Do you have any SDV hot takes?
Boy do I ever Anon! Thank you for giving me the chance to get on my soapbox about this.
Shane doesn't relapse when he is happily married to the Farmer. The popular "relapse" interpretation is based on faulty assumptions about what substance abuse recovery is supposed to look like and flat-out misreadings of the text of the game.
Shane doesn't "start" drinking again: he never stops, just reduces the amount he drinks. (Unless we are supposed to interpret the phrase "cut back" in the 7 Heart Event as meaning "quit” or "gave up” for some reason. Or if we ignore the new 1.6 dialogue about him drinking less after his 6 Heart event.)
Shane's mess is not a consequence of uncontrolled drinking, but a consequence of his depression and possible under-managed ADHD. His room at Marnie's remains exactly as messy when he's in recovery as it is when he's spiraling, so the drinking has no effect on his cleanliness.
”Okay,” you might say, “but he still shouldn’t drink, and he should pick up his room.” And sure, yeah. Ideally we should all do the same. But that’s not always a fair or realistic expectation for everyone. Not everyone can quit their addictions or bad habits cold turkey. Not everyone is going to be the model citizen. That doesn’t mean they can’t live happy lives. That doesn’t mean they don’t have value. That doesn’t mean Shane doesn’t have value.
So instead of complaining about the ways that Shane fails to measure up to typical adult standards, it may be more productive to ask: is he happy? Is he doing okay? By any reasonable measure, a married Shane is living his best possible life. He‘s surprised and delighted to be your trophy husband. He doesn’t have to worry about taking a soul-sucking job or struggling with unemployment. His drinking isn’t causing him any problems, and if he can’t keep his personal space clean, at least he doesn’t let his mess spread to the rest of the house. He has his own little coop for Charlie and it’s just adorable to watch him bounce her up and down. He actually makes time for Jas.
I am not requiring everyone to love Shane the way he is written, or to make space in their farmhouse for him. But please, have realistic expectations for the character that exists. And do make friends with him. He gives you an OP recipe and access to blue chickens!
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this is kind of obscure but like. Now that I have comics out in the world and people are starting to see my storywriting, I feel like I have a little more confidence in myself and the sensitive-but-serious stories that I want to tell.
And it just bothers me sometimes that the same people who enjoy my storytelling-- and tell me that i'm very conscientious and aware and delicate with the subjects i'm breeching-- also turn around and tell me i'm too critical of other media. Like… lmao. Why do you think my stories come across so thoughtful? Have you considered that you enjoy them because I'm fucking aware and careful? And I think a lot about the media climate that we live in? That I write stories because I want to see something different?
Like don't just take in my content without a second thought of all the shit i think about behind the scenes to make my storylines as careful and sympathetic as possible
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every time rwby stuff gets recommended to me i remember how fucking obnoxious i find it that that fandom has quarantined off all criticism into its own tag. i’m so happy rvb is a hater fandom and we put all our grievances in the main tag i think i’d die otherwise
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This interaction would have Never happened at the beginning of the comic but now look where we are! They’re being honest about how they feel and what they think! Jekyll is admitting that he never would have left Lanyon! Lanyon is admitting that he was jealous of the women that Jekyll flirted with!
They’ve come so far since their first interaction in chapter 3 and their character development both alone and together is just beautiful ✨ It’s so awesome to see characters written in such a realistic and endearing way
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A.J Pollard’s biography on Edward IV was so cringe lol (generic; minor but frustrating inaccuracies; intensely judgmental at times and oddly dismissive at others while never considering the broader context; entirely diminished and trivialized Elizabeth Woodville as both queen and wife of his main subject in the name of "defending" her; created a false dichotomy between Edward and Henry VII’s styles of ruling and lauded the latter at the former’s expense even though Henry literally followed Edward’s example for the very things Pollard was criticizing Edward for; had a downright nonsensical and thoroughly misleading conclusion about Edward’s legacy & Richard’s usurpation that was based entirely on hindsight, Pollard's own assumptions, and the complete downplaying Richard’s agency and actions to emphasize what Pollard wrongly and misleadingly claimed were Edward's so-called 'failings', etc, etc)
I wanted to buy his book on Henry V but after reading this shitshow and the synopsis of that book, im guessing it's going to be 10x worse, so...no thanks
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mha is like an estranged awkward father to me. i try not to make my connection to it obvious but i secretly care a lot about it (sometimes against what i desire) and when ppl talk serious shit about it i get defensive. like yea i understand that it's not the best series writing-wise, it's got a good amount of problems and that its mere connection to me makes me cringefail ... but i'll always find some sort of unexplainable comfort in its arms despite its flaws bc there's still a good amount of it to genuinely enjoy without a constantly ironic state of mind that all media must be critiqued with nowadays and i don't expect anyone to understand this odd relationship but myself
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I don’t know who needs to hear this…but being a critic and being an asshole aren’t the same thing. You can think a media has flaws without being mean about it. People who put energy and passion into something harmless shouldn’t be punished for that. To everyone treating the internet like it’s middle school and it’s cool to bully the kid who is excited about something…just shut up.
Wanting something to fail just because you don’t like it is self-centered and sad. The world is bigger than that. There are bigger issues than you hating something someone worked hard on to try and bring a little bit of excitement and happiness to people.
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Something that's quite strange to me as a danmei fan is how angry people get about people liking "bad characters" who do problematic things when.... that's part of the appeal of a lot of web novels for me? Like, yes, this character committed an unforgivable sin or did something terrible, but they still have to exist. They still have to put one foot in front of the other, and possibly more importantly, they're more than the bad thing they did. They do more than that bad thing. These are "real people" who make real mistakes, but they have to keep living anyway - those kind of stories are my favorite, and I would rather have an interesting problematic character than a boring good one.
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an interesting (unpopular? i think?) soukoku opinion i have is i don't think dazai was oblivious to his feelings towards chuuya, like ever. i understand WHY people interpret dazai as having trouble identifying and reckoning with his emotions; i'm not knocking it! there's plenty of evidence to suggest that and also i think it fits with his actions. HOWEVER. for me dazai is the most fun when he's deliberately suppressing and neglecting his own feelings.
dazai realizes at the tender age of like 15 that he's at least infatuated with chuuya, and his first instinct is "well how do i compartmentalize that. how do i make sure this doesn't interfere with my plans and our job at the mafia." and then he compromises with his emotions by keeping chuuya close but not allowing himself to seem too affectionate or "trick" chuuya into liking him back. i think this version of dazai is most compelling to me because then the struggle isn't "get blockhead dazai to realize he's in/can love" its "get blockhead dazai to realize he's allowed to indulge in love" which is much more fun, especially when you have seven (or even more, i don't think this mindset would be limited to chuuya) years worth of distancing himself from his own emotions to contend with.
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I kinda wish (no pun intended) that people would stop getting on disney's case for being "safe"
I don't care if a movie is "safe". My bed is safe. Drawing is "safe" because it's something I know I'm good at. Singing alone in the shower but not wanting to be a performer is "safe". There's nothing intrinsically wrong with "safe" as long as you're trying to genuinely make something good.
Society has gotten so obsessed with the idea that everything has to be groundbreaking that we forget humans and technology both have limits, that every story has been told before in other ways and other patterns, and that excellence and groundbreaking-ness only exist when surrounded by "average" content. I'd prefer that average be "watchably good" over "completely awful".
I don't care if something is considered "average" or "safe" because society has the attention span of a squirrel now and needs something new every other second to get any serotonin out of something. I'll take a little formulaic, a little predictable, if characters or a world or a story have enough care and new-ness in them, by virtue of the fact that every story is just clichés arranged in new orders. I don't think a story should have to be groundbreaking to be good.
Also, Spider-Man: ITSV was dripping with cliché, what made it "groundbreaking" was the artistry and presentation. Take any excellent movie off its pedestal and you have a flawed work of art made by flawed people who run flawed companies. Stop holding art and corporations to standards the individuals they're made of can't meet.
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