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#mature? no but well
elliesbelle · 11 months
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i love exes drama/tea ugh what is she doing 😡😡😡you deserve fun peopleeee
long story short, my ex and i are in a situationship where we're basically dating and we're incredibly in love with each other but it's long-distance cause we live on different continents and also i have a gf (they both know about each other dw), and my ex is kind of just tired of only being in a situationship and she wants more and she was just being a little too much about it last night
we've been having a whole devastating convo about it today and it's been breaking my heart lol!
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aropride · 2 years
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lunarin64art · 5 months
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Day 6: AU
Scott Pilgrim if it was good
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Anyway, I find it really cute how protective Wallace is over Scott when it comes to Envy. He'd definitely want to rub it in her face if he ever ended up dating Scott in the future.
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mortysmith · 6 months
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eye color hcs
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ym523 · 21 days
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Yeah tumblr hates me lol
🔞Available here: Twitter
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yugiohz · 1 year
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brotherhood
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reesiereads · 25 days
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Can I just say: Fucking props to DBD for having a couple not get together after kissing. Like I can’t think of another example in a show right now where two characters have kissed and expressed interest in one another and then been like: “as much as I like you I am not currently in a healthy enough place to be with you right now. I want to stay friends until I figure myself out.” Like that is the mature thing to do but I don’t think I’ve ever seen it and it’s just another example of how amazing this show is at writing complex relationships.
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sage-nebula · 2 months
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"Suffer No Fools" - Shiver vs. Marina Analysis
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It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.
So! Here we go.
Exchange 1:
Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."
Analyzing from dialogue only:
Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.
Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.
HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.
Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.
But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.
Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?
And Shiver noticed, hence:
Exchange 2:
Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"
Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.
Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.
Exchange 3:
Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."
This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.
It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.
But those are just my thoughts! Everyone else is free to have their own.
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remanedur-art · 11 months
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a comic from 2019 that i did for velvetomo, with her sona and the struggle of the MMO grind 😔⚔️
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godbirdart · 4 days
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i've been so used to the online space where if you like a series or fictional character that someone else hates they will openly berate you and cut you out of their life and tell you to Go Die so when i got into a thing that a friend really didn't like and their only reaction was "i do not like it" and left it at that with no over the top reaction or lecture on Why The Thing They Don't Like Is Bad, honestly i felt like i met god
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vanessavixenx2 · 12 days
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“Literature is news that stays news.” —Ezra Pound 📖🤓 Vv xo
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notachair · 8 months
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thinking about how Sypha described Alucard like a "cold spot in a room" in S2, and Alucard showing up at the end of Nocturne S1 looking all desaturated, though yes ethereal, but also in a sense cold and ghostly, all buttoned up at the front. Sypha saying his sadness being like an icy well. And here he'd been so soft and happy by the S4 finale 😭 I'm nervous- but excited. And I fear the new groupie got some walls to tear down
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tampire · 8 months
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Ash Crimson reunites with Duo Lon who also mentions Shen Woo in King of Fighters XV
Bonus:
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They'e reunited with Betty and Shen Woo at the airport in their ending.
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nerdy-hyperfixations · 2 months
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I just want to remind everyone that Wallace is canonically the worse one to sleep in the same bed with.
Scott can be a bad roommate in every other aspect but GUYS Wallace is the one that canonically snores and kicks in his sleep.
Scott sleeps like a princess with his back against the sheet lying perfectly straight (and also taking all the covers) and Wallace sleeps semi-on-his-side and apparently just fucking punting Scott in the leg every so often (not to mention he talked in his sleep too) and I don’t know why this is important to me but it is.
Because when people draw them cuddling in their sleep it’s always Wallace being normal and Scott turning and snoring and shit but you’re missing out on sleepy-cuddly Wallace turning and snoring on Scott. Let that cringe-fail 25 year old be annoying. Istg.
I’m talking to the Mobillace people too btw. Not that I’ve seen anyone draw them cuddling in bed (which is a CRIME btw. Draw that. For me.) but like imagine how funny it would be: Mobile stays the night for the first time and the hot-weirdo is a bed-menace, snoring and kicking and tossing and turning and suction cupping for warmth and Mobile is like “I want him to be my boyfriend” THATS FUNNY! LIKE-
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theoldkyokodied · 1 month
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I'm posting this here too, just in case anyone who doesn't follow me on insta is interested in getting one of these! You can find the shirt here or dm me to do it over paypal invoice, if you want to save 2€ from etsys greedy little hands.
the shirts will be ready for shipping in roughly 3 - 5 weeks from now! and sorry to everyone outside the EU, shipping from Germany is really expensive :(
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kash-phia · 4 months
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greenie
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