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#lorraine broughton icons
editfandom · 1 year
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Lorraine Broughton - Atomic Blonde, 2017
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tudojuntoemisturado · 3 years
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{Lorraine Broughton icons}
please like or reblog if you save :)
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boxofpacks · 4 years
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like/reblog if you save
icons: tudojuntoemisturado, shieldmaidenicons, amazonicons, screensland
headers:  packsxpacks,  pizzheaderz, tinypacks
          credits to all owners
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mylegendaryicons · 3 years
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donamarocas · 3 years
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give credits if you repost, please
like/reblog if you save
follow me for more
Xoxo 💜✨
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rolling-horror · 4 years
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THIS MAN
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bill in atomic blonde, hes so beautiful HOW??
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reneezellwegayr · 4 years
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𝐚𝐭𝗼𝗺𝐢𝐜 𝐛𝐥𝗼𝐧𝐝𝐞 𝐢𝐜𝗼𝐧𝐬
like or reblog if you use/save
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bestwitchsam · 7 years
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Charlize Theron, earned $ 14 million this year. 6th ranked.
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365days365movies · 3 years
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January 17, 2021: Atomic Blonde (Epilogue)
I genuinely really enjoyed this film! And then...about 2 minutes after it ended...I started to think. And I continued to think. I wrote those two posts, and then took a little bit more time to think.
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And then...I came to my final realization.
John Wick REALLY screwed this movie. Because the perception of this movie for most, myself included, was that of a new John Wick, with a female protagonist. A lot of people referred to it as “Jane Wick.” But it’s definitely not John Wick. It’s trying to be a spy movie, especially like James Bond films.
But the problem is...it isn’t either. To be a spy movie, it tries a little too hard with a pretty standard plot. And then, it intercuts that with John Wick-caliber fight sequences, detracting from the spy movie aesthetic. And then, because you do have those fight scenes, but still need to fit in the spy stuff, it creates a distinct disparity in tone and pace throughout the movie.
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In other words...let’s get to the Recap. I have some more thoughts. And don’t worry! Many of them are positive. Just...not all of them.
Recap
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Cast and Acting
Let’s start, of course, with Charlize Theron. Outside of the action sequences, Theron goes well as Broughton, portraying the tough character traits we see in spy characters like her and James Bond. And with the character she’s given, Theron does wonderfully. James McAvoy, on the other hand, seems like he’s having a HELL of a lot of fun with his role. He’s an underrated actor, honestly, and it’s very cool to see him play this sort-of anarchist punk spy. Sofia Boutella also deserves a shout-out for Delphine, playing her character’s naivete well, as well as remaining likeable. Also, Bill Skarsgård deserves a shout-out! I liked Merkel a lot, even despite his shorter screentime. Goodman, Jones, Marsan all do fine in their roles. The USSR characters...eh. They aren’t really given much spotlight...which is weird, given the fact that this is a Cold War drama, but OK. Basically, we’re going with an 9/10. Great; not the best I’ve ever seen all around, but still great!
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Plot and Writing
Yeah...here’s the thing. I might like this movie, but the plot’s kind of a massive mess. Writing’s fine, but the plot is both extremely cliche spy movie, while also being extremely muddled in terms of story. Remember what I said up there about this film trying to be both a spy movie and John Wick, and that not working really well? Yeah, basically that. It attempts to balance the two concepts, but also corrupts what makes those concepts work in the first place. The Bourne Identity is arguably a better version of that combination. It’s too bad, because elements of the plot really take away from the rest of the movie. 
And then...there’s the tacked on ending. Because, yeah, the whole American spy thing? Wasn’t in the original graphic novel. What I genuinely think they should’ve done was end it RIGHT at the interview’s terminus. Or, at least, right as she greets Bremovych as Satchel, as is done in the original novel. And, just to be clear, I thought this BEFORE reading the book. That ending feels...pander-y, for lack of a better term. I realize that we always want our protagonists to be heroic, but how great would it have been if Lorraine actually was kind of a villain? I dunno, I think not adding that extra twist at the end makes the movie stronger and more provocative, in a good way. Sorry, Kurt Johnstad, I know you did a good job on a technical standpoint, but...5/10 here.
