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#order of nine angles
a-vuori · 24 days
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Introducing you to Angel Almeida, a 22-year-old Queens, NY resident who is also a member of the neo-nazi Satanic cult Order of Nine Angles and, according to the FBI, a pedophile that groomed and sexually exploited at least two children in order to create child sexual abuse material to sell to other pedophiles. Angel is #97 on our list of bigots, fascists, and far-right extremists who are also child sex predators, child sexual abuse material enthusiasts, and pedophilia advocates. When fascists accuse marginalized groups of child grooming, it's projection
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Left Hand Path, Hinduism & The Jewish Mystical Kabbalah
For more material discussing the inter-relations between Hinduism & the Jewish Mystics of the Kabbalah, please refer to the Internet Archive book entitled "THE JEWISH MIND" by Raphael Patai
https://www.apocryphile.org/jrm/articles/Hindu&Jew.html
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kryptaaspidis · 4 months
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𝔗𝔥𝔢 𝔄𝔢𝔬𝔫, 𝔱𝔥𝔢 𝔐𝔞𝔦𝔡𝔢𝔫𝔰 𝔞𝔫𝔡 𝔱𝔥𝔢 𝔄𝔯𝔠𝔥𝔬𝔫𝔰 | 11_12_2022
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unwelcome-ozian · 5 months
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hi, it's the O9A anon again. thank you so much for your reply! i'm glad you're feeling more healthy. i had a question about the tree of wyrd - we have areas of the inner world named after planets like saturn and venus, which i think fits with the tree model? our system has female ritual parts that were trained to be rounwytha and they have a special forest in the inner world where they operate, controlling animal/epsilon parts. they often talk about a ritual in which 33 points are painted on the body, and they talk about a being called 'mikholeh'. do you know anything about what this ritual could mean/be for, and how i may be able to access the different areas named after planets? (i'm assuming there's a way to travel between them but i'm not sure how). thank you so much! sorry for the complicated questions, i understand if you can't answer them :)
we have areas of the inner world named after planets like saturn and venus, which i think fits with the tree model?
Yes, they are. The Tree of Wyrd has seven celestial bodies: the Moon, Venus, Mercury, the Sun, Mars, Jupiter, and Saturn.
Rounwytha Way: Is one of the three O9A praxises. It is also known as 'the rouning'. “The way of the Rounwytha is the way of the independent, strong, empath: of those who have developed their natural, their latent, their empathic and muliebral, abilities, qualities, and skills, both exoteric and esoteric [1].
Given the nature of these abilities, qualities, and skills, the overwhelming majority of individuals who follow the Way of the Rounwytha are women – who thus embody our sinister feminine archetype..”
“There are only three rites of this tradition: one celebratory [2], and two to train, to breed, the Rounwytha. The training is and was simple, and involves the candidate in living, for two whole alchemical seasons [3], alone in an isolated area, as per what is now known as the Rite of Internal Adept, followed – some unfixed causal Time later (sometimes a year later, sometimes longer) – by undertaking the Camlad Rite of The Abyss, and which Rite lasted for a whole lunar month [4]. another, in order to train candidates in certain necessary Martial skills, with this training lasting from six months to (more usually) a year. [5]” --Order of Nine Angles 123 yfayen
33 points are painted on the body, 
The number 33 is an occult/magick number and can have many meanings. Number 33 is a Master Number. The number 33 reflects the interface of the familiar world with the higher spiritual realm.
There are 33 vertebrae. The Kundalini goes up all 33 vertebrae of the spine and one achieves apotheosis.
It would depend on where on the body the points are painted.
and they talk about a being called 'mikholeh’. I’ve looked at the materials/information I have and am unable to find anything with the name ‘mikholeh’.  
However O9A says: What also has to be considered is that the ONA uses certain words in an esoteric way – with a specialized Occult meaning – so that words such as archetype and nexion and psyche have specific esoteric meanings [1] over and above, or instead of, their accepted common exoteric usage. Thus, and for example, a word such as Satanas may have an esoteric (batin) meaning and an exoteric (dhir) meaning – with the dhir meaning referring to what mundanes understand as Satan (a particular male causal and demonic form), and the batin meaning referring to what ONA initiates understand as an acausal (non-temporal, non-causally defined) entity Satanas who/which can shapeshift and who/which exists (when in the acausal) outside of our limited (causal) categories such as male/female, singular/plurality, and past/present/future. Hence, the accepted exoteric understanding of, and/or the appearance of some-thing – such as a name or chant – is not necessarily a guide to or an indication of its esoteric meaning, its use, or its efficacy in terms of sorcery. [2]” 
E.g. Malkuth, Vindex
how i may be able to access the different areas named after planets? 
Here are a few of the ways:
Some systems have star gates to reach other areas. 
Through symbols such as the Algol symbol.
The seven spheres and the pathways.
Oz
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eriexplosion · 1 year
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Today I physically stopped myself from engaging negatively with a post talking shit about Anakin and I think I deserve a little treat for that. I will just stay in my corner loving my very damaged boy.
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altar-ov-plagues · 1 year
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Deverills Nexion - Collected Works (2015)
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a-vuori · 21 days
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I found this on pinterest. I don't know who did it, but thank you.
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boldvisionary · 3 months
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Forest Folk VS Sleazy Interlopers
True one shall you fail the test
To reveal the viper's nest?
Oh! The Greek they love to spout
And bandy Crowley's words about
The Unseelie, they'd overwrite
I mote these folks be put to flight
On YouTube now they strut and preen
Taunting heirs of Raven Queen
In our land, not on Earth time
They've already lost, these birthed of swine
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Use Proper Security Procedures!
Cameron's leadership stature in the security realm is very evident in
this video. Fellowship is essential, but it's important NOT to fall prey
to establishment agent provocateurs. The idiots on Gab, will not
be of any help along these lines.
youtube
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wayslidecool · 4 months
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arabic numerals ranked from worst to best by their potential as the lens in new year's glasses
#10: Seven (7)
seven is a very awkward number for a lot of things, and new year's glasses are no exception. its weird angular shape leaves no opening to put a lens in, and unlike the next entry, it's too wide to comfortably squeeze between lens in the second and fourth digits. and the impressive thing about 7 is that this is a number with plenty of writing variations, and yet i can't think of a single one that makes it an efficient lens! sorry 7. i think you're the best number for a rating scale, but that's about it.
#9: One (1)
the 2010s were a rough time for new year's glasses, huh? coming off the high of the 1990s and 2000s, people were determined to make the 2010s work, but that's a tall fucking order. the saving grace of 1, and the reason it's above 7, is that it's skinny enough that you can slide it between numbers and use the fourth digit of the year as the lens, but the fact you have to resort to that is only further evidence of how much 1 sucks at being the lens.
#8: Two (2)
two is definitely a tier above the previous two entries. it's an interesting and versatile enough shape that you can mess with it to try and make a viable spot for a lens, what with the upper loop and lower angle, but i feel no matter what you try, you always gotta make some concessions. like, you have enough to work with that a talented enough designer can make something that works, but usually the result is more "functional" than "good".
#7: Four (4)
now we're getting into numbers that could actually make for passable lenses. i mean, check it out! we have a closed loop here and everything, that has GOT to count for something! what makes me put four relatively low on the list is that with its right-triangle shape, i can't imagine it being a very comfortable shape for a lens, especially with how much ends up sticking out and downwards. still, a vast improvement over the previous three entries, even if it's basically just a worse 9.
#6: Five (5)
i feel like depending on what you prioritize in new year's glasses, these next two entries could end up going below the previous one, but personally, i think the not-closed round loop feels like a more practical spot for a lens than 4's closed-but-angular loop, y'know? so what if the loop isn't closed, it still mostly surrounds your eye, and feels generally passable to me. this is a number that wouldn't inspire the idea for new year's glasses, but certainly works now that the idea has been established.
#5: Three (3)
three is basically the same thing as 5, and i could even see some people putting it below 5, since 5's loop is a bit closer to being closed than either of 3's loops. that being said, 3's dual-loop is ultimately what gives it the edge to me. it ends up feeling more versatile to me. i feel the bottom loop is generally the correct choice, but just having the option of the top loop as well really helps it out. either way, after suffering through the 2010s and 2020s, i expect the 2030s to be a welcome breath of fresh air.
#4: Nine (9)
now we're getting to the really good ones. i mean, the 1990s are when the trend of new year's glasses started! if this number was good enough to kickstart the trend, then clearly it's a good number to put the lens in. having a closed round loop really goes a long way, it turns out! what puts 9 below the next three entries is the tail. having that swoop down towards your face feels like it'd be a bit uncomfortable, and this issue doesn't crop up with the next three entries. still, 9 is a trailblazer and its place in the New Year's Glasses Metagame needs to be respected.
#3: Six (6)
if 9's only issue is the tail getting all up in your face, then what better way to solve that then just turning it upside-down? it might just be me, put having it brush up against your forehead feels much, much less intrusive than having it brush up against your face. and plus, it can give the impression of a raised eyebrow! bonus! the 2030s-2050s are going to be a refreshing breath of fresh air following the awful new year's glasses of the 2010s and 2020s, but the 2060s are going to be a true new year's glasses renaissance.
#2: Eight (8)
hey, so remember how i put 3 above 5 since i felt the double loop made it a bit more versatile? well now imagine that, but both loops are closed. 8 makes for such a good lens, it's a little surprising we didn't see new year's glasses in the 1980s (i'm guessing having two of the same number is more inspiring than two different numbers?) either way, eight isn't content to give you just one closed loop. it'll give you a second closed loop right above. (or below!) 8 is a versatile number with many options, and i hope i can live to see the day we see it in new year's glasses. a true stand out in its field.
#1: Zero (0)
still, even with all the good years ahead, it's hard to ignore the fact that the best years are sadly behind us, with the 2000s being the absolute pinnacle of new year's glasses design. i mean, come on. a single loop with no frills is basically what glasses designs default to already, so using the middle two zeroes as the lens for glasses? impeccable design. the 1990s were good enough to kickstart the trend, but the 2000s were good enough to make us want to brute force the 2010s and 2020s. if that's not the mark of a good design, i don't know what is.
sadly, it's likely we'll never see design this good again. the next year with the middle two digits being two zeroes is 3000, and while we might be able to execute double-zero designs at the turn of each century, they'll end up looking weirdly lopsided in the process. i believe humans are hubristic enough to try and brute-force bad decades, but multiple bad centuries? forget about it.
oh well. happy new year
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macfrog · 5 months
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little aphrodite sex on fire chapter nine
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the amount i had to write jean-marc in this chapter makes me nauseous. anywho. these two heal my soul and make me weep. please enjoy a little look back at the ceo's experience of paris.
pairing: ceo!joel x fem!reader
summary: we're going back to paris. this time, through joel's eyes.
warnings: age gap (reader is late 20s, joel late 40s), workplace relationship, imbalance of power dynamic, alcohol consumption, ostentatious flaunting of wealth (eat the rich i say), sugardaddy!joel, softdom!joel, oral (f and m receiving), daddy kink, praise kink, cursing, angst & pining, and...well. the ceo falls in love.
word count: 7.5k
series masterlist | main masterlist | playlist | follow @macfroglets w notifs on to be the first to hear when i post 💚
He wasn’t even sure you’d say yes when he asked. Thought you’d find it a bit much, flying halfway across the world just for one lousy meeting. He had what he’d say when you turned him down in mind, already: Sure, yeah, no problem. No, I just thought – Yeah. ‘s alright. I’ll bring you back som’ as a souvenir.
But you didn’t.
Oh, yeah? you’d said. Your face seemed to light – humored, impressed even. It made Joel feel braver. Reassured. You’ve a habit of doing that to him.
Mhm, he replied, chewing on the sub you’d ordered him after his conference call. He can’t remember what he promised Human Resources he’d have done within the hour. You walked in as he was saying it, and – well. Two days, he said, swallowing, Saturday Sunday.
And are you gonna make me take minutes while you meet with this Jean-Marc? You wiggled your fingers as you said it, letting the name drip through your lips in some kind of dreamy song. I don’t make the flight back unless they’re typed up by the time we leave? That the catch?
No catch. You don’t even gotta come to the meetin’.
I don’t have to –? Wow, Miller. You’re spoiling me, no? You kicked your leg, one knee hooked over the other. Your skirt shrinking up your thigh.
You were sat in the chair on the right, opposite his desk. You always sit in that one – and Joel’s still trying to figure out why. The working theory so far is that it’s at a good angle to watch the city below, and at the same time, see exactly who comes and goes in and out of the office during lunch.
But there has to be more to it, he thinks. He suspects. Martha’s desk is, like, five feet from yours. She spends her lunches in the conference room with Deb, shaking salads doused in balsamic vinegar and sharing cross-floor gossip. They invite you every day, and almost every day, you turn them down in favor of his shuttered office, the muted swish of cars on the street, the mock gasps and clutch of invisible pearls when you share that same fifth-floor gossip with him over the desk.
You’d been talking while he’d been thinking about the damn chair. He hadn’t heard a word of it. Huh? he asked, and you rolled your eyes.
Ain’t never listenin’, you muttered, peeling the damp paper back from your own sub.
Say it again, Joel said. Was just making a mental note to book dinner for us over there.
You scoffed, licking mayo from the corner of your lips. Why you making mental notes for anything? That’s what you pay me for.
And you were right – it is what he pays you for. Pays you to be his shadow, his right-hand man, his eyes and his ears and his entire brain, some days.
But lately – he doesn’t know. It’s different.
Truth be told, he has no idea what’s gotten into him. Looking at you the way he is. You’ve fucked around twice, now, and both times have been…nothing short of fucking amazing. Both times, Joel’s thought he might come within the first two minutes. Pushing inside your velvet walls, watching the way you roll forward, hearing the lewd moans pour across your lips.
He’s always thought you were attractive. It’s pretty fucking hard to ignore. Physically, sure – the look of your body, the way you know how to dress it. And the prettiest, softest face he’s ever seen. You can win him over in any discussion without a word, just by fluttering your eyelashes at him.
But you’re more than that. He thinks of you both as friends, maybe something more. Something deeper. It’s in the glances you steal, the silent lines tossed between one another. The way you read one another like an open book. Sometimes, he wonders if you actually can read his mind.
You’re intelligent, you’re funny, and you’re a hard fucking worker. Always on time, always seemingly juggling thirty things at once, and never letting him down. Nothing is too much, it seems; everything just is as it is. And he likes that about you. Simple. No baggage.
The morning of the flight, you send him a voice note telling him you’re downstairs. “And I ain’t lugging two cases up to the top floor only to bring ‘em back down when we’re leaving, Mr. CEO.”
He’s striding past Martha for the elevator before he’s even done listening to the message.
“Uh-uh!” she chirps, dashing over to slip between the brass doors behind him.
Joel sighs under his breath.
“I know better than to rely on you to remember all this stuff,” she says, holding up a file he’d asked her to put together for the trip.
She’s right not to – he’d probably leave that file in the car, or put it down somewhere and walk off without it. You’re the only one who can be trusted with it – with anything. You’re good at your job. And yet, he resents the fact that Martha’s about to lump you with even a fraction of responsibility for the next four days.
So when the Rolls pulls off and Martha is nothing but a pin-sized silhouette through the back window, still waving from the sidewalk, he pinches the folder in two fingers and tosses it to his left hip. Out of your grasp. You smile, eyes rolling, and pop your earbuds in. Joel breathes a laugh, eyes dipping again to skim read some contract on his phone. His hand is locked around your thigh. He likes that you just let him do it now.
Likes a lot of things about you. Likes that you put your music on shuffle, and then skip eleven tracks until you find one you actually want to listen to. Likes that your fingers twirl around the light chain of your necklace – the way they do anytime you’re nervous – and when he asks if you’re alright, you bareface lie to him and squeak, Yep.
Likes the glow the morning sun casts on you when you emerge from the car on the tarmac, pooling in the dimples on your cheeks, bright gold. The way you tug on the loose cotton of your sweatpants, bashful. Shy. And he likes that, when he follows you up the steps to the plane cabin, your awestruck expression lasts all of five seconds before that quick wit kicks straight back in.
“Feelin’ pretty guilty about all the air pollution,” you tell him, and Joel silently says his fifth thankful prayer this morning that he thought to ask you and not Martha.
He watches you settle into a seat by the window, watches you crane your neck to survey the view from the tiny circle of thick glass. He thinks about what he’d do if you were alone right now, if there weren’t crew slowly filing into the jet behind him.
He floats the idea. Tells you about the bedroom up back, tells you it’s cozy. You read between the lines just like he wants you to. And when the plane’s in the air, you follow after him.
You fall into bed together the same way you do when you arrive at the hotel. A tangle of limbs, of sweat and stuffy plane air. He sleeps the soundest he has in months – years, maybe. Pushed off by the sound of your breathing, the dip in the mattress by his side. The warmth which radiates from your body, the soft brush of your hand against his.
He puts it down to the travelling – the eight-hour flight, the plushy super king waiting on the other side. He puts it down to the way the world feels different, this side of the Atlantic. The privacy he feels come over the two of you, like sneaking into the next room: your voices muffled through the wall, your movements reduced to vague shadows beneath the door.
