#mike stokley
Video
youtube
"Kiss You All Over" is a 1978 song by American group Exile, written by Mike Chapman and Nicky Chinn. It was included on the band's third album, Mixed Emotions (1978), and featured lead vocalist Jimmy Stokley and guitarist J.P. Pennington on vocals. After the single was released it rapidly climbed the US charts, hitting the #1 spot in the Billboard Hot 100 and staying there for four weeks, ending up as the #5 song for 1978 in total sales. The song also reached #1 in at least three other countries.
Chapman told Casey Kasem that the inspiration for "Kiss You All Over" was "It's Ecstasy When You Lay Down Next to Me" by Barry White. In 2010, Billboard ranked the song ninth on its list of "The 50 Sexiest Songs of All Time".
44 notes
·
View notes
Text
"The last show of September.
Where has the year been going?
Taking this one Moment By Moment.
Enjoy the new menu my friend.
Love and peace always from your Chef."
Bruce Buege
Welcome to another show of musical deliciousness. Join the chef for The Smooth Jazz Kitchen with Bruce Moment by Moment show. Today, at 7 pm EST, 6 pm CST, 4 pm PST, 12 am UK time on WPUR-DB PULSE INT'L RADIO The Listening Experience.
Cheers!
🇺🇸 🇬🇧 🇩🇪 🇮🇹 🇬🇷 🇸🇩 🇿🇦 🇨🇦 🇧🇶
𝐖𝐏𝐔𝐑 - 𝐏𝐔𝐋𝐒𝐄 𝐈𝐍𝐓'𝐋 𝐑𝐀𝐃𝐈𝐎
www.pulseintlradio.com
www.phazesintl.com
#thesmoothjazzkitchen #brucebuege #chefs #wiscounsin #smoothjazz #contemporaryjazz #germany #netherlands #london #greece #usa #chicago #LasVegas #southafrica #italy #DC #fuji #hawaii #vegas #dmv #newyork #newjersey
The Smooth Jazz Kitchen Radioshow - Moment by Moment
00:00 Justin Klunk - Radio
00:06 Jay Rowe - City Groove
00:10 Shaun La Belle feat Everette Harp & Stokley - The Groove
00:14 Phillip Brooks - Midnight Riding
00:18 Willie Bradley feat Ragan Whiteside - Ride The Vibes
00:23 Club 1600 - Spend The Night
00:27 Lisa Addeo - So Much (Vocal Version)
00:32 Dr. Dave & The HouseCall Band - Late Night With Dr. Dave (Revisited Version)
00:36 Drew Davidsen - Alexander's Dream
00:41 Art Ruprecht - If Necessary, Use Words
00:45 Bona Fide - Lunch With The Queen
00:49 Ronny Jordan - Deep In Your Heart
00:53 Brian Culbertson - Midnight Sun
00:59 Chris Wintrip feat Bob James - Ruby
01:02 Tom Grant - Lizard Lounge
01:08 Darren Horn feat Nils & Ragan Whiteside - Nairobi
01:12 Mike Di Lorenzo feat Sonna Relé - Lose Control
01:16 Al McKenzie - Caught Up In The Rapture
01:22 NexLev'l Band feat Eddie Baccus Jr. & Mycah Chevalier - Why You Wanna
01:26 Gary Honor feat Lin Rountree & Skinny Hightower - Meet Me In Manhattan
01:30 Will Donato - Infinite Soul
01:35 Jack Lee & Nathan East - Have A Talk With God
01:40 San Gabriel Seven - Moment By Moment
01:45 Tony Exum, Jr. - Hold My Hand
01:48 Elan Trotman's Tropicality - Rain
1 note
·
View note
Video
youtube
Exile - kiss you all over
#exile#exile band#kiss you all over#mixed emotions#man on the moon#jimmy stokley#jp pennington#mike chapman#nicky chinn#soft rock#rock#lovers rock#love#music#music video#music is life#music is love#music is religion#raining music
46 notes
·
View notes
Text
Stokley Carmichael vs Mike Wallace
Stokley Carmichael vs Mike Wallace
— Read on m.facebook.com/valserrant/posts/10228604741082604
View On WordPress
1 note
·
View note
Photo