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Directing and Action
David Leitch, Jonathan Sela, and Sam Hargrave, the director, cinematographer, and stunt coordinator/fight choreographer, respectively. Full points for the action sequences, because MAN, those were some good action sequences! Rough and gritty, but extremely well-choreographed and shot at the same time, the action deserves the praise that it’s gotten. How about the cinematography? Stylistic, and very bold colors make this film very memorable. But...they don’t have much clear tie-in to the theming, and I think there’s some missed opportunity there. And the direction overall is great, even if I don’t think it’s perfect. It is Leitch’s first film as solo director, after all. 8/10!
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Production and Art Design
Changed the title of this section! Turns out that I’ve been conflating the two concepts, so let’s include them both from now on, shall we? But OK, what did I think of it? Costume design was iconic...in the case for Charlize Theron, at least. James McAvoy a little bit, too, but it’s clear that Cindy Evans focused more upon Charlize than anyone else in the film, really. Which, for a spy, isn’t the best of ideas. Still, that combined with Zsuzsa Kismarty-Lechner’s art direction for the sets and set pieces (almost all of which are splashed with graffiti, in a very 1980′s flair) do bring you back to the time period in which the film is set. This, of course, is also due to the work of David Scheunmann, the production designer who’s actually from Berlin, and whose experiences were vital into making this film look as good as it does. If you’re not sold on the set design, check out the differences, obvious and subtle, between West and East Germany in the film. While some of it is clear, some of it carries some surprisingly subtle messaging (Stalker and Tetris, for example). So, even if Charlize got most of the costume attention, a lot of credit should be given to this movie. 8/10 for this one!
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Music and Editing
Maybe the most well-known aspect of this movie, outside of the dramatic lighting, is the ‘80s soundtrack. Some love it, some criticize it quite a bit for overwhelming the film. And honestly...I think they’re both right? Here’s the thing, the music is great, and some of it is used in unexpectedly creative ways that critics didn’t seem to pick up on. Biggest and best example of this is Nena’s 99 Luftballons. That song if you didn’t know, is inspired by the separation between East and West Berlin. It’s literally a song about the cost of political strife, leading to war between countries over something as trivial as a red balloon. And when do they play it during the movie? When Bremovych is waging interrogating young East Berliners celebrating the culture of the west. It’s surprisingly profound! However...using Flock of Seagulls’ I Ran during a chase scene is...less so. That’s one’s a little on the nose, let’s be honest here. And that basically sums up the music for the movie. It’s all good music, but it’s either used well, or it just isn’t. Also, there actually is music composed for this movie, by Tyler Bates, and it is good...but I had to listen to the soundtrack to remember that it was even in the movie. So, yeah, not fantastic.
OK, how about the editing? The flashback sequence intercuts as part of the movie have been criticized by some for interfering with the pace and tone. And...eh. Wasn’t too much of a problem for me, to be honest. And other than that, it didn’t stand out too much to me. I’m finding that editing is the hardest thing to judge in these movies, but who knows? I think this little project might improve my film judgment skills. Also, those long shots? Not true long shots, as they were edited in post. So, good job to Elísabet Ronaldsdóttir! Overall, though, this category’s getting a 7/10 from me.
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That’d be a...68% Really?
I’m legitimately surprised, because I do like this movie! Really, I do! But breaking it up piece by piece...it’s only really OK. My personal preference doesn’t necessarily dictate my score, and vice verse. So, I like this movie...even if it’s not as good as it can be. It’s a distinctive and stylish film with great action, and if you wanna see Charlize Theron be cool and kick ass, then WATCH THIS MOVIE! 
And by the way, I didn’t touch too much upon the fact that this is the rare bisexual protagonist, and this is Tumblr, so I know that that’s something you guys know. And honestly...eh. Fact of the matter is that it’s a part of her character, but...we don’t really get to know the real her throughout the entire movie, so...is it? I’m honestly not sure. But, representation is representation, I get it. Also, fun fact, Delphine actually is in the graphic novel, but as a guy. So, interesting change, that!
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OK, I think we’re done with the spy movies for a bit, now. Let’s switch subgenres a day. Let’s inject a little more adventure into this month, and let’s trade fists...with swords. It’s swashbuckler time.
