Yukine's journey toward acceptance of the life that was robbed of him, this time with finality, exemplifies the emotional and beautifully rendered arc that has defined his character.
Yukine finally accepting the reality of his death. Yukine stepping out from the fridge that contained memories of what was once his life. Yukine freeing himself from the shackles of his trauma. Yukine running to protect the person who cherished him the most in the world. Yukine standing up to an abusive father. Yukine wholeheartedly apologizing. Yukine's growth, and Yato tearing up as he stretches his little arms to pull him for an embrace.
Yukine's gratitude for what Yato did for him is evident throughout the series. He was given a name more precious than any other. He was treated like a human--an ordinary teenage boy. And life after that was one exciting journey after another. Now, Yukine can no longer be entirely consumed by the horrors of his past because he knows that his reality with Yato is so much brighter. Far brighter.
Yukine could break out from that refrigerator because of the true, sincere, and nurturing love shown by the only father figure in his life. Yato has said multiple times throughout the series that Yukine was his priority above all else, and Yukine was the only person he swore to protect the most. Hell, he even went straight to hug him after Yukine apologized for turning into that form! Yato did not need to summon Yukine. Yukine came to protect Yato on his own decision. As he always did.
The journey to their healing will be painful, and this chapter shows that Yato and Yukine will face it together. No more secrets and no more miscommunications. They will help and be by each other's side as they always have, not only as god and shinki but, this time, as family.
"I will not let him die. Not Yato. No matter what happens... I swear I won't let anyone take him from me!" -Yukine, Noragami Vol. 17 Chapter 67.
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its me the "never getting over adam" returnee. i plundered all of your au tags and after the adam vs gods au i cant stop thinking abt how rwby handled adam vs. how this light novel i read handled its adam equivalent
[long rant incoming]
i say "equivalent" very broadly bc the situations and worldbuilding are really different, like for one thing its a medieval-ish setting with no civil rights in general + no real avenues for nonviolence + murder is more standard here, but the gist of it is that theres a demographic with significantly higher magical potential than standard humans and the human policy towards them is either 1. forcibly conscript into military or 2. kill on sight
the protag is a human-passing conscript while his foil, who is kinda like the adam of the series, was born in a significantly more hostile environment and has been on the run since childhood. his schtick is attacking places where people like them are imprisoned and slated for execution, wiping entire towns off the map in the process, and if he doesnt get there in time to save his target he wipes the town off the map in retribution anyway
but while like... while no one LIKES the bloodshed that comes with what he does, the narrative is very generous with him bc even the characters that want him dead acknowledge that he is explicitly a product of his circumstances and there aren't really any viable alternatives for him. for the protag maybe but not for him. and the protag similarly acknowledges that while he, personally, is in a position to negotiate for their people to have legal protections, him doing so won't provide immediate salvation to their people getting lynched the way his foil slaughtering his way up to the gallows does
the foil guy also has a "must exterminate inferior humans" schtick, which is examined and broken down as a sad front for a man whos resigned himself to someday dying in the line of fire without being able to create lasting change for his people.
anyways sometimes i just look at him and then i look at adam and then i look back at him.
[rant end]
also his unique magic is basically just moonslice.
AND ALSO. THE REASON THE ADAM VS GODS AU THING REMINDED ME OF HIM.
in the worldbuilding!!! its actually revealed later that his people were created as part of a powerplay between gods!!! and meant to suffer at the hands of humans!!! however we never get to see his reaction to this because his entire narrative arc got dropped in favor of a romance subplot. which is especially a shame because he IS religious
DROP THE NAME OF THE EQUIVALENT
That worldbuilding actually sounds sick as hell, especially that reveal. But fucking hell why do the romance subplots always shoot massive character development opportunities right in the face 😩
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want to get nerdy really fast about all the cool little concepts and ideas that went into hallowed bodies because I fell into the trap of Hating It Until It Was Over & nowwww I remember that I specifically chose to write 90% of it in vignettes to capture a feeling of stunted listlessness in the narrative, that I literallyyyyy kept a character unnamed as a way to thematically emphasize the omnipresent anonymity of men in Lonan’s life (his father, god, Harrison), that I leapt off the ending of BODY BACK that ends in a church (HB starts in a church), that both first chapters in BB and HB have the protagonist yearning for someone to lead VS someone to follow, that similarly, both books delve into the same premise but with vastly different circumstances, that the ending was designed to also be a foil of the end of BB (Harrison walks INTO a church, Lonan walks OUT) & yeahhhh it’s pretty cool lol
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MCD Gene is overprotective and snaps at people for Myst Gene and Myst Gene softens him up. He doesn’t need to be on guard all the time, especially when it’s just the two of them.
mys gene is like "someone called me a slur today lmao" and mcd gene is instantly "i need their name, their home address, their-"
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Forever thinking of Vax sitting down, and Kerry standing up, talking to someone and absentmindedly playing with Vax’s hair, not realizing Vax is looking up at him with the biggest heart eyes ever because yes Kerry was angry with him for disappearing, but he’s here and gentle and loving and Vax can’t help it. And when Kerry looks back, Vax is still looking up at him and Kerry realizes he doesn’t think anyone has ever looked at him like that before and Vax is so unashamed doing it and he just kisses his forehead, unsure of what else to do.
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