Tumgik
#make them work for it
twin-chains · 24 days
Text
Timeline things
I figured out how to fit the BS games into the timeline!
In order to incorporate all the heroes for this AU, the TC timeline will be split up so that “every time someone time travels and makes significant changes in that time, a new timeline split is created” (so going back in time to complete the Temple of Time in Twilight Princess wouldn’t cause a new timeline for instance). Basically this rule means that a timeline is created where the person DID travel through time and a timeline where the person LEFT and life continues on without that person, as if they just vanished into thin air. It is much more confusing than Nintendo's timeline but bare with me
This creates 4 main timeline splits
when Impa travels back and forth to aid Zelda in Skyward Sword
when Zelda sends Link back to his childhood in Ocarina of Time (we already know this one)
when Veran possesses Nayru to travel between the ages in Oracle of Ages
when Zelda travels back in time in the memories in Tears of the Kingdom
(technically Hyrule Warriors: Definitive Edition doesn't combine or split the timelines but rather makes the timelines super unstable since Cia brought people to her time rather than traveled herself, more on that later)
Skyward Sword
When Impa travels back and forth in time to help guide Zelda (Destiny) as Hylia's reincarnation, she inadvertently brings Ghirahim with her and starts the events of Skyward Sword as we know it. This is known as the Master Sword timeline because Link (Chosen) ends up upgrading the white goddess sword into the master sword.
Tumblr media
However, this means Impa leaves a timeline where she didn't time travel in the first place known as the Goddess Sword timeline. In that timeline, Destiny is not kidnapped by Ghirahim but does end up being drawn to the power of the triforce on the surface. Chosen and Groose try to help her but Chosen doesn't find the goddess sword and Groose (the first ancestor of the Gerudo) ends up sacrificing himself to help defend them. Destiny somehow ends up barely sealing Demise but without Impa's guidance, she accidentally fuses the pieces of the triforce into one singular artifact known as the light force. The hylians of Skyloft still descend to found the settlement of Hyrule but some creatures (who later become the Minish) stay in the sky and discover the untouched goddess sword.
Tumblr media
Demise's monster army is still scouring the surface as Hyrule is being founded. So in the Age of the Minish that follows, the small race descend from the sky and bring the light force and the goddess sword (referred to as the Picori Blade) to the hylians to help defeat the monsters. The light force only responds to the new princess (Power) due to her goddess bloodline. The hero of men (Mighty) wields the Picori blade and seals the monsters of Demise into the Bound Chest, thus creating the legends in the intro sequence of the Minish Cap. The Picori Blade goes on to become the Four Sword in the events of Minish Cap. Based on this, the Goddess Sword timeline contains the Four Swords trilogy (Minish Cap, Four Swords, FSA) while the rest of the games exist in the Master Sword timeline.
Ocarina of Time
We already know how the adult timeline and child timeline split. The downfall timeline is also basically the same in concept. When Young Link tries to wield the Master Sword, there's a timeline where he doesn't travel forward in time or get aged up into Adult Link. Thus, Young Link is not strong enough to defeat Ganondorf and dies during their fight.
Tumblr media
The Adult timeline contains The Wind Waker, Phantom Hourglass, Spirit Tracks, and Hyrule Warriors.
The Child timeline contains Majora's Mask, Twilight Princess, Link's Crossbow Training, the Age of the Sheikah (first Calamity), and Breath of the Wild.
The Downfall timeline contains ALTTP, Oracle of Seasons, Oracle of Ages, and Link's Awakening.
Oracle of Ages
In OOA, the Twinrova send Veran to possess Nayru and use her time powers to go back in time to light the flame of sorrow while Legend uses the Harp of Ages to collect the Essences to stop them. But by doing so, there is a timeline that Veran-Nayru leaves and Legend is able to defeat the Twinrova prematurely, without the flame of sorrow lit to resurrect Ganon. In that battle, as a last ditch effort, the Twinrova curse Legend with horrible sorrow before they are defeated. This causes him to carry this innate sorrow in his heart that is subtle at first and slowly grows over time but Legend is none-the-wiser and sails home.
Tumblr media
When Legend is sailing home, he goes on the adventure in Link's Awakening. But because of his growing sorrow, he can't bear the thought of saying goodbye to Koholint or waking the Wind Fish, so he chooses to stay there and live in that dream world forever. This is known as the Dream timeline.
In the Dream timeline, it's unknown if Legend is alive or if he died at sea or is in a weird state of Schrödinger’s limbo. In Legend's absence, the monsters of his time return six years later and two young children Star and Sun are forced to take up the mantle. They do not have the hero's spirit (Legend holds it) but are endowed with the light of the goddess, going on to become the heroes of light in BS Ancient Stone Tablets. These two heroes also go on a very fast-paced adventure many years later in BS The Legend of Zelda.
Tumblr media
The other timeline where Legend successfully completes OOA and Link's Awakening in canon is called the Reality Timeline. In the Reality timeline, Legend returns home successfully and can defeat the monsters that return with ease. Many years later, Legend's successor Clover does ALBW and then travels to Hytopia to become one of the Triforce Heroes with two other Links nicknamed Ember and Aqua. In the Reality timeline, Hyrule enters an era of peace for many years until the Era of Decline, when Fay becomes the hero of TLOZ and the Adventures of Link.
