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#mr. bongo
guessimdumb · 3 months
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Agnaldo Rayol Feat. Claudya - Sumaúma (1971)
Another cool Brazilian record rescued by the people at Mr. Bongo, who describe it thusly: "This epic track has a psyche break-beat drum and bass groove intro." Agnaldo Rayol is probably better known as an actor.
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mywifeleftme · 10 months
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97: Rob // Rob
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Rob Rob 1977, Essiebons (Bandcamp) My favourite Ivorian Robot Operating Buddy from Ghana, Rob’s first LP is what Jay-Z once called “Black superhero music.” Few of the songs develop a ton—what you’re hearing in the first 30 seconds is more or less what you’ll be hearing seven minutes later, but it must be said that there is not a moment of this record that does not feel like an appropriate soundtrack to history’s slickest motherfucker doing his thing. Rob is probably one of the better-known afro-funk reissues of recent years, an assessment I’ve made purely on the basis of knowing one guy who will understand what I’m referring to when I yell “FUNKY ROB WAY” at him. (Though another sign might be that two different reissue labels, Mr. Bongo and Analog Africa, appear to have re-released the album within a month of one another in 2019. The Analog Africa version seems to be a much more elaborate production, but my Mr. Bongo version sounds great and you don’t necessarily need to know Rob’s star sign or shoe size to enjoy the LP.)
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As a frontman, Rob is mostly just kinda there, muttering or yelling something every few bars while his band produces Pacific Northwest quantities of smoke. (Or as of 2023, Montreal quantities of smoke.) They really have an incredible sound, the funk equivalent to one of those collector-bait underground psych rock bands that turned some uncle money into a spectacular amateur studio and recorded one melted opus before selling their instruments and beginning a Christian ministry in Vanuatu. Though plenty of Ghanaian bands of the era could make people move, Rob’s band are just as impressive on the spacier numbers, like the warbling synth-spined “Forgive Us All” and “Your Kiss Stole Me Away,” which are basically FM radio for Black UFOs. The ensemble began life as a military band called Mag-2 under the stewardship of fanfic-ass-named guitarist Amponsha Rockson (would be like my parents naming me Hieronymus Suckdickson—how could they have known?). I gather that at the time joining the military wasn’t a bad deal for a musician, as the army would provide kickass western gear in exchange for entertaining their fellow troops. The Analog Africa liner notes (kindly provided on their Bandcamp) say the Mag-2 guys were still living in their barracks during the recording of this album, which suggests the Ghanaian Army must’ve been a pretty chill org. (Please send your links to the Ghanaian Army’s Wikipedia page subsection on ‘Atrocities’ to my email.) Can you imagine the US Army Herald Trumpets playing something as cool as the horn hits on “More”? (Please send your links to the US Army Herald Trumpets’ Wikipedia page subsection on ‘John Zorn Collaborations’ to my other email.)
In conclusion, a hearty “FUNKY ROB WAY” to you and yours, goodnight.
97/365
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luuurien · 1 year
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Marxist Love Disco Ensemble - MLDE
(Disco, Synthpop, Boogie)
Luxuriant disco with a leftist edge, the Italian collective's debut album explores not only the relations of its chief genre to class struggle and social identity but how disco has been morphed by Western capital desire over the years. MLDE is the band's mission statement, and it's a near-perfect one at that.
☆☆☆☆½
Created with liberation and freedom in mind, disco's history has nearly been entirely wiped from its modern image. In its earliest incarnations, disco and the places you could dance to it were safe havens for queer communities, music made by oppressed communities as an expression of joy and empowerment they weren't allowed anywhere else in the world. After the genre's mainstream explosion during the 1970s, all those precedents were lost, disco homogenizing to fall in line with the needs of record executives and radio stations, and by the early 80s disco was largely already on its way out - not to mention a healthy dose of racism and homophobia thrown towards it and the club culture it was born from as well. Marxist Love Disco Ensemble isn't having any of it. A somewhat mysterious collective from Bologna, Italy, their debut album MLDE refutes the idea of disco as a purely bourgeois entity, pulling off the veil over disco's sociopolitical origins and embracing the joyous, communal resistance its early years held so dear. Dusted with retro stylings but settling principally in modern Marxist theory and praxis, MLDE is one hell of an impressive debut. Inspired by Soviet era disco-pop à la Hamlet Minassian and Chaz Jankel, MLDE is an amalgamation of post-disco gentility, 80s boogie, and pure pop perfection, vocals often performed by a quartet in homage to traditional Soviet vocal records while the rich orchestration of disco colors in everything else. But there's more to Marxist Love Disco Ensemble's formula than meets the eye: it's hard to deny the many similarities between them and Stereolab - there's even hints of loungey, space-age pop in the flashy synth arpeggios dotted all over 1905 and Dust's jazzy piano line - and the notes of retro synthpop in the glowing keyboards all over Manifesto or Engineers' shiny digital strings help give bold outlines to the lo-fi edges of the album's 1/2 inch cassette tape recording set up. All these little details are what keeps MLDE from growing stagnant, a disco album through and through but never succumbing to the genre's trappings and testing how far they can take things while staying comfortably within dance tradition, Brumaire toying with a fuzzy analog synth solo and Hues of Red featuring a percussive breakdown and a whistle that calls back to the same way Donna Summer used one back on 1979's Bad Girls. In sound alone, MLDE is one of the most delightful listens this year, balancing creamy disco richness with just enough new additions to make their take on it compelling and singular. But the most important thing that distinguishes MLDE from its disco contemporaries is its political focus, Paolo Volkov's songwriting pulling from different strands of Marxist theory - dialectical materialism, class struggle, capitalist social stratification - and implementing them forthright into his music without subtlety. He references Marx's book on The Eighteenth Brumaire of Louis Bonaparte on the fittingly-titled Brumaire, situating bloody images of revolution ("The workers aren't blindfolded / ...Bleed the skull from culture") with his hope for a communist future ("Brumaire's up eighteenth / Take the bow now"); album centerpiece 1905 takes advantage of its radiant space-disco sound to look back on the 1905 Russian Revolution and the following revolution which ended the Russian monarchy and reformed the Bolshevik party in 1917. His reserved vocal presence serves not to undermine his message but ensure it doesn't take over the music, Engineers shifting between proletariat sympathies ("The calloused hands who work for pay / Can change their emotions to betray") and outward calls for protest and change ("Here's the voice that calls your name to go defy / Marx, Engels, Lenin, Luxembourg") and perfectly balancing the disco's hopeful glow with the message Marxist Love Disco Ensemble seeks to convey. It's both poetic and sardonic at once: Volkov can sell his message so well because he knows that keeping his ideals crystal-clear while presenting them underneath velvety dance music is the most potent way for him to express it. Outwardly political music rarely manages to be so well-constructed and lyrically impactful at once, yet MLDE seems to manage it with more effortlessness than anyone else out there. Maybe it's their low-key Italian cool or the hazy warmth of these cassette-recorded dance tunes, but Marxist Love Disco Ensemble makes for one of the most enchanting new groups of the year with a might few others could manage, MLDE's leftist-aligned disco jams as fun to listen to as they are spiritually vital. The dancefloor's demands for energy and passion are met by the group every time, and the strength of their Marxist-aligned message is only amplified tenfold through it.
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super-andi-ness · 1 month
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I can’t believe I forgot to post this here omg
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gamercats-fight · 3 months
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Bongo from Life is Strange vs Mr. Midnight from Fran Bow. Vote for your fav!!
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Need help picking? Check down here!
Bongo - DONTNOD Entertainment - 2015 - White/gray cat:
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Mr. Midnight - Killmonday Games AB - 2015 - Black cat:
-gonna be honest I haven't played Fran Bow since middle school but uhh I'll try my best It's nice to have an ally in a game this disturbing tbh, so his presence is very welcome. He's just a kitty who loves his owner and they go on adventures togethee <3
-I really really really really like fran bow
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iwatanaomi-fanblog · 7 months
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Pecola Seika Coloring Book
(Source - Scanned by ChainsawVulture)
Page 1 | Page 2 | Page 3 | Page 4
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bigmrfisch · 1 year
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Wanted to try draw the Fischs mother 🐟
+ some Calvin and Felix doodles
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holymotherofgertrude · 10 months
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me every time richard feynman was in frame in Oppenheimer:
🫵👁⭕️👁
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quakerr0ats · 7 months
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GAH I’m definitely not going to finish Linktober in October, but I’ll be damned if I don’t finish it at all
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Days 12 and 13 baby!!!!
Day 1 Days 8-11 Days 14-16
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thenhc · 2 years
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from "Hell-o-ween" in Bart Simpson's Treehouse of Horror #6, written, illustrated, and lettered by Jim Mahfood, script by Ian Boothby, colors by Chris Ungar
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barb-animation-fan18 · 11 months
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Art credit goes to @n4talia-chaparro
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trevlad-sounds · 6 months
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Tuesday 05 December Mixtape 402 “Speak to the Paracosm EXCLUSIVE”
Multi Genre, Downtempo, Ambient, Electroacoustic, Experimental Tuesdays & Saturdays. Support the artists and labels. Don't forget to tip so future shows can bloom. https://linktr.ee/trevlad
Trevlad Sounds-Welcome in you wonderful listener 00:00
6WX_O-Speak to the dead 00:31 https://6wxo.bandcamp.com/album/hill-country
Node-Thin Air 06:48 https://dinrecords.bandcamp.com/album/node-2-din44
preston.outatime-Focusing Out 14:38 https://prestonoutatime.bandcamp.com/album/mirror-radius
Duolant-Havaddit 19:24 https://duolant.bandcamp.com/album/wf-77-above-inlets
Sulk Rooms-Soul Mother End Credits 23:42 https://thomasragsdalemusic.bandcamp.com/album/music-from-the-film-soul-mother
Skytree-Drumlin Fields 26:01 https://skytree.bandcamp.com/album/harmonic-residents
Hello Meteor-Thermoplastic 30:41 https://hellometeor.bandcamp.com/album/community-broadcasting-winter-office-hours
Glenn Fallows, Mark Treffel-Moogs Over Jupiter 33:22 https://glennfallowsmarktreffel.bandcamp.com/album/the-globeflower-masters-vol-2
36-Desire 37:40 https://3six.bandcamp.com/album/cold-ecstasy
Den Osynliga Manteln-PLANETVISKAREN 41:50 https://denosynligamanteln-cis.bandcamp.com/album/under-gr-n-himmel
OVRSCN-III 51:11 https://overscan.bandcamp.com/album/time-erases-memory
NUUK-Traill_Ø 53:45 https://moatun7.bandcamp.com/album/tunfjordur
Holy Hive-Celeste 57:08 https://holyhivemusic.bandcamp.com/album/big-crown-vaults-vol-3-holy-hive
Hyperlink Dream Sync-Gold Dust Station 1:00:29 https://hyperlinkdreamsync.bandcamp.com/album/hyperlink-dream-sync
Lord Of The Isles, Ellen Renton-My Noise Is Nothing 1:04:01 https://lordoftheisles.bandcamp.com/album/my-noise-is-nothing
Pabellón Sintético-Analog Dream 1:08:48 https://pabellonsintetico.bandcamp.com/album/pabell-n-sint-tico
Mind over MIDI-overflaten 1:10:11 https://lontanoseries.bandcamp.com/album/sensitiv
The Central Office of Information-Barium Cloud 1:12:15 https://coi-woodfordhalse.bandcamp.com/album/wf-19-private-issue-synthetic-music-2010-2020
Common Dream-Dags 1:15:54 https://hoganordrekords.bandcamp.com/album/hnr050-bats-dags
Tatsuro Murakami-Swimming in the Dark 1:21:57 https://whitelabrecs.bandcamp.com/album/an-imaginary-autumn
Under Allt-3-Heads 1:26:53 https://underallt.bandcamp.com/album/3
Darren McClure-Charmonia 1:32:57 https://darrenmcclure.bandcamp.com/album/on-opposites
Remote Guest List-Paracosm 1:42:30 https://kahvicollective.bandcamp.com/album/lonely-nights
jarguna-Wind of Sutra 1:45:36 https://projektrecords.bandcamp.com/album/sogni-di-sutra-nei-venti
Trevlad Sounds-Until the bat skull horn calls us back again tomorrow. 1:52:17
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trapstar89 · 6 months
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thetripleaedit · 8 months
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PUMPA X CARDI B X MEGAN THEE STALLION - A LIST X BONGOS VYBZ KARTEL X ASAKE X OLAMIDE - ANY WETHER X AMAPIANO KES X DOJA CAT - BANGA X SAY SO LEADPIPE X FLO RIDA FT. WILL.I.AM - BRAIN FREEZE X IN THE AIR ELEPHANT MAN & MR VEGAS X SNOOP DOGG - BUN IT X GIN AND JUICE VYBZ KARTEL X ASHANTI - HAPPY PUM PUM X HAPPY GBM NUTRON X J BALVIN X USHER - HOT GAL ANTHEM X DIENTES MOTTO X NELLY - MAN WITH RIDE X HOT IN HERRE BOBO X NELLY - TIC & TAC IT X HOT IN HERRE ZOELAH X TYLA - MORE WATER X WATER NESSA PREPPY X PETEY PABLO - NASTY FLOW X FREEK-A-LEEK BEENIE MAN X J-KWON - DRINKING RUM & REDBULL X TIPSY MASICKA X JAY-Z - TYRANT X I JUST WANNA LOVE U SKEEYEE X UNDER WATER -SEXYY RED X VYBZ KARTEL
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gamercats-fight · 2 months
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REMATCH: Mr. Midnight from Fran Bow vs Bongo from Life is Strange
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Need help picking? Check down here!
Bongo - DONTNOD Entertainment - 2015 - White/gray cat:
-
Mr. Midnight - Killmonday Games AB - 2015 - Black cat:
-gonna be honest I haven't played Fran Bow since middle school but uhh I'll try my best It's nice to have an ally in a game this disturbing tbh, so his presence is very welcome. He's just a kitty who loves his owner and they go on adventures togethee <3
-I really really really really like fran bow
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iwatanaomi-fanblog · 1 year
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Pecola’s Anime Picture Book 1: Postman Pecola (Part 3)
(Source - Scanned by Penguin Productions 900)
Part 1 | Part 2 | Part 3
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