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#oscars nominations
elennemigo · 4 months
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Wes Anderson adaptation of The wonderful story of Henry Sugar just got nominated for an Oscar, in the category Live Action Short Film!
Congratulations! 🍾🎆🎇🥂
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“Dressing in drag, which is a threat to nobody” HELL YEAH DANIELS
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afairycreature · 3 months
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Top 4 on Letterboxd
Emma (2020)
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Marie Antoinette
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Past Lives
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La Sociedad de la Nieve
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fairycreature in letterboxd where I have more lists some are very good in my opinion
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cherrycruise · 1 year
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THE OSCARS LUNCHEON 2023
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mickey-flicks · 4 months
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CLICK HERE TO GO TO GOOGLE DRIVE
I make one for myself every year and figured some of filmblr might be interested! I personally print it out, but you can use it digitally as well!
Hope y'all enjoy!
(if you feel like supporting me to get through college my venmo is minimickzy)
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cyarskaren52 · 2 months
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lily-s-world · 3 months
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I know that their changes may be slim, because there are so many amazing performances nominated this year, but I have my fingers crossed for America Ferrera and Colman Domingo to win their Oscars.
America then will become the first woman of Honduran descent to win.
Colman will become the first Afro-Latino (Belize and Guatemalan descent) to win.  Not to mention first openly gay Afro-Latino.
They are making history just by being nominated, but I need more history to happen because they deserve it!  
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visions-of-fantasy · 4 months
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My brother: Who do you want to win at the Oscars?
Me: Oh definitely Cillian Murphy. And Godzilla too.
My brother: Wait I thought this was for best actor. Who was nominated? Godzilla????
Me: 😂😂😂😂
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callmefirefly · 4 months
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So the Oscar nominations have been announced and I cannot believe that Margot Robbie and Greta Gerwig didn’t receive any nominations, yet Ryan Gosling and America Ferrera did. I’m not hating on them don’t get me wrong, they were great as Ken and Gloria. I just can’t believe that the director of the most successful film of 2023 and the actress who played the title character didn’t get acknowledged with their own nominations for best director and best actress respectively. I mean, Greta Gerwig is officially the most successful female director there’s ever been yet she’s been snubbed by the Academy - what is up with that? Margot Robbie also did a great job as Barbie, portraying her in a way where you see her journey from being pretty naive to being more aware of the world around her. I’m honestly quite shocked at that. Now, I know there’s a chance that they might not have won if they were nominated in the first place, but it would’ve been nice to give them some sort of acknowledgement that they did a really good job on this project, especially considering the cultural impact it had and the conversations it started. The Academy has totally messed up here - Margot and Greta deserve better.
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flurryheaven · 1 year
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95th Annual Academy Award (Oscars) Nominations - Costume Design 
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Mary Zophres - Babylon  Fourth nomination for Zophres. Previously nominated in 2011 for True Grit, 2017 for La La Land, and 2019 for The Ballad of Buster Scruggs. 
Ruth E. Carter - Black Panther: Wakanda Forever  Fourth nomination for Carter. Previously nominated in 1993 for Malcom X, 1998 for Amistead, and winning in 2019 for Black Panther. 
Catherine Martin - Elvis  This is the ninth nomination for Martin. Previously nominated for Costume Design in 2008 for Australia. Winning in 2002 for Moulin Rouge and 2014 for The Great Gatsby. Previously nominated for Art Direction in 1997 for Romeo + Juliet, and winning in 2002 for Moulin Rouge. Winning for Production Design in 2014 for The Great Gatsby. Also nominated this year for Production Design and Best Picture. 
Shirley Kurata - Everything Everywhere All at Once  First nomination for Kurata. 
Jenny Beavan - Mrs. Harris Goes to Paris  Twelfth nomination for Beavan. Previously nominated in 1985 for The Bostonians, 1988 for Maurice, 1992 for Howards End, 1993 for The Remains of the Day, 1996 for Sense & Sensibility, 1999 for Anna and the King, 2001 for Gosford Park, and 2010 for The Kings Speech. Winning in 1987 for A Room With a View, 2016 for Mad Max; Fury Road, and 2022 for Cruella. 
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Let’s nominate Jimmy Kimmel to never host again
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afairycreature · 2 months
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Last 4 movies I watched:
POOR THINGS dr. Yorgos Lanthimos
DUNE Part Two dr. Denis Villeneuve
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Palo Alto dr. Gia Coppola
Romeo and Juliet dr. Baz Luhrmann
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karlzambrano · 1 year
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Triangle of sadness
Triangle of Sadness es una película del director sueco Ruben Östlund, quien dirige una cinta que se alimenta de la comedia para llevarnos por idas y vueltas poco predecibles, esta comienza mostrándonos a dos de sus personajes en el mundo de la moda, luego nos traslada a un lujoso viaje en yate y termina transformándose en una lucha de supervivencia en una isla aparentemente desierta.
youtube
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mickey-flicks · 2 months
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↳ VISUAL EFFECTS 
The Creator (2023) dir. Gareth Edwards
Godzilla Minus One (2023) dir. Takashi Yamazaki
Guardians of the Galaxy Vol 3 (2023) dir. James Gunn
Mission Impossible: Dead Reckoning (2023) dir. Christopher McQuarrie
Napoleon (2023) dir. Ridley Scott
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thestingerblog · 1 year
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The Oscars v. Horror Films
by Aero S.