Tears of the Kingdom
When Zelda goes back in time in the beginning of TOTK, she creates a timeline where she becomes the light dragon and lives for over 10,000 years (which is the canon of BOTW and TOTK) known as the Light Dragon timeline. The young pre-Calamity Zelda would notice the dragon during her childhood and feel strangely drawn to the creature, she ends up pulling herself away from her Sheikah research sometimes to spend time trying to catch a glimpse or study ancient legends about dragons and Zonai. The events of BOTW and TOTK occur normally in this LD timeline.
Tumblr media
In the timeline where she doesn't become the LD, Zelda solely focuses on Sheikah research and experiments with ancient relics, even re-activating a strange mini-Guardian she names Terrako. This is known as the Terrako timeline because when the Calamity hits, Terrako goes back in time to prevent the death of the Champions in HW: Age of Calamity (technically creating 3 timelines because Terrako time travels too but we're going to pretend it works out for now until another game comes out)
Hyrule Warriors
Normally, Hyrule Warriors is the game that connects all the OOT timelines because of Cia opening up the time-space portals between the eras, allowing for Breath of the Wild to come after. However in this timeline, BOTW occurs in the child timeline with Twilight Princess, which is why the past heroes mentioned in the Subdued Ceremony memory are “skyward bound, adrift in time, or steeped in the glowing embers of twilight”
Tumblr media
Meanwhile, I put HW after Spirit Tracks when New Hyrule is founded and a new royal army is formed. Purely based on vibes in all honestly.
Instead of 'merging the timelines,' HW creates cracks and instability between the timelines, accounting for weird inconsistencies between eras like Majora's mask in Link's house in ALBW or a small subsect of the Zora evolving into Rito without the flood in the Child Timeline. Maybe that’s also how the TC heroes manage to meet up across time hehe
Although, there’s a particularly strong connection between the downfall timeline and the goddess sword timeline. Namely, the palace of the four sword can be found in ALTTP while Ganon and the dark world find themselves in FSA (since with Groose’s death, the Gerudo, and Ganon by extension, cease to exist). I like to think their worlds are unstable already due to their status as ‘failed’ timelines in a sense and messing with the hero’s spirit (fracturing it into 4 with FS and the weird limbo Legend gets into in the BS games). So to compensate for their unstable states, they start to bond together and share pieces from their world like electrons to form some semblance of stability and strength.
This was just supposed to be about accounting for the BS games but all this timeline talk kinda got away from me and became an essay, it’s fun to think about though!
5 notes · View notes
obsessive-evie · 4 months
Note
ok now i wanna know your favorite things to see in a fanfic
oh my goodness i love this questionnnn!!!
1) ok i am a SLUT for slow burn and tension idc if the oneshot ends up being 10k words it’s WORTH IT.
2) i also love more poetic kind of writing styles especially when used for simple things? like very vivid imagery or metaphors during smut or just dialogue. this is something i def try to incorporate but would love to work to add more of.
3) specific tropes i am a fan of: forced proximity, best friends little sister (or adjacent), denying feelings until they simply CANT anymore, there also aren’t enough making out fics like give them the tension then interrupt them after just kissing.
4) ok and then lastly i love when authors give their oc’s drive and passions and work outside of their love interest, even if it is a very romance heavy fic. like give your college girls a side job and a dream internship yk?
bonuses!
anything Kate. there are simply not enough ms martin fics. and i think it’s so cute when you can tell where the author is from based on spelling or specific vernacular like idk i find it so cute and i just love regional dialects.
7 notes · View notes
badolmen · 10 months
Text
People against piracy fail to realize that no, I can’t just ‘buy it.’ They stopped making DVDs and Blu-Rays. They’re barely offering digital copies for download. I am not spending money I could use for food or bills to pay for a subscription service just so I can always have access to a beloved piece of media. Especially not when the service will remove media on a whim without concern for how the loss of access to that piece will make its artistic conservation nigh impossible.
For example, I recently learned that Disney+ had an original film called Crater. It’s scifi, family friendly, and seems cool - I would love to buy it as a holiday gift for my little brother! But: it’s exclusive to D+ and THEY REMOVED IT LITERALLY MONTHS AFTER ITS RELEASE.
The ONLY way I can directly access this film is through piracy. The ONLY available ‘copies’ of this film are hosted on piracy websites. Disney will NEVER release it in theaters, or as something to buy, and it may NEVER return to the streaming service. It will be LOST because we aren’t allowed to purchase it for personal viewing. If I can’t pay to own it, I won’t pay for the privilege of losing it when corporate decides to put it in a vault.
So yes, I’m going to pirate and support piracy.
