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#my hand fucking hurts
matrixonvhsanddvd · 9 months
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thatruerealmwalker · 2 months
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"Sometimes... When I look at the other kids playing around, unaware if what's happening here... My Stomach Hurts..."
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"When one of those Toys is Near... My legs Scream at me to RUN..."
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"When night comes... and the Workers look over me while I try and sleep... My eyes threaten to Cry..."
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"BUT I CAN'T... I can't show that anything is wrong, That I know..."
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"I'll change my chosen toy all the time, be average on every test they give me, speak nothing of what I know..."
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"I'll stall for as long as I can, buy myself as much time as possible. I'll learn every weakness, every flaw, of both this factory and those horrible Toys. I'll get stronger, faster, smarter, as much as possible without anyone catching on. I'll prepare as much as I can, for every fight, every route, every danger..." "So when the time comes..."
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"I'll GET OUT OF HERE"
Hello there! This is William, a young orphan within the walls of Playcare, a new OC I made for Poppy Playtime! Specifically William was inspired by and somewhat considered an OC of the blog @realizinau and their wonderful work over there! (Hello!)
William is a kid who knows far, FAR to much then he should. Aware of what the toys really are, aware of what their doing to children like him, and aware that he is not safe within Playcare.
If someone were to ask him about something in the factory, he would most likely know, but would never dare even entertain answering those questions. He knows that one wrong step, one target on his back is enough to get him selected next... so he stays as average as he can, shows himself to be not soon-to-be toy material. He has it down to a science at this point, and he won't risk his life, not yet, not for a damn question.
He considers every toy in the Factory to be both horrifying and the highest threat to his survival and chances at leaving one day. He avoids and dances around them when he can, and recites literal self made mantras of every weakness and every way to harm or escape the toy in question he knows about within his head while around them if he can't (due to not being able to write anything incriminating down). Several times in a panicked state because he doesn't have the tools and weapons on him to follow any plan he has.
He is afraid of the Smiling Critters the most for the fact that he sees them and interacts with them every day, thus being the highest risk to him. After every interaction there is a chance he may genuinely puke in the nearest bathroom from his fear getting hold of him. He silently prays that they never take notice of him, or god forbid take interest in him and spend more time then normal around him. He would wear the most perfect mask while interacting with them but be screaming his Mantras internally while mentally holding a cross, especially around Catnap (due to his red smoke) (not sure if the Realizing Au has Catnap with his red smoke still, so if not he would most likely consider Bubba the most dangerous of the critters).
William's core desire is to leave the factory and never look back. He, when he is at least 80% sure he can get away with it (it used to be higher but he's getting desperate) gathers as much information as he can, about the layout, systems, patrols, anything to give him an edge when the time of his escape comes. He has also been able to make very small stashes of makeshift tools, weapons, and items around Playcare, all either to help him escape or fight back against a Toy should he need to. The most dangerous is a Flare hand he smuggled off of a GrabPack once, which almost got him caught.
William is at the point where he genuinely does not value any life inside the Factory other then his own, and would not hesitate to kill a staff worker or Toy should he have to. Again, nothing matters to William other then getting out... but that could change depending on events to come.
I'll be throwing some more stuff of William up later, but I absolutely tore my hand up drawing all this today. Hope you enjoyed!
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gingerbravecookie · 6 months
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COOKIE RUN: Escape from the oven! - 1995 OVA
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vacantgodling · 1 month
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DONUT 🍩 HOLE
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divine-draws · 2 years
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(for the neopets meme) izuku and the Lost desert paint brush?
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some The Mummy vibes
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lonely--seeker · 2 years
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I've been thinking about that really dumb single dads au i made like a year ago and never told anyone about it because why not...
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gessshoku · 2 years
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renaultmograine · 1 year
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huzzah
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dawei-s · 4 months
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I hate studying!!!
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chilidafoxx · 4 months
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Took me, four days to do? Not bad, at all. I decided to make a few changes to them age wise.
Leo and Raph will both be 19, kinda competing for the oldest, then Donnie at 18, and Mikey at 17.
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Had a TERRIBLE shift at cats today. I had to give dewormer to TWO male cats with untrimmed nails. BOTH of them scratched me multiple times despite freshly trimmed nails. I squirted dewormer in my eye.
I know I traumatized one of them because he barely even wanted to be out while I was there and he was shaking when I left ☹️
I did have a nice walk with one of the kitties around the store which was the only bright spot.
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haudacaccia · 6 months
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nothing can express the stress of writing a dbq. you can only understand the despair and anxiety of it by experiencing it for yourself.
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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emotiod · 11 months
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just fuckin mario punched the ceiling
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gascreates · 6 months
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this is the only relationship that matters actually.
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blueskittlesart · 1 year
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i dont have a caption for this one but know that this took me multiple months of work to produce. i hate drawing birds
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