We hope you enjoyed Day One of the 15th Annual Jazz in the Gardens Music Festival weekend. We’re back today for Day Two, all hosted by Rickey Smiley. Please find today’s schedule below (subject to change): ✨ 2:00pm Parking Gates Open ✨ 3:00pm Festival Gates Open ✨ 4:00pm Mark Allen Felton ✨ 5:00pm Mike Phillips ✨ 6:00pm Jonathan McReynolds ✨ 7:00pm Stokley ✨ 8:00pm Rick Ross ✨ 9:15pm HER Parking available for the festival on lots 14, 1A, 2,3, 15-18 and Norwood Elementary (Lot 42). Cost $40 cars and $25 SunPass. Rideshares & Dropoffs: Gate 18. Will Call: Gate 2. Ticketmaster Box Office will be cashless, opens at 2pm and located at Gates 14A and Gates 2. #JITG2022 #DayTwo Stay updated on the latest Jazz in the Gardens news. Download the mobile app in your App or Google Play store. 📲 #JITG2022 *TO REFRESH THE APP CONTENT, GO TO THE MENU IN THE TOP RIGHT > APP SETTINGS > CHECK FOR NEW CONTENT. #SANatwork #SANelsonPR #thesocialLight https://www.instagram.com/p/CbDVjauurfN/?utm_medium=tumblr
1 note
·
View note
Text
WR
88 marvin Harrison 60 185 b
82 raymond berry 62 187 w
87 reggie Wayne 60 203 b
87 willie Richardson 61 198 b
28 Jimmy Orr 511 185 w
13 t y Hilton 510 183 b
81 roger carr 63 200 w
80 bill Brooks 60 188 b
35 Glenn Doughty 62 204 b
87 Sean Dawkins 64 215 b
85 Matt Bouza 63 211 w
80 ray butler 63 200 b
85 pierre Garcon 60 211 b
83 Brandon Stokley 60 194 w
84 Jesse Hester 511 175 b
27 ray perkins 63 183 w
33 Eddie Hinton 60 200 b
17 Austin Collie 61 200 b
86 Jerome Pathon 60 182 w
11 Anthony Gonzales 60 193 w
10 Donte Moncrief 62 216 b
14 zach Pascal 62 214 b
85 Floyd Turner 511 192 b
80 Chester Rogers 60 184 b
85 Reggie Langhorne 62 200 b
17 Sam Havrilak 62 195 w
87 Roy Jefferson 62 195 b
87 Tracey Porter 62 196 b
85 Andre Rison 61 188 b
86 Freddie Scott 62 180 b
15 Phillp Dorsett 510 192 b
84 E G Green 511 188 b
28 Cotton Spreyer 60 175 w
11 Donnie Avery 511 186 b
87 Wayne Capers 62 198 b
83 Marcus Johnson 61 207 b
87 Torrance Small 63 209 b
88 Bernard Henry 61 180 b
45 Mike Siani 62 195 w
86 Brain Stablein 61 193 w
84 Randy Burke 62 190 w
81 Andre Johnson 63 229 b
85 Aaron Moorehead 63 200 b
17 Griff Whalen 511 190 w
14 Hakeem Nicks 60 210 b
0 notes
Photo
Some of the stories behind Peyton’s Free Agency tryouts. Pretty funny, unless of course you are the one being followed!
See snippets:
Peyton Manning's one adventure into free agency was a doozy. The Athletic published an oral history of the saga today, and it's filled with great nuggets of information, including that Jim Harbaugh is a big fan of peanut butter and jelly sandwiches. Real salt of the earth guy between that and the khakis.
What really stood out in the piece was the NFL's cloak-and-dagger attitude and the insanity that is the media following superstars around. Manning landed in Miami right after his exit press conference with the Indianapolis Colts and asked a poor airport bus driver to help him avoid the hordes of reporters and the helicopter that followed him around. When Manning visited Denver, then-head coach John Fox made all of his assistants stick around the building until 8 p.m, at which point they all left in different cars at the same time to throw off the media trail:
Peyton: We finished the visit and John (Elway) says, "Let's go get a beer somewhere." I said, "That sounds good. Now we can just be in a relaxing environment." And he said, "There are cameras out there waiting again." So we got all the assistant coaches, he made them wait until like 8 o'clock when it's time to leave. And about 10 cars left the Broncos' facility, and it was like the president where you have these decoy cars. You got (Broncos director of special services) Fred Fleming driving this way and Mike McCoy driving this way. And so me and John and (director of player personnel) Matt Russell were in one car, and somehow, we got away.
Manning spent that night in Denver with former teammate Brandon Stokely, and was so nervous about the media finding out he was having a throwing session that he hid the football underneath his shirt whenever someone would bike by. Stokley told his son he couldn't wear a Manning jersey in case it tipped anyone off about who was there.