110K notes · View notes
millificent · 4 months
Text
Every Nico Di Angelo fan focusing more on the background of the episode than the actual plot
Tumblr media
23K notes · View notes
nipuni · 8 months
Text
Tumblr media
the snake of eden 🥰
36K notes · View notes
housegoblin · 23 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Baldur’s Gate 3: But Make it Cats🐱
13K notes · View notes
shay-creates · 8 months
Text
Apparently, my decision to be silly and make fanart of someone's writing (because I genuinely enjoy the story the person is writing and I was struck with inspiration upon reading a particular scene) has benevolent and wildly unforeseen consequences.
I apparently gained a bit of control of the canon because said writer really loved the art and decided what I drew/draw is canon.
2. Writer put said artwork into the document of his story right below the scene, so now it's IN the story where people who read the story will see it (with a link to me)
3. He sent the artwork to all his friends and people he knows because he was so excited
Wholesome interaction and I watched him do all that in real time, good stuff. However...there are two more consequences I was notified of today...nearly a full week after I gave the artwork.
Seeing the artwork caused his friends to become interested in reading and hearing about his story, which means more people are reading what he's writing and giving him critique on the story (which he actively asks for).
Apparently, upon seeing the art, his writer friends got a sudden second wind to pick back up writing they'd abandoned for a few months. Because, I quote, "seeing that someone enjoyed {his} writing enough to take the time to make art of it gave them the motivation that maybe THEY can write something that will inspire someone to also create something." I have accidentally caused a writing frenzy among his writer friends and my silly idea to make art for someone has had a butterfly effect for people who I don't even know.
Uhh...I'm pretty sure there's a moral here but I am tired and have a great deal of emotions about this.
30K notes · View notes
mroddmod · 21 days
Text
Tumblr media Tumblr media Tumblr media
everyone be quiet i'm manifesting
8K notes · View notes
Text
Tumblr media
MEAN TO HIM!!!
32K notes · View notes
lupucs · 3 months
Text
Undyne tries to be a good lab partner to Alphys but then Frisk shows up with some newfound skills 🐟🦖 Made with Blender!
| Music: [Track 1] [Track 2] | Watch on Youtube |
9K notes · View notes
petricorah · 1 year
Text
I love "i would kill for you" ship dynamics but what about "i would stop killing" ship dynamic??
I would lay down my sword for you. I would change my nature and go against everything i've known. I would resist the easy way out of solving my problems. I would give up the adrenaline of battle to stay by your side and make tea instead. I'm not sure I know who I am without a weapon in my hand because I've had to fight for so long but for you I'm willing to try and figure this out.
It must be hard. To put down your weapon that's protected you for so long. It's allowed you to stay alive it's kept you from getting hurt--physically and mentally. Because you've never had to worry about a real relationship if you think you'll be dead at the next battle. And you feel naked without it and it feels like you're ripping off an extension of yourself. Are you even whole without it? Are you worthy of being loved if you can't prove it by risking your life? And yet they've found someone who's asking them for something much harder than dying in battle on their behalf. They've found someone who wants them to live. And that's much more terrifying.
22K notes · View notes
dragonomatopoeia · 5 months
Text
i'm always a bit unsettled by disdain for intellectual or creative labor in leftist spaces. there's this commonly held belief that academics are a bunch of rich old white men, rather than a wide variety of people who are barely getting by. most lecturers in universities are adjuncts living paycheck to paycheck. authors make very little money as a general rule. most researchers are overworked and underpaid. and yet there's still this idea that academics are overcompensated to sit around and smoke cigars together while making shit up
9K notes · View notes
oliveroctavius · 5 months
Text
In Plagiarism and You(Tube), Hbomb says "If you consider something so obscure you can get away with stealing it, you do not respect it." Save that line for the next time someone tries to tell you that Roy Lichtenstein brought respect to comics as art.
Tumblr media
It's since been pointed out that while Lichtenstein did copy one of Russ Heath's drawings of an airplane getting hit, the painting depicted above was actually copied off Irv Norvick, because Lichtenstein did this so many times to so many comic artists.
Tumblr media
In Lichtenstein's defense, he was doing this in a time when comic artists frequently weren't even credited in the issues themselves. In his condemnation, he never even tried to check, nor has he made any move to pay or credit any of the comic artists who recognized their own work later on. Rather than elevating the "low art" of comics, he was widening the gap of financial success and respect even further.
Tumblr media
The Hbomberguy of this story is art historian David Barsalou, who has now spent decades tracking down the original art and the names of the original artists used in Lichtenstein's most famous output. Here's the flickr gallery for the Deconstructing Roy Lichtenstein project. Frequently copied were Tony Abruzzo, Ted Galindo, Mike Sekowsky, Joe Kubert, Jerry Grandenetti, and dozens more Golden Age artists who aren't very well known in comics circles, let alone art history books. Many of them died in poverty. That's something that the Hero Initiative, mentioned in Russ Heath's comic above, aims to prevent.
Also, Lichtenstein didn't even paint Ben-Day dots. That's a specific thing.
13K notes · View notes
catmask · 6 months
Text
with that said there are characters that a fat maybe not canonically but they are spiritually. to me. they may not be drawn that way but i know whats true. ive seen it like a sort of prophet
9K notes · View notes
inkskinned · 10 months
Text
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
18K notes · View notes
invasive · 2 months
Text
Tumblr media
5K notes · View notes