He watches you through sleepy eyes as you prance around the suite in the morning, twirling in and out of the bathroom while you get ready for the day. He wonders if this is what you’re like every day – if you spend your Monday mornings beaming like a little kid, toothbrush hanging lopsided from the corner of your mouth, white bubbles lining your gums. He wonders why he’s wondering. Why a part of him wants to see that version of you, too.
This version – now following his lead down Avenue Montaigne, doe-eyed and wonderstruck – is over all too soon. He’s dragged from her, from you, before he’s ready to leave.
His phone vibrates in his pocket right as he’s leading you out of some ridiculously overpriced jewelers – an irritating reminder of his meeting in an hour’s time.
“Fuck,” he whispers, holding you steady as you spin around to glimpse at the baroque building. “Hey, pretty girl,” he squeezes your hand, “I got some bad news.”
Your bottom lip pouts, eyes gleaming. It’s enough, he thinks, to convince him to stick around. If you asked him to, he’d text Jean-Marc right now and tell him to fuck off. But you tell him to go, tell him you’ll meet him back at the hotel once he’s done and you’re tired. With a teasing smirk and a tiny wave, you see him off down the cobbled street. He watches from the back window as you set off again, heading towards another iron-gated store.
Denis pulls up alongside the towering hotel, totters around the car to meet Joel as he stretches out of the Maybach. The square-jawed man stands with his hands linked, and nods enthusiastically when Joel thanks him.
“The shopping – I will take it back to the hotel,” he assures his boss, a wide smile on his lips.
He’s a good guy, Denis. He’s chauffeured Joel to five of these meetings over as many years – he knows the drill by now. Knows it’ll be a couple hours and a few whiskeys before he gets another call to pick him up.
His nodding doubles, more obedient when Joel asks him to make sure he listens for your call. “You mind stayin’ nearby that part of town?” he asks. “Just so – when she’s done, y’know…”
“Not at all,” Denis says, flapping two palms to the ground. Swatting away Joel’s concern, his worrying, his missing you.
He replies, a little absentmindedly, passing by the head of gray hair with a distant smile. “Thanks, Denis. See you later.”
Five meetings, five trips over here to be pestered by some obnoxious little man in an obnoxious little robe and obnoxious little loafers, and still, Joel never knows what to expect. He strides beneath the golden archway entrance into a domed lobby, every surface spotless and shining; marble counter in the center with a symmetrically-suited clerk sat behind.
She stands and smiles politely to Joel as he approaches, recognizing him with a flutter of her eyelashes. He feels the absence of your arm on his, an ache at his elbow.
“Monsieur,” she croons, pale fingers reaching for the telephone. She whispers something softly into the receiver and then nods, folding her painted lips together as she places the handset back into its cradle. With a floating hand aimed at the elevator behind her, she says, sultry and dreamlike, “He is ready for you.”
Joel fights an eyeroll with every fiber of his being. He wanders round the circular desk, bunches his shoulders into the tight elevator, and jams his thumb into the button marked P.
The doors shudder open when he reaches the top floor. He steps out slowly, waiting for the Frenchman to pounce on him like some kind of wild cat. Wouldn’t put it past him, Joel thinks. As he’s scanning the room, counting the six bouquets dotted around, there’s a single clap from behind the veiled curtains. A silhouette out on the terrace.
Jean-Marc swings between the sheer white, calling out to the lonely figure in his entryway. “If it isn’t my favorite American,” he sings, taking Joel by the arms and squeezing roughly. “How lovely to see you again, Joelie. Please, come.”
The sunlight blinds Joel when he steps out into it, peering over the city skyline under low brows. Jean-Marc is already sat at the top of a thin, glass table, pouring golden whiskey into a square glass and scooping two bulky ice cubes in. The nectar swirls around when the glass is held out to Joel, the ice tittering as he accepts it.
The table, a rocky terrain of pain au chocolat and brioche, pools of citrus spreads and dishes of butter. Joel keeps his hands to himself as Jean-Marc slaps jam onto a croissant, bronze flakes fluttering all over the table as he attempts to regale Joel with some investment into a casino.
“Riccardo says it is too much; I told him to go to hell. We will double the cost of the place, I know it, Joel. We have the eye for things like these, men like you and I, hm?”
Men like you and I, Joel thinks, lips tilting. He balances the glass on his thigh, watches the ice cubes turn over themselves. He thinks of you, thinks of the man you see him as. Thinks how tall he stands against the man Jean-Marc must see sat opposite him right now.
Thinks how rotten, and ugly, and how small the latter is. How easily you and your words could crumble him. All show, all sitting on perfect terraces with pretentious dickbags disguised as friends, drinking pissy whiskey with a plastered smile on his lips.
How comical it all is – the sound of yapping across the tabletop, These idiots would pay millions for manure if you painted it golden, the sprawling sheets of green-leafed plants, the headache-inducing flowers, the buckled loafers and the signet ring catching the sun.
How much he misses the weight of you on his hips, forearms flat on his chest, ear against his heart. The sound of your laughter lilting in his ear. The rosy smell of your skin and the feel of your eyelashes, featherlight on his cheek. He feels the distance between the two of you like elastic strung apart, stretching thinner and thinner, weaker and frailer, ready to snap into two halves at any moment.
“Anyways,” Jean-Marc says, lifting the wine bottle shakily. It clinks brashly against the lip of his glass, a painful scrape. Joel wonders if he’s already halfway to hammered. “Tell me how you’ve been, Joelie.”
Joel tells him he’s been fine. Business is fine. Money is fine. Company’s doing fine. Everything’s fucking fine. Easiest answer to avoid further questioning, to satiate Jean-Marc’s constant thirst for news, or intel, or just plain gossip.
He slips up, though. Makes the one colossal mistake he spent all morning hoping and praying and drilling directly into his brain that he wouldn’t.
Jean-Marc asks how his flight was, sticking the damp end of a cigarette to his bottom lip.
Joel says, “Good, yeah. We got here, maybe, ten o’clock last night.”
And Jean-Marc’s eyebrows arch. His hands freeze, match held against the striker strip. “We?” he asks, white stick flapping between his teeth.
“Uh,” Joel shifts in his seat. Your gentle wave, the corners of your lips, the toss of hair over your shoulder. It’s as though Jean-Marc can see his thoughts played on a reel before him, the haste with which Joel attempts to wipe you from his own mind. “Yeah,” he clears his throat, “Jerry ‘n Lisa. Len and Pol.”
The Frenchman’s eyes narrow, a grin pulling on his pink lips. “We,” he says again, whipping the match roughly against the strip. Speaking into cupped hands, a cloud of white billowing from his leathery fingers, he murmurs, “Joel brought company with him to Paris, yes? Who is the lucky tourist? Une petite amie?”
Joel’s tongue dabs at the sickly wash of whiskey on his lips. He thinks to grab the fucker by the throat, throttle him until the idea of you rattles from his skull, spilling back into Joel’s safe hands where you belong.
He almost fucking lies. Almost says it’s just Martha, or Drew, or his fucking mother. But Jean-Marc is like a rat, scurrying along after a source of water. He’ll find it in the end. They always do.
He breathes your name, reluctant to let it go. Jean-Marc cocks his head, leans in, a swirling snake of silky smoke lifting from the cigarette between his fingers. Joel repeats it, voice louder, but flatter. Breaks it into too many syllables. Lets his host hear every bite of annoyance.
“She’s my assistant,” he says, and Jean-Marc claps again.
“Your assistant! How wonderful. And where is she today? She is not…” his fingers circle the air, disturbing the trail of smoke, “…assisting you?”
“Gave her the afternoon off.” Joel lifts his glass to his lips. The geometric shape amplifies his voice, bass like the growl of a bear. “Busy couple days. She deserves some downtime.”
He hates the sound of your name as it peels from Jean-Marc’s tongue. Like a hangnail, the residue a gorge of bloody, torn skin. Your name is Joel’s favorite sound, he realizes now, and the way this little asshole keeps butchering it boils an anger so hot and so quick under his skin that he’s not sure he can hold it at bay.
It’s not as if he owns you or your name – far from it. He has no desire to be anything more than a placeholder: somewhere for you to slot your hand, rest your head, curl your body against. Still, he feels a direct protectiveness over you right now. An impulse to stand in front of Jean-Marc’s tiny figure, arms wide, stopping him from picturing you or learning about you or meeting you.
Which is, of course, exactly what the little fucker suggests.
A wet pff sound as he rids his mouth of bitter smoke, and he offers to host breakfast in the morning.
“No, no, we, uh –” Joel’s hands are up, like pleading with the man, whiskey kissing the lip of its glass, “– you don’t have to – Look, Jean-Marc, I’m sure you’re busy enough with all –”
“Nonsense!” Jean-Marc waves a hand. Ash sprinkles down the cuff of his robe. “It would be my pleasure. Shall we say, ten?”
Joel grumbles, eye following the flight of a bird in the distance. What are you doing right now? Are you back in the suite, trying on the outfit you picked out together? Are you still wandering down the streets, drinking up the lavish city like a perfect little cocktail of bliss and wonder?
And what the fuck does he have to do to excuse himself, to come find you, to wrap his arms around you and never let you leave his side again?
He feels idiotic. Juvenile. Like a stupid little teenager, pining for his junior year girlfriend. The feelings all sharp and brittle, prodding his heart roughly anytime he thinks too hard on them.
When he looks back to Jean-Marc – the cigarette tearing closer and closer to his fingers, an expectant smile on his lips – he concedes.
“Ten is fine,” he says, and suddenly, the sky casts over.
You’re on the terrace when he finally returns to the hotel room. Head aching from the alcohol and forced conversation, he drags himself over to you.
The sight of you, hair lifting in the breeze, the sweet smell and soft touch under his hands feels like the pouring of honey on a raw throat, like cool water lapping at his waist on a scorching day. And he needs more, and he feels the saliva pool beneath his tongue, and you’re touching him and talking to him and all he can think about is replacing his saliva with you – with every drop of you that you’ll lend him.
You follow his every request – parting your legs, making room for him between them, opening yourself to him like coming home after work, like sinking deep into your shared bed, like pushing your salt-slicked fingers on his tongue and chanting taste me taste me love me need me.
Petals opening, shards of orange separating. His cock throbs in his pants when he feels the circle of your hips against his jaw, the taste of sweet, sweet nectar spilling from your center. His clothes still smell of the smoke from Jean-Marc’s weedy lips; the sweat on his skin borne from three hours sat in the sun, dehydrated by whiskey, discussing money and gold and then money again.
He doesn’t want to fuck you here, like this. As that puny, pompous prick he’s felt like since the second he wandered through the Frenchman’s hotel doors. He can’t. You deserve him clean, new. You deserve the Joel you think he is – yours. Affected by your touch alone, moved by the gleam in your eye. You deserve him, Joel decides, on your terms.
And that same night, stood in the same spot, dregs of sunlight replaced by molten moonlight, staring at the dazzling Eiffel Tower against the deep blue sky – that same night, when he turns and clocks the silhouette of your body just feet from him, he realizes that this is it.
He’s sure he thinks you’re the most beautiful thing he’s ever laid eyes on, standing in the dim light, your fingers playing with the bust of the silk robe draped over your body. The jewelry on your neck catching the light like his own private attraction, his own little spectacle. Just for him.
He forgets any other version of himself. Shakes them off like seawater flying from his body as he emerges from the ocean. Venus stood before him; hair lifting in the light, palm over her breast. And he doesn’t notice the departure of those old versions; doesn’t feel the way they tear from his skin. His eyes are glued on you, only you, everything around the two of you reducing to dark matter. There is only his awestruck gaze pointed to your radiant form, as though the scene sits alive in the eye of Botticelli or Michelangelo.
Baby, he whispers, and you move forward, dragging him with you under a wave of lust and rebirth.
He stirs the next morning to the feeling of a weight shifting across his body, two divots in the mattress either side of his waist. Something nuzzling, warm and featherlight, into the nook below his earlobe. Wet kisses trailing down his neck.
There’s no weight of you in the crook of his arm anymore. He’s scooping thin air. He lifts it, and his palm meets the baggy cotton of his own T-shirt, draped over your body, draped over him.
A laugh brushes between his lips. “Mornin’, darlin’,” he croaks, voice still low and broken.
“Hi,” you whisper back, voice like silk and sugar and tufts of lustrous clouds.
He opens his eyes and you’re hovering over him. Tip of your nose circling his, hips light as air across his own.
You look so fucking cute, he thinks. He’d take what he had last night – you, dripping in black lace and bound by satin straps – every night for the rest of his life, if he could. If you’d grant him it. But, this. This.
You – in Joel’s clothes and nothing else. You – the curl of your hair now a lazy wave, the smoky afterthought of your half-removed makeup. The smell of sex still lingering on your skin, the taste of Joel still home on your tongue. Each part of you laced with a part of him.
You – holding yourself up over him, less than an inch apart, and all Joel thinks to do is wrap his arms around your back and let you drop onto his body; his strong, solid body, which accepts the weight of you with only so much as a tiny grunt over his lips when you fall on top of him.
You giggle. He swears he feels butterflies in his stomach. He prays you don’t feel them, fluttering purposefully against your ribcage.
“You’re an idiot,” you mumble into his collarbone, words curled by the smile on your lips. You suck a mark into the hot skin, teeth and flesh and sel et sucre, and then push off from his chest, nudging his thighs wider with your knee.
Your tongue drags a wet trail down his chest, from solid sternum to suppler stomach, following the thickening of hair the lower you move. You leave wet kisses along the crests of his hipbones, the gentle slope of skin leading you to the wide base of his cock, already stiff.
Joel’s breath hitches when your tongue sweeps across it. Your eyes lift and lock with his, fingers taking a heavy hold of him. He smiles, tongue sitting patiently behind his teeth.
“Go on, angel,” he nods, “put that pretty little mouth on daddy.”
You obey instantly, as hungry for it as he is, your tongue swiping from the base of him up, curling around as you reach the head. Swollen, gleaming, slit dripping with slick precome that you lick with just the tip of your tongue and send a roll of pleasure across every nerve in Joel’s body.
He falls back, hands searching for the back of your skull as your lips sink further down down down, tightening around the smooth skin, stopping only when they meet the tuft of hair decorating his dick. His tip pushes against the back of your throat. His head begins to spin.
His back arches, hands anchored on your head, holding you steady as you bob up and down. His shoulders push heavy into the mattress, tummy sucks in until the points of his ribcage mold through his skin. And, oh – you’re so soft with it, so wet and so warm and so good with your tongue, kitten licks over his tip, wet fist wrapped tight around the width of him.
You lift your hand and meet his halfway up his stomach, fingers intertwining, Joel’s knuckles instantly whitening.
“Doin’ so good, baby,” he groans, gasping when your throat constricts around him again.
You gag, choking with a wet grunt, but you never pull away. A quick pause, a heavy breath from your nostrils, and your movements resume.
“’s alright,” Joel coos, fingers rubbing against the back of your hand, “you got it. Atta-girl, fuck.”
His hips begin to lift, slowly jerking up into your mouth. He looks down, loosens the grip you have on his hand only to run his thumb delicately across your cheek, dabbing lightly at the tears in the corner of your eye.
You suck hard around him, cheeks hollowing, tongue flattening to his underside to let him fuck your mouth – a rhythm of sopping sounds and heartbeat hums from your throat. He’s close. He’s so fucking close.
“Just like that,” he tells you, and you blink up at him. Moans muffled by the mouthful of cock, saliva and sex slipping from your swollen lips. “Fuck, baby, I’m gonna come. You’re such a good girl – you want daddy to give it to you?”
Mhm, you mumble into the warmth of his cock, the vibration of your throat on the eager skin enough to send Joel over the fucking edge. He throws his head back, lifts his hips up to you, and fills your mouth at the same rate he fills the room with the sound of his orgasm.
You take every last drop. You’re so good for him. Once he stills, once the screaming in his ears subsides, once the room slowly desaturates back to normal, a faded, blurry normal – he sits up and hooks his hands under your arms, pulling you up into him.
You collapse against his chest for the second time this morning, giggling and licking the last of his come from your mouth. Joel guides your jaw towards his, lips meeting in the middle, and licks the salty aftertaste from your tongue.
He rolls you both over, your thighs sitting safe on his hips.
“I know,” you sigh, head rolling against the curve of his arm beneath, “I know. You don’t gotta tell me.”
“Tell you what, angel?” he asks, one eyebrow lifting.
“Best head you ever had. I know.”
He scoffs, lips finding the hinge of your jaw. You giggle into his ear, a sound softer than birds cooing at the break of dawn, sweeter than the first bite of ripe fruit – the sharp taste bursting across his tongue and coating his teeth in sugar, numbed by the holy coaxing of feathered doves.
“You’re good with it, I’ll give you that,” he murmurs, and the giggle erupts into a laugh which fuels him enough to follow your roll out of bed, tear his shirt from your shoulders, and slip into the shower behind you, kneeling before you when you turn to look.
Joel’s second encounter with Jean-Marc in as many days, goes about as well as the first.