Stephen Ross, the owner of the Miami Dolphins, let Manning use his private plane to fly around because it was impossible to track. He had the tail number blocked, which doesn't sound entirely legal, but he is also very rich.
Manning worked out at Duke for the 49ers' brass, and to avoid any suspicion that he was being watched in a throwing session, Harbaugh and Trent Balke watched from their cars:
What really stood out in the piece was the NFL's cloak-and-dagger attitude and the insanity that is the media following superstars around. Manning landed in Miami right after his exit press conference with the Indianapolis Colts and asked a poor airport bus driver to help him avoid the hordes of reporters and the helicopter that followed him around. When Manning visited Denver, then-head coach John Fox made all of his assistants stick around the building until 8 pm, at which point they all left in different cars at the same time to throw off the media trail:
Peyton: We finished the visit and John (Elway) says, "Let's go get a beer somewhere." I said, "That sounds good. Now we can just be in a relaxing environment." And he said, "There are cameras out there waiting again." So we got all the assistant coaches, he made them wait until like 8 o'clock when it's time to leave. And about 10 cars left the Broncos' facility, and it was like the president where you have these decoy cars. You got (Broncos director of special services) Fred Fleming driving this way and Mike McCoy driving this way. And so me and John and (director of player personnel) Matt Russell were in one car, and somehow, we got away.
Manning spent that night in Denver with former teammate Brandon Stokely, and was so nervous about the media finding out he was having a throwing session that he hid the football underneath his shirt whenever someone would bike by. Stokley told his son he couldn't wear a Manning jersey in case it tipped anyone off about who was there.
Stephen Ross, the owner of the Miami Dolphins, let Manning use his private plane to fly around because it was impossible to track. He had the tail number blocked, which doesn't sound entirely legal, but he is also very rich.
Manning worked out at Duke for the 49ers' brass, and to avoid any suspicion that he was being watched in a throwing session, Harbaugh and Trent Balke watched from their cars:
Cooper: There was this CIA feel to a football acquisition. … Harbaugh and his coordinator went to his workout and watched from his car. I mean, what can you tell from a car?
Peyton: It looked like I was out there just throwing on my own. I remember finally, they said they couldn’t see what they wanted to see. They were like 40 yards away in the car trying to watch this workout. And so they got out and I remember they both had hoodies on. They had (Bill) Belichick-style hoodie sweatshirts watching the workout.
Harbaugh: I think I was just wearing my normal stuff, what I always wore.
I mean, it's just all so insane. Manning used the word "kidnapped" to describe how the Titans managed to get him a receiver to throw to during his workout while keeping it under wraps:
Peyton: It was in the rain, and they brought some of their executives and receiver Marc Mariani, a return man, as well. They picked Mariani up at the airport and they basically gave him some cleats and said, "We're not telling you where we’re going. Turn your cell phone off." He couldn't call anybody. He couldn't tell anybody what he was doing. It's almost like they kidnapped him.
It's just football, man.
Fun stuff, though. Can't wait to see how the next marquee free agent dodges helicopters and hounding local reporters.
0 notes
Text
Best one hundred R&B Songs of 2019 ... Offered Through RnBJunkieOfficial
As our team are actually moving closer to the year&2020, it's merely right our team recap the top 100 R&B tracks of 2019 that made substantial influence throughout the year. 2019 has been actually a terrific year for R&B along with debut albums from Summer season Walker, Lucky Daye, Ari Lennox, Johnta Austin, Nicole Bus & & Louis York to the crucial profits coming from Raphael Saadiq, India.Arie& Rahsaan Patterson. Permit's check out back at the Top 100 R&B Tracks of 2019 and also tell our team if you Agree/Disagree:
