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telehxhtrash · 3 years

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On the cultural lore behind the late Hunter Exam Arc and the Testing Gates Arc.

Hi ! Today I want to talk a bit about Togashi’s use of mythology, legends and lore as a way to emphasize the narrative in his story.

It’s no secret that Togashi loves to use details and symbolism in his story, but I think the Testing Gates arc is the one arc that uses this writing technique the most. In only a few chapters, Togashi manages to reference and intertwine 3 different legends to highlight the message in his narrative : Gon’s rescue mission is emphasized by the legend of Orihime & Hikoboshi, the legend of Eurydice & Orpheus, and the legend of Izanami & Izanagi.

As you may know, the early part of Killua’s character arc reflects the Tanabata legend, and it’s reinforced by the fact that his birthday falls on July 7th, the day Tanabata is celebrated. I’m going to link this post that is better written than anything I could ever write on this, so I suggest reading this before reading this post ! I’ll still go over the general details of Tanabata below though.

The legend of Tanabata can be closely paralleled to Killua’s early story arc.

Orihime worked relentlessly for her father and weaved the most beautiful clothes. She was very, very talented and worked very hard for her father.

However, Orihime lamented the fact that because of her job, she couldn’t meet someone and fall in love. All she craved was human connection, and her working for her father kept her from meeting someone and falling in love.

Her father eventually allowed her to meet someone, Hikoboshi, and they instantly fell in love.

But sadly for her father, that meant that Orihime didn’t focus on her job anymore and only focused on appreciating her time with her lover.

In anger, her father decided to separate the two lovers and forbade them to meet. (don’t take this too literally - the Zoldyck family in its entirety represents Orihime’s father)

As you can see, Killua follows Orihime’s story pretty accurately. He used to work for his family as a skilled assassin, the most skilled one in the entire Zoldyck family’s history. However, Killua lamented the fact that because of this, he couldn’t make friends. That’s his primary reason for leaving the Zoldyck Mansion : see if he could make a friend. And then, he met Gon, and it was pretty much love at first sight. The two of them enjoyed their time together, joking around and sticking together most of the time, until the final phase of the Hunter Exam where Illumi forbids Killua from seeing Gon and manipulates him into going back to the Zoldyck Mansion.

This isn’t how the Tanabata legend ends, but this is where the other 2 legends I want to talk about come into play.

Gon, after being passed out for hours as a consequence of his fight with Hanzo, learns about Killua’s fight with his brother and completely flips out. He proceeds to confront Illumi about it directly and asserts that Killua is his friend and that he’ll bring him back no matter what. After this, Leorio, Kurapika and Gon make their way to the Zoldyck Mansion to get Killua back. As they arrive at the Mansion, the tour guide proceeds to explain one of the particularities of the Zoldyck Mansion : there’s a huge gate that can only be opened by brute force. Anyone can enter, as long as they go through this door. And this is where it gets interesting.

The tour guide mentions that this gate is called “黄泉への扉”, yomi he no tobira. The gate to Yomi.

But Tele, why the fuck are you mentioning this, you may ask.

Because 黄泉, Yomi, is the land of the dead. Togashi is expressing that this is the gate to Yomi, the gate to enter the land of the dead : the Zoldyck Mansion. The Zoldyck Mansion is directly compared to Yomi.

In Japanese mythology, Yomi is where all souls go after they die. No matter if you were good or bad, you’ll end up in Yomi. It’s not Heaven, it’s not Hell, it’s just…. A place where you end up rotting forever. It’s described as gloomy and dark, empty and cold. It’s not burning in hellfire, it’s just a place where you just sort of wander aimlessly, empty for the rest of eternity.

And this cold and gloomy, empty atmosphere can directly be correlated to the Zoldyck Mansion. The tour guide mentions that this is the gate to Yomi, because if you enter, you’ll never come back, but this applies more to Killua. Killua is in Yomi right now after a trauma-induced dissociative episode. He was forcefully sent back to the Mansion, and is now being tortured by his family. If Killua stays there, it’s obvious he’ll never come back psychologically from this. He’ll be trapped in this meaningless existence, cold and empty, devoid of any passion. A life his parents chose for him, a life he doesn’t want to live, a life as Zoldyck heir. He’ll be stuck in Yomi, the land of the dead, forever.

