This concept has been microwaving in my brain for so long— Sharkboy and Lavagirl but what if they were anticapitalist Polynesian demigods fighting big resort corps. Character bios below for anyone who’s interested!
🦈
Akamu is the son of Filipino marine biologist Joseph Ambong and Ka'ahupahau, the shark goddess of Pu’uloa. Raised by his grandmother after his father’s disappearance, Akamu is a PhD student working to protect marine macroecosystems. He’s professional and aloof at first glance, but only those closest to him know how reckless he truly is. He tries to act cool but he’s a bit childish and has a soft side for puns. He also has a cringe obsession with Jason Momoa.
His mana was inherited from his mother and gives him supernatural strength, speed, senses, and the ability to talk to animals. His demigod form is more natural so he takes time at night to let loose in secluded coves. After some slip ups, he’s accidentally started rumors about a horror cryptid named the Sharkman. He’s very proud of it, though Keahi scolds him to keep a low profile.
🌋
Keahi is the 140 year old reincarnation of the volcano goddess Pele. When she was ten, her village was raided during the overthrow of Queen Liliʻuokalani in 1893. She was tossed into the ocean and lay buried in her demigod form until Akamu found her in 2010. She awoke with amnesia. She stayed with the Ambongs for a couple years and became close friends with Akamu. After Joseph Ambong disappeared, she bounced around the foster care system both on and off the islands. Her powers manifested uncontrollably during this time, resulting in several arson charges.
After a tough few years, she returned to the islands to work, regain her memories, and reunite with her childhood friend. She still doesn’t remember everything, but she’s trying to enjoy her life a little at a time. Keahi is a peacemaker with a strong appreciation for the natural world. She has a cheerful disposition and comes off as naive sometimes, but deep down she carries the kind of wisdom that’s built from pain. She doesn’t like talking about her past.
Unlike Akamu, her mana was transferred directly from the soul of a goddess, making her essentially immortal. In a thousand years she will become the living embodiment of young underwater volcanoes and new islands. For now, she’s just trying to appreciate living a mortal life (and taking down some greedy tourist economies in the meantime).
I’m open to asks about these characters! I think about them. Every day.
95 notes
·
View notes
Ah... so at the beginning of winter break since I was sick and tired having having to draw stuff I didn't really want to at school, I drew and crocheted a bunch and ended up burning myself out. I was probably already burned out going into it so that didn't really help either. I recently got a bit of motivation back so here's some doodles! >:]
The first one was one I did randomly the second one was more intentionally doodle practice if you will.
Also it turns out doing quick imperfect doodles and experimentation can be really refreshing! At school we've really been hammering in realism which is fine, but doing it over and over again for months making sure everything is perfect contently with little room for creativity is exhausting. I'm actually kind of excited for the typography unit for whenever we get to it bc it's something other than realism! So yeah ig the moral of the story is doodle every once in a awhile tee hee.
24 notes
·
View notes
Do you ever wonder what people do with the adoptables after they're sold?
they have fun with them, id hope! sometimes buyers will talk to me about how the adopt joins some specific oc world or a dnd campaign and i find it really wholesome
16 notes
·
View notes
kinda neat how media can be used as a jumping off point to learn about new things. there are the obvious things like documentaries, but then there are all sorts of other things. when 'hamilton' first got big, you ended up with people learning about aaron burr and the new york water system and various trivia from usa history around that era which wasn't even featured in the musical itself.
when 'mr bates vs the post office' came out recently over here (UK), a whole lot of people were able to appreciate the impact the whole horizon/post office affair had on its victims. sure, the story has been in the news for a few years now, but it's the first time it's been a story actively discussed in daily life. and people learning more about it has actively pushed the government to consider speeding up compensation or mass exonerations.
and even aside from these obvious instances, there are a lot that don't tell you up front and you realise as you're watching. when shows and films and books reference real life events through the veneer of fiction. suzume, referencing the tohoku earthquake of 2011 (something I imagine pretty much every japanese citizen is aware of - suzume's own age is very deliberate in how she lost her mother to the quake. she was very young at the time it happened, but it still had a huge impact on her and many others). link click, referencing the 2008 sichuan earthquake (and deliberately having the arc revolve around school-age children in a run-down old building when irl one of the reasons the casualties were so high was because of poor construction of school buildings). various kdramas referencing generational SK disasters: imf financial crisis (explored in 'reborn rich', but I imagine many other shows), sampoong department store collapse (referenced in 'move to heaven', but again, once I knew the history, it made a lot of sense why so many corrupt villains in kdramas were specifically involved in construction).
it's a mix of how, if you know the events being referenced, they'll impact you more. but if you don't know the events, then it gives you a reason to learn. I personally had very very vague memories of the 2008 earthquake, just in terms of some clips on the news at the time. I had no idea about the various factors that made the disaster so much worse until I realised what was being referenced when watching the show and decided to read up on it.
I have somewhat conflicted feelings on how fictional (or dramatised in the case of mr bates) media approaches specifically *disasters*, as opposed to other historical events, but I think the shows I've mentioned here at least take a victim-first approach.
13 notes
·
View notes