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#mckiernan
gracie-bird · 1 year
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Princess Grace of Monaco at a dinner in her honour in recognition of her contribution to Irish cultural development at St. Paul, Minnesota, on July 28, 1978 . 
At right is Dr. Eoin McKiernan, president of the Irish American Cultural Institute. In the foreground is the Waterford Crystal Globe that Princess Grace was to present to one of the guest. 
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lookcaitlin · 1 year
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National Poetry Month - Day Four Storm, Lake Superior - Ethna McKiernan
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athletic-collection · 7 months
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Colton McKiernan
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waheelawhisperer · 11 months
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4 and 8
Assuming this is for the OC ask I reblogged from you
4. Which OC gave themself a new name at some point in their life?
It's weird, I actually have none I can think of who voluntarily renamed themselves at any point. A lot of them picked up some nicknames, but all of them seem pretty comfortable with the names they were given initially.
4a. Was there anything that drew them to choosing that specific name?
N/A
8. If asked to make up a bedtime story, what would your OC come up with?
Feilan would come up with some kind of grand heroic tale.
Bluebonnet would think up something funny, probably with lots of shenanigans. She would have to remind herself to keep it appropriate for kids.
Agara would regale the child in question with tales of conquest and torture, just the sort of thing that would help any good demon kid sleep soundly at night.
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junksterrr · 3 months
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Beans || Jamie Wdziekonski
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cinemgc · 8 months
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The Walking Dead (11ª Temp.)
Episodio 12: ''The Lucky Ones''
• Dirección: Tawnia McKiernan
• Guion: Vivian Tse
• Cinematografía: Duane Charles Manwiller
• Cast: Josh Hamilton, Lauren Cohan
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spilladabalia · 1 year
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Porcelain Bus - Driver
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lunaccult · 1 year
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— @crssfre: did you have another nightmare? // It’s  late  and  he  is  no  closer  to  sleep  than  he  ever  is  at  this  time.    He  isn’t  stupid  enough  to  ask  why  she’s  awake,    though  his  suspicions  niggle  at  the  back  of  his  mind  every  time  they  talk  at  this  hour;    she  has  her  secrets  and  he  has  his.    Maybe  that  mutual  understanding  of  closets  full  of  ghosts  is  why  they  get  on  so  well.    Maybe  it’s  something  else.
Milo’s  got  a  30  second  beat  on  loop  that  she  can  hear  through  the  call  because  she’s  on  speaker.    His  phone  is  propped  against  the  groove  box  to  his  left  so  she  can  hear  the  diddy  as  he  works.    Milo  drops  the  whole  bit  an  octave  and  hums  his  disapproval  before  re  -  composing  it.    In  minor  key,    it  haunts  the  studio.    He  leans  back  in  his  chair  and  scowls  at  the  monitor  in  front  of  him.    ❝    Yeah,    ❞  he  says,    half  to  himself  like  he  doesn’t  even  know  what  he’s  answering.    And  then,    snapping  back  to  reality,    he  blinks  to  her  name  scrolling  back  and  forth  on  his  phone  screen  (E  -  GIRLS  ARE  RUINING  MY  LIFE!,    he’d  very  affectionately  saved  her  number  under).    ❝    You’re  not  even  home,    are  you?    ❞
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themnmovieman · 2 months
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Movie Review ~ All You Need is Death
In All You Need is Death, what begins as an eerie peek into a world of Irish mythology that will be foreign to most devolves into a forgettable misfire devoid of dimensionality.
All You Need is Death Synopsis: A young couple who collect rare folk ballads discover the dark side of love when they surreptitiously record and translate an ancient, taboo folk song from the deep, forgotten past.Stars: Simone Collins, Charlie Maher, Olwen Fouéré, Barry McKiernan, Catherine Siggins, Nigel O’NeillDirector: Paul DuaneRated: NRRunning Length: 90 minutes Review: We all have our…
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filmonizirani-filmo · 3 months
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All You Need Is Death (2023) - #BarryMcKiernan, #CharlieMaher, #OlwenFouéré, #PaulDuane, #SimoneCollins https://filmonizirani.net/all-you-need-is-death-2023/
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crssfre · 1 year
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* , MILO MCKIERNAN ( @lunaccult ): [ GUIDE ]
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hood over your head, and glasses covering your eyes: you move through the crowd like you are the only who thinks... the only one who feels. the rest are fish threatening to suffocate you in the waters of the city. you, usually great in the crowds, feel the moment of derealization coming upon you... interrupted by the gentle brush of his hand on the small curve of your back ( and you remember now you are not alone ). gaze turns to look up to him and it's as if the rest of the fish disappear: leaving only you two. it hits you that you're smiling, and it's warm, it's natural, it's real. " we're almost there. " voice sounds quieter than you intend, drowned out by the murmurs of the street, but attentiveness is given to him, so without a doubt you know you're heard. isn't it refreshing? it is... it should be. brown eyes turn back forward and you feel your shoulders roll backwards, you feel yourself relax and still, as it was, as it had became: there was only you two.
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athletic-collection · 7 months
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Colton McKiernan
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adrian-langtry · 1 year
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Her Sport Awards 2023
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waheelawhisperer · 1 year
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Since I have OCs of my own, I'm curious, how do you go about making yours?
Oh God there are so many ways
Sometimes a stupid idea pops into my head and won't go away until I turn it into a story or character (FUCKING @norondor put Rhine Labs Arthurian Yuri into my brain and now I want to write about hot babe knights and beautiful courtly ladies kissing in secluded castle gardens, for example). This is how I got Greedy, a powerful and ancient dragon who is obsessed with VTubers.