He balls his fists as he introduces the pair of you, watches like a caged and bound animal as Jean-Marc’s eyes loop all around your face, your shoulders, the pull of your dress around your waist.
He knows he’s being quiet. The glances you keep stealing at him tell him you know it, too. He wishes there was something he could say, something his lips might be able to carve into a neat little sentence. Tongue sanding the jagged edges of what he’d really like to say into a joke, a quip to ease the tension you so obviously feel.
But he can’t. His tongue isn’t blunt, isn’t defensive. It’s sharp like the kiss of venom, protective and aggressive. He knows he’d do better to hold it tight between his teeth.
The best he finds himself able to do is keep a heavy hand on your thigh, let you wrap your fingers around his own, squeeze you in place of whispering in your ear.
You hold your own, up against Jean-Marc. He knew you would. He learned less than a week into working with you, not to underestimate you. Your quick tongue, the million and one observations hidden behind the flash of a frown. He knows you can read Jean-Marc – probably better than he can, having known the guy ten years.
It doesn’t make it feel any safer, though. Luring you into a lion’s den. He knows you’ll make it out alive, but he can’t stand the thought of the claw marks in your skin.
That feeling washes over him again – that urge scored so deep into his bones that it hits marrow, to put himself between you and anything which might come to harm you. He swallows it down with the acidic sting of orange juice – slots it somewhere safe in his chest until he can assess whatever the fuck it is. Whatever the fuck it means.
His hand tightens around your leg when Jean-Marc mutters something to his assistant. Joel decides against asking you what it means, for fear he’ll tear the Frenchman limb from limb, strips of satin robe strung across the paved patio.
The assistant – tall, thin, looming over you like impending doom on legs – offers to show you the view of the city. And as Jean-Marc settles into your empty chair, the image of that torn satin robe shunts closer towards reality.
“I wonder if you might indulge me,” Jean-Marc slithers, pinching thin air with one hand and resting the other on the back of Joel’s chair.
“I wonder,” Joel mutters, finger tapping angrily on the table.
“She is a wonderful character. Beautiful, and very smart, I can see. I would be crazy not to ask, you must understand, Joel –”
He can’t help himself. He bites before Jean-Marc lays the trap. His head shakes. “She’s – she’s –”
And suddenly there isn’t a single word in the English dictionary worthy of describing you. Not a single combination of letters, of sounds, of syllables and phonetics that would do you justice.
He settles for, “I wouldn’t be anywhere without her.” It feels fucking redundant. It is fucking redundant.
Jean-Marc nods. “And you know that I see the value in things, hm?”
Joel dead-eyes his opponent, gaze narrowing. “What are you sayin’, Jean-Marc?”
“Well,” he shrugs, gesturing to the shadow pointing out the Eiffel Tower, “Paul is fantastic. Dedicated, hardworking. But it is a lot, for one person. I am sure you can understand, being that you have two assistants yourself.”
“And you wanna take one of ‘em out from under me?”
Jean-Marc chuckles, shaking his head. Tutting. Teeth grinding. He senses the bitter tone, hears the distortion of words squeezing through gritted teeth. “Not at all, my dear Joelie, not at all.”
Placating. It pisses Joel off more.
“I simply would like to raise the question of: would she like to be…taken?”
“Taken?”
“Hired. By me.”
The smug grin which pulls over taut lips incites Joel with a desire to punch the luminous veneers from their gummy holders. His fist balls again, nails digging harshly into his palm. He swallows roughly.
“She seems…she seems happy enough where she is to me.” He glances over, catches your eye for a fleeting second before Paul’s ghostly hand perches on your shoulder and turns your attention away again. Resigned, he adds, “You would have to ask her. I ain’t speakin’ for her.”
Jean-Marc’s leer only grows. “Ask her,” he repeats, nodding. “That is an idea.” He pushes out of his chair with a squeal of wood across stone, calling to the party, “Why don’t we take a drive? There is so much of the city I would love to show you – both of you, of course.”
Before he knows it, Joel’s on his feet, too, panic hammering through every muscle in his body. He tosses some half-assed excuse to the breeze; a half-truth, a desperate attempt to pull you away from the beady eyes and sharp claws of Jean-Marc and his assistant, and back over to his side. He takes your arm and scatters, pulling you past four, five, six bursting bouquets, your heels clicking along the polished floor, your head spinning.
He can feel the blood thrashing through his veins as the elevator arrives back in the lobby. Can see the shadow of Paul the assistant still over your shoulder, the place his hand sat like charcoal on white linen. He feels red hot, anger mixed with panic mixed with a word he hasn’t let slip just yet. He covers it by answering your questions shakily, diverting the ones about the conversation on the terrace.
And then you’re back in the safety of Denis’s car. You’re back to being on your own, together. No third set of eyes watching your every move, studying you like you’re some doll to be observed, or worse. You’re touching him again, holding his arm, caressing his cheek. His breathing eases, his body relaxes into the backseat of the Maybach.
You tell him you’d like to see the Louvre. So Joel takes you to see the Louvre.
Joel Miller has never been in love.
He’s said it, sure. Said it plenty to Avery.
G’night, love you.
I’m so proud of you, sweet; I love you so much.
Thanks for makin’ dinner, babe, I love you.
It began to take the form of breath, passing over his tongue with as much ease and instinct as his lungs would push out air. She looked at him a certain way – he’d say he loved her. They’d talk about the future – he’d tell her he loved her. They fought, over his working hours or the interest rates at different banks or whose family to spend Christmas with – and he’d remind her he loved her.
He meant every single one. He did, truly, love her. He loved her auburn hair, the way it’d sweep over her shoulders like a wave of fire. He loved the way she would pause to take thirty photos of the sky at sunset. He loved how homely she was, how simple and warm she could be. Her recipe books lining the shelves in her kitchen. Her pajamas folded neatly at the foot of her bed, waiting for her at the end of the day.
He loved her enough to spend four years with her, a life split nearly down the middle. Never seeping into one another. His side of the bed, and hers. His items in the fridge, and hers. His fucking bathrobe, and hers.
But right now, standing in a jam-packed room, maneuvering awkwardly around museum guides and backpacked tourists, avoiding the knee-height glass barriers and dodging fucking selfie sticks – Joel knows: he has never been in love.
Not until the moment he turns from some headless bust to search the room – the dark marble walls and great, carved arches; the white Parisian sky illuminating everything in a pale glow. Not until he catches a glimpse of you amongst the sea of bodies – stood before the Venus de Milo, staring up in wonder at Aphrodite like she’s the first thing in the world you’ve ever truly seen. The gentle lean of her body, the low sling of marble fabric around her waist, the soft dimple of her navel.
The way your eyes scan every detail of her form – every fold draped over her thigh, ever chisel mark and chip in her torso. The round swell of her breasts and the wavelike swirl of her hair. Barely blinking, afraid to lose sight of her for even a second.
Joel’s never been in love. Not until this very moment.
He only turned to make some quip about…well, now he can’t fucking remember, can he? Something irrelevant. Something so mundane, so meaningless, so dull that he wishes he could take back every word he ever said to you and use the breath more wisely – use the time spent making stupid jokes and work orders, just to look at you. Watch you, like he is right now. Every other thought, every worry and concern drop weightlessly from his mind, with such ease that he doesn’t feel the loss.
Your fixed stare up at the statue’s set face, the slow pacing of your heels, ankles crossing over one another as you pivot around her. And the look of wonder on your face – as if Joel instantly recognizes eight-year-old you, thumbing through the pages of the first art book she was ever gifted, copying the curled hair and round shoulders of the marble goddess in a pencil sketch.
Haloed by the towering windows behind you, arms crossed over your chest. Lips melting from a content smile to agape, and then pinning back in a smile again.
And suddenly – he can’t remember the flame of hair over his ex’s shoulder. Doesn’t remember a single meal she ever cooked for him. In the blink of an eye, he realizes he doesn’t want a life neatly split anywhere.
He realizes that his life, the way he wants it, was always meant to be meshed with yours. Intertwined so tightly that there is no his and hers. Last night at dinner, you couldn’t decide between the bœuf bourguignon and the confit de canard, so Joel ordered both – as well as what he wanted – and the two of you picked at three separate meals. Holding out forkfuls to feed one another, comparing and judging them like professional chefs on a fucking cooking show.
Back at the hotel, you fell asleep in his arms. Your head nestled under his chin; your arms curved around his shoulders. In the center of the bed, laying at an angle. When he got up this morning, the robe he threw around himself smelled like your perfume. The terrycloth on your shoulders, tinged with the weak scent of whiskey.
None of it – not the relationship you had before any of this happened, not the strolling over one boundary to the next, not the blurring of lines between colleague, and friend, and lover – has been neat. None of it has made any sense. And maybe that’s why he fucking trusts it so much.
Joel spent the first two weeks after you fooled around in his office swearing he wasn’t that guy. Staring himself down in the mirror with a balled fist, a pointed finger that said, You don’t sleep with your fucking assistant, you idiot.
And now, standing opposite you in a crowded room and only seeing you – he knows. He finally gets it.
He loves you. He – no, fuck.
He doesn’t just love you.
He’s on his knees, dagger through his heart –
blood spilling all over the pristine floor –
pathetic and adolescent in its nature –
butterflies tearing through his stomach as destructive as a hurricane –
in love with you.
He thinks to say it. To wander over and kiss your shoulder, hook his chin into your collarbone like he did in the Dolce and Gabbana store, and whisper, Hey. I love you. Did you know that?
But he knows that’d be fucking insane. Knows you’d probably unstick yourself from him and back up, tripping in your step. Paris ruined.
He knows he’d probably get so far as curving around your back and then bottle it, anyway. The words would die in his throat. You’d just lean back into him, none the wiser. You’d still make his heart pound.
Pound the way it does when you reach for his wrist and drag him off into the next room, and the next, and the next. And with every piece of art your eyes fall upon, another fragment of your soul is revealed to Joel. The depth of da Vinci, the color of Bruyère. The scale of Veronese and the beauty of Canova.
And with every part revealed, a desire blooms in him to learn the next part. Understand you; know you better than he knows himself. See you, the way he’s seeing you right now.
He takes his ex’s lead, when you’re stood in front of the Mona Lisa. All those fucking sunset photos, like she was afraid to forget what it looked like. The thought becomes urgent, pushing past every other meaningless word in his head.
He taps you on the shoulder, says your name lightly. When you turn, he’s already holding the phone up, watching your delayed motions through the screen. Please don’t let me forget this. Don’t let me forget you, like this.
“Smile,” he says, and you do.
“You’re cheesy,” you tell him, wandering off from the painting.
He’s still staring at the photo. At your dimpled cheeks, your red lips. Staring at your eyes, seeing a new glint in them that wasn’t there before. Like eight-year-old you smiling back at him, trusting him, knowing him.
Joel breathes, “She’s beautiful,” taking your waist in a steady arm to guide you out of the room.
You misunderstand him. He knows it. He doesn’t correct you.
She’s beautiful – the Mona Lisa. But she only became beautiful the second you laid eyes on her. The second she handed you a piece of your soul, the transaction laid bare for Joel to witness. A bucket list item ticked, or simply your childhood self, stood before one of her own seven wonders.
Everything is only beautiful after it comes into contact with you.
There’s a change in you, the morning that you leave. Something low-lying, melancholy and blue. Joel feels it under your skin, in the grip you keep on his hand the entire car ride from the hotel to the airport.
“You good?” he asks, walking up the steps of the jet, shelled around you. Safe, with him, safe with him.
You nod, but you’re watching the Maybach roll off, rounding the corner back to the airport. The same way you watch the city disappear beneath the clouds as the plane takes off.
The same way you glance over to him, your glossy eyes twinkling, pearly tears swimming across your waterline. Joel gets it. Figures he feels much the same.
He leads you slowly back through to the dark cabin bedroom, where you peel the shirt and sweats from your body. He watches from the bed, arm outstretched and inviting you to burrow into his side, curl around his body, loop your legs through his. His own little Aphrodite, the curves and the dimples and all the beauty to go with her.
He sinks his shoulder to let you nuzzle into him, let your slow-closing eyes follow his movements like rocking you back and forth to sleep. You link your arm through his, locking your bodies tight together. Joel slows his typing down, moves gentler, so you can fall asleep without being nudged too much by his arm.
You mumble something into the sleeve of his tee. He pauses. Looks down at your already closed eyes, your parted lips.
“What’d you say, baby?”
You take a deep, slow breath. Already sleeping, he thinks. And then, in the sigh that escapes from your mouth, you whisper to him.
“Please don’t ever leave.”
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unwelcome-ozian · 6 months
Note
hi, i know that you're having a difficult time at the moment with your health, so please take your time and if you can't answer this no worries! sending well wishes <3 i was abused by a Order of the Nine Angles group, and i have (diagnosed) complex DID, and was trafficked. i'm slowly trying to figure out about my system structure, and i think i may have been programmed. i'm wondering whether a group like this could program victims. i was intended to marry a prominent group leader, and have beta style programming as well as theta style. my system appears to be mapped with the tree of wyrd with the coloured strands representing different types of alters. any information or insight you can offer would be really appreciated. thank you!
Thank you for your well wishes. We’re doing a lot better.
Yes. The O9A can and do programme people. They can complete complex programming if there is a military connection within the group.
They also use the Tree of Wyrd.
TW Below the cut off is some O9A information about the Tree of Wyrd. Let me know if you would like more information in a different format that would be less triggering.
Take care,
Oz
“Hence The Abyss can be considered as an interchange, a nexus, of temporal, atemporal, and spatial and aspatial, dimensions. This region is, for example, symbolized on The Tree of Wyrd, as being between the spheres of Sun and Mars, and 'Entering the Abyss' is that stage of magickal development which distinguishes the Master/ Mistress from the Adept. Esoterically, The Tree of Wyrd is itself a re-presentation of The Abyss, as are other esoteric re-presentations, such as The Star Game.”
“Ceremonial Magick is the use (by more than two individuals gathered in a group) of a set or particular texts or sinister rituals to access and presence sinister energies. Five-dimensional magick is the New Aeon magick sans symbols, ceremonies, symbology (such as the Tree of Wyrd) and beyond all causal abstractions, and it is prefigured in the advanced form of The Star Game.”
“In the exoteric, pre-Adept, sense, they may be said to re-present the 7 nexions of the Tree of Wyrd plus the 2 nexions which re-present the ToW as itself a nexion, with The Abyss (a connexion between the individual and the acausal) being one of these 2 "other nexions". It should be remembered, of course, that each sphere of the ToW is not two-dimensional (or even three-dimensional) and in a simple way each sphere can be taken as a reflexion (a "shadow") of another- for example, Mercury is the 'shadow' of Mars.”
“A name for the basic symbology (causal magickal symbolism) of the Seven Fold Sinister Way represented exoterically by The Tree of Wyrd, and consisting of seven stages or "spheres" joined by various pathways.”
Tree of Wyrd “The Tree of Wyrd, as conventionally described ("drawn") and with its correspondences and associations and symbols (see the O9A MS NAOS), re-presents certain acausal energies, and the individual who becomes familiar with such correspondences and associations and symbols can access (to a greater or lesser degree depending on their ability and skill) the energies associated with the Tree of Wyrd. The Tree of Wyrd itself is one symbol, one re-presentation, of that meeting (or "intersection") of the causal and acausal which is a human being, and can be used to represent the journey, the quest, of the individual toward the acausal - that is, toward the goal of magick, which is the creation of a new, more evolved, individual.”
Source
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elliesbelle · 5 months
Text
nobody compares to you
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chapter 13
pairing: ellie x reader
synopsis: you're in your junior year of college and at a party, you run into the girl who broke your heart: ellie williams. despite the time it took to reset your life, will you risk a broken heart again for her?
content warnings: modern college au, cursing, angst, dealer!ellie, mentions of marijuana and descriptions of its usage, descriptions of anaphylactic shock, brief mention of needles, descriptions of anxiety, mentions of death, descriptions of jealousy, mentions of breakups, several flashback scenes, mentions of LSD and its usage, descriptions of acid tripping, ellie's POV, minors do not interact
word count: 9k
chapters: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen
series masterlist
my masterlist
i have a ko-if if you like my work so much that you feel compelled to tip me ♡︎
the "nobody compares to you" spotify playlist
songs featured in this chapter (including a surprise audio AND drawing commission in the middle of the fic):
the aaron taylor song “i think i love you again”
the carpenters song “merry christmas darling”
palestine will be free
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“Where the fuck even are you?” 
“Not home.” 
“Well, no shit. I’m literally sitting on your living room couch, dumbass.” 
“Get out of my apartment, weirdo.” 
“Stop procrastinating, asshole.” 
Ellie rolls her eyes as a couple of bright yellow leaves slowly dance down on the pavement from the nearby trees on her path home. One hand holds her phone up in front of her with Dina’s face front and center on the screen through FaceTime. 
Having just dropped off a rather large order to a couple of stoner sophomores living on campus, Ellie’d decided to take the longer, more scenic route home instead of the usual way she’d go every day. She had a “date” lined up with Daniela in about an hour or so, a meeting she wasn’t particularly looking forward to being present for. Having no real enthusiasm to actually be on time to meet up with her, Ellie was purposely and leisurely delaying her return home to get ready. 
