I will never ever in my life get tired of the villain and their fiercely loyal second-in-command having weirdly intense sexual tension
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I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.
Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.
The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"
I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too
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from a wee bit ago, while watching the cr bg3 vod ^_^
[image description: 2 digitally coloured pencil drawings of critical role characters. the first is of ashton, leaning on their elbows, smirking and and flipping someone off, labelled 'to chet'. the second image is a portrait of caduceus, based on his level 20 design. he is smiling slightly and looking to the side. end ID]
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truly one of my favorite things about the klapollo dynamic is that yes klavier is a world-famous rock star with tons of fans and probably a grammy or something, but apollo truly Could Not Care Less. it's the least interesting thing about this guy to him. he doesn't even like his band's music. he went to one of their concerts and decided he'd prefer to hang out backstage during the last 3rd of the show. he likes one (1) gavinners song and its an acoustic ballad collab that klavier doesnt even sing on
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I think about Leo’s “I’m your least favorite” comment to Splinter in “Down with the Sickness” a lot. It’s likely just a throwaway comment, a way to get Splinter to leave him alone before Leo gets sick too, but I can’t help but wonder if Leo believes it on some level.
Obviously it’s not true, Splinter loves him as much as he loves the others, but…it wouldn’t be shocking if Leo believed otherwise. After all, just in “Many Unhappy Returns” alone, Splinter has, with no hesitation, said comments like “my other sons would have taken this seriously” and “I knew I should’ve brought purple”, said “no” to Leo’s “I love you”, and pretty blatantly didn’t extend any trust in Leo’s plan even after Leo was fairly effortlessly defeating their opponents.
It was only after, when they’d already won, that Splinter finally gives him a “it was all you my son!” And…that’s basically it. Raph is the one who announces his trust in Leo. Not their father, even though Splinter is the one to witness Leo lowering his walls for once (which Splinter doesn’t react well too, because Leo only lowers his walls in the most hectic of times, and because he lowers them only then, either no one is around or no one is in the right state of mind to respond properly, leading to Leo building his walls back up, and the cycle continues.)
Again, it’s not because Splinter doesn’t love Leo, but Leo…can’t be feeling too good about all that. The way he never reacted surprised about any of Splinter’s words too…
He may know that Splinter loves them all, as a group, but individually…I don’t think Leo believes he ranks all that high with that love. Gives another meaning to “I’m nothing without my brothers” huh?
(Of course, I’m willing to bet the invasion changed that understanding, but with that comes the potential misunderstanding that his father’s outright love is tied to Leo sacrificing himself.)
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