Sometimes I just want to have adventures in the media I consume and come up with a character that lets me do that. In these instances, I typically start by making them someone I'd want to be (skills, personality, physical features, etc) and then decide to give them flaws so that they feel like people instead of strict wish fulfillment. Blatant self-indulgence is nice, but I would typically rather my characters have enough complexity to feel real. Feilan came about when I decided to just make an OC to project on instead of using poor Jaune for the purpose.
Sometimes I have an idea for a story, whether that be in terms of plot, setting, themes, and need characters to bring that to life. For Agara's story, which I still need a title for beyond "Hot Demon Lady Causes Problems On Purpose", I needed Calvin's life to be shitty enough that he'd be socially ostracized and more open to her manipulations, so I created a classist bully to make him miserable. In a lot of ways, this story is about how vulnerable, isolated young men can be groomed and radicalized and how dangerous that pipeline can be, wrapped up in a fantasy setting, so when I created Calvin, I made him the type of person who would be very susceptible to that kind of manipulation - low social status, unpopular with his peers, not particularly conventionally attractive or charismatic, lacking a useful support system, and desperate to change all that. I am not ashamed to admit that I drew on my own experiences here.
Other times I just have a cool idea for a character design that needs a story to go with it, which is how one of the characters of my high fantasy WIP came into being - I thought he was interesting and crafted a world around him.
Sometimes (a lot of the time), I am inspired by other media (fucking Arknights God damn it it keeps giving me brainworms) and create characters based on that. I saw a lovely art piece depicting Texas Arknights permanently removing Mostima from Exusiai's life in a fashion very in sync with her mafia roots and built a setting, plot, and group of characters from it (including a woman who is The Worst Bisexual Representation Ever but I'm pretty sure would also make tumblr sapphics feral on main).
Sometimes I am just horny and create Women I Think Are Hot.
In terms of the actual character creation process, I first identify what caused me to create the character (and thus what's already in place) and then go from there. Sometimes the design/role is already there and the template is already partially filled, but if I'm making a character from scratch, I start by figuring out what their purpose in the narrative is. With Feilan, I knew that the goal was at least in part to let me live out self-indulgent fantasies and have adventures in a world I found interesting (later on, he became my chew toy. This bad boy can fit so much trauma and comedic suffering in him), so I designed a character with physical features I had or wanted to have at the time: tall, built like a linebacker, attractive (but not too attractive. I wanted him to be good-looking, but not so hot women swoon when he walks in a room), deep voice, smart, compassionate, good at adapting on the fly, etc - and I will leave it up to you guys to figure out which traits I have and which ones I want. Then I figured out how I wanted him to dress. I was big into Jojo's Bizarre Adventure at the time and Jotaro's hat/coat combo has infected my brain ever since I first saw it, so I gave Feilan a cool hat and a long black coat. Since he was built on the Jaune self-insert template, I armed him with a sword and shield so I didn't have to modify too much.
Then it was time to figure out, more or less, what I wanted the plot to look like and what traits Feilan needed to have to make that happen. I kind of folded this together with the "give him flaws" stage because I needed those flaws to prevent a quick (and distinctly unsatisfying) resolution in either direction, so I made him good at thinking on his feet and outmaneuvering people (often half by accident or because they overestimate him) and able to plan effectively, but I also made him a bit of a hypocrite, prone to lashing out, self-centered, and afraid of facing the consequences of his own mistakes and then packed him full of some wonderful self-loathing.
The next step was deciding what themes I wanted to delve into. I knew the plot (roughly) of the first Feilan story and what it offered in terms of thematic exploration, so I decided to investigate masculinity, specifically through the lense of male isolation, male insecurity, male physical and emotional vulnerability, and male physical/emotional/sexual abuse. I realized this gave me a great vehicle to discuss masculinity in general, particularly toxic masculinity and what it means to be a man, so I gave Feilan daddy issues by creating Sten-Bjorn Varg (how do I do the symbol on top of the o on my phone someone help me), a Tough Manly Viking Man who has no idea what to do with a son that is very much not a Tough Manly Viking Man and picks a terrible strategy for dealing with that conundrum. I gave Feilan a set of beliefs about how a man Should Be (strong, stoic, doesn't need to ask for help) and started challenging those beliefs and breaking them down over the course of the story.
Then I considered the relationships I wanted him to have with others. I knew I wanted him to be close with Team RWBY, so I needed reasons they'd want to be around him. Being good-looking and not a dickbag is a good start, but if I wanted a real bond, I had to give him a little extra. I made him very laid-back and friendly and a good listener (and willing to cover for/go along with their shenanigans) so they'd be comfortable opening up to him and made him good at book learning so he could help Ruby with her schoolwork and otherwise serve as a mentor figure (and all this gave me the opportunity for delicious angst that fed into his self-esteem/self-loathing issues because every relationship he has is built on the lie that he deserves to be at Beacon).
Then it was time to just come up with the little things that made him feel like a person but weren't specifically plot-relevant. He has a sweet tooth and likes hot chocolate, he enjoys reading and playing video games but isn't a huge fan of watching TV, he's not particularly artistic, he enjoys exercise but not really fighting (outside of a spar. He doesn't get a thrill from it like Yang does) or the brutal training most of his mentors put him through, he doesn't really understand how to dress formally (or dress himself to best advantage in general), he's not very good at flirting or handling being flirted with, etc.
Meanwhile Bluebonnet came about because I thought the world needed more tall blonde big titty bisexual cowgirls with thick Texas accents and I was so right for that. I've been haphazardly slapping bits of characterization onto her like a clay figurine ever since. I started with her appearance, then moved to her personality and fighting style, and built a backstory from there.
Tl;dr there are a ton of ways I make an OC.
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junksterrr · 5 months
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Beans || Danysha Harriott
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