Dina, busy lounging on the couch in Jesse and Ellie’s living room, busies herself by finishing a bland, microwaveable box of mac and cheese she’d found shoved in the back of the duo’s full freezer. She was casually killing time talking to Ellie through video chat while she waited for Jesse to finish getting ready for their movie date night. 
Jesse enjoyed dragging Dina along to a movie theater in the neighbouring downtown area that showed old and foreign films. Back home in Jackson throughout their childhood, he and Ellie would make Dina sit through old sci-fi pictures, cult horror films, martial arts movies in a completely different language and with no subtitles. Dina would sit in the middle of the two in complete boredom as she listened to them psychoanalyzing background characters who had two lines and spending hours explaining their personal interpretations of a single camera angle in some inconsequential scene. 
When they all began attending university, Jesse was over the moon upon discovering the nearby theater and the kind of films they would show. Dina complained every single time, but she secretly enjoyed these date nights regardless, always arguing with Jesse on the way home with her own analyses of the movie they’d just seen. She was a little less enthusiastic this time, however, upon hearing that the film they were about to go see was an early 2000s Bollywood movie that had a running time of nearly four hours. 
Jesse had just gotten home from working out at the gym and was busy showering, and Dina decided to preoccupy herself in the meantime by thoroughly berating Ellie for her disinterest and voluntary tardiness for her “date” later that evening. 
“El, I really don’t understand why you’re even bothering with her,” Dina says after a huge, wet slurp of her mac and cheese. “Leave that poor freshman girl alone. You really don’t even seem to like her that much.” 
“She’s still got Joel’s jacket and I want it back.” Ellie shrugs nonchalantly. 
“Maybe if you didn’t pass that shabby old thing around to every new girl you see for a month…” Dina replies, not bothering to mutter under her breath. 
“Oh, leave me the fuck alone, Woodward,” Ellie says, chuckling. “Slutshamer.” 
Jesse jaunts into the living room, jet black hair damp from the shower and fully dressed, and spots Ellie’s face on Dina’s tiny screen. He waltzes towards the couch and, without any warning, stealthily snatches Dina’s phone right out of her hand. 
“Hey!” Dina protests indignantly, trying to reach for it back. 
Jesse ignores her as Ellie laughs. 
“Yo, what the fuck, Williams.” Jesse scolds the auburn-haired girl. 
“Wassup, Chang.” 
“What the hell did you ditch me and the gym for earlier? Today’s our cardio day.” 
“Had a huge delivery I needed to make,” Ellie shrugs. “Wanted two 40 bags on top of a few lavender pre-rolls. And they lived on the opposite side of campus.” 
“A likely excuse,” Jesse scoffs. “I think you’ve been harbouring a secret, years-long grudge against me and actually hate me for some reason.” 
“Oh, it’s not a secret. I do hate you.” 
“Dickhead.” Jesse chuckles as Dina heartily laughs behind him with a mouthful of mac and cheese. 
Before Jesse can continue to berate his best friend, his own phone rings noisily from the inside of one of his jeans pockets. 
“Oh, look. Someone who actually loves and appreciates me.” He says indignantly, handing small-scale Ellie back to Dina. 
Ellie playfully rolls her eyes, trying to ignore the fact that Jesse’s phone is currently buzzing and blaring with the personalized ringtone he’d set for your contact years ago shortly after you’d all met for the first time. 
Dina, recognizing the familiar sound as well and noticing Ellie’s tight lips and rigid expression, quickly attempts to change the subject. 
“So where exactly are you gonna be meeting up with the Daniela girl?” Dina quickly asks Ellie at the same time that Jesse booms, “Good evening once again to my absolute favourite person in the whole world!” 
Ellie hesitantly begins to reply to Dina but cuts off almost immediately when she hears Jesse’s tone turn serious and mutter a name she’d come to despise. 
“Oh. Hey, Anderson. What’s up?” Jesse says blankly. “Where’s—” 
“Oh, shit.” Dina inadvertently murmurs as Ellie’s face immediately goes red with fury. 
“Why the fuck is Anderson calling Jesse on her phone?” Ellie demands quietly of Dina. 
“I mean… she is on a date with her tonight…” Dina reluctantly admits, knowing that lying to Ellie about your current whereabouts is pointless after figuring Jesse would eventually blab it to her anyway. 
“Are you fucking serious?” Ellie seethes. 
“I don’t really know why she’d be calling Jesse, though. That doesn’t make any sense...” Dina says, setting down her fork and turning her head back towards her boyfriend as Ellie watches intently him from the corner of Dina’s phone screen. 
Both girls stare Jesse down as he intently listens to the other end of the line, the two getting more and more nervous as his face gets stonier as each second passes. When he finally speaks, his voice is grave and urgent. 
“Is she breathing?” 
“What?” Both Dina and Ellie simultaneously say in distress, which Jesse ignores. 
“What did she eat?” He asks Abby. 
“What’s going on?” Dina implores of him fearfully, sitting up straighter in her seat and completely abandoning her partially eaten mac and cheese on the coffee table. 
Jesse holds up a pointer finger as an indication that he needs to keep listening as Ellie hushes her sternly, fiercely trying to eavesdrop on Jesse’s conversation. 
“Okay. What did you eat?” Jesse questions. 
The way Jesse’s face falls elicits a sharply drawn breath from Dina and drains all the colour from Ellie’s face. 
“Did she have any?” He asks. 
While Jesse listens for Abby’s lengthy response, Ellie quickly averts her eyes back to Dina. 
“Dina.” She says hastily. “Where did Anderson take her tonight?” 
“Orchards. It’s that fancy restaurant that’s like, right by here.” 
“I know. They serve a lot of seafood there, right?” 
“I don’t know.” 
“Do you think Anderson ordered any?” 
“El, how am I supposed to know that?” 
“Well, does Anderson know that she’s deadly fucking allergic to shellfish? That she can’t even fucking touch that shit?” 
Dina’s terrified face suddenly goes completely pale before she responds. 
“I-I don’t know...” 
“Does she have any pockets or some kind of bag with her?” They hear Jesse say. “See if she has her EpiPen in there.” 
“E-El… I don’t think she does.” Dina stammers.” I helped her get dressed tonight and I saw her before she left, and I-I don’t think—” 
Ellie nearly drops her phone on the pavement from how clammy her hands have become from complete fear. When she hears Jesse fiercely mutter a furious “fuck,” she immediately breaks into a sprint. 
“Dina!” Ellie demands. “Give me back to Jesse! Now!” Dina hastily hands her phone to her petrified boyfriend without question as he quickly asks Abby to stay calm and give him a quick second. 
“Jess!” Ellie breathlessly yells, not bothering to keep her voice down and without any concern for the fellow students she was alarming as she ran by. “Go to my room right now and search in the bottom drawer of my desk!!!” 
Promptly and silently, Jesse darts in the direction of Ellie’s bedroom with Dina following closely behind him. 
“There’s an old EpiPen of hers somewhere in there! I think it’s probably a couple of months expired now, but grab it anyway!” 
Jesse and Dina unceremoniously bust into Ellie’s bedroom and follow her instructions precisely. After forcibly yanking open the bottom-most drawer of her computer desk, they begin to desperately rifle through it. After a few seconds of frantic ransacking through its miscellaneous contents, Jesse pulls out a thick, plastic cylindrical object with tiny lettering embellished all over the translucent plastic. 
“Look for the little slot on the side of it that shows you some liquid-y shit inside!” Ellie presses him. “Is it still completely clear and clean, or is it all brown and murky?” 
“It’s clear.” Jesse replies after quickly inspecting the EpiPen. 
“Okay, go!” Ellie orders. “Dina’s gonna call 911 right now! Orchards is right around the corner from our place, so run! Inject the needle on the outside of her thigh! And check her pulse and see if she’s breathing, ‘cause you’ll need to do CPR if she isn’t! Paramedics probably won’t get there for another five minutes or so, so you just gotta keep doing chest compressions until they can get there!” 
Jesse nods and immediately sprints out of the room after handing Dina her phone, placing his own back to his ear and quickly informing Abby that he’d be there shortly, firmly asking her to check your pulse. 
Dina sets her eyes on Ellie, pure terror engraved on her face. 
“Ellie, s-shouldn’t we grab the EpiPen she has now in her apartment? I think I know where it is, probably. Isn’t that safer than—”
“Her apartment is fifteen minutes away from that restaurant and Jesse can get there in two! We can’t waste any more time!” Ellie clarifies quickly. “Now, I need you to hang up right away and call 911 and explain everything that’s just happened! Go!” 
Ellie doesn’t bother waiting for Dina to end the call and roughly taps on the red button herself. 
She shoves her phone into the pocket of her hoodie and quickens her pace. 
Her lungs winded and her heart threatening to beat out of her chest, she couldn't seem to care any less about her own breathing at that very moment. She trusts nothing else but her own feet to get her exactly where she desperately needs to be. She sees nothing and no one else but the pavement directly in front of her, cutting across the university’s campus through the fastest route she can think of in the moment. 
Despite never having been a religious person in any way, Ellie begins to plead a desperate prayer in her mind to whatever god or deity that could possibly exist that you were still breathing somehow and that Jesse had found you and gotten there in time. 
She takes a moment to pull her phone out and check how long it’s been since she ended the FaceTime call with Dina, seeing that a little less than five minutes had just passed. She considers calling her once more for any updates; but not wanting to risk being a possible distraction in case Dina is needed in the moment, she ultimately decides against doing so and instead wills her feet to move faster. 
Unwelcome thoughts begin to involuntarily flood Ellie’s mind as she sprints. 
She thinks of the last time you’d seen each other: that night of your heart-to-heart dinner with Jesse at Sterling’s. It felt almost fated for her and Dina to walk into the same restaurant at the same time that the two of you had been meeting. Ellie recalls the identical look of dismay on both of your faces, equally overwhelmed at the sight of one another. She can still feel the angry yet doleful tears that fell down her red cheeks as she stormed away from the diner, threatening to expose endless repressed feelings of remorse and heartache. 
She remembers the day she saw your sudden reunion with Abby Anderson, you dressed in that beautiful floral sundress and very obviously flirting with the tall, muscular blonde. Her nails were so angrily digging into her palms at the sight of you two that she can still feel the phantom marks that had nearly drawn blood. She’d nearly frightened Dina, who was lounging on the living room couch with a joint in hand, when she busted into her and Jesse’s apartment with immediate choice words that were aroused by her unbridled anger. 
She recalls the last time you’d actually spoken to one other directly after that miserable, unfortunate night of the Sigma Eta party, how taken aback she was at how you were still so undeniably beautiful underneath the pale moonlight. Having been sitting on the hood of her Jeep while she watched in amusement at your futile attempts to keep yourself warm, she thinks of the way your eyes were furiously and desperately trying to avoid her piercing ocean green gaze. The memory of the angry, fleeting look you’d given Daniela when you’d obviously noticed Joel’s old motorcycle jacket resting on her shoulders is one she can never forget; nor could she the air of raw, bitter indignation that radiated off you at the sight of one of your signature lavender joints nestled in between Daniela’s lips. 
She can still feel the visceral rage that sparked inside her from Frat Guy Adam’s casual cruelty towards you, followed by feelings of heartbreak at watching the way your face had fallen at his words. The sheer remorse from pathetically having done nothing right when it happened still weighs on her. Ellie can never forget the simultaneous feelings of shame and comfort she’d felt after your heated encounter with her in the bathroom of Sterling’s: shame from being forcibly confronted with a reminder of the deepest regret of her whole life; and comfort at finally being able to see with her own ocean green eyes, after so long, the face of a person she once adored more than she did anyone else in the world. 
Maybe even still. 
Ellie eventually finds herself at the intersection right where her shared apartment with Jesse is located. Her hasty pursuit is frustratingly impeded when she’s stopped by the angry, glowing red hand at the crosswalk she needs to get past to reach Orchards, cars endlessly coming one after the other. For a few moments, she’s at least able to catch a much-needed, painful breath.
While she bounces up and down on her feet in impatience, very seriously contemplating running across anyway and risking being hit by a speeding car, Ellie thinks of one thing and one thing only: the first moment her eyes met yours all those years ago. The moment when she knew, deep down and instinctively, that everything had changed. 
She’s brutally broken out of her brief reverie by the blaring of sirens booming from around the corner. Her head immediately shoots towards the sound and she watches as two ambulances with flashing red and white lights speed down the road and towards what she believes is the direction of the nearest emergency room. 
Ellie wastes no time bolting down the crosswalk the millisecond that the orange pedestrian signal finally blinks to white, sprinting down the street of Orchards. She’s somehow able to spot Dina’s figure in the middle of a small crowd of people gathered next to the restaurant and immediately sprints towards her. By the time Ellie is able to reach her, most of the unfamiliar bystanders have dispersed with whispers. Her heart races as she sees Dina’s cheeks wet and dripping endlessly with tears. 
“Dina!” Ellie huffs, using the last of her breath and energy to dash to her side. 
“Ellie!” Dina sighs in relief upon spotting her friend. 
They envelop each other in a tight embrace, Dina hiccuping slightly into Ellie’s shoulder. 
“What happened? Did you guys make it in time? Is she okay? Where is she? Where’s Jesse?” Ellie rambles. 
“Sh-she’s okay, I think,” Dina stammers. “She was breathing when Jesse got here, but her pulse was really slow. The paramedics got here a few minutes after Jesse did.” 
She sloppily wipes her eyes with the back of her hands before continuing. 
“They said that the EpiPen probably saved her life, said that she would have had a lot less of a chance if we had just waited for them to arrive. Expired EpiPen was apparently better than nothing, as long as it wasn’t too far off from when it did expire.” 
Ellie takes a relieved breath in at hearing this. 
“Thank god. Thank fucking god. That’s what I thought, but I-I honestly wasn’t sure. I couldn’t remember clearly in the moment.” 
“How did you even know that?” Dina asks her in genuine curiosity. 
“I-I… wh-when we were, you know, t-together…” Ellie mutters awkwardly. “I made sure to know, j-just in case.” 
“Oh, Ellie…” 
Ellie wrings her hands together and clears her throat in embarrassment. 
“So where’s Jess? Where’s Anderson?” She asks, changing the subject and voice dripping in disdain at the last word. 
“Jesse rode in the ambulance with her and the paramedics, and Abby said that she’d follow behind in her car,” Dina replies. “I stayed behind ‘cause I figured you were on your way and I wanted to be able to tell you what happened in person.” 
“Thank you, D, seriously.” 
Dina stares at Ellie earnestly for a moment. 
“You really do still love her.” Dina says, not as a question but as a statement. 
Ellie doesn’t respond to this remark, her lips tight and her ocean green eyes unreadable. 
“Come on. Let’s go see her.” 
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You had been brought to St. Peter’s Hospital, the closest one located to your university. When Ellie and Dina had gotten there, they found Jesse sitting alone in the mostly empty waiting room. He was staring up at the dreary off-white ceiling, his left leg nervously bouncing up and down as one of his hands gripped his right knee. When he spots the two girls enter the room, he immediately jumps out of his seat to meet them. He pulls his girlfriend into a tight embrace and gives her a tender kiss on the forehead, and then he places a firm and reassuring hand on his best friend’s shoulder. 
“How is she?” Ellie asks nervously. 
“Unconcious still, but she’s alive,” Jesse replies somberly. “The paramedics in the ambulance told me that they were pumping her full of adrenaline; and so now, they’re either still doing that or they’re just trying to get her heart rate back to normal. Apparently, her tongue was so swollen and her throat closed up completely, so they’ve got to reopen her airways ‘cause she’s having a hard time breathing.” 
“Oh, god…” Dina chokes out. 
“Don’t worry, D.” Jesse consoles. “She’s gonna be fine. She’s strong, and we know that. They’re taking care of her, and she’ll hopefully be awake soon.” 
“I know, I know…” Dina sniffles. “It’s really not like me to fall apart like this. But she’s like a sister to me, you know. I mean, she basically is.” 
“Me too, babe. Don’t worry. We all love her too. No need to explain.” Jesse says. 
Dina gives him a soft smile as he gives her another tender forehead kiss. Watching such a small but affectionate scene between the two makes Ellie feel as if she’s intruding on a private moment she shouldn’t be witnessing. Jealousy in the form of a knife in the stomach twists inside her while her heart aches to feel that kind of intimacy. 
“Oh, shit, I should call her uncle,” Dina suddenly realizes, pulling away from Jesse slightly. “I think I still have his number from freshman year. He should know what’s going on.” 
“Good idea.” Jesse agrees. “He’s one of her emergency contacts, but I’m not sure if he knows just yet.” 
“I’ll call the girls too,” She continues, referring to the other girls who lived in the Wilson Valley building with you and Dina during your freshman year. “I know that they’ll also want to know.” 
She pulls her phone out of her pocket before muttering a quick “be right back” and exiting the waiting room. 
Jesse and Ellie watch her walk out silently. After a moment or two, Jesse speaks up. 
“Are you okay, El?” 
“What do you mean?” 
“Come on, man. Don’t do that. You know what I mean.” 
“I’m fine, Jess.” 
“Dude.” 
“What?” 