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January 18, 2021: The Mask of Zorro
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lesbianlotties · 4 years
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charlize theron
thank you !!!
Atomic Blonde. charlize theron as lorraine broughton is seriously so iconic. i genuinely love the movie. and it was the one movie that made me go huh maybe it’s not that dislike action movies. maybe i just dislike men
The Old Guard: Andromache the Scythian!!!! love of my life.
hmmm i’m gonna go with Tully. i need to watch more of her movies. but this one was really nice. and bonus points for Mackenzie Davis!
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drkestsky · 4 years
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hi!  i’m  eris  🌙✨,  genderfluid  (w/e  pronouns  work  :)),  i’m  25,  it’s  nice  to  meet  you-  the  following  is  a  brief  about/rules/things  you  should  know  that’s  going  to  be  pinned  until  i  manage  to  write  a  full  google  doc  of  rules  and  about  pages,  etc.
please  note-  i  don’t  plan  on  having  a  full  theme.  this  blog  will  always  be  ‘dash  only’,  i  just  have  my  ‘full  blog  view’  open  so  people  can  easily  send  asks  (post  update)  and  because  i  personally  feel  like  it’s  easier  to  navigate  tags  and  etc.  via  full  blog  view  on  desktop.  i  also  won’t  always  be  using  icons/heavy  formatting  just  bc…  while  i  love  graphics-  i’d  rather  focus  on  my  content/writing.
my  permanent  starter  call  can  be  found  here.  🌧️
rules  and  full  muse  list  beneath  the  cut!
rules:
multi-verse,  multi-ship-  lots  of  crossover  content  please!
all  of  my  animated  muses  listed  below  all  have  a  live  fc/main verse  tailored  for  crossover  content.
this  blog  will  feature  nsfw  content-  there  will  be  a  variety  of  triggers  on  this  blog,  especially  as  a  good  handful  of  my  characters  come  from  horror  genre  media  (the  worst  of  which  content  wise  is  probably  doctor  sleep,  prometheus  and  ahs).  everything  will  always  be  properly  tagged  like  so;  ex.  ‘gore  tw’.  sexual  n/sfw  mentions  will  always  be  tagged  as  ‘nsfw  cont  tw’.
this  all  ^^^  being  said,  if  there’s  a  certain  fandom  i  write  that  doesn’t  jive  with  your  dashboard  creatively,  i  have  no  problem  tagging  things  related  to  that  fandom  with  ‘your  alias  don’t  look’.  (also,  i  tag  all  fanart  with  ‘fanart  tw’.)
no  drama  pls-  if  something  about  my  content  bothers  you,  either  please  come  to  me  personally  or  soft-block.  if  you  talk  about  me  behind  my  back  and  i  find  out,  you’ll  also  be  blocked.  i  just  really  don’t  have  time  for  people  committed  to  misunderstanding  me.
psd  credits-  the  psd  i  use  is  ‘royalty’  by  @plutocommissions  and  the  blockquote  template  i  use  was  made  by  @creationcolors.
my  other  blogs  currently;  @jmriarty  (main),  @rich-brook  (sideblog  to  jim),  @duelac  (semi-active),  and  @apocylips  (currently  inactive)
primary  muse  list:
ace  attorney-  miles  edgeworth
(the)  addam’s  family-  wednesday  addams
american  horror  story-  lana  winters,  oliver  thredson  (request  only),  tate  langdon  (canon  divergent,  request  only)
anita  blake:  vampire  hunter-  anita  blake
archer-  sterling  archer
atomic  blonde-  david  percival,  lorraine  broughton
bond  (007  series)-  james  bond  (daniel  craig  vers.)