But Gon won’t let that happen. He planned this rescue mission because Killua opened up to him about who he wants to be. He doesn’t want to live according to his family’s plans for him anymore, he wants to live a life for himself and be free. And Gon wants to help him achieve that, because he saw the good in Killua. Which is why he insisted he’d rescue Killua himself and will drag him out of the Zoldyck Mansion. He’ll get him out of Yomi.

Which leads us to the story of Izanami and Izanagi. Yomi is commonly known as Izanami’s retreat after her death, so when you hear Yomi, you automatically associate it to Izanami. And there’s an interesting piece of lore when it comes to Yomi and Izanami : Izanagi’s rescue mission. Izanami died a horrible death after being burned giving birth to the fire god Kagutsuchi : she descended to Yomi. However, Izanagi, her husband (and brother but we don’t talk about that) found himself miserable. He missed her terribly and couldn’t live a life without her. That’s why he decided to make the trip to Yomi to get her back. Izanami ended up pleading to the Gods of Yomi to let her go back to Izanagi, and the Gods ended up making her an exception and allowing her to leave.

I’ll spare you the details but the story ends tragically with Izanagi trapping Izanami in Yomi forever, her ruling over it and the both of them pretty much getting divorced.

Anyways. What matters is that when you talk about Yomi, it’s automatically linked to Izanami, and Izanami is automatically linked to Izanagi and his rescue mission. A rescue mission that also happened in HxH. Just like Izanagi, Gon decided to take the trip to Yomi, as the tour guide said, to rescue Killua from eternal damnation and be reunited with him once again.

Additionally and still in the spirit of the Yomi lore, the etymology of Yomi (黄泉) is uncertain, but it is theorized that it could come from 山, yama, meaning mountain. Izanami was buried in the mountains and Yomi was thought to be located in the mountains in ancient society, which is leading me to believe this could be the reason why the Zoldyck Estate has a mountain. So it could simply be because the Zoldyck Mansion is referred to as Yomi, and Yomi was thought to be in the mountains : hence the Zoldycks living on a mountain, fitting the Yomi lore perfectly.

There’s one last interesting thing about Yomi. Since Yomi is not Hell, it’s not where peoples’ souls go to get punished but more of a place of eternal wander, it’s oftentimes related to the Greek Underworld also known as Hades. So usually, when japanese media refers to something as Yomi, translators choose to go with “Hades”, which is the translation choice Viz made here.

So by insinuating the Zoldyck Mansion is considered as Yomi, it also connects it to the Greek Underworld, since the two are deeply connected. And interestingly enough, the first thing that pops into my head when I think of the Underworld is Orpheus and Eurydice’s story.

Orpheus and Eurydice fell in love at first sight, and enjoyed all their living moments together, however, this provoked the jealousy of one man who despised Orpheus and desired Eurydice for himself. After multiple events including a chase through the woods, Eurydice got bit by a deadly snake and died, leaving Orpheus heartbroken and alone. He couldn’t do anything but grieve and he lost his will to live without his beloved. That’s when he decided to take a trip to the Underworld in an attempt to get Eurydice back. Orpheus, armed with his lyre and his voice, was pretty much protected by the Gods as he walked through the Underworld and sang his song of love to anyone who would listen. His song and story brought tears to Hades and Persephone’s eyes, and Hades eventually accepted to make a deal with Orpheus : Eurydice has to follow him and he must not look back under any circumstance as long as they’re in the Underworld, or she will be sent back there forever.

I’ll once again spare you the depressing details, but basically, Orpheus turned back because he couldn’t bear to not look at his beloved anymore, they got separated again and Orpheus ended up grieving his entire life, ending up being killed because of it.

So once again, here, there are similarities between Gon and Killua and Orpheus and Eurydice. Falling in love at first sight ; Illumi despising Gon and wanting Killua for himself and his family, thus ending up causing a separation and sending Killua to the Zoldyck Mansion ; Gon deciding to get Killua back. And for this one, there’s one interesting thing, and I thank @gallyl very much for telling me this, but it’s very important to note that Orpheus got Eurydice back because he sang songs of love and proved his devotion to Eurydice. Gon did the exact same thing. During those 7 chapters where Gon rescues Killua, the word friend is highlighted 7 times.

Gon, and therefore Togashi, makes it a point to emphasize that his rescue mission is solely based on his love for Killua. He’s doing it out of devotion and care for him. Just like Orpheus rescued Eurydice with his song of love and brought tears to everyone’s eyes, Gon managed to go through every hardship he faced by highlighting that Killua is his friend. That’s how he managed to convince Zebro to let him train to pass the gates, that’s how he got to Gotoh and to Canary, and eventually to Silva. Because he kept on saying that he’s doing this because of his love for Killua, which eventually softened all of these people and made them get on board with his rescue mission.

Another parallel is the fact that Hades strikes a deal with Orpheus with a condition, and should the condition be broken, Eurydice will return to the Underworld. Here, it’s slightly different but still under the same spirit. Silva strikes a deal with Killua, making him promise to never betray his friend, and that if he does… he will be unworthy of his friends and will have to return home.

There are also a few other references to the Underworld in the way Togashi portrays the Zoldyck Mansion and Silva and Kikyo, but I won’t get into it too much for fear of not being too objective and reaching, so I’ll just go over one. The Greek Underworld is kept by Cerberus, a gigantic 3 headed dog. And while Togashi didn’t make Mike a 3-headed dog, he did include 3 different dogs as gatekeepers of the Zoldyck Mansion, thus keeping a connection to the Cerberus lore.

So by making one random character talk about Yomi, the japanese underworld, Togashi calls back to those two myths : the japanese myth of Izanami and Izanagi and the greek myth of Orpheus and Eurydice. Togashi put imagery for both of these legends to emphasize that they are connected to the story, and as a way to further highlight the narrative of someone rescuing someone they deeply care about.

I never finished talking about Orihime and Hikoboshi’s story, so I’ll do it now! After being forbidden to meet, Orihime pleaded for her father to let her see Hikoboshi again, until he finally agreed to let them reunite on the 7th day of the 7th month. However, when they reunited for the first time, there was no bridge to cross for them to be able to meet. That’s when a flock of magpies came and promised to help the lovers reunite, creating a bridge between the two of them, and allowing them to finally reunite.

This is once again reminiscent of the Testing Gates arc. Killua asked his dad to be able to see Gon again, until he finally accepted. However, Gon found that it was hard to cross the metaphorical bridge that are all the hardships of the Zoldyck Mansion, until a bird finally helped him : Canary. Canaries are birds that symbolize happiness, freedom and that spread joy. On top of that, I could even reach a bit and highlight that magpies, the birds that reunited Orihime and Hikoboshi are mostly recognizable by their long black tail. Canary and Gotoh, butlers, are the main reason Gon managed to get to Killua, and butlers outfits are characterized with a longer back, reminiscent of a tail, detail that Togashi also put. So it’s easy with that to associate the butlers with the flock of magpie, since they’re the reason Gon managed to get back to Killua.

The Tanabata lore started from the moment we got introduced to Killua’s character up until Killua and Gon finally reunite, and this lore was complemented by 2 other legends that highlight this beautiful narrative of rescuing a loved one.

All 3 of these legends share common themes : they feature lovers who got separated for multiple reasons and one of them pleading to higher forces to let them have their lover back. There’s a common theme of love and devotion that ends up moving the higher forces and lets the person be reunited with their lover at last. All these missions were rescue missions done in the name of love : Orihime pleaded with her father out of love, Orpheus sang his song of love to plead to Hades to let him get Eurydice back, Izanami asked the Gods to let her come back to Izanagi. And Gon begged everyone to let him see his friend. He shouted on top of every rooftop that Killua was his friend and that he’s rescuing him out of love and devotion for him, and that’s exactly what made people help him get Killua back. It’s seeing Gon’s love that made people help him, just like in those legends.

So by giving us references to these legends, by making Gon and Killua follow the same tropes as these myths, Togashi is highlighting the beautiful narrative of Gon’s rescue mission. Togashi is putting little details and symbolism to give his story more depth and make us subconsciously link together a legend about lovers wanting to reunite after being separated, and two legends about people going on a rescue mission to save their loved ones.

Killua’s story follows the Tanabata legend closely, he meets Gon and it’s love at first sight, they are happy together, until they’re separated. Then he gets sent back to the Mansion, Yomi, the Underworld, which prompts Gon to organize a rescue mission out of love, just like Izanagi and Orpheus. It’s thanks to this love that he moved Zebro, Canary, Gotoh and finally Silva, just like Izanami’s pleads moved the Gods and allowed her to (almost) leave, and just like Orpheus’ love songs moved Hades. Finally, they are reunited by a bird, Canary, and a flock of magpies, the butlers, just like in the Tanabata legend. The lovers are reunited at last, after a long rescue mission.

I can already feel the panicked asks, “but Tele, all these tales end tragically, is Killua and Gon’s relationship broken forever? Are they going to die?”. No. HxH is not a retelling of common legends. It’s not accurately and faithfully translating myths into a manga. It’s using cultural references to emphasize some narratives, and here, it’s the narrative of two lovers going against all odds to reunite with each other once again after being separated. I’ll link you to this post by @/buzzykrueger that explained it better than I could, but don’t worry, I can promise you, Togashi will never head this way. HxH is not a retelling of old tales, and he loves to subvert common classical tropes. He already subverted them many, many times in his manga, and I can guarantee you that Killua and Gon will be fine in the end.

Also, yes, I’m referring to Killua and Gon as lovers in this post, because Togashi made the conscious choice to refer to 3 pieces of lore focused on romantic love.

Thank you for reading this ! If you’re interested, I’ll link all my references below! Also, Tumblr hates me and won’t let me appear in tags anymore, so reblogs are very appreciated. Ty for reading!

• On the general legend of Tanabata : here and here

• On Yomi : here and here

• On Izanami & Izanagi : here and here

• On Eurydice and Orpheus : here

#hxh #hxh meta #meta #my meta #killugon #idk why i even bother tagging tumblr hates me #reblogs r very appreciated!!

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cynthiaandsamus · 3 years

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Custom Toonami Block Week 76 Rundown

Code Geass: So we’ve come to this, been kind of avoiding this episode, part of the reason I did the Rebuild marathon last week was to put off this episode for as long as I could. Shirley’s death is fucking bullshit, the whole thing feels like a farce, she dies from trying to help him against someone that wasn’t even trying to kill him just because she triggered Rolo’s Yandere Simulator instincts. It’s a foregone conclusion that Shirley would die at some point, Lelouch is a tragic figure and having him be happy doesn’t really fit his character arc as the martyr that will save the world, like the Zero Requiem would be really fucked up if Shirley was still alive and had to watch Lelouch become Gundam Hitler and then get stabbed. But still the matter of fact nature of her death is so weird, like I feel like a lot of people originally knew this was coming and kind of braced themselves for it but it’s so weird and contrived and sad, Euphy’s death made me cry and this didn’t quite get there but I did get a bit weepy, like fuck this show man, it knows what it’s doing and pulls on the emotional manipulation hard.

Inuyasha: Another filler episode this time around, this one’s pretty funny though with Jaken doing all kinds of Team Rocket-esque hijinks to steal the Tessaiga, it’s some good character building for Jaken and Rin before Rin gets kidnapped leading to the actual canon part of this story and plus there’s a lot of cute fluff with Inuyasha’s group just kinda killing time, like they’re still traveling but they seem to be taking it easy and playing games and shit this time around. Also Kagome definitely saw Inuyasha’s junk in the hot spring so that’s a good reverse on that, we get basically no fanservice for the girls but Inuyasha gets splayed out and spends the climax shirtless so that’s some defying expectations right there.

Yu Yu Hakusho: The Black Black Club arc concludes with Yusuke and Kuwabara vs the Toguros. Honestly this fight does a really great job of subverting expectations since you think it’s going to be two on two but then Younger Toguro basically uses his brother as an Equip Spell Card and it’s essentially one on two. Kuwabara gets his flash of Yukina’s backstory and his Super Saiyan powerup which is pretty standard for how these arcs end but Toguro doesn’t seem that phased by it which is because he isn’t and this is all a ruse and Toguro fakes his loss so Sakyo can win his bet and get rid of Tarukane. The Black Black Club shenanigans have been in the background of this whole arc and spicing up the fights that are otherwise Yusuke and Kuwabara just plowing through mooks so it’s really neat that it ends this way so it can subvert how things are supposed to go and still give us a cool fight, it reminds me of how arcs tend to end in Hunter x Hunter where the climax is often undercut because of outside forces. I think I like this version better though because HxH tends to go for an anticlimax, this is a standard climax but it doesn’t mean what we think it means at first and that’s really kinda cool. Also Kuwabara tells Yukina to not give up on humans and Hiei saves her without telling her he’s his brother cause he thinks she’s better off this way.

Fate Zero: We take a detour from anything of importance to see how Baby Rin is doing, it’s pretty much completely unrelated to anything going on but it is pretty cute and gives some nice character stuff for her that puts her arc from UBW in a new light so that’s nice. Also Kariya shows his face again and reminds us that he’s really the only one who has any good reason for trying to get the Grail amongst all the child murderers, arrogant kids, arrogant adults and general war criminals in this fight. Everyone’s basically “I am a dick, gimme the grail” or “My family’s a dick, gimme the grail to shut them up” and while Kariya is in the latter camp, he’s also doing it to save Sakura and not just “Welp that’s life.” Given that Sakura’s still with the Matous in UBW and no one besides Kiritsugu and Kotomine and Waver are confirmed alive, we probably know how that went.

Konosuba: So the big showdown with the Mobile Fortress is here, I do kinda like how Konosuba peppers mentions of the big bad throughout the arc so it builds the hype when it finally shows up. Everyone gets serious and actually does shit to take down the Wild Wild West Spider Tank, unfortunately it’s not piloted by a racist old man in a wheelchair but a dead guy that didn’t know what the fuck he was doing. For building it on the cheap he sure made it sturdy at least, but Kazuma basically acts as a Mana Dumpster and gives the important people the energy they need to get rid of the core and blow up the carcass. This is Konosuba and our Protagonist is essentially a glorified battery. Also Kazuma’s insane luck betrayed him and threw the core into the Capital so now he’s a war criminal, oops I guess.

Sailor Moon Crystal: So everyone goes to the moon surprisingly easy and fights out from Usagi’s Fortress of Solitude Recording Mom all about how the moon was cool and shit but then everything changed when the humans attacked and the princess was such a little bitch that she gave up right after her man died and the queen had to do all the magic sealing and shit but that also destroyed the kingdom for some reason. Also the Four Kings are formerly Earth Knights also reincarnated like the Sailor Guardians and used to be less dicks and were even the guardians’ boyfriends which feels REALLY forced and even more gross and weird than Usagi’s reincarnation relationship just being told “Hey you love this guy now, you don’t get a say, past life shenanigans decided” and everyone decides that they can’t fight the people they love that they only just remembered so Usagi has to boomerang some bitches in the face and then there’s a four way Solar System Kamehameha to get the Four Kings to fuck off again. Now Beryl’s working on borrowed time since she had to re-brainwash her pawns so she’s gonna brainwash Tuxedo Mask to do it even though he doesn’t have powers and should be less effective than the kings but it’s really dramatic if Usagi has to fight her boyfriend so let’s go with that.

Durarara!!: Reporter Shuuji Niekawa is digging around Ikebukuro to find out about the crazy amount of tough customers the city has. The first half of the episode is the “fuck around” half where he talks to much of the main cast, and then as everyone knows, when you fuck around, that leads to the “find out” half where he is promptly stabbed and becomes a Saika kin and stalks Anri and Shizuo and wants to stab everyone before getting crushed behind a car door by Shizuo while thinking he can finally get his life back on track. RIP Reporter-chan, you fucked around and found out.

#ooc #Toonami #Custom Toonami Block #Code Geass #Inuyasha #Yu Yu Hakusho #Fate Zero #Konosuba #Sailor Moon Crystal #Durarara!!

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neioo · 5 years

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Fanfic Rec! ( • ω • )

Rules I’m constraining myself to: I’ve either had to read the fic more than three times and/or have thought about it years in the future. (This means I’ll have to leave out some other fics I really enjoyed reading and thought were well written)

A bunch of different fandoms will be under the cut! (as I expose what I ship across the board too lol)

We’ll Meet Again by George deValier (usuk) (complete)

This is the first fic of george’s that I read, and I’ve read it multiple times, and it’s been integral in my shaping of characterizations within my own hetalia fics. I could include all of his works, but this one stands out the most. I also listen to the vera verse songs and get extremely nostalgic, so there’s that

WW2 AU. London pub owner Arthur Kirkland is driven to distraction by loud, brash American fighter pilot Alfred Jones. Unable to stop it, Arthur finds himself falling for Alfred’s charms… just as the pilot is preparing to leave for war.

Roses Are Red, Violets Are Blue… by anonymous (pruaus) (unfinished)

This fic is odd in the sense that I found it while suddenly getting on a pruaus kick, during which I followed a bunch of pruaus people on tumblr. Eventually, I would find out years later that I was going to the same college as one of these people and become friends with them. So not only does this fic have a nostalgic tie to it, I find the story brilliantly written with wonderful characterization, though it is in a weird format.

Inspired by the film 500 Days of Summer, I’d really like to see a couple meet and fall in love, but eventually one (or both) ends the relationship because they realise it’s not working/they can’t imagine spending their whole life with this person/what have you. I’d really love to see how the relationship develops, with the happy times and the eventual bad times as it falls apart, and then the hope of finding love elsewhere.

Redeemer by CocoaCoveredGods (L x Light, Mello x Matt, Mello x Light) (complete)

I can’t tell you how happy I am that I found this fic after 6 or so years. I can’t tell you how nostalgic is makes me for my death note phase, remember when I would read this in my mom’s office, minimizing the fic on a laptop I hope she never checked. The writing is phenomenal. The format on this site is wonky, but doable to read. (I’m even reformatting it myself right now). It’s mostly everything I could have wanted in a death note fic; it even inspired my own very complex death note AU back in the day. In some alternate reality, I wrote that instead of AWH. I plan to maybe make a personal paper copy for myself of this fic I love it so much. It is on the level of George’s stuff on how much it means to me.

The story takes place *after* Death Note ends, although the main characters have not died. Here the Yellowbox Warehouse is essentially the pinnacle of L's 6-year long offensive against Kira, who believes L to be dead, when he really isn't. L faked his death, and proceeded with the case behind the cover of his three top heirs, Mello, Matt and Near. Kira himself doesn't succumb to his defeat, but is instead rescued at the last moment by his nemesis lover who decides that a more apropos end to the God of the New World is not death--but redemption, in the form of a new case and a 5th so-called Kira, that L and Light must bring down together... or risk losing everything. Yes, there is actually a plot LOL Buuuut, this puppy has yaoi and pairing's aplenty. LxLight and MelloxMatt are technically the mains, but when you cut straight down to it, this is a story about Light and Mello and how they go from hate to need, from enemies to lovers, and maybe even something more...

and indeed there will be time --orginally by lawlietismyfavorite, but they have since deleted their account :’( (the fic is still on AO3, though!) (L x Light) (unfinished)

I love death note, okay? After the beautiful live action series came out (the recent japanese one not that fucking netflix shit), I felt the need to read some fanfic of the series again, and I found this. HOLY SHIT. It’s a soulmate AU that goes through the plot line of the manga/show and fuck. Light is Ace?? The writing is so good??

L is the greatest detective of not only this century, but of six centuries. And then there’s Light.

Between the Lines by Klitch (Fushimi Saruhiko/Yata Misaki) (complete)

I’ve read this fic about 5 times and have accepted it as canon for this stupid show

The first time Yata saw him the kid was sitting in the corner of the cafeteria all alone with his bought lunch spread out before him, painstakingly picking out the vegetables and stacking them according to color and size.

Picking up the Pieces by SilverThunder (Fushimi Saruhiko/Yata Misaki) (complete)

I really like K. It’s a weird show, and it has copious faults. Maybe I just really like that the characters have so much potential, and this fic (as well as the one above) truly expands on that potential. This fic is an excellent exploration of these two character’s relationships, there’s just the right amount of angst. I’ve read it multiple times.

A whole year, gone from his head just like that - and how many memories could you fit in that time, anyway? It wasn’t a question Yata thought he’d ever have to ask, but with so many things changed between Saruhiko and himself, he wasn’t about to leave it alone.

It just sucked that the new world they’d built was still so easy to break.

to be first, to be best by kittebasu (chanyeol) (iwaoi) (complete)

haikyuu!! is odd for me because I don’t care about it anymore, but I really like this fic, and I’ve read it about 5 times. The characterization is on point, and the story is extremely well written.

Hajime is apparently something of a masochist, and as he stares down at the tie-dyed AREA51 T-shirt in his hands, he thinks“I’m totally in love with this asshole, aren’t I?”

Cat's Cradle by evocates (Fujioka Haruhi/Ootori Kyouya/Suoh Tamaki) (complete)

every new years eve, since 2011, my brother and I have watched Ouran High School Host Club. for the past 4 years, I have read and re-read this fic without fail in the days after

Kyouya had been able to see the red threads between people’s fingers since the day he was born. A song of fate, and the breaking of. Tamaki was a man who could never be predictable. Vague spoilers up to Chapter 63.

"Relationship Stuff" by arokitty, Ponderess (shinara) (complete)

This fic helped me realize I was asexual. It’s beautifully written.

"Relationship stuff" — that's what Yasutomo kept calling it on the occasions we discussed how things were going between us. He never failed to say it dismissively, as if it was an annoying plague he was forced to put up with. But even when I told him that he could opt out of it at any time, he did not pull back.

[lithromantic asexual Shinkai, aromantic asexual Arakita, quasiplatonic Shinara]

You Really Ought To Know by isengard (midotaka) (complete)

I really like this ship, and out of all the fics I’ve read of it, this is the one I adore the most (obviously enough to read it three times)

The Fates have an important message for Takao Kazunari.

A Gradual Fall by grassandcitrus (originshipping) (complete)

This maybe isn’t the best written fic, but it has a lot of heart, and for a ship that there is little content for, this fic served me well. It’s hard to write a realistic pokemon AU, but this feels grounded. For whatever reason, this ship still means a lot to me, so when I get in the mood for it, I’ll re-read this fic.

Meeting Wallace turned out to be a life changing event for Steven. He realizes that pretty early on. Other things, however, come with time.

The Punchline and the Resulting Silence by youremyqueen (thiefshipping) (complete)

from the author: “so i went ahead and wrote ygotas fic because, hell, if LK can record videos in which he vocally flirts with himself while playing video games, and then write gay porn about it, I sure as hell can write gay porn about it too.” yeah.

In which Marik destroys many household appliances, Bakura naps doggedly, and they sometimes pretend - with very little success - not to be in love. (YGOTAS, thiefshipping. ridiculousness meets poeticism meets more ridiculousness.)

Six Days As Boyfriends by sitabethel (thiefshipping) (complete)

I just really like this ship and I have since I was a 14 don’t @me

In order to avoid talks of arranged marriage, Marik convinces Bakura to trick Ishizu into thinking that they're in love.

The Longest Job & The Smallest Favor by emanthony (hisoillu) (complete)

everyone in like march-ish of 2018: omg in the new update of hxh illumi says that he and hisoka are engaged!

me having watched 10 episodes of hxh 4 years ago and having a faint idea of the series: who?

me: *looks up fanfics of them*

me: *finds these two*

me: *proceeds to read them 15 times and gets obsessed with the ship*

Illumi is forced out of the Zoldyck estate and seeks a living arrangement with an associate. He's not altogether pleased with it.

Hisoka is a floor master at Heaven's Arena and has the unexpected pleasure of spending time with one of his oldest acquaintances. He doesn't share Illumi's frustrations.

///

A sequel to the Longest Job, another HisoIllu fanfiction.

Hisoka and Illumi have been living together for six months now without much trouble. But when Illumi's youngest brother goes missing, Hisoka manages to make the situation just a bit too complicated and much more fun.

Lessons in Etiquette by KnockKnockBadminton (promtis) (complete)

I knew nothing about this video game but for whatever reason decided to look up fanfic for it after seeing some fanart, and then because this one was so well written, I, again knowing absolutely knowing about this video game or the series it’s a part of, binged the entire 164k fic in like two days. I’ve also re-read it and convinced my brother to buy the video game as a result. He refers to them as the “leather boy band” and sends me updates about his play through lmao

Begins in high school. From Prompto's desire to befriend the sullen, bullied prince blooms a relationship even the Astrals themselves could not have foreseen. Basically fills in the gaps from Brotherhood to the fall of Insomnia. Some liberties taken.

say it like you mean it by spaceburgers (takuleo) (complete)

Ever since playing the video game, I loved the dynamic between these two characters, and this fic is a wonderfully crafted and fun to read AU staring both of them.

Wherein Leo is a transfer student, Takumi is overly competitive, and they're doing Romeo and Juliet (but not as the titular roles).

#the hour i spent doing this was fun c:#miscellaneous #the fandoms are uh..#hetalia. death note. k. pokemon. yowyapeda. fe fates. hxh. final fantasy.#ouran high school host club which i know that's spelled wrong #haikyuu.. kurko no basket. and yugioh.#lmao that's a mixed bag #anyway \o/ feel free to check them out but i also made this for my own reference haha

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