100 Carl Thomas - "One along with Paradise"
;' > 99 Tao Treble - What Ever Occurred to Affection
98 Gene Royalty-"Assumptions"
97 Louis York - "Do Not You Fail to remember"
96 Johnta Austin -"
Passion Angel" 95 Chrisette Michele-"
Do not Pull " 94 Daron Jones of 112 -"Pleasure"
font-family:" calibri ";'> 93 Lumi Trice-"
Same Technique "
92 Montell Jordan ft. Lecrae - "When I am actually
Around You " 91 Bridget Kelly - "The Excellent Escape"
90 Angie Stone ft. Jaheim - "Gon na Must Be
You " 89 Bobby V - "Everyone"
88 Eric Roberson - "Leave It In
" 87 Such - "Before Dark"
86 Calvin Richardson-" Allow Me Love On You " 85 Jon B. ft. Donell Jones -" Understand " 84 Syleena Johnson - "Woman"
83 Slim & Mike of 112 - "Tonight"
82 Avery Wilson - "Callin"
81 Jon B. -"Invaluable"
80 Kelly Rowland - "Don't You Worry"
79 J. Brown -"
Dawn Sunset"
78 Avant-" Not Gone Lose"
77 dvsn ft. Future - "No Cryin" 76 Chante Moore - "Fresh Love"
75 Kevin Ross - "Factor Called Passion"
74 The HamilTones - "Buddy"
73 Container ft. JoJo - "A Person Else"
72 Stokley - "She"
71 Miguel - "Funeral service" 70 Missy Elliott-"Why I Still Affection You "
69 Amerie - "Interested"
68 Tory Lanez ft. Mario - "The Cry"
67 LeToya Luckett-"
Feeling " 66 Rahsaan Patterson - "Sent from Paradise"
65 Luke James ft. Ro James & BJ 64 Lion Babe ft. Leikeli47 - "The Wave"
63 Guordan Banks-"Can't Keep Runnin" 62 Mary J. Blige ft. Nas - "Thriving"
61 Ro James - "Final Time"
60 Elle Varner - "Kinda Love"
59 Deborah Cox - "Easy Way"
58 Gallant-" Sleeping On It " 57 Raheem DeVaughn-"
Ideal"
calibri ";'> 56 Tameka Tiny Harris-"I F ***** Love U"
55 Chaka Khan-"
Hello there Joy"
'> 54 Mya - "Down"
53 Brandy - "Liberty Rings"
52 Raphael Saadiq - "Something Maintains Naming" 51 BJ the Chicago Child - "Opportunity Today" fifty Johnny Gill ft. Ralph Tresvant - "Perfect" 49 Pointed Side - "Closest Thing to Perfect" 48 Daniel Caesar ft. Brandy - "Love Again" 47 Brian McKnight - "When I'm Gone" 46 Lucky Daye - "Passion You Too A lot" forty five Elle Varner ft. Grain - "Pour Me" 44 Robin Thicke - "That's What Passion Can possibly do" 43 Summer months Walker - "Clear" 42 Lyfe Jennings - "Indicting Me" 41 Queen Naija - "Away coming from You" 40 Storage tank - "Dirty" 39 Fantasia - "Sufficient" 38 Ashanti ft. Afro B. - "Pretty Little Point" 37 Robin Thicke - "When You Passion Somebody" 36 Kehlani ft. Musiq Soulchild - "Footprints" 35 Nicole Bus - "You" 34 Sammie - "In Person" 33 Solange - "Almeda" 32 Arin Ray ft. Kehlani - "Improvement" 31 Lloyd ft. Metropolitan area Girls - "Sugar (Remix)" 30 H.E.R. - "Hard Place" 29 Mario - "Care for You" 28 Anderson.Paak ft. Smokey Robinson - "Produce It Better" 27 Johnny Gill - "Spirit of A Girl" 26 The Bonfyre ft. 6LACK - "U State" 25 PJ Morton ft. JoJo - "State Therefore" 24 MAJOR. ft. Kas - "Affection Me Ole" 23 Monica - "Commitment" 22 K. Michelle - "The Storm" 21 Alicia Keys ft. Miguel - "Show Me Passion" 20 Teyana Taylor ft. Kehlani - "Early morning" 19 Summer Pedestrian ft. Bryson Tiller - "Participating In Video games" 18 India.Arie - "Steady Affection" 17 Mahalia ft. Ella Mai - "What You Carried out" 16 Jacquees - "That is actually" 15 Jhene Aiko - "None of Your Concern" 14 Teyana Taylor ft. Master Combs - "Just How You Want It? (HYWI?)" thirteen Beyonce - "Brown Skin Layer Gal" 12 Ciara - "Thinkin Stint You" 11 H.E.R. ft. YG - "Slide "10 Ari Lennox ft. J. Cole - "Shea Butter Child "09 Beyonce - "Just Before I Release "08 Trey Songz ft. Chris Brown - "Chi Chi "07 Whitney Houston - "Greater Affection (Kygo Mix) "06 Chris Brown ft. Gunna - "Heat Energy "05 Ella Mai - "Shot Clock "04 Chris Brown - "Uncertain "03 Normani - "Incentive "02 Chris Brown ft. Drake - "No Support "01 Khalid - "Talk"
This content was originally published here.