dc-  (nolanverse!)bruce  wayne,  diana  prince,  harley  quinn,  (comic  inspired!)jervis  tetch  (not  gotham  canon  affiliated),  (nolanverse!)jonathan  crane,  (nolanverse!)ed  nygma
doctor  sleep-  rose  the  hat
game  of  thrones (asoiaf)-  arya  stark,  ellaria  sand,  jon  snow,  margaery  tyrell,  oberyn  martell,  petyr  baelish,  sansa  stark
hannibal-  will  graham
harry  potter-  draco  malfoy,  severus  snape,  sirius  black,  voldemort  (tom  riddle,  canon  divergent)
izombie-  blaine  debeers  (canon  divergent)
marvel-  charles  xavier,  erik  lehnsherr  (canon  divergent),  james  ‘logan’  howlett  (canon  divergent),  jessica  jones,  joelle  howlett  (oc),  loki  (genderfluid,  he/him  and  they/them  pronouns),  patricia  walker,  peter  quill  (canon  divergent),  steve  rogers  (canon  divergent)
overwatch-  gabriel  reyes,  hanzo  shimada,  jesse  mccree
pirates  of  the  caribbean-  hector  barbossa,  william  turner  (capt.  of  the  dutchman  mainverse-  canon  divergent)
practical  magic-  sally  owens
prometheus-  david  8,  elizabeth  shaw
(the)  shining-  jack  torrence  (request  only)
star  wars-  kylo  ren  (ftm  trans,  he/him  and  they/them  pronouns),  rey
supernatural-  azazel  (canon  divergent),  castiel,  death,  dick  roman,  gabriel  (canon  divergent),  sam  winchester  (canon  divergent)
tolkien-  gandalf  (olórin),  legolas,  thorin,  thranduil,  saruman  (curumo)
tomb  raider-  lara  croft  (og  video  game  series/jolie  movies)
true  blood-  eric  northman  (canon  divergent)
versailles-  philippe  deorléans  (vampire!au,  request  only)
secondary/test muses  i’m  debating:
bond  (007  series)-  quartermaster  (real  name:  quinn)
(jason)  bourne-  jason  bourne 
fleabag-  fleabag  (real  name  pending)
(welcome  to)  nightvale-  cecil  palmer  (nonbinary,  he/him  and  they/them  pronouns,  completely  canon  divergent)
teen  wolf-  peter  hale
last  updated  9/30/2020
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myriadimagines · 5 years
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icon pack for my fandom family!
150 x 150 multifandom icons
credit is appreciated not necessary, just please don’t claim as your own!
please like/reblog if you use them!
the respective blogs for each icon are tagged below, but everyone is welcome to use any of the icons!
scott lang (marvel) for @locke-writes
diego hargreeves (the umbrella academy) for @supervalcsi
leia organa (star wars) for @interwebseriesfan24
cassian andor (star wars) for @brayinghorses
daenerys targaryen (game of thrones) for @mahvericks
frank castle (marvel) for @melody-of-scream
mantis (marvel) for @ariagrillart
matthew murdock (marvel) for @dontdowhatisayandnobodygetshurt
lorraine broughton (atomic blonde) for @multifandomsimagine
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tudojuntoemisturado · 5 years
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{Lorraine Broughton icons}
please like or reblog if you save :)
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letsgothru · 5 years
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Atomic Blonde Movie Review
Despite its flashy comic book style aesthetics, captivating fight scenes, and impressive physical performance from Charlize Theron as British spy Lorraine Broughton, Atomic Blonde (2017) suffers from the classic ‘all style no substance’. Unfortunately it’s bogged down by unsympathetic characters and disjointed plot. But there are two elements that the film does quite well in providing both style and substance: the use of lighting and the execution of action sequences.
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Based on the 2012 graphic novel The Coldest City, Atomic Blonde centres around Lorraine Broughton, a spy tasked with retrieving the names of the double agents who will be crossing into the West during the fall of the Berlin Wall in 1989. This is the political backdrop of the film. Director David Leitch constantly reminds the audience that they are in the 80s with dramatic spray painted graphics, a killer soundtrack full of reimagined 80s hit songs and neon upon neon. 
The look Leitch and cinematographer Johnathan Sela (collaborators with Chad Stahelski on 2014’s John Wick) create hinges off of the punchy comic book aesthetic and the 80s love of neon. The neon lighting in Atomic Blonde is era appropriate but also symbolic. Each character is doused in their own colored lighting. Lorraine drowning in blue, Jame McAvoy’s eccentric MI6 character David Percival always with a saturated green and the sensual French spy, Delphine Lasalle played by Sofia Boutella, in a captivating red. These colours represent the cold, detached demeanour of Lorraine, the greed of Percival and the romance of Lasalle. The interiors drenched in saturated light pair well with the depressing and drab exterior colour grading, perhaps symbolizing the contrast between the excessive partying of the 80s and the political turmoil of Germany at that time. Albeit cool looking, the neon lighting ends up feeling overused, losing its lustre halfway through the film. 