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Read on our site!
It’s an open secret at this point that The Academy of Motion Picture Arts and Sciences – the organization that hosts the Oscars – isn’t very fond of horror movies. Granted, horror films have always been a hit or miss. Out of the hundreds that come out each year, only a few dozen manage to do the genre justice, but these few dozen deserve the praise and recognition that they have been deprived of, almost inherently because of the reputation their genre has. In its 95-year run, only six horror/thriller films have won its most prestigious award, Best Picture, with the last one being Jordan Peele’s 2017 hit Get Out. 2022 was an anomalous year in that so many fantastic horror films came out and were generally well-received by audiences. The year saw Mia Goth masterfully play a woman named Pearl not once, but twice in X and the aptly titled Pearl, and the Academy gave both performances the cold shoulder. In response to her films being snubbed this year, Goth recently stated, while promoting her new horror film Infinity Pool at Sundance, that, “I think that [The Oscars are] very political… a shift should take place if they want to engage with the wider public.” And she may be right. The nominations for the 95th Academy Awards came out a few days ago at the time of writing, and I couldn’t help but notice that the Academy has continued the pattern of discrediting and ignoring the incredible horror films that 2022 had to offer.
Aside from Pearl and X, Jordan Peele’s third directing project, Nope, was a critical darling and gave Peele a hat trick of having his films cross the $100 million threshold at the box office. The cast, consisting of Keke Palmer, Brandon Perea, Steven Yeun and Get Out alum Daniel Kaluuya, all gave stellar performances and had an on-screen chemistry that audiences found endearing, even in the circumstances the characters had to endure. Beyond the incredible acting and onscreen chemistry, this film stood out among the crowd for its sound design. The sound in this film is, for a lack of a better term, haunting. It almost becomes its own character as the film progresses, and as a viewer, it is not just a warning that something scary is about to occur, but also a complement to the disturbing imagery and effects. Many films can be watched on mute and have their quality remain somewhat the same, but Nope is not one of those films. This may sound like a critique, but it’s actually praise for how well-rounded and thought-out everything is. Music and sound can sometimes be thrown in as an afterthought, but with Nope, you can really tell that Peele wanted the music to serve the way that it did. The result is a harrowing, atmospheric, yet at times claustrophobic feeling that envelopes the entire film. Most of all, Nope and the Pearl franchise have something to say. Nope is a commentary on the sensationalism and commercialization of shock and controversy that seems to plague the entertainment industry (though some people didn’t understand this), while Pearl comments on the ‘American Dream,’ and how it’s set up to have its most vulnerable citizens fail or succumb to exploitation.
Obviously, having a profound message or a poignant commentary in a film isn’t a prerequisite to bagging an Oscar nomination – Top Gun: Maverick’s six Oscar nominations are proof of that – but it means that important films aren’t being regarded in the way that they should. The themes present in horror films like Nope could be present in a drama and that film probably would have garnered more attention and Oscar buzz. Even films with less strong messaging like Smile, Barbarian, Bones and All, and many more that have garnered positive reviews both from audiences and critics aren’t getting the attention they deserve. The issue isn’t that these films are too political, not political enough, badly acted, or even badly produced, it’s simply that horror films are still not being taken seriously enough. At least Nope did get a few wins in other, if smaller, award shows, such as Keke Palmer’s Best Supporting Actress win from the New York Film Critics Circle Awards, but it’s disheartening to see that the award show that supposedly matters most won’t even provide them a chance to get their dues.
Evidently, I feel very strongly about horror films and firmly believe that they should be appreciated in the way that they deserve. However, I am also aware that ultimately, these awards are, as Mia Goth says, very political. Because of this, many award shows aren’t just about celebrating and giving the best films in the market their flowers, but also about honoring and following through with the handshake deals that are made behind the stage and curtains we see onscreen. These awards may be important to the futures of those involved in making the films being nominated, but don’t let them determine the worth or quality of the films that haven't been nominated; after all, many films are snubbed every year, and those are the ones we remember more in the long run.
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catvicddlm · 1 year
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I liked Turning Red. I think it’s a neat movie with charming characters and a thoughtful message.
That said, if it wins against Del Toros Pinocchio, I’m using my savings to fly to the Academy and burn it to the ground.
And if you like it too, you’ll also wish it doesn’t win because you KNOW it’ll be remembered as “The movie that stole an Oscar” rather than the fun film that it is.
Haven’t seen the other three, so I can’t speak on their behalf (it’ll be really funny if Dreamworks wins tho)
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