0 notes
Text
Vincent Price on Mike Stokley's Pantomime Quiz Show circa 1951
#vincent price#mike stokley#pantomime quiz show#1950s#i love how Vinny flirts with Hans#i love it#his smile#omggg#god hes so beautiful#i just fucking love hjm#horror#old horror movies#vintage#movie#actor#handsome#gif#gifs made by me#gif set
70 notes
·
View notes
Link
In 1968, African-American comedian Dewey “Pigmeat” Markham capitalized on a rare opportunity to showcase his talents for a national audience as Judge Pigmeat in a recurring sketch on Rowan & Martin’s Laugh-In. Flamboyantly waving his hands, donned in oversized judicial regalia, and crowned with a powdered wig, Judge Pigmeat paraded onto the stage chanting “Heah come de Judge! Heah come de Judge!” The schtick was later popularized by other African-American actors like Sammy Davis Jr. and Flip Wilson, but it was first birthed in the early 60s by the comedic genius of Durham-born “Pigmeat” Markham.
Today the presence of “Pigmeat” quietly stretches to each corner of Durham, North Carolina; from the Markham Avenue street sign designating one of the city’s busiest cross-streets to the strength of Durham’s historic Hayti Community, the African-American district founded at the end of the Civil War, where Markham was born. As a newcomer to Durham’s theater scene, however, I wasn’t formally introduced to Markham until asked to portray Black Power activist, Stokley Carmichael, in a new play by an artist whose name also reaches throughout Durham: Mike Wiley. In Wiley’s The Parchman Hour, chronicling the 1961 Freedom Rides, Carmichael spews Markham’s idiom at the warden of Mississippi’s Parchman State Penitentiary as a form of ironic protest against the unlawful jailing of the freedom riders. Yet, the legacy in which I now participate along with Markham and Wiley extend far beyond that catchphrase.
As a Ph.D. student in Performance Studies, my academic and artistic works converge on the stage, where I explore how histories are told through theater. “Pigmeat” Markham and Mike Wiley are situated within the history of Black performance marked by an oscillation between struggle and jubilation. This is the history that Wiley’s plays have brought to Durham, North Carolina. “I start with the history,” he told me. “[With] the solo work that I do, the history is so in the foreground that people don’t have to sift through to see what the message is.” Throughout his work, Wiley traces a message of unyielding resolve in the face of racial adversity. His first one-person show, One Noble Journey¸ narrates the story of Henry “Box” Brown, the African-American slave who escaped to freedom by mailing himself from Richmond to Philadelphia in a wooden box. Mirroring the tenacity of his character, Mike didn’t wait around for an opportunity to come to him; he sought it out. “I bought this used fax machine,” he explained “and I just started faxing schools and theaters information about the play.” I smiled, because I remembered bouncing around Southern California to perform my own first one-person show. As if reading my mind, Mike tells me through a hand full of chuckles, “Then, I had my old high school drama teacher build me a wooden box which stuck out of the trunk of my eight-hundred-dollar used Ford Tempo, and I would drive wherever someone asked me to do the show.”
Since One Noble Journey’s premiere in the winter of 2000 at Manbites Dog Theater in Durham, Mike’s presence as the region’s foremost performance-historian “just started to grow,” as he put it. Over the span of Mike’s twelve-year career, his repertoire has grown to include over a half-dozen plays and one-person shows. A Game Apart documents the single-handed effort of Jackie Robinson to integrate major league athletics, Life is So Good introduces the audience to the 103-year-old grandson of a slave who learned to read at age ninety-eight, and his adaptation of Tim Tyson’s Blood Done Sign My Name recounts the 1970 murder of Henry “Dickie” Marrow in Oxford, NC. “These are moments in our history that organically excite me,” Mike explained. “They are active enough, exciting enough to dramatize. Now it’s a matter of figuring out how to dramatize them.”
Anyone who has witnessed a Mike Wiley production can testify to his signature method of dramatization, a rapid-fire arsenal of changing characters. This second nature sprung to life at the lunch table as he recited an anecdote of his actor training experience, of course complete with multiple characters and sound effects. “In grad school I played a role where I got on an old 1920s style elevator, you know with the ‘click-click-click’ of the gate and the ‘bong’ of the buttons. I did all this while keeping the dialogue going. That’s what I could do.” Wiley more than proved this ability in Dar He, where he took on the personas of thirty-six different characters to stage one of the most intriguing spectacles of the 1950s, the Emmett Till murder trial. When asked how his work fits within the larger discourse of Black experiences, our conversation promptly moved from questions of “how” to questions of “why.” He reiterated that his performances reflect “those moments in history that possess an opportunity for personal connection and transformation. For some reason those moments jump out at you because they touch your life and make the history feel truer.”
