During the recent “March for Israel” in Washington, DC, Al Jazeera interviewed a confident young man from Connecticut about the war in Gaza. Draped in an Israeli flag, Charlie appeared ready to answer any question.
He made it clear from the outset that the ongoing war is not “Hamas vs Israel”, but “Hamas vs the whole world”. He said he regrets children’s deaths and prays for innocent lives lost. But he had no doubt about who is responsible for the death of civilians in Gaza. While Israel does everything to avoid civilian casualties, he said, Iran-backed Palestinian terrorists bomb their own hospitals, use civilians as human shields, and even place kids next to rocket launchers. Iran and its proxies are the source of all evil in Palestine and the region, he added.
Charlie has clearly done his homework. He has studied the Israel Project’s “Global Language Dictionary [PDF]”, memorised its lines, and repeated them verbatim, not missing a beat. The playbook was created in 2009 after Israel’s first war on the besieged Gaza Strip, to guide Israel’s supporters on how best to speak to the media about the conflict. Inspired by Israel’s leading spin doctors, such as Shimon Peres and Benjamin Netanyahu, it is directed at young activists, as well as politicians, pundits, journalists and more. It tells its readers what to say, and what not to say, alerting them to words that should be used and others that mustn’t.
One of my favourite tidbits in the playbook, as I wrote back in 2014, goes like this: “Avoid talking about borders in terms of pre- or post-1967, because it only serves to remind Americans of Israel’s military history. Particularly on the left, this does you harm.” And when civilian casualties mount during wartime in Gaza, the playbook recommends talking empathetically along these lines of “All human life is precious”, but emphasising that “it is a tragedy that Iran-backed Hamas shoots rockets at our civilians while hiding in their own” and that this “causes tragic deaths on both sides”.
Sounds familiar?
. . . continues on Al Jazeera (20 Nov 2023)
PDF of the Israel Project’s "Global Language Dictionary"
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"the strike is gonna kill my favorite shows" babe okay if you don't want to think about the human livelihoods at stake (you should really be thinking about the humans though) like. think about what happens after this. when writing pays you enough to eat; more people get to be writers. more stories. more interesting plots and ideas. think about what gets made when artists aren't starving.
you've been complaining for years that tv is going downhill. part of that is because the writers aren't paid enough - a screenwriter needs to be able to live with a very low paycheck while being virtually anonymous, so as a profession it self-selects for a very slim number of people. part of bad writing is burnout and the absolutely criminal amount of influence corporations have over scripts. writing is actually a craft, despite what people who love chatGPT will tell you - and, as a craft; it takes time, diligence, and support.
and yes, i understand. you have a connection to a piece of media, which is what writers want. but we regret to inform you that your blorbo is as real as the image in the mirror - is your reflection actually you? can the reflection ever show anything but the truth? as writers, our work is the reflection. you can't keep throwing our bodies under buses and then being shocked that our work is bitter, 2d, "needs revision". imagine what gets made when the artist is inspired and has the time, space, energy, and fucking budget to actually make what makes them happy.
i love you so much. but also, really - and for real - before anything else, please remember it's human livelihoods at stake.
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so i've been thinking about this premise for so long but it wasn't working for obikin (which of course i took as a challenge) and i think i finally got it where i want it so
au where 35 yo obi-wan is a music sensation across the world but he's recently divorced and going on tour again after releasing a very cutting, personal, and well-received album
and 19 yo anakin joins his tour with his very small band of two other people (ahsoka, padmé) to be his opening act - they have a small but loyal following, a pretty big social media presence, and there are even people who ship anakin and padmé which you know means these are die-hard fans
anakin has definitely looked up to obi-wan and his music for a good portion of his life and he's like. beyond excited that he's going to tour with The Obi-Wan Kenobi - this is big, not just for his music career but also for himself and the little boy he was listening to obi-wan's music for the first time!!
i'm just imagining like....obi-wan and anakin meeting after a few days of rehearsal for opening night, and it's not the most auspicious start because obi-wan's going through like 20 different emotions at any given moment (he's on tour, he's divorced, he's tired, he loves the music, he can't be the person he was in his twenties when he was first on tour but that's a whole different matter, he has all the media training and charismatic instinct to cover up these less than savory emotions with flirtatious empty words) and anakin is just like. sorta starstruck sorta shy sorta eager sorta awkward so:
"i'm uh, i'm a singer it's nice to meet you. hi yeah. hello. i'm on tour. as well. with you. actually."
"ah no, are you one of my backing vocal artists? we can't have that - you're much too gorgeous and my ego is much too dependent on the audience focusing on me."
"um 😳"
so it's a relationship that begins with a lot of flirting and being flustered and progresses through moments of vulnerability and honest emotion which turns into mutual affection which turns into anakin's celebrity crush becoming very real....meanwhile obi-wan googled anakin and the opening band after the first show/introduction and finds all the stuff about him and padmé being together and that's. that's fine. young love. how sweet. any sort of disappointment obi-wan feels is because he's recently divorced and bitter about it and he's going to have to spend at least half his tour watching the lovebirds snuggling up together.
and even when all the misunderstandings about relationship statuses have been addressed and the pretense has fallen away to leave just attraction, both have to think about their careers - it's all well and good for obi-wan to date someone sixteen years his junior, post divorce, but that's an image he's never wanted to deal with or be associated with. and this is the biggest shot of anakin's career - his best chance to make it in the music industry. in the words of his bandmate, is he really, honestly thinking about risking it for a chance to sleep with The Obi-Wan Kenobi?
but what his bandmate doesn't seem to really understand is that for anakin, obi-wan hasn't been The Obi-Wan Kenobi in a long time. he's just been obi-wan. and that makes a world of difference.
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hiii re: your most recent post, im pretty sure i remember the voice actor of spanish dub dean confirming that y yo a ti was not scripted? there was a panel a while ago where either he or the spanish dub director said it was not scripted/part of the translation but was a choice made by the team on the day based on the rest of the work they had done on the series. sort of along the lines of like, they decided to add y yo a ti bc they knew the show well and knew that's the right response for dean? i would have to dig through 2 years of my blog to find a source for this but I do remember it
ah yes! i honestly forgot about that one ksjshs. i've dug out a couple of posts: [one], [two], [three], and yes, it looks like it would've been the team's/director's choice based on that. some of the posts i linked here aren't 'official' sources, but neither are the recent posts about the translator's confirmations. though it's been almost three years and different people involved so i'm not too surpised about discrepancies
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