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More important than the hidden symbolism of colour in Atomic Blonde, is the action. It’s the action that makes you appreciate this movie. The sequences are expertly choreographed, executed and shot. They are a clear jump into the new era of cinematic action choreography brought on by Leitch, Sela and Stahelski from John Wick, starring Keanu Reeves. 
It’s refreshing to see more fight sequences break free from the shaky, over-cut action inspired by Doug Liman’s The Bourne Identity (2002). The smooth dance between actors and camera has become a staple of Leitch and he leaves the audience captivated by every move and bloody blow.
Not only is the action fresh, it’s believable. Theron was very adamant on creating choreography that a woman would actually, and could actually execute. Not only that but her character gets beat up. Really beat up. At one point you think to yourself, “Jeeze. Stop. This is too much.” Which is fantastic. Each blow seems harrowing to our protagonist, raising the stakes as the next bad guy in a never ending stream of bad guys rounds the corner. It’s a testimate to Lorraine’s perseverance and strength. 
Does the above make Lorraine anymore less dangerous or the action sequences any less interesting? No. Arguably her cleverness and sneakiness make Lorraine more lethal and the sequences more interesting. Lorraine uses her environment to win a fight. Nothing about a man being stabbed in the neck with a stiletto heel sounds boring. Atomic Blonde takes both The Bourne Identiy’s iconic pen stabbing scene and John Wick’s gun-fu action to a terrifyingly “lady-like” place.
Watch a clip of the action below in the film’s Stairwell Scene: https://www.youtube.com/watch?v=XarGS1AeEcE
Is there a deeper, profound meaning underneath the hood of Atomic Blonde? Not really. But it’s a fun flick and a step in the right direction in creating believable female action heroes who are just as dangerous as the male ones. And for their own reasons. If you go into Atomic Blonde wanting an overly stylistic portrayal of a chilly female spy breaking the bones of bad guys in unexpected ways, the film delivers. Just don’t expect to be moved emotionally by the experience.
Like the Atomic Blonde soundtrack? Have a listen to HEALTH’s cover of Blue Monday by New Order, made specifically for the film:
https://www.youtube.com/watch?v=cYtGJGp-9hA
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mylegendaryicons · 3 years
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swellwriting · 5 years
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I was tagged by @storiesbycaroline​ :) my wonderful brain twin.
Rules: list your 10 favorite female characters from 10 different fandoms and tag 10 people
1.Tonks (Harry Potter) - I’ve always lover her, somewhat because of how much the fandom makes me love her character, and because I'm a lot alike her.
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2.Padme Amidala (Star Wars) - One of my favourite female characters by far, so strong yet vulnerable and layered, just gotta love her and the prequels as a whole.
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3.Valkyrie/ Burnnhilde (Marvel) - We love a strong Bi Icon who takes no shit.
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4. Yang Xiao Long (RWBY) - Maybe it’s because I just really love Barbara but she is my fav member of RWBY, and she kick’s ass so???
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5.Harley Quinn (DC) - a lil crazy but we love her, also Margot Robbie is doing an amazing job portraying her!
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6.Black Mamba  (Kill Bill) - What a lovely lady who I would gladly let kick my ass, she deserves a fuckin nap.
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7.Furiosa (Mad Max Fury Road) - if looks could kill? this movie would have killed me by now considering how many times I have watched it.
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8. Lorraine Broughton (Atomic Blonde) - Another Bi icon, who could also kick my ass and I would thank her.
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9.Leeloo (Fifth element) - what’s not to love?
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10. Ripley (Alien) - Second to her is the cat, but she proves that a muscular woman in a tank top is the most attractive thing and probably was my gay awakening when this came on tv.
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I’m tagging: @garytheloser @thisismysecrethappyplace @adeadfreelancer @letsfxckingecho @multifandomreaderinsertfanfics @wanna-see-my-lease @theboywhocriedlupin and anyone else who wants to do this!
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