It is difficult to ignore the truth in Wiley’s productions, as his articulation of the injustice that led to the death of Emmett Till now echoes in Florida, where George Zimmerman awaits trial for the death of Trayvon Martin. With the Martin incident as our catalyst, we began to discuss the importance of Black Theater, particularly in Southern regions like New Orleans, Atlanta, Birmingham, and Durham. “I think that this area was in need, but didn’t know it,” Mike remarked. Articulating the slow, but steady growth of presence of Black Theater in Durham, Mike explains, “In 1999, Orla Swift of the News and Observer wrote an article called ‘February is Black and Blue.’ It featured an array of the area’s Black artists that were working and doing theater, but were being pigeon-holed because so much of it was being done in February. That was over ten years ago…and here we are still talking about so much of our work being done only in February.”
Reaching further back into Black Theater’s historical catalog, Mike referenced the 1961 radio broadcast ''The Negro in American Culture'' in which James Baldwin, Lorraine Hansberry, Langston Hughes, Emile Capouya, and Alfred Kazin openly discussed the state of Black Arts in America. “I must have listened to it, half-dozen times,” he confessed, “and listened to the same strands, the same ties, the same problems that we are having in this day and age. When I say some things never change, some things never change. And it’s not a Triangle-wide thing, it’s a worldwide thing. It’s not the way it has become, but the way it has been.” But while Broadway revives A Streetcar Named Desire featuring an all-Black cast, places like Durham provide Black Theater and artists thriving here something more: a space to tell their own stories, the way they see it, whether those stories be decades old or carry wet ink. “There is an opportunity here,” Mike assured me, “in two senses, here in this point in time, but also here in this area, to start giving people what they need to start doing more productions that offer a different view of African-American life or culture. We have reached a point where the Black community wants something more than gospel exploitation plays. They want something different, but they just don’t know what it is. But when they see it, they know it.”
In Durham, that difference manifests in the highly-celebrated recent work of local Black playwrights like Mike, and others like Chaunesti Webb, whose play I Love My Haircombed through the politics of Black women’s hair; Howard Craft’s inventive trilogy Jade City Chronicles: The Super Spectacular Bad-Ass Herald M.F. Jones, in which Mike starred as the city’s Black caped crusader (and yours truly as his loud-mouthed sidekick); or my own one-person show Sketches of a Man, which rehearsed the poetics of invisibility by working from Ralph Ellison’s iconic novel Invisible Man. “It’s like a spark,” Mike said, describing what’s happening in Durham. “We have got the flint, we got the stone, we have the kindling, and all the tools we need to get the fire going. All of us; you with your theater work and me and Chaunesti and Howard and people that want a different kind of play, a different slice of life are all blowing on it, all wanting to stoke this fire.” It was a fire lit in Durham by “Pigmeat” Markham over a half-century ago, now reignited. I, along with so many other artists, hope to fuel those flames by building upon Durham’s strong legacy of Black performance. If this is done, in the words of Mike Wiley, what started as a spark “will become a bonfire. Huge.”
#black theatre#david pigmeat markham#pigmeat markham#kashif jerome powell#mike wiley#durham north carolina#black performance#music#black music#hayti community#freedom riders#stokley carmichael#henry box brown#henry brown#tim tyson#blood done sign my name#henry dickie marrow#henry marrow#oxford north carolina#ralph ellison#invisible man#the negro in american culture#james baldwin#lorraine hansberry#langston hughes#emile capouya#alfred kazin#chaunesti webb#i love my haircombed#howard craft
0 notes
Video
Lunes with @miguelcamina is back! www.Themgoods.com 5 Mins Raw footy in SoCal with Brian Bina, Neil, Erik Stokley, Victor Galicia, Jay, Xathan, Jeff Stockwell, Mike Mcmullen, BIlly O'neill, Marcus Benavides, Chris Dafick, Matt Mickey, John Voussoughi, Kazu, Brandon Smith, Ivan Narez, Miguel Ramos
1 note
·
View note
Quote
Jazz In The Gardens (JITG) and its ancillary events were the latest to fall victim to the novel coronavirus (COVID-19). City of Miami Gardens Mayor Oliver Gilbert on March 11 at 10:48 p.m. signed a local state of emergency for the City of Miami Gardens due to the virus.
“After much consideration and in abundance of caution, I’ve made the decision to postpone the Jazz In The Gardens Music Festival and its ancillary events – Poetry in the Gardens, Women’s Impact Luncheon, the official press conference and Opening Night Party, as well as the Music Festival on Saturday, March 14 and Sunday, March 15,” said the mayor in a written release on the JITG site.
While he knows people are disappointed, the mayor said the decision was made with fans of the event in mind.
As of 9 a.m. yesterday, Florida had reported 26 positive cases of COVID-19 – five Florida cases repatriated (the return of a Florida resident to the U.S.), three non-Florida residents and two deaths. There were 301 negative test results; 147 pending test results; 476 currently being monitored; and 1,230 people monitored to date.
JITG is the hottest concert in South Florida. This 15th edition produced by Live Nation Urban and Live Nation Miami which was to be held at Hard Rock Stadium featured a stellar lineup with Mary J. Blige, Jill Scott, Charlie Wilson, H.E.R. Stokley from Mint Condition, Kirk Franklin, SWV, The Roots & Bilal with Uncle Luke, Nelly, Keyshia Cole, Ludacris, saxophonist Mark Felton and Mike Phillips. Comedian Rickey Smiley was once again tapped to host.
Off the concert stage, the Women’s Impact Luncheon is an inspirational experience designed to inspire women to live centered, active, fulfilled and balanced lives. It’s an event to which men are welcomed to attend and celebrated as well. Attendees are entertained and engaged by guest speakers who deliver powerful expertise on how to create a happy, healthy, spiritual and centered existence.
Let’s Talk Film, Music, Art & Culture (FMAC) provides professional development and networking opportunities for those passionate about art and culture, and features prominently among the music festival’s events.
FMAC was scheduled to feature singer, songwriter and author Anthony Hamilton (book discussion – message behind the music); Melissa Mitchell of Abeille Creations, actress; Tanisha Cidel, actress and screenwriter, OWN’s “David Makes Man”, “Moonlight”; Kelsey Scott, actress/screenwriter; Anthony “Lump” Lumpkin, artist; Lucien Adderley, actor/writer, OWN’s “David Makes Man”; Richard Byrd Wilson, writer, OWN’s David Makes Man; and Jordan Bolger, OWN’s “David Makes Man”, Netflix’s “The 100 Peaky Blinders” and Netflix’s “IBoy”.
JITG Music Festival is a vibe that’s like nothing else you will ever experience. It allows you to go to the festival alone, or with a friend. If you attend alone, rest assured there are people that will dance and sing with you, and if you attend with a friend you will leave with more friends, because it’s not just a concert, it’s a complete experience.
Bahamians are among the thousands that flock to JITG in droves for the city’s signature event. And for 11 years, The Nassau Guardian and Star 106 Hits have partnered with Bahamasair, Comfort Suites Sawgrass and Dollar Thrifty Hertz to give Bahamians the opportunity to take in this amazing experience that Tony Williams, Star programming director, describes as “fantastic”.
JITG is a show that Tony said he definitely looks forward to annually, but he said he’s most excited to partner with JITG to give The Nassau Guardian readers and Star 106 Hits listeners the opportunity to enjoy a great show and experience.
“Very seldom do you get the opportunity to see this many artists together, and so for me to be able to do this for our readers and listeners is a real treat. Through our partnership with Jazz In The Gardens we can give them an opportunity to see the best show in town in the City of Miami Gardens.”
Williams is looking forward to the event’s rescheduling to ensure that this year’s Nassau Guardian and Star 106 Hits winners, Amanda Curling and Lynette Williams, and their guests get to take in the experience – Curling for the second time and Williams for the first time.
Woodrow “Woody” Wilson, Bahamasair senior consultant, sales and marketing, said at the national airline they look forward to partnering with The Nassau Guardian and Star 106 Hits every year for JITG and he looked forward to the event being rescheduled, as it’s a hot ticket item.
“This is one of our major events because we know it’s an event the Bahamian public looks forward to, and we look forward to providing the public with the best rates out there to take them to Jazz In The Gardens. We’ve been a partner from day one, and as long as The Nassau Guardian and Star are promoting Jazz In The Gardens, we will be there with them.”
