Tumgik
#lili boulanger
bussyplease · 8 months
Text
Tumblr media
I made this a while ago on paint at midnight in a fever like state and needed to post it here
164 notes · View notes
soundgrammar · 8 months
Text
Tumblr media
French composer Lili Boulanger (August 21, 1893 – March 15, 1918) in a 1913 photograph by Henri Manuel.
100 notes · View notes
dustedmagazine · 2 months
Text
Reverso — Shooting Star-Étoile Filante (self-released)
Tumblr media
On previous recordings, Reverso has explored the music of French composers Gabriel Fauré and Maurice Ravel, linchpins of the early 20th century classical repertoire. Here, the trio of trombonist Ryan Keberle, pianist Frank Woeste, and cellist Vincent Courtois are inspired by another French composer, Lili Boulanger (1893-1918), the short-lived but prodigiously talented artist who was the first female to win the Prix de Rome. Such was the grief of her sister Nadia that she gave up her own promising composition career, devoting herself to pedagogy, a teacher to many Europeans and a raft of American expats. Reverso titles the recording Shooting Star as an acknowledgement of Lili’s extraordinary gifts. While the composer would likely have heard little jazz, her work serves as an excellent starting point for the original tunes written in response to it by Reverso. One wonders about balance issues a trio with this complement might encounter, but it never seems to be an issue, with Reverso careful to make every note heard.
“La Muse '' opens the album with liquid ostinatos from Woeste and legato melodies traded between Keberly and Courtois. “Obstination '' has a syncopated Iberian cast that recalls the craze for Spanish traditional music among the Impressionists. The solos use distinct registers, with Courtois flying high and Keberle playing resonant pedal tones. Woeste’s solo is a modal post-bop excursion that celebrates the off-kilter rhythms of the piece. Likewise, “Resilience” explores rhythmic variety, with alternations between quick polyrhythms and solos that vary it. A slow tune serves as an overarching motif. There is a bridge where small, repetitive segments take over before a return to the opening material, Keberle playing the main tune in octaves with Courtois.
The “Nocturne” is a venerable form, usually for solo piano. Reverso captures the mood with sculpted delicacy. A repeated tenor note in the piano underscores a chromatic bass-line alongside melancholy chords, as well as corruscating melodies between trombone and cello. Woeste brings out a filigreed soprano register melody in the bridge before returning to harmonies from the opening. Doubling of the melody by Keberle and Courtois gives way to another varied duet between them, culminating in a high trombone cry and a quick outro of repeated passagework. “Ma Jolie” has a bluesy trombone solo that is repeated with the cello playing liberal slides. The central section is led by Woeste, playing a zesty bit of cabaret music. Keberly returns to his solo while Courtois plays a pizzicato bass-line. The piano drops in with tasty harmonic fills. The quick cabaret music returns, and the piano and cello provide a sinuous take on the main tune to close.
“En Avant” deftly channels the texture and melodic approach of Impressionism, a style that, while not encompassing, appeared in Lili’s music. Courtois’s solo features Eastern sliding tone. Gamelan and other non-Western artists fascinated French musicians, notably Debussy, at the 1889 Paris Exhibition, and they continued to incorporate its signatures for decades. Keberle’s solo, on the other hand, is a more raucous affair, and Woeste plays dexterous small cells and a repeated stepwise progression. The close returns to referencing Impressionism and ends with halting utterances.
“Requiem” is a touching memento mori for Lili, with a haunting minor key melody that is deftly varied in its doublings. “Shine” too has a melancholy cast. However, the somber mood doesn’t prevail. “Lili’s Blues” imagines an introduction of Lili to “Le Jazz Hot,” with a plethora of glissandos and rollicking swing.
The recording closes with “Dernier Moteur” (“The Final Action”) in which bucolic riffs and mysterious, angular melodies are played by Woeste, Courtois adds a sumptuous solo, and Keberly provides countermelodies with slow glissandos that distress the crispness of the rest of the proceedings. A denouement is completed surprisingly, with the piano simply stopping to conclude the piece.
Creating “new standards” of early twentieth century music would be a far less imaginative choice than the approach taken on Shooting Star, where Lili Boulanger’s biography is as much an inspