbots and the Jessbot but manages to outsmart them all and get inside the theater.
Meanwhile, in the performance, a Patbot performs instead of Pat, unbeknownst to the audience. Wilf arrives, knowing it to be a robot (after defeating a Patbot with a magnet at the sorting officer earlier), uses a magnet to unmask the Patbot. Then, the real Pat interrupts the performance and gives a speech on what's really important and how he forgot to take time for those he really cares about. As Carbunkle releases the first few Patbots to kill off Pat, Simon and Brown, revealing that he has had enough of them hindering his plans, Josh saves them by using Carbunkle's phone to turn off all the Patbots before they can kill Pat, Cowbell and Brown. Little does Pat know that his wife and friends from Greendale arrive in the chaos.
After Brown fires Carbunkle and has him arrested, everything is back to normal. Unaware that Sara is listening, Pat expresses that he is only doing this competition to win the flight tickets for their honeymoon. Sara is suddenly heard calling Pat's name. Once Pat catches sight of Sara, Julian and all the people of Greendale in the audience, it dawns on him that Sara has heard the truth about why he entered the competition and is fully aware of Carbunkle's plan. Now fully aware that Sara has forgiven him. Pat decides to do his act but decides to change it slightly.
In the end, Pat sings Stevie Wonder’s Signed, Sealed, Delivered I'm Yours with Brown, Josh, Wilf and the people of Greendale joining in. Sara also takes part in the act. They both win the holiday to Italy but pass the recording contract to Josh, so Wilf is happy too, and all is forgiven.
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gemstarb · 1 month
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Watch "🟢 st Patrick's day event?? protesting the cult as well 🟢" on YouTube
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jpbjazz · 2 months
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LÉGENDES DU JAZZ
ANDREW HILL, UN PIANISTE À DÉCOUVRIR
"If you stay with Bud too much, you'll always sound like him, even if you're doing something he never did."
- Andrew Hill
Né le 30 juillet 1931 à Chicago, en Illinois, Andrew Hill était le fils de William et Hattie Hill. Hill avait un frère, Robert, qui était chanteur et violoniste classique. Protégé de Earl Hines, Hill a commencé à jouer du piano à l’âge de dix ans en autodidacte. Enfant-prodige, Hill avait fréquenté l’University of Chicago Experimental School sur la recommandation du compositeur dejazz Bill Russo, qui l’avait référé au compositeur d’origine allemande Paul Hindemith. Hill avait étudié avec Hindemith de façon informelle jusqu’en 1952.
Hill était encore adolescent lorsqu’il avait commencé à jouer dans des groupes de Rhythm & blues. À partir de 1952, Hill avait accompagné des musiciens de jazz en tournée comme Charlie Parker, Coleman Hawkins et Miles Davis. Au cours d’une entrevue accordée en 1964 à Leonard Feather, Hill avait commenté ses débuts de la façon suivante: "I started out in music as a boy soprano, singing and playing the accordion, and tap dancing. I had a little act and made quite a few of the talent shows around town from 1943 until 1947. I won turkeys at two Thanksgiving parties at the Regal Theatre.’’ Les soirées étaient commanditées par le journal Chicago Defender, pour lequel Hill travaillait également comme camelot.
DÉBUTS DE CARRIÈRE
Après avoir appris à jouer du blues en 1950 avec le saxophoniste Pat Patrick, Hill a obtenu son premier contrat professionnel trois ans plus tard avec le groupe de Paul Williams, tant comme pianiste que comme saxophoniste baryton. Au cours des quelques années suivantes, Hill s’était produit avec plusieurs grands noms du jazz, dont certains avaient exercé une profonde influence sur lui, dont Joe Segal et Barry Harris. En 1961, après avoir fait une tournée avec la chanteuse Dinah Washington, Hill s’est installé à New York, où il avait travaillé avec Johnny Hartman et Al Hibbler. Par la suite, Hill s’était établi brièvement dans le comté de Los Angeles, où il avait joué avec le quartet de Roland Kirk ainsi qu’au Lighthouse Café d’Hermosa Beach.
Même si Hill avait fait ses débuts sur disque comme accompagnateur en 1954, il avait établi sa réputation dans le cadre d’enregistrements comme leader pour les disques Blue Note de 1963 à 1970 qui mettaient en vedette de nombreux musiciens du post-bob comme Joe Chambers, Richard Davis, Eric Dolphy, Bobby Hutcherson, Joe Henderson, Freddie Hubbard, Elvin Jones, Woody Shaw, Tony Williams, Kenny Dorham, Roy Haynes et John Gilmore. Hill était d’ailleurs particulièrement apprécié par le co-propriétaire de Blue Note Alfred Lion qui le considérait comme son dernier protégé. Parmi les premiers albums enregistrés par Hill pour Blue Note, on remarquait ‘’Point of Departure’’ et ‘’Black Fire.’’
Durant cette période, Hill avait également collaboré à des albums de Henderson, Hutcherson et Hank Mobley. Hill avait d’ailleurs composé trois des cinq pièces de l’album ‘’Dialogue’’ de Hutcherson enregistré en 1965.
À partir des années 1960, Hill avait travaillé de moins en moins comme accompagnateur, et s’était concentré sur ses propres compositions, ce qui avait eu pour résultat de limiter son impact auprès des amateurs. Après avoir rempli un poste de compositeur en résidence à la  Colgate University de Hamilton de 1970 à 1972, Hill avait entrepris une carrière d’enseignant en Californie.
DERNIÈRES ANNÉES
Après avoir continué de se produire en concert et d’enseigner dans les écoles publiques et de service social, Hill avait travaillé comme professeur-associé de musique à la Portland State University de 1989 à 1996. Durant son séjour à Portland, Hill avait établi un camp d’été intensif en jazz, tout en continuant de se produire sur scène, d’animer des ateliers et de travailler comme musicien-résident à la Wesleyan University, à l’Université du Michigan, à l’Université de Toronto, à l’Université Harvard, au Bennington College ainsi que dans d’autres institutions scolaires.
Après être retourné à New York dans les années 1990, Hill avait fait un retour comme pianiste, chef d’orchestre et compositeur. En 2000, Hill avait publié ‘’Dusk’’, un album qui comprenait une série de chansons basées sur l’ouvrage ‘’Cane’’ de Jean Toomer, publié initialement en 1923. Grandement acclamé par la critique, l’album avait été sélectionné parmi les meilleurs disques de l’année par les magazines Fortune , San Diego Union Tribune, Philadelphia Inquirer, JazzTimes et DownBeat.
En 2003, Hill s’était également mérité le prestigieux prix danois Jazzpar Prize. Certaines des sessions non publiées de Hill enregistrées pour Blue Note dans les années 1960 ont été rééditées. Une des rééditions les plus notables comprenait la publication de l’album ‘’Passing Ships’’, un enregistrement en nonet qui précédait la publication de son album en big band de 2002, ‘’A Beautiful Day’’, de plus de trente ans.
En 2004, Hill a aussi fait une apparition sur l’album ‘’SOLOS: The Jazz Sessions.’’ Le 21 février 2006, Hill avait également publié un nouvel album pour Blue Note intitulé ‘’Time Lines.’’
Andrew Hill a présenté sa dernière performance publique le 29 mars 2007 à la Trinity Church de New York. Atteint d’un cancer des poumons, Hill est mort à sa résidence de Jersey City, au New Jersey, le 20 avril 2007. C’est dans le cadre de son séjour au Lighthouse Café d’Hermosa Beach que Hill avait rencontré sa future épouse Laverne Gillette, qui était à l’époque organiste au club Red Carpet. Après s’être marié en 1963, le couple s’était installé à New York. Laverne est morte en Californie en 1989 à la suite d’une longue maladie. Trois ans plus tard, Hill avait épousé à Portland la danseuse et professeure Joanne Robinson. Le couple s’est établi à New York en 1995. À partir de l’an 2000, Hill vivait avec son épouse à Jersey City, au New Jersey.
En mai 2007, Hill était devenu la première personne à recevoir un doctorat honorifique posthume du Berklee College of Music. Hill a également été nommé ‘’Jazz Master’’ par la National Endowment for the Arts en 1988. Hill étant trop malade à l’époque pour venir chercher le prix lui-même, c’est son épouse qui en avait pris possession en son nom.
Principalement influencé par Thelonious Monk, Bud Powell et Art Tatum, Hill avait déclaré au cours d’une entrevue accordée en 1963: "Monk's like Ravel and Debussy to me, in that he put a lot of personality into his playing [...] it's the personality of music which makes it, finally.’’ Selon Hill, il était extrêmement difficile de s’affranchir de l’influence de Powell. Il avait précisé: "If you stay with Bud too much, you'll always sound like him, even if you're doing something he never did." Quant à Tatum, Hill l’avait qualifié de père de tous les pianistes modernes.
©-2024, tous droits réservés, Les Productions de l’Imaginaire historique
SOURCES:
‘’Andrew Hill.’’ Wikipedia, 2024.
‘’Andrew Hill.’’ National Endowment for the Arts, 2024.
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jackbatchelor3 · 1 year
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Christmas With... The FOX/TRUEMANS! 🎄 EastEnders
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