The post Jazz In The Gardens postponed appeared first on The Nassau Guardian.
source https://thenassauguardian.com/2020/03/13/jazz-in-the-gardens-postponed/
http://scuba-ct.blogspot.com/2020/03/jazz-in-gardens-postponed.html
0 notes
Text
ARMSTRONG FLOORING 2017 RECYCLER OF THE YEAR
PHOTO ID (left to right):
Mike Penney (VP Sales – CSA, Armstrong Flooring)
Dave Roperti (Operations Manager – CSA, Armstrong Flooring)
Linda Krienke (Owner & Executive VP – Linron)
Kyle Stokley (Sales Mgr. – CSA, Armstrong Flooring)
Armstrong Flooring named Linron, the nation’s leading national account distributor for retail chain stores, as the 2017 Flooring Recycler of the Year. In 2017, Linron successfully recycled over 23 million pounds of vinyl tile through the Armstrong Flooring On&On Floor Recycling Program. The award was presented at the 2018 GlobalShop tradeshow.
The Armstrong Flooring award recognizes organizations that make significant environmental contributions by recycling resilient flooring materials during renovation projects, resulting in reduction in landfill materials, transportation and energy.
“The affiliation with the Armstrong Flooring Recycling Program provides us with a powerful way to work to recycle our customer’s flooring materials, which reduces landfill waste, conserves resources for the future and creates value for our customers,” said Linda Krienke, Executive Vice President, Linron.
“Partners like Linron play a critical role in the preservation and protection of our planet’s natural resources and are vital to advancing Armstrong Flooring circular economy efforts,” said Amy Costello, Sustainability Manager, Armstrong Flooring.
As the nation’s leading National Accounts distributor for retail chain stores, Linron Company has provided floor covering for over 18,000 retail stores covering 2.2 billion square feet. Linron began recycling vinyl flooring removed during the renovation of retail stores nationwide in 2014 through the Armstrong Flooring On&On Floor Recycling Program and to date has recycled over 50 million pounds of post-consumer material – a quantity equal to the weight of 111 Statues of Liberty or enough to tile a square foot path from New York to Tokyo.
The Armstrong Flooring On&On Recycling Program is the first program of its kind to reclaim Armstrong flooring and qualifying competitive flooring products from demolition and renovation projects. A national program, On&On Recycling is a closed-loop process, meaning reclaimed materials are recycled into new Armstrong flooring. Armstrong Flooring has regional recycling facilities in California, Illinois, Oklahoma and Pennsylvania. Through On&On, Armstrong Flooring and its customers have saved over 80 million pounds of material since the program inception.
Learn more about the Armstrong On&On Floor Recycling Program at www.armstrongflooring.com/reclaim.
0 notes
Photo
RnB Soul Effect Tv news by MrSoulEffect Rashad Khalil Ali To all r&b fan's make sure y'all get these album's in your collection real music to groove....... All 12 album's available on Spotify Amazon Music iTunes & other digital outlets. #RnBSoulEffect #RnB #Music #SoulMusic #NeoSoul #RealMusic #Power1051 #Power106 #billboard #rollingout #TheBreakfastclub #dashradio #Revolttv Alexander O’Neal - HEARSAY 30 Miguel - WAR & LEISURE Stokley - INTRODUCING STOKLEY Chris Brown - A HEART BREAK ON FULL MOON Keyshia Cole - 11:11 RESET Sammie - COMING OF AGE 112 - Q MIKE SLIM DARON Eric Roberson - FIRE 🔥 Vivian Green - VGVI Brian McKnight - GENESIS Demetria McKinney - OFFICIALLY YOURS Kenny Lattimore - VULNERABLE
1 note
·
View note
Text
Vincent Price on Mike Stokley's Pantomime Quiz 1951
#vincent price#mike stokley#pantomime quiz show#game show#pantomime#his smile#hi vinny#*waves*#*twirls hair*#hey sexy#... come to mama big daddy#what?#im fine.im fine#im normal about this#hes so hot and cute#horror#old horror movies#vintage#movie#actor#handsome#gif#gifs made by me#gif set
82 notes
·
View notes
Text
Vincent Price Mike Stokley's Pantomime Quiz 1951
#vincent price#mike stokley#hans conried#the way vinny flirts with mike makes my day#i love him your honor#why does he have to be so perfect#vinny p#bicon#bisexual god#fav#god i want him to do unspeakable things to me#horror#old horror movies#vintage#movie#actor#handsome#gif#gifs made by me#gif set#game show#pantomime quiz show#pantomime#how he grabs mikes tie omg
62 notes
·
View notes
Last Seen Blogs
uwusphere
"Да. И ам."
missnow-it-all-blog
Miss Now-It-All
jeongonion
jiji
commondominator69
Untitled
sgrobailancoiseam
cho fileanta ri bòrd...