Jesse turns his whole body to face Ellie straight on, crossing his arms against his chest and frowning. 
“You’re completely red in the face, you look the most stressed out than I’ve ever seen you, and you’re here.” 
“So?” Ellie replies stubbornly. 
“Williams.” Jesse stresses sternly. “You know Dina and I saw everything you had in that desk drawer.” 
Ellie says nothing in reply and Jesse continues. 
“You literally still had her old EpiPen from like, two years ago. That entire drawer was full of her shit.” 
Ellie clenches her jaw and balls up her fists. 
“You still have all those old letters she used to write you all the time, all these mementos and knickknacks from when you two were together. You even have Barbie Bear.” Jesse points out. “Do you know that she’s been chewing Dina out nonstop about her for years because she thinks Dina stole her?” 
“Look, she and I just stopped talking to each other all of a sudden before sophomore year. I never had an actual chance to give her all of her shit back—” 
“You literally could have given them to me or Dina or even any of the Wilson girls so we could return them.” 
“Look—” 
“And what about the rest of it? Shit that you didn’t have to actually give back to her? It’s been years. You could have easily thrown it all out.” 
“You don’t understa—” 
“You didn’t even bother leaving all that shit back home in Jackson. You brought it all here with you to keep in our apartment.” 
“I… I—” 
“She could have fucking died tonight, El. And you’re still bullshitting me.” 
“Jesse.” Ellie croaks out through quivering lips and watery eyes. 
“You saved her life. She could have very well been in a worse state right now if it weren’t for you. You told me and Dina what to do. Nobody told you to do any of that. And by the sorry state of you, it looks like you just ran three marathons in a row just to get here and make sure she was okay in person.” 
Tears threaten to flow down from Ellie’s ocean green eyes, and it takes every ounce of strength that she has left in her to will them not to fall. 
“She means so, so much to me and Dina. And to a whole bunch of other people too. When she gets hurt, we feel that shit too.” Jesse says. “I need you to get your motherfucking shit together, Williams. Now.” 
Before Ellie can even form some kind of thought in response to his declaration, Dina suddenly reenters the waiting room. 
“Called her uncle and told him everything I know. He’s currently looking up the first flight out and he’ll hopefully be here sometime tomorrow.” Dina informs the pair as she walks over. “Just got off the phone with Astrid too. Most of the girls are either busy or asleep by now, but she said she’ll let them know too as soon as possible. If she’s awake tomorrow, they’ll try to come by to pay her a visit.” 
“Okay, good.” Jesse nods in response. “Thanks for doing that, D. I was so focused on what’s been going on, and none of that even crossed my mind.” 
“They deserved to know.” Dina smiles sadly before suddenly frowning. “But why did she even go into anaphylactic shock in the first place? They both asked me, but I realized that you never actually told either of us and I didn’t really know what to tell them.” 
“She and Anderson were making out, and Anderson had eaten some seafood bouillabaisse for dinner. Apparently, it had a bunch of chopped-up shrimp in it that she couldn’t see.” Jesse says plainly. 
Dina inadvertently glances at Ellie in slight sympathy, but Jesse looks at her with zero remorse on his face. 
“She didn’t tell Abby that she was really allergic?” Dina asks. 
“Anderson apparently had no idea, said that she wouldn’t have ordered it if she knew in the first place.” Jesse clarified. 
“Anderson should have fucking double-checked re-fucking-gardless.” Ellie angrily interjects. 
“It’s not Abby’s fault, Ellie. There’s no way she could have just known instinctively.” Dina reasons. 
“Doesn’t matter. Isn’t she studying to be a fucking doctor? Isn’t that some basic shit that they teach at med school or whatever? She should have known better.” Ellie seethes. “Where the fuck is she, anyway? I thought she came along.” 
“She went down to the food court for a breather.” Jesse says. 
“Oh, she needs a breather?” Ellie sneers. “Yeah, go ahead and catch your breath when the person you almost killed tonight can’t even fucking breathe—” 
“Ellie!” Dina scolds. 
“Whatever.” Ellie scoffs. 
“El,” Dina suddenly brings up. “Have you talked to Daniela yet?” 
“What about her?” Ellie asks. 
“Weren’t you supposed to meet up with her…” Dina checks the time on her phone. “... almost an hour ago?” 
“So?” 
“Ellie.” 
Ellie clicks her tongue. 
“Fine, let me text her right now that I won’t make it—” She begins to say begrudgingly, but she cuts herself off as someone else enters the waiting room. 
Abby Anderson quietly walks through the door, sipping a plain black coffee from a styrofoam cup. She looks up from her drink and gives Jesse an awkward but polite smile which he respectfully returns along with a nod. 
Ellie’s entire body goes cold with frigid, icy hatred, exacerbated when her furious ocean green eyes suddenly meet with Abby Anderson’s tired sky blue ones. 
“Actually,” Ellie suddenly says. “I’m gonna give her a call and see if she’s still free to meet up tonight. I still want my jacket back.” 
Both Dina and Jesse look as if they’re each about to interject with a response, but Ellie is too quick for either of them to say a word. 
Ellie storms out of the waiting room, not giving a second look at Abby Anderson. 
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Ellie throws Joel’s old leather jacket onto her bed, sighing softly. She sheds her sweaty grey hoodie and throws it down next to the jacket before pulling her phone out. She proceeds to call Jesse, but she’s greeted with ten, empty-sounding buzzes before being redirected to his voicemail. She then attempts to call Dina but is greeted with an immediate automated message stating that the call could not be completed. 
Groaning in exasperation, Ellie collapses into her desk chair and roughly kicks off her Converse. After a moment or two, she notices the bottom-most drawer of her desk and the way it’s hanging off the frame precariously. Sighing, she crouches down on the floor and begins to rearrange its previous contents. 
At first, she shoves items back into the drawer at random, but she immediately pauses once her hand grazes across the fur of a pink stuffed animal. 
Barbie Bear. 
She picks up the stuffed animal and stares sadly into its plastic eyes. Noticing that the light pink ribbon around its neck has gotten loose, Ellie delicately attempts to retie it back into a bow. After a couple of lopsided tries, she’s eventually satisfied once she’s able to center the ribbon correctly. She carefully places Barbie Bear back into the drawer before returning to restore its contents with more consideration. 
After replacing a few pairs of old earrings of yours into a small box, she picks up a stack of old letters that she’d tied together with a piece of brown twine. Ellie resists the urge to go through each of them, but when she notices that one had fallen out of the stack and is now lying on the floor, her willpower dwindles almost instantly. 
Ellie picks up the envelope gingerly, almost as if she’s afraid that her touch will cause it to burst into flames. She reads her name on the front written with green ink and flips it over to where the flap of the envelope is torn open. She runs her fingers over the wax seal that had secured the letter inside: the design of Saturn amongst several stars. Nervously, she slips the card out from inside and unfolds it to reveal your handwriting. 
Dear Ellie, 
It is currently 4:27 A.M. and I can’t sleep, and for some reason, I can’t stop watching that story you posted on Instagram earlier over and over. The one of you singing and playing your electric guitar to that Aaron Taylor song. Not to be gay as fuck, but it is so easy to get lost in the sound of your voice. Also, I really like your lips. And your hands. 
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I know I said this yesterday already, but you’ve been overworking yourself way too much lately. I’m glad that you’ve been putting a lot of effort into your schoolwork, but have you eaten? When was the last time you had a full meal (microwaveable ramen does not count)? Have you been taking any time for yourself? It’s really sweet that you still make time to come hang out with me most days, but you need some you time too, you know. 
Not that I don’t love seeing your goofy face all the time. I don’t know, I think me writing all that out is me casually acknowledging that I have attachment issues and attempting to work on it. Oh, well. I’m pretty attached to you, fucking dork. 
Okay, heading to bed now. Hopefully, I’ll actually be able to fall asleep this time. But hopefully I’ll see you tomorrow (I know I just said that you need to take more time for yourself, but shut up). You’re always the best part of my day. 
Ellie can’t seem to let herself read the final piece of the letter, the part where you’d signed your name. 
She delicately folds the card once more and places it back into its envelope. Turning it over in her hand and tenderly running her fingers over where you’d addressed her name, she wonders if your handwriting is still the same as it was all those years ago. 
Reluctantly, Ellie tucks the letter back into the stack before tying them all securely together once more. 
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Earlier That Evening 
Ellie was fifty-two minutes late to her supposed “date” with Daniela. This was Ellie’s third failed attempt at reacquiring Joel’s old motorcycle jacket, and they had previously decided to meet up outside the coffee shop on campus where Daniela recently started working after the end of her shift. 
But after Ellie’s unexplained absence from their meeting, Daniela bitterly stormed back home to her dorm. She had half a mind to say no when Ellie called her with a half-assed explanation and asked if she could come over to retrieve her jacket. But after giving in, Ellie arrived at her dorm room within half an hour. 
It wasn’t a total shock to Ellie when she was greeted with a look of annoyance when Daniela opened the door for her. Ellie attempted to feign a guilty expression, but all that she could muster was an indifferent grimace. Daniela said nothing as she silently beckoned Ellie to follow her and come in, an AirPod playing music loudly in one ear. 
Ellie took a quick glance around the place, never having actually been inside Daniela’s room before. The twin-size beds, old wooden dressers, and scuffed-up desks were an all-too-familiar sight for Ellie, having gone through the same torturous experience herself only a couple of years back in her freshman year. But a few things were different as Daniela and her roommate had attempted to really personalize their living area. Ellie tried not to make a face of repulsion when spotting a few Taylor Swift concert posters above one of the desks. 
Daniela plopped onto, what Ellie had assumed was, her bed but made no gesture that welcomed Ellie to do the same. She merely stared at her passively as Ellie tried to avoid looking her directly in the eye. 
“You’re an hour late.” Daniela pointed out. 
“Only fifty-two minutes late.” Ellie attempted to joke. 
Daniela only hummed in response, unsmiling. She picked up a faded brown jacket that was sitting on top of her pillow by the collar and handed it over to Ellie. 
“Thanks,” Ellie muttered, tucking the jacket under her arm. “Uh, thanks a lot for looking after it. Needed it back ‘cause it’s really my dad’s old jacket.” 
“Oh, sorry. I would have given it back sooner if I knew that.” Daniela replied, not sounding the least bit sorry. 
“It’s okay.” Ellie mumbled awkwardly. 
There was an uncomfortable moment or two of complete silence where Daniela continued to merely gaze at Ellie, unwavering and unapologetic, while Ellie focused her eyes on her Converse as she wrung her hands together. 
“Hey, look…” Ellie eventually spoke up. “I really am sorry about being late. I just had a really important emergency that I had to deal with.” 
“It’s fine,” Daniela replied remorselessly. “Tara told me that you suddenly had to deal with some shit.” 
“Wait, what?” 
“Tara. Tara Maclay. She works with me at Ruston.” 
“Oh, right.” 
Another awkward moment of silence. 
“Your ex-girlfriend, right?” Daniela asks unexpectedly. 
“What?” 
“Your ex-girlfriend. The shit you had to deal with tonight.” 
“Oh, uh…” 
“No point in lying, Ellie.” Daniela shrugged. “Tara already told me the gist.” 
“Oh. What did she say exactly?” 
“Not much. Said that you needed to help deal with something for someone you both know. She didn’t tell me exactly that it was your ex-girlfriend, but it was pretty obvious. I read between the lines.” 
“Oh.” 
“Yeah.” 
“She really shouldn’t have told you all that.” 
“She was ranting to another co-worker and I overheard your name and I was curious.” Daniela shrugged again, unabashed. 
Another awkward moment of silence. 
“So you still into your ex or something, Ellie?” Daniela spoke up again. 
“She’s not really my ex-girlfriend.” 
“Whatever.” 
Another awkward moment of silence. 
“Well?” Daniela asked. 
“It’s kind of complicated.” 
“That’s just the bullshit way of saying yes,” Daniela rolled her eyes. “Doesn’t matter if she’s your ‘ex’ or whatever.” 
“Look, Daniela—” 
“I know we aren’t serious or whatever, but I don’t really feel like dealing with someone else’s ex drama.” 
“There’s no drama. I don’t even speak to her anymore.” 
“And yet you ditched me to go and help her out with something earlier.” 
“It’s not like that. And it was also an emergency.” 
“So you said.” 
Ellie wasn’t sure why she felt the need to explain herself to a girl she barely knew. Part of her felt compelled to do so as if she could continue to actively ignore her feelings by saying these things out loud. 
Another awkward moment of silence. 
“God, you’re such an asshole fuckboy, Ellie.” 
“Hey, what the fuck—” 
“You know that you can get girls and do, but you just like to fuck around with them and play with their feelings.” 
“Alright, first of all, you said yourself that we’re nothing serious. We’ve barely even done anything.” Ellie said defensively. “Second, I literally just said that I don’t even talk to her anymore! Not even tonight!” 
Ellie scoffed as Daniela rolled her eyes once more. 
“Look,” Ellie continued through gritted teeth. “I’m sorry that I was late tonight. And I get it if your feelings are hurt. But nothing’s happening between me and my ex.” 
“You just said that she wasn’t your ex.” 
“Sh-she’s— she’s not, she’s—” 
“Yeah, yeah,” Daniela muttered as stood up from her bed. “At this point, I’m over it, and I really don’t give a fuck anymore. You’re hot and all, Ellie. But this is not worth it.” 
She popped an AirPod in her ear once more and sauntered over to the door. 
“Word of advice. Figure out your feelings for this ‘ex’ of yours and decide if you actually wanna be with her or not before getting involved with anyone else. Nobody deserves that hanging over their head, especially when you’re so clearly still in love with her.” 
And with that, Daniela opened the door and peered at her expectantly. Ellie took the hint and walked towards her direction and through the doorway. Before Ellie could fully turn around and give any parting words, Daniela shut the door in her face. 
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Present 
Ellie collapses onto her bed next to Joel’s old motorcycle jacket. She pulls her phone out again, contemplating calling Jesse and Dina once more. But realizing they’ll probably call her if they have anything important that they feel she needs to know, she drops the phone down to her side in defeat. 
She continues to lay in her bed for a while, stewing in her unresolved feelings with nobody to confide in. Closing her eyes, her mind begins to race against her will with reminders of the path life led her down after you. 
First was Marisol. Less than two months into sophomore year of college, Jesse and Dina were completely aghast to see Ellie walking around campus with a girl they’d never seen her with before. She was in Ellie’s Aerospace Engineering class, and Ellie had claimed to have had an eye on her since last year. Jesse and Dina watched helplessly as their friend flaunted her new girlfriend around everywhere for the next couple of months. 
Ellie wasn’t initially sure what it was that attracted her to Marisol in the first place. She was naturally beautiful with her long, black hair and slender figure, and she was the textbook definition of a perfect girlfriend. It took two and a half months of overly extravagant dates and bouquets of Marisol’s favourite flowers and late nights spent at her dorm room for Ellie to understand what it was about Marisol that she was drawn to: it was her eyes. Down to the specks in her irises and how her eyelids curved, Marisol’s eyes resembled yours far too well. After coming to this harrowing realization, Ellie quickly broke things off with her tactlessly and with a half-assed, mostly untrue justification. 
The next was Luz who she had met during her near-daily workouts at the gym with Jesse. Ellie spent several autumn weeks with them, allowing Luz to whisk her about to different parties with different groups of friends every weekend. But one fateful night when they had dragged Ellie to a party at the same Sigma Eta frat house where you’d both first met, a bad acid trip cemented the end of her time with Luz. 
As Ellie’s dilated pupils focused intensely on Luz’s black boots, a pair very similar to your favourites, she felt a sensation begin to roughly tug at something inside her. From her spot on the living room couch, her eyes darted up to a spot by the wall where a small group of partygoers were congregating. She zeroed in on a random girl she’d never seen before whose multi-coloured features, as a result of LSD brain fog, began to morph into those of someone she was desperately trying to forget.
Once the last parts of the stranger’s face had fully formed to impersonate yours, she abruptly stood up from her slouched position on the couch, muttered an excuse to Luz about using the bathroom, and desperately begged Jesse to come pick her up immediately. After Jesse helped her click on her seatbelt in the passenger seat with a tight-lipped expression where he fought the urge to remind her of the significance of this house, Ellie never looked back and swore never to trip on acid again, subsequently ghosting Luz after that night. 
A couple of weeks before winter break, she met a sweet and quiet girl named Simi. They met through a dating app during one of Ellie’s crossfaded swiping sprees at 2 in the morning. Ellie’s affair with her was extremely short-lived, ending things with her a day before everyone left campus to head home for the holidays. While spending the day hanging out at Simi’s dorm room as her new girlfriend packed for her trip home, Ellie suddenly and unfairly started a fight with her after Simi had begun to mindlessly sing the song “Merry Christmas Darling” under her breath. 
Ellie had unkindly demanded for her to “shut up” immediately, understandably hurting Simi’s feelings. The fight was short and confusing, as Ellie had refused to elaborate on her sudden explosion. As she unceremoniously marched out of the dorm room, Ellie aggressively tried to suppress memories of you singing that same Carpenters song on a loop all of December of the previous year. You’d claimed you couldn’t get it out of your head and needed to sing it out loud at least fifty times a day so you could stop thinking about it. Though Ellie had playfully cussed you out and thrown several pillows at you on multiple occasions, that song now belonged to you forever and nobody else. 
After Simi were strings of countless others, some who had used Ellie as their brief college lesbian experience and many whose names Ellie would never be able to recall. She never hooked up with the same person more than twice, never actually took another one out for an actual date until Daniela. 
Ellie had found Daniela incredibly pretty when she’d first laid eyes on her on a warm September afternoon earlier in the year. She was lounging on the quad as Dina did her homework and Jesse lazily strummed his guitar when a group of freshmen walked by. Ellie hadn’t spared them a glance until one of the girls approached her, all shy and giggly, and said that one of her friends found Ellie very cute. After pointing Daniela out and asking for her number, Ellie shrugged and relented. She ignored Dina and Jesse’s identical judgmental looks and eye-rolls in her peripheral vision. 
Ellie enjoyed the undivided attention of someone completely enamoured by her. Daniela was constantly responsive, did whatever Ellie wanted to do, and was always so eager to please her. Ellie’d bring her to the movies, go on long drives with her in her Jeep, take her to whatever restaurants she’d want to eat at. 
To anyone who keenly observed when they were together, it was quite obvious who was far more invested between the two. Despite spending an ample amount of time with her in the past month or so, Ellie continued to keep Daniela at arm’s length. On multiple occasions when Ellie’d convinced Jesse and Dina to allow Daniela to accompany them, the long-time couple would watch how disconnected their friend was from this new girl she’d been seeing.
Dina would constantly give Jesse a raised eyebrow look that silently would ask, “Is she really serious?” to which Jesse would give her a tight-lipped, wordless grimace that replied with “We both know she’s a fucking dumbass.” They both placed bets on when exactly Ellie would eventually ditch this new girlfriend. 
Unbeknownst to them, it’s Ellie who was so easily discarded this time around. Feeling so unmoved and unaffected about the split with Daniela, Ellie tries to feel some kind of guilt over her lack of reciprocation. It’s her own actions, after all, that landed her dumped in the first place. She’s never fully seen Daniela as an actual girlfriend, and she knows full well that she shouldn’t have strung her along. 
But as she continues to lay in her bed, ocean green eyes shut and a hand woven through her auburn locks, she thinks of only you. 
Ellie can’t remember a single moment in her life when she’s felt more in need of another person’s company than she does at this very moment. Unable to trouble Dina to be her listening ear as she always is or bother Jesse to bluntly set her straight as usual, she feels the loneliness of the gloomy, dark room creep into her guilty conscience. 
Her fingers begin to mindlessly search her bedsheets as she continues to stare at her decrepit bedroom ceiling, seeking for her silver joint box that had fallen out of her pocket when she’d collapsed on her bed. Instead of the feel of cold metal, her hand comes across something smooth and warm. Pulling the brown leather jacket up to her face, Ellie’s mind murmurs a single word. 
Joel. 
She pulls her phone out to search for her father’s face within her favourite contacts. She hesitates for a moment but pushes herself to call. 
Joel picks up after only two rings. 
“Ellie? Jesus, kiddo, what the hell time is it?” 
“Hello to you too, old man.” Ellie chuckles. 
“Everythin’ alright?” Joel’s voice asks, tired but urgent. 
“Y-yeah. Yeah, I guess.” 
Ellie can almost hear her father sitting up straight in bed. 
“What’s wrong, Ellie?” 
“I-I…” She stutters. “Joel…” 
With a whimpering tone, she suddenly recounts the night’s events in complete detail. Joel listens attentively, only ever interrupting with sharp intakes of breath and hushed, imperceptible asides. After listening to his daughter’s sorrowful spiel, he finally speaks. 
“Oh, baby girl…” Joel utters. “I truly am sorry. It’s been a real rough night for all of y’all.” 
“Yeah…” 
“That poor kid… I’m glad she had you three lookin’ out for her tonight.” 
Ellie says nothing to this, pursing her lips. 
“How about you, Ellie?” Joel continues. “How are you feelin’ after everythin’ that’s happened?” 
“I-I’m not really sure. I’m not sure I know how to feel.” 
“That’s okay. You don’t have to just yet. It just happened and all.” 
“All I feel is so much fucking guilt, Joel. It feels like my mind is empty but overflowing all at the same time. I feel so motherfucking powerless and I don’t know what to do.” 
There’s a moment of silence before her father speaks again. 
“You given any thought to the conversation we had before you left for school, kiddo?” 
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Last August: Jackson 
Ellie’s bedroom was full of boxes and bags packed with everything she planned to bring to college for her junior year. The space was slightly more barren, closet mostly empty and trinkets missing from her shelves. It was only a couple more days before she, Dina, and Jesse would be making their journey back to their university, and she was uncharacteristically ahead of schedule. 
Leaning against her desk with a box full of comic books on the floor next to her, she was casually perusing an old graphic novel when Joel appeared in her open doorway. 
“Knock, knock.” 
“The door’s open, old man. Also, you can literally just walk in, you know.” 
“Who raised you to have so much cheek against your elders, kid?” 
“You, dude.” 
The pair smirked at each other’s smart-mouthed retorts. 
“Need any help packin’ up?” 
“Nah. It’s pretty much done except for a handful of essentials.” 
“Including that book you’re holdin’ right now?” 
“Like I said: essentials.” 
Joel chuckled. 
“Well, the Changs sent over some dinner for us, if you want some. Wisa made K-kaw… Khao Tom Pa… no, Plah…” Joel stuttered, making an effort to pronounce the Thai dish correctly. “Khao Tom Plah, that’s it. She brought some over earlier, thought we might want some. She even made it without the prawns, just the way you like it.” 
“Sick. She’s the best. I’ll text Jesse later to thank her.” 
“Good.” 
Joel lingered as Ellie went back to reading her comic, wistfully looking around his daughter’s nearly vacated bedroom. His eyes fell on a small box sitting at the foot of Ellie’s bed. It was an ordinary, cardboard box just as the others were, except it was heavily sealed with multiple layers of silver duct tape. He frowned. 
“Still plannin’ on bringin’ that box?” 
“What do you mean?” Ellie asked, knowing exactly what her father was referring to without looking up. 
“You know you can just leave it here at home, right? It ain’t like I go through your doohickeys when you ain’t here.” 
“So you do go through my shit when I am here?” 
“Ellie.” 
“What?” 
“Why the hell are you doing this to yourself, kid?” 
“I don’t know what you’re talking about.” 
“We’ve been having this same conversation for the past year now.” 
Ellie finally peeled her eyes away from her graphic novel, tossing it on the desk behind her and crossing her arms. 
“You’re the one who keeps bringing it up, Joel.” 
“I bring it up because I know that you ain’t been talkin’ about these feelings with anyone. Not me or Jesse or Dina. It’s been a year since you ditched that poor girl, and you’re still sulkin’ over it.” 
“She ditched me.” 
“Hold your horses; we both know that ain’t true.” 
“What do you want from me, old man?” 
“I want you to be happy, kiddo.” 
“What makes you think I’m not happy?” 
“Now, don’t try to bullshit me. You can grumble and deny it ‘til the cows come home, but even after all this time, all you ever do is brood and pine after that girl. Plain as day to anyone. You ain’t been the same since y’all broke up.” 
“We weren’t together.” 
“Yes, you were.” 
Joel ignored his daughter’s subsequent eye-roll before continuing. 
“You still have the box, Ellie.” 
“I just forgot I even had it.” 
“And yet, you’re bringin’ it to school with you, just like you did last year. Why?” 
“It was just in my closet stuffed in with all this other shit I don’t touch. Had to take it out while I was packing.” 
“That ain’t amount to a hill o’ beans. And you still ain’t answer my question.” 
“Sorry, dude.” 
“Ellie. You and I would down to Beacon Run all the damn time back when you were growin’ up. You used to beg me to go for dinner whenever you had a hankerin’ to order that cheesy crab dip with all those chips and jalapeños and such.” 
Ellie raised her eyebrow, unsure where her father was going with this. 
“Then all of a sudden, a few years ago, you seemed to hate the place. You’ll maybe get a plate of fries and nothin’ else. Matter of fact, I can’t, for the life of me, recall the last time I’ve seen you eat a plate of seafood with any kind of shellfish in it.” 
Joel’s greying eyes pierced Ellie’s ocean green. 
“Two years.” He continued. “It’s been two years. You almost never eat any kind of seafood no more, and even the Changs never cook us anythin’ that has shrimps or scallops or anythin’ of the like.”
Joel watched as his daughter stubbornly struggled to justify herself. He sighed sadly. 
“I wish you’d let yourself be happy, Ellie. You could be.” 
“That so? How do you figure that?” 
“First step is admitting exactly what is clear as day to everyone around you.” 
“Oh, yeah? And what is that?” 
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Present Day 
“J-Joel… I-I…” Ellie sobs. “I love her.” 
“I know, baby girl.” 
Joel helplessly listens to his daughter’s desperate weeping from the other end of the line. 
“So,” He eventually asks in between her snivels. “What now?” 
“It doesn’t matter.” She sniffs. 
“Kiddo, why do you think your feelings don’t matter?” 
“Because relationships do not work for me. Love doesn’t work for me.” 
“Your relationship with her didn’t work. Past tense. It’s been years. It was a tough situation. You’re a different person now.” Joel clarifies. “And there’s plenty love ‘round you, kiddo. You got a lotta love in your life. I need you t’realize that.” 
“Except I-I’m not a different person, Joel. I-I am just an older, slightly more experienced version of myself. I-I…” Ellie stutters. “I’m afraid.” 
“Of course you are, kid. It’s only natural.” Joel replies. “But you can’t live your whole life closed off from the rest of the world. You need and deserve love, Ellie.” 
“Except I don’t, Joel! I fucking don’t!” She cries. “God, y-you just, you just don’t understand!” 
“What don’t I understand?” 
“She almost fucking died!” Ellie nearly screams. 
A silence falls between the two, only broken by Ellie’s hot and angry tears noisily dropping onto the old leather jacket. She grips it tightly in one hand before continuing. 
“I-if… if none of it happened… if I d-didn’t do all that to h-her all those years ago…” She stutters between shaky lips. “M-maybe she wouldn’t be where she is now. She wouldn’t have gone on a date w-with someone who didn’t know about…” 
Ellie chokes back a sob. 
“I-I… I would have known. I would have t-taken care of her. I would never have—” 
“Ellie.” 
“She needed me, and I… I let her down. Not just tonight. All those years ago. I couldn’t be what she needed. I fucking failed her.” 
“It’s not that simple, kid.” 
“Yes, it is! Her cousin fucking died! He was her whole fucking world, and she loved him more than anything, and he fucking died and I… I ran. I abandoned her.” 
The blurry memory of your sleeping figure in the passenger seat of Ellie’s Jeep appears in front of her, wrapped up cozily in her flannel as she drives you home from Jackson and naive to what lies ahead. 
“I know… I know what I’m capable of, Joel. I loved her so much all those years ago and… I still hurt her. I hurt her so fucking badly.” 
Your image transforms to one of you awake and livid, Ellie’s flannel torn off and tears streaming down your face. Anger and betrayal are etched all over your face, just like they were all those years ago. The shame she’d felt back then is incomparable to what she feels now. 
“I don’t ever want to do that to her again, ever. I just can’t. I won’t.” 
Joel sighs deeply before finally speaking. 
“Ellie. That fear is always gonna be there. But you’re young, and we make plenty of mistakes in our youth. God knows how much of my past I used to regret.” 
Ellie takes deep breaths as her father continues to speak. 
“Everythin’ that happened tonight? None of it was your fault. In fact, I reckon you’re the reason she’s still livin’ and breathin’ right now. I’m proud of you for that.” 
“All I did was—” 
“All you did was save her life.” 
Ellie sniffles but doesn’t respond. 
“Look, kiddo,” Joel continues. “As someone who has known you for a very long time, I know how much of a good heart you got. You’re a lovin’ person who deserves love. I wish you could believe that.” 
The sound of people entering through the front door echoes all around the empty apartment, but Ellie hears nothing else but the sound of her own agonized sobs. 
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author’s notes:
belle posting TWO chapters of ncty within less than two weeks of each other??? what is this, may 2023???
saury for not posting this right away like promised yesterday, like i said, going thru some shit rn! but i hope y'all enjoyed regardless ♥︎
i'll give you a kiss on the mouth if you guess the bollywood movie i vaguely reference at the beginning of the chapter :)
the idea of reader being allergic to shellfish and going into anaphylactic shock came to me one day a while back when i was eating something with shrimp and randomly remembered that i am very allergic to shellfish and instead of being like, "i should go take some medicine immediately", i thought, "hmm this would be a wild plot point for ncty" LMFAOOOO
anyway, this is your reminder that if you have an epipen, don't be stupid, bring that shit with you wherever you go sldkfjsdl
the more of jesse that i include in this series, the more i enjoy writing him. he's such a fun character to write hehe
i thought having abby sipping on some hot, black coffee when ellie fucking canonically hates coffee was so hilarious, i pat myself on the fucking back for that one
yes i also pat myself on the back for the line regarding ellie's ocean green eyes and abby's sky blue ones. i fucking love parallels and symbolism. i'm a whore for them, in fact.
btw dina doesn't respond to ellie's phone call bc her phone died (prob from facetiming ellie for that long earlier in the night) and idk, jesse's either not paying attention or being petty LMFAO
the reappearance of barbie bearrrrr, my babyyyy. idk if y'all remember, but yes, barbie bear is a reference to the actual stuffed pink bear i sleep with every night named barbie. i had planned since chapter 4 (which is the chapter barbie bear is first mentioned) for ellie to have had her this whole time because i'm a fucking lunatic LOL
i mentioned in the author's notes section of the last chapter how reader's letterwriting hobby is inspired by me irl cause i do that all the time for friends, but reader's letter in this chapter is actually loosely based on a letter that soulmate ex wrote me, it's not word for word exactly, i altered it a bit to fit the story better, but it's very close because i'm INSANE, anyway
yes "i think i love you again" is on my playlist about my ex-girlfriend and "merry christmas darling" is on his playlist for me, go away
ellie's clear aversion to taylor swift is both a reference to a previous chapter where jesse subtly mentions her dislike for her and also to my personal belief that ellie really would not like her as a person or an artist at all irl lmfao
the names of all of ellie's ex gfs or whatever are inspired by something very specific but that's another heehee secret trivia that nobody else but me will ever know about (let's be real, i'll prob tell star later LOL)
i named jesse's mom after one of my fave co-workers hehe (and the dish she makes for them is thai bc my co-worker is from thailand)
ellie's declaration of love about reader that she makes to joel has also been a long time planned now, idk why i knew it was gonna be chapter 13 when i did it, but i just knew it was. it was always the plan for her to confess it out loud to joel first, above anyone else
the final conversation between ellie and joel is heavily inspired by a scene from one of my fave tv shows, crazy ex-girlfriend. the scene makes me bawl every time i watch it. please watch crazy ex-girlfriend. so good.
we really are thirteen chapters into this series, huh? crazy. anyway, love y'all. <3
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revasserium · 7 months
Note
butterfly lovers opla zoro screaming crying throwing up
butterfly lovers
opla!zoro; 7,106 words; fluff, kind of childhood friends to lovers, slowburn af, nsfw, pron with TOO MUCH plot, opla!canon divergence, ships doctor!reader, fem!reader, riding, "good girl", emotional sex
summary: yours and zoro's story, from two different perspectives.
a/n: @halfvalid this is ur fault. take responsibility pls. also the smut is literally just one part of a larger story, but it does actually get explicit so. do with that info what u will u__u.
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false start.
most good stories, scholars and storytellers would both agree, have a beginning, a middle, and an end. though, famously, not necessarily in that order. and this particular story — well, it has several places one might call the beginning. and one of them is here — in shimotsuki village, in a patch of rich green forest that always smelled of cedar and moss and earth.
it would be a lie to say that the story begins here, at a doujou where eight year old boys and nine year old girls swing wooden swords hundreds of thousands of times each day. where you’d seen zoro for the very first time.
the story could have started here, but alas, it did not.
because you see, you’d never been great, or even particularly good at swordsmanship. and zoro — zoro was one of the best. even from the beginning, his raw, unfettered talent was a force to be reckoned with. but the reckoning came in the form of the doujou sensei’s blue-haired daughter, and you were no more part of zoro’s story then than a drop of ink in a midnight ocean — lost to the tumultuous waves of childhood tedium, of sword practice and sparring, of warm up laps and cool down stretches.
but you’d known him then, watched him as he grew, as he got better and better and better. bigger, stronger, quicker, sharper. and beside him was kuina, steady as the shifting tides, relentless in her efficacy, tireless in her craft. he was good, but she was better.
until one day, when very suddenly, she wasn’t.
the story, as it is, does not start here, because you’d made the solemn walk to kuina’s funeral altar with the rest of the students at the doujou in complete silence, had knelt there in equal silence and watched as sensei had bestowed the wadou ichimonji upon zoro, watched as he had gripped the sword with both hands, his knuckles going white as the sword’s moon-washed sheath, and bowed his head in acceptance.
it does not start here because later, instead of following the same, silent procession of kids back to the doujou’s main compound, you’d slipped away, silent as a shadow, and sprinted through the wide, cedar forest to a secret, open patch of grass where the sun bled from a stretch of endless sky blue enough to sting, and tiny little white-petaled flowers had sprung from the still-damp earth, turning their faces towards the coming spring.
you’d run, screaming through the field till you’d run out of breath to scream with, and collapsed among the tiny white flowers, panting and staring up at the endless blue sky, feeling the helplessness pulse through your veins. because even though kuina hadn’t been your friend — you’d exchanged perhaps a handful of words in all the years you’d spent here — she’d been a constant presence in your life. and now, she was gone. and there was nothing you could do to stop it.
you laid there for longer than you can remember, and then, as the sun finally dipped beyond the far horizon and the darkness grew longer than the sea was wide, you got up and trudged towards the clearing’s edge. only to find a small creature huddled against the trunk of a thin sapling tree — it looked like nothing more than a bundle of white-spotted fur, and it took you a long moment to realize that it was a fawn, curled into a pile of gnarled roots, shivering, eye wet and wide and terrified.
you blinked, staring at it for a few seconds before you’d noticed the gash on it’s hind leg, jutting out at an uncomfortable angle. your heart had stuttered inside your chest, and you’d dropped down to your hands and knees, cooing softly as you slowly approached the creature, trying to look as unmenacing as possible.
“hey there… are you hurt?” you’d said, crawling towards it, trying very hard to make your movements as slow and smooth as possible.
the fawn shivered as it stares at you, apparently caught between sheer terror and curiosity. you tried to smile, before digging into your pockets and pulling out a handful of peanuts, offering them to the fawn on an open palm.
“c’mon, i’m not gonna hurt you… i just wanna take a look… at that leg of yours, can i do that?” you’d asked, inching in closer and closer until the fawn’s warm, wet nose dug into your palm, it’s smooth-edged teeth grazing your skin as it crunched through the peanuts. you took the chance to glance down at it’s injured leg — it wasn’t a deep wound, but judging by the angle, it was a bit dislocated and would need to be set back right if the fawn was ever going to walk again.
slowly, you reached out a free hand to gently stroke at the fawns haunches, feeling it’s muscles tense up beneath you, even as it continues to snuffle against your palm, eager for any remnants of the peanut shells. you ran your hand along it’s leg and quick as a flash, you pressed against the odd jutting of bone, even as it snapped back into place with a satisfying crack.
the fawn made a shrill, screeching noise, jerking to its feet, but a moment later, it seemed to realize that it’s leg was no longer hurting. you held up both your hands in what you hoped was a calming gesture before tugging out a few more peanuts holding it out as an offering.
the fawn blinks it’s dark, watery eyes at you a few times before limping forward to dig its nose once more into your palm. you allowed yourself a smile then, and a soft relieved laugh as the fawn limped forward a few more steps, testing the weight of it’s body on its newly repaired leg. it looked more confident now, seemingly realizing that the wound was somewhat fixed, and it gave you one last, lingering look before it bounded off back into the sunset forest, leaving you with nothing more than a handful of peanut shells and a tightness in your chest you can’t quite seem to put your finger on.
you’d snuck back into the doujou that evening, smelling of mud and moss and cedar, and you’d lain in your futon, staring up at the high slatted ceilings, streaked with moonlight, wondering where on earth you truly belonged.
the next morning, everyone woke to neatly a folded futon and a wooden training katana, the hilt carved with your name, laid across your pillow.
so you see, the story could have started here. but it didn’t. and perhaps we should be thankful for that.
the cost of ambition.
the story, as we know it, starts then at the baratie, on the morning after a meal was eaten and not properly paid for, after an ill-fated duel between a boy with a mouthful of ambitions and a man who’d forgotten what it felt like to be truly surprised. well, he was surprised that morning, watching the boy fall back with a gash the size of the world spurting blood across the docks.
“grow strong,” he’d said, “and come find me.”
and it starts, when a pirate in a straw hat comes crashing into the baratie’s kitchen, shouting about a dying friend.
“help! help! zoro… zoro needs a doctor!”
“whoa, whoa, slow down, chore boy — i can’t understand a word you’re saying,” zeff holds up a hand to stem luffy’s panicked rambling.
“my friend is dying…”
“the nearest doctor’s on the conomi islands —”
“wait, no —” sanji frowns, cutting zeff off, “lemme look at the reservations from last night —” he hurries off to the front desk and returns with a thick leather bound volume, flipping it open to scan through the seating chart for the night before.
“i knew it!” he says, pointing at a name written in deep, ocean blue ink, “there — her! i’ve heard of her — she’s the best ship’s doctor in the east blue, and if i’m not much mistaken, her ride’s not due to leave till this afternoon.”
“great! c’mon — we haven’t got time to lose!” luffy says as he rushes out of the kitchens, leaving sanji and zeff to exchange an exasperated look before following after.
they find you on the loading docks, your nose buried in a notebook, your hand flying across the page, ink smudging your unrolling sleeve.
“please! we need a doctor! my friend — zoro — he’s dying!”
you jerk up from your notes, the name ringing in your ears like an alarm bell, rocking through your body like the base boom of a signal flare. zoro? here?
you look around even as luffy makes his way to you, pressing in too close, a hand on top of his head to keep his hat from flying away, the other curling around your upper arm.
“w-wait — what’s going on? did you say someone was dying?”
“yes! my friend! he got into a fight with this warlord guy and now he’s bleeding from everywhere —”
“show me,” you say, lurching to your feet and shouldering your leather knapsack, pursing your lips as your vision threatens to tunnel ahead of you. zoro. it’s been such a long time since you’d heard that name. sure, you’d heard of his exploits in the east blue. how could you not have?
demon, bounty, pirate hunter. hunter, hunter, hunter —
you take a deep breath as luffy leads you onto the deck of the going merry and ducks below, motioning for you to follow.
when you step into the room, you don’t notice the orange-haired girl or the long-nosed boy, instead, your eyes are drawn to the body on the kitchen table as a magnet would a compass rose. his shirt torn into barely more than ribbons, a large red gash oozing blood, bisecting his torso like some unbridgeable canyon in miniature, his skin paler than you’d ever remembered it being, sweat beading his flickering brow —
oh, zoro…
you resist the urge to press your hand to your mouth. so instead, you swallow back your heart and try to assess the damage. massive blood loss, possible head trauma, and who knows what else?
“you said a warlord with a giant sword did this?” you ask, hurrying to the table and frowning down at the gaping wound.
“y-yeah — he — he had a big hat with a white feather on it —” luffy starts.
“mihawk. his name was dracule mihawk,” the orange-haired girl cuts in, her voice sharp and a bit too forced to be steady, “he told zoro to get stronger, and that… it wasn’t his time to die yet.”
you grimace, chewing on your bottom lip as you dump your supplies unceremoniously onto the countertop next to him, digging out the necessities.
“well, he wasn’t lying — the cut’s clean and judging by the size… he could’ve cut much deeper. but he didn’t,” you sigh, absently rolling up your sleeves as you pull out a hooked suture needle and a length of thread.
they watch you work in silence, first cleaning the wound, and then slowly, painstakingly pinching and stitching him back together. by the end of it, you’re nearly dizzy with exhaustion, and the sky outside has already turned a deep, bruising purple.
you sigh, wiping down your hands.
“can someone go and ask the waiter for a fish? any fish’ll do, but the fresher, the better. oh, and a bottle of scotch.”
“got it!” the boy with the long nose bolts up and is gone in a flash.
you slump down into a nearby chair and let your head loll back. a moment later, you feel someone pressing a glass into your hand and open your eyes to find the orange-haired girl holding a glass of water.
“here… you looked like you could use it.”
“thanks,” you say, taking a grateful gulp.
“i’m nami, by the way… thanks for —” she waves at the shape of zoro still on the kitchen table, “and that one over there is luffy. the guy that just left is usopp and —” her breath catches as her eyes fall back onto zoro’s form.
“i know who he is,” you say, your voice quiet as you look down at the glass clutched in your hands.
“you know zoro?” luffy’s voice is loud, but not unpleasantly so.
you glance up and feel the truth pulsing against the back of your throat like a heartbeat. then, you shake your head with a soft smile.
“i mean, he’s got quite the reputation.”
luffy lets out a laugh, “yeah! he sure does — he’s a great fighter! probably one of the best i’ve ever seen!”
you nod, staring at the sloshing liquid in the bottom of your glass.
a few moments later, usopp returns with sanji in tow, holding a bottle of scotch in one hand and a dead fish in the other.
“you’d better have a good reason for this,” he says, his expression grim, “zeff’s not gonna be happy when he finds these gone.”
you force a smile, “well, i can promise that at least one of those things’ll be put to good use — can you just skin the fish for me, please?”
sanji frowns, “and the scotch?”
you glance around before shrugging, “i don’t know about you guys but… i think we could all use a drink.”
the cliche of the morning after.
when zoro wakes up the first time, it’s to a world-muffling quiet. he coughs, uncertain of where he is, his head throbbing, his chest feeling too light and too heavy all at once.
“oh! you’re awake — here… have some water. you’ll need it.”
he hears the voice, both familiar and foreign, and then, he feels the cool press of a glass against his lips.
he gulps down the water greedily before pain rockets through him and he lets out a loud groan.
“i… i had a dream…” he says, his head spinning, the words slurring from him, and for a second, he wonders if he’d just been fed alcohol instead of water, but the pain seizes him again and he can’t stop talking.
“yeah? what did you dream about?” the familiar, foreign voice asks, soothing, as a cold palm presses against his forehead.
“shimotsuki village… i — i made a promise. i told her — i’d be the greatest… swordsman…”
his voice is fading, and the world is fading with it.
“yeah… you did, huh? and i’m sure you’ll fulfill it, one day…”
zoro sighs, sinking gratefully into the warm, welcoming arms of darkness once more.
“but not today,” you say, reaching out to wipe the sweat from zoro’s brow, your voice so soft that you’re sure no one else can hear, “today… you just need to keep on living. and that’s the greatest promise you could ever make to me.”
smooth sailing.
when he wakes up proper, you aren’t there to greet him. but he doesn’t miss the shape of you as they all pile onto the merry to go looking for nami. he doesn’t miss sanji’s too-wide grin or the unpleasant, burning itch that shoots through his healing wound as he watches the cook ask you about your favorite foods.
he keeps quiet for the most part, but you find him still, and you ask him how he’s doing with a ship’s doctor’s professionalism and efficiency.
“how’re you healing?”
“fine.”
“any tenderness?” you ask, your brows knitting as he tugs open his shirt and lets you peel the bandages away.
“not really,” he lies, because the the tenderness is not skin deep. he feels it in the labyrinthine galleys of his soul and he can’t quite figure out why you, of all people, might make him feel this way.
you run a surgical hand along the stretch of puckered skin and he sucks in a long breath, feeling his cheeks flood with inexplicable heat.
you smell of cedar and moss and freshly turned earth and for the life of him, he can’t remember why it makes his entire body go soft with memory. it reminds him of… something.
something, something, something.
“i hear you, y’know,” you say, and he jerks back to the present, with you absently rolling up your shirtsleeves before tugging at a fresh piece of gauze to wrap him back up.
“don’t know what you mean.” he looks away, willing himself to stay still as you daub a pungent cream against his chest before applying the layers of bandage. he lifts his arm to give you more room even as you shoot him a disbelieving look.
“sword practice, in the middle of the night. i told you that you need to rest — you’ll only prolong your own healing if you keep on pushing yourself like this. rest is it’s own brand of practice.”
zoro narrows his eyes. because he’d heard that from someone, somewhere before.
“your bodies need time to repair,” his sensei used to say as they all gathered after dinner at the doujou for evening meditation, “and a disciplined mind leads to a disciplined body. don’t forget that rest is it’s own brand of practice.”
zoro had never been good at it, but over the years, he’d managed to endure.
“there. all done.”
you lean back to admire your handiwork, unaware of zoro’s eyes as they scan over the shape of you, taking in the length of your hair, the bright of your eyes, the limber, spider-quick thinness of your hands and fingers.
“thanks,” he says, slipping off the kitchen table, pausing as he notices how still you’ve gone, your eyes wide as you blink at the planes of his chest, inches from your nose. a second later, you stumble back, clearing your throat, a sweet dawning pink dusts the high of your cheeks as he cocks his head to watch you, fascinated by your reaction.
he almost grins, letting his stomach flex as he takes his time in doing up the buttons of his shirt, before grabbing his swords and slipping from the room, leaving you to clean up your medical supplies, your bottom lip caught between your teeth.
zoro wonders, just briefly, how it might feel to catch your lips between his own teeth instead.
ink, skin, and bullets.
it’s you who bandages nami’s self-inflicted wounds, you who spends four meticulous hours tattooing over the sawfish curl with a pinwheel spiral that curves into a tangerine’s plumpness. you, who soothes eucalyptus balm over nami’s arm before wrapping it up in a fresh roll of gauze, waving away her hiccupped thanks.
and it’s you, who gets a shotgun pressed into your palms by a stony-faced nojiko as you all prepare to march on arlong park.
“if i can’t go with you… then at least, i can give you the tools,” nojiko says as she wraps your fingers around the butt of the gun.
zoro narrows his eyes as he watches the way your fingers shake as you weigh the shotgun in your palms.
“i don’t like it,” he says.
“yeah, you shouldn’t come with us — we’ll need you to patch us up after,” sanji agrees with a wink, much to zoro’s displeasure.
but you shake your head, a steely light in your eyes as you clutch the shotgun to your chest, “no, i — i want to come. i mean — like luffy said… it’s our fight, after all.”
arlong park.
the flurry of battle is as it always has been. you use the shotgun more as a blunt instrument than as a projectile carrier, but it seems to work just as well. you’re small, and quick, and your knowledge of anatomy (yes, even fishman anatomy) allows you to maneuver the head of the shotgun into the softest, most venerable places on a fishman’s body as you all fight your way through arlong park.
but zoro is never far off, keeping close to you as he fends off the worst of the snarling fishmen, his sword flashing like fish scales in the midday sun.
there comes a moment when he slices an oncoming fishman right through the jugular that you let out a long breath, wincing as the fishman’s body hits the ground with a dull thud, and zoro sighs, turning towards you. but a second later, he freezes as you grab the hilt of his sword and shove it backwards.
he feels it resting against thick, bullet-proof flesh and he hears the loud panting of something next to his ear as he sees in the reflection of your eyes — a fishman standing behind him, frozen against the tip of his blade, the hilt clutched in your shaking, shivering hands.
“d-don’t — i’ll kill you —” you say, your voice a forceful, fractured thing.
zoro searches your eyes before clasping his hands over yours and slowly tugging the sword from your gasp.
“hey…” he says, deliberately drawing your gaze away from the fishman before he jerks his sword back and feels, with a satisfying shink, the weight of the blade sinking into unforgiving flesh. he feels your fingers trembling beneath his as he pulls the sword away, and the fishman behind him sinks to his knees before falling sideways with the dull thunk of a no longer animate body.
you try to tug away, but zoro holds you steady, running his thumb in soothing circles along the backs of your hands.
“s-sorry — i — i couldn’t —”
zoro shakes his head, pulling you up by your elbow.
“it’s okay — don’t apologize.” he whips his swords around and catches another fishman in the stomach, dropping him with a flicker of silver and a splash of red.
“you never have to apologize…” he says, as he reaches for your hands and curls them in the warmth of his own, callused palms.
finding neverland.
you kiss for the first time after a brutal battle. after the deck has been washed of blood and the railings have been hung with the remnants of the tattered sails.
repairs are much needed, but zoro had saved you yet again. you pull him to you in the darkness of the midnight deck, the crow’s nest empty because, well, he’s supposed to be up there, keeping watch. but you’d caught him instead, curling your fingers into the soft linen of his shirt, your mouth seeking out his in the relative dark.
“mnph —”
he grunts as his hands find purchase against your shoulders, pressing you back and back and back, till you’re pushed flush against the thick totem of the main mast, and your panting breaths are all he can taste against his desperate lips.
“s-sorry…” you let out a helpless laugh as he pushes forward, his teeth clacking against yours.
“quit that,” he says, his voice nothing more than a panting breath on the open sea air.
“hm?” you blink, lashes fluttering in the moonless night, your lips kiss-swollen and delectable even as zoro forces himself to pull back, studying you with an accusatory eye.
“you’re always saying sorry,” he says as he brushes a strand of hair from your cheek. above you, the main sail whoomps, catching an evening wind.
“i’m not… i don’t…” you look away, embarrassed to be caught. zoro reaches down to grab your chin, forcing your head back towards him.
“yeah, you do,” he says, his voice gentle, even as he cups your cheek.
“you don’t ever, ever, have to apologize for just... being you. got it?” and there’s a burning ember in the spark of his voice as he twists your face up towards him, his lips hot and hungry as he brands you with this promise, and you’re powerless to do else but accept it.
you find your fingers in the short hairs at the nape of his neck, his breath cascading over your lips even as you press in close, close, closer. a helpless whine twists its way up the back of your throat as zoro hoists you up, his fingers digging into the plush of your thighs.
“z-zoro… please,” there’s something broken in the tenor of your voice that breaks him more completely than he has the words to describe, so he settles for holding you tighter over his hips and carrying you to his room. it takes a bit of finagling to get you comfortably situated in his hanging bed, but once he does, he can’t help the soft sigh that escapes him as he looks over the length of your body.
from your pink-flushed cheeks to the loose, crumpled material of your button up shirt, all the way down to the hem of your skirt as it brushes up along the skin of your thighs. he leans own to press an indulgent kiss into the dip of your collarbone.
“'please' though… i like a little bit more,” he says, reaching down to pop the top button of your shirt, to revel in the way you hiccup as he teases a line down your chest, his lips following his fingers as he undoes your buttons one by one.
“i — ah —” your fingers curl into the soft moss of his hair and he groans, long and lush into the creamy expanse of skin above the waist of your miniskirt.
“again…” zoro says, whispering the word against you, tugging on the elastic of your skirt, pulling them down the length of your legs.
“z-zoro, please!”
your head tips back as you feel his tongue flick over the hot button of your clit, his fingers digging into your hips, the pads of his forefingers tracing gentle circles around your hip bones as he holds you to his mouth and moans.
there’s a fumbling of fingers and a clashing of teeth as he wrenches himself up from between your legs to mouth at your lips. you taste yourself on his tongue and shiver at the indecency. still, the coals of desire burn in the pit of your stomach as his fingers press into your spit-slicked folds and you feel your whole body arch up in response.
he has always been quiet, but none more so than when he’s working three digits into your fluttering core, his eyes dark and fixed as they watch his own fingers pull out of you and push back in, slick and shiny with the evidence of your arousal.
“fuck…” he whispers the word like a prayer, slipping passed his lips like some holy thing. you can hear the near reverence in his voice as he slowly removes his hand and presses them to his lips for a taste. the lewdness of it makes the hot coil in the pit of your stomach twist all the tighter. and this time, when he drags himself up the length of your body to kiss you, you whine against his mouth, tasting your own tang on the heat of his tongue.
“ngh — fuck —!” you echo, as he flips onto his back and tugs you over his hips in one, fluid moment, his palms helping you grind your sodden folds over the length of his cock, the friction all-consuming and dizzying. a thin string of arousal connecting the tip of his cock to the seam of your cunt and zoro is helpless to do much else but moan thickly at the sight.
“shit.”
you whimper softly as he teases at your entrance, your palms splayed against his chest for support, your thighs shaking on either side of his hips as he eases you down inch by slow, excruciating inch, ontohis thick, throbbing cock. you toss your head back as he pushes into you, the fit of him fiery-tight and stretching you in ways you’d never thought was possible.
you feel him pulsing against your walls, and you wish briefly that you could’ve tasted him as he’d tasted you, before he sheathed himself inside you. how would he taste, you wondered, and you feel your mouth water at the thought of his heavy, salty weight on your tongue.
“n-ngh!” your voice cracks as he rocks his hips experimentally against yours, the drag of him inside you driving you to near incoherence.
“good girl,” he whispers, the words falling from him like second nature. you keen beneath his praise, bracing yourself as he plants his feet on the bed and jack hammers up into you, his stomach tensing in deep breaths of tight, sinewy muscle, his arms flexing as he helps you rock down above him.
“pretty… fucking… girl…” he intersperses his heavy groans of pleasure with soft exclamations, fucking you now to the light, rhythmic rocking of the ship, even though there’s nothing light about the way his cock bullies it’s way into your cunt again and again, forcing you to clamp down around him on each and every thrust.
there’s nothing gentle about the way he digs his nails into the flushed skin of your hips, how he leans up to latch his greedy mouth onto one of your pert nipples, moaning as he savors in the way you arch against him, pushing your chest more fully into his mouth.
“r-right — right there —”
“yeah?” he asks, half-smirking as he looks up at you, his warm gaze betraying the hard, teasing edge behind his voice, “where do you want me?”
you keen, whining as you drag your hands down your own body to press against your stomach, grabbing his hand to push it against you as well, his palm hot and flat as it lays along your tummy.
“r-right here —”
“fuck — that’s right —” he jerks up into you, burying his face in your chest with a clipped moan as he quickens his pace, his one hand pressing against your stomach as you feel him pushing up farther into you than you’d ever imagined possible.
the pleasure is intense, an other-worldly feeling as he finally pushes you over the edge, his hips stuttering as he feels you clench around him, your arms winding around his torso, to act as both tether and tide as he holds you to him, grounding you to this feeling while simultaneously casting you against the rough edges of this most selfless and selfish pleasure.
“h-holy… fuck me…” you breathe out, clutching at zoro’s back, digging ruddy red grooves into his shoulder blades as he rolls over to fucks down into you, relentless in his chase of his own climax, groaning deep and throaty as he finally spills into you.
you hiss as you feel the heat of him pooling inside. and it’s not till a few minutes later that he picks his head up from where his face had been buried in your neck to shoot you a wide, lopsided grin.
“yeah, pretty sure that’s what i just did,” he says, rolling onto his side and letting out a deep, soul-steadying breath.
you roll your eyes before turning to look at him, only to find him watching you with a gentle, anchoring softness. and like this, it’s hard to see him as the battle-hardened warrior. like this, it’s hard to imagine that he’d ever made such a promise as to become the greatest swordsman in the whole, entire world.
like this, he just looks like a lovestruck boy, forced to grow up much too soon, searching for any remnants of pleasure he might have left to hold on to.
an irony of hands.
it’s never easy, the night after enemy raids, the deck pooling with bodies and blood, the sea the color of a scabbing wound, flotsam and jetsam like bloated body parts floating on the dark, inky waves.
you’re helping usopp push some of the dead bodies overboard, but then you find one man with three deep gashes on his torso and blood bubbling on his lips.
“… gonna… gonna report — never… escape…”
you nearly yell as you see the tiny den den mushi in his hands, his fingers quivering as he tries to dial the emergency line. you smack it from his hand and press your tiny, surgeon’s scalpel to his throat. it’s sweet, polished silver gleams wicked beneath the moonless night.
“don’t you fucking dare,” you say, even though your voice shakes, and there are perhaps a million other ways of taking care of him more easily. but you know that if you throw him overboard now, he’d bob, half-drowning and helpless, for a few hours, or maybe even days before he’d finally succumb to the terrible, patient drag of the ocean (and most likely, dehydration).
“no,” a voice says, steady and firm, as a long, rough-fingered hands enter your vision and carefully tug your hands way from the man’s throat.
you look up to find zoro, his hand still clutched around yours, an unspoken sweetness flickering behind his eyes.
“i — if we toss him over — he'll just —” you swallow thickly, tearing your gaze away from zoro’s face as his expression shifts into something of the unreadable and soft. you hate to let him see you like this, so hesitant, so incompetent.
“let me do it,” zoro says, giving your hands a light shove before, with one swift arc of his blade, he severs the man’s carotid, leaving him slumped and bleeding on the blood-stained deck.
“oh… oh god…” you press your shaking fingers to your lips, the silver scalpel falling with a loud clatter.
“c’mere,” zoro says, tugging you up and leading you down to the hallway below decks. he slows as the pair of you enter the darkest part of the hallway, and he turns to hold you at arms length, his fingers tight on your arms as you feel his eyes scanning you over, and over, and over.
“you’re not hurt?” he asks, voice quiet and clipped.
“no,” you shake your head.
“not even a little?”
you shake your head again, pursing your lips this time to keep the sob from pouring through.
still, he sees it, and he pulls you to him, cradling your head in his large, warm palm, the other arm wrapping around your middle.
“stupid girl,” he murmurs, light, into your cheek even as you let out a bitten off sob against his chest.
you hiccup, curling your fingers into the material of his shirt, "i — i couldn’t do it,” you say, squeezing your eyes as he holds you to him and lets you cry.
“i — i couldn’t kill him.”
zoro sighs, pulling back to smooth a hand over your hair, bringing it down to cup your now tear-stained cheek.
“yeah, i know. but that’s not what your hands are made for,” he says, letting his own hands trail down and down and down, till he’s got both of your palms cupped in his like a wishbone.
“don’t you get it?” he asks, staring down at your palms, upturned against his, “these hands were never made for taking lives…” he looks up, his eyes too bright in this borrowed darkness. and then, he smiles.
“they were made for saving lives instead.”
confessions, part i.
you stare at him for a full ten seconds before letting your body fall laxed into a soft, bubbling fit of champagne-colored laughter.
“i love you,” you say, the words tumbling from you, more truth than any story or poem or legend or myth either of you have ever heard.
“i love you, zoro,” you say again, tasting the words on your tongue like fireworks, like pop-rock candies, like the first, stinging breath of autumn after the hazy veil of summer has finally lifted. and slowly, in the clarity and truth of your declaration, you think you can see his lips as they lift up in an open-heart smile, as he too tastes the words you’ve just so recently mustered the courage to say.
confessions, part ii.
zoro stares back, and or a long moment, he doesn’t say anything. then, for too long. and you think you’d made a mistake, telling him how you feel. but then, he smiles — a true smile, a smile that lights up his face and erases all the grooves and lines that should’ve been worn there by the weathers and weights of hardship.
and still, listening to your words, he smiles — a smile that makes him nothing short of incandescent.
he nods, squeezing your hands in his.
“i love you too.”
false start (redux).
every story as a beginning, a middle, and an end. though not necessarily in that order. and, looking back, roronoa zoro knows that if he had to pick, his story probably begins here — at the ripe age of eight, in a doujou nestled next to a forest that always smelled of cedar and moss and freshly turned earth.
it probably starts with an endless parade of sword practice and sparring, of warm up laps and cool down stretches.
its true — it could be said that his story starts with kuina, the doujou sensei’s blue-haired daughter, who was better at swordcraft than zoro thought he ever might be. and to some, this is a good enough kind of beginning to latch on to.
but no, zoro knows, because he knows himself now, and he knows that stories, just like swordsmanship, is an art that requires a certain amount of tempering. a certain degree of trimming and tailoring. a certain kind of articulation.
so he’s certain that it starts here, when he’d seen you for the very first time. and it’s true, you’d seemed like nothing special then, just another quiet little girl who’d been forced into the doujou by some faceless set of rigid, expectant parents, and you’d worked just as hard as you could have, given your natural inclination for anything but sword play.
he’d known that you’d never be great shakes at swordsmanship, but still, he’d found himself drawn by and to you, as a magnet would a compass rose, as one might find their destiny, or their soulmate. he had found his eyes tracking you whenever you weren’t looking, found himself watching as you’d patter around after sparring practice to ask everyone how they were feeling, to dig your tiny fingers (strong and dexterous as they already were) into a knot here, an aching muscle there, a pinched nerve that might’ve been really bad if not found here, and left to fester in that vast, horrible elsewhere.
but he’d been a shy, quiet, kind of boy, absorbed by his sport. and kuina’s skill was more than enough for one growing, teenage boy to contend with without worrying about the strange attraction he had towards perhaps the least “swordsy” person in the entire class. and so, he’d never plucked up the courage to talk to you, never questioned when you’d kept away from his side of the classroom after sparring practice, when all the other girls would flutter around him like a flock of unwelcome pigeons, asking if he wanted to be their stretching partner.
then, the morning came when shimotsuki-sensei had informed him in not so many words that kuina was gone. and the funeral had slipped by in a hazy blur of bodies and incense, and the next thing he knew, he was holding the wadou ichimonji, and sensei was saying something about keeping kuina’s dream alive.
he’d seen you flit from the funeral march of black-clad children, shadow-dark and raven-quick, right off into the thicket of trees. and he’d followed you, because he couldn’t think of a place he’d like to be less than back in that suffocating practice room with all his fellow classmates, half of them casting him curious looks, the other half avoiding his gaze like the literal plague.
he’d followed you to the clearing, and watched as you’d sprinted, screaming around the field of tiny, white-petaled flowers until you slumped down, panting with your face upturned to a sea-breeze sky. he caught himself before he could burst out laughing (or crying, he wasn’t quite sure which he wanted to do more at that moment), and he’d forced himself to sit still behind the trunk of a large tree and watch as you pushed yourself up. the light of the dying sun washed your figure in a great, dream-like ream of orange and gold.
then, just as it seemed like you were going to head back, he spotted you spot the injured fawn, curled into the gnarled roots of a sapling cypress tree. and he’d watched still as you slowly approached the creature with a handful of peanuts before distracting it and crack — he’d heard it clear across the clearing — the sound of a bone being set back into place.
the fawn had screeched and bolted to it’s feet.
but you were just as fearless as you always were, holding out your palm with more peanuts, and zoro had watched, with a mounting fascination coiling in the base of his stomach, as the fawn dug its nose into the palm of your hand.
he’d seen the brilliance behind your eyes, heard the bell-toll sound of your soft, everlasting laughter.
and he vowed, then and there, to become the greatest swordsman he could be, the greatest swordsman in the world, if only to protect you from those who might hurt you. from those who might threaten to take away the light — the life — that thrummed, ever present, in the palms of your very own hands.
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a/n: i know, i know, there was an authors note before. but i feel like i can explain this better now that you've read the fic -- to me, the story of "butterfly lovers" is and always has been as story of someone pretending to be someone they're not, right? so in that sense, you/reader was just trying to fit into a mold that wasn't quite made for her before discovering her true calling as a doctor. and the fluff and romance was that, unbeknownst to her, zoro's known that this entire fucking time. u__u anyways. i hope you enjoyed. bless up and simp zoro, fam.
opla!zoro requests are open!
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spockandawe · 1 year
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Here we go! I have some smaller books to share as well, but I've been absolutely VIBRATING with excitement to share a BIG one, and I'm going to indulge myself and post that today, then figure out words for the rest. Because I bound a new cnovel. Check it out, guys, I bound jwqs/clear and muddy loss of love :D
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Let me indulge myself and backtrack a little! First, these are quarto books, so they're short. But I think these average a little under 500 pages each, and jwqs is a LONG book (my beloved), and this adds up to a total eleven inches of lesbians. More like twelve once they're in their cases. It's over a million characters in Chinese and I think the English translation comes in somewhere around 890k, it's HUGE
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Making these books was SO FUN, I hadn't read jwqs and still haven't, and will probably read on my phone when I do. I don't have any exciting photos of the typesetting, but I knew this was an imperial succession story, and that made me nervous, those stories don't always click for me. Well, the process of typesetting and adding footnotes for this beast definitely confirmed that I'm going to have a good time with this thing when I have the time to read it, but there was also so much going on that only the vaguest of spoilers sank in. I went into an absolute FRENZY of typesetting, and after I printed, cut and folded it, well. That was one afternoon of sewing. You're looking at the reason I'm scrambling to make up a few hours of missed work, hahaha
After that, I needed cases. At the very beginning of march, I received a shipment of some FASCINATING bookcloth. It's called Duo, and it's made by layering a thin gauzy fabric of one color over paper of a different color. Depending on the combos, you get a really cool range of color-shifting effects. And they've gone out of production! But I was part of a group order to get some of the goods, and hadn't yet finished a new project. Reader, I went for it.
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That purple and green is bananas!!!! It's so hard to photograph, this midnight picture of a few cases is one of my most successful attempts to capture the full range up close. Originally I'd been thinking of trying to evoke imperial gold, but I figured this was still the kind of drama and luxury suited the book, and also something something the hidden colors suited Qi Yan's character. I tied it back a little to the imperial gold with the endpapers, then titled them in silver foil, since the endpapers had silver in them.
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But once the books were made, I felt like it wanted something... more. Something like a BOX!
And me, I chase novelty. A set this large would be tricky for anything clamshell, but a slipcase for all seven would leave books tipping all over if it was wide open, but putting walls between slots would be demanding in terms of precision and would risk similarly-sized books getting stuck in the wrong slots. Then I remembered learning about slipcases where you could put in a little insert to support the weight of the text block, and the concept SNAPPED into place.
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Colors aren't going to photograph well at midnight, but I made the supports using the scraps and off-cuts from my endpapers, to tie it back into the bindings. The back of the case is lined in more of the duo, and the walls are lined with a faux leather bookcloth I like a lot, it feels buttery smooth and seemed like a good neutral material to tie the papers and bookcloth together. I listened to some of the DEEPEST layers from the nine-hour conspiracy theory iceberg video while I was working on this, haha, it was a TRIP.
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And in the end, each of the supports is sized to comfortably sit in the smallest of the volumes, and evenly spaced, so I believe it will take the books in any order with no problems. It's easy to grab the books without having to cut notches into the walls to grab them from. And even though weight is less of an issue for quarto sizing, the books in here have their weight supported no matter what angle the box is at! I'm so, so pleased with how this concept worked out and definitely plan to do more with it in the future.
So there we are! Jing Wei Qing Shang! I had such a fabulous time with this project, and I'm so excited to get to share it with all of you. The story was fun to work with, the bindings and box were fun to make, and everything here came together just as well as I could possibly have hoped. I'm so proud of this, and incredibly, incredibly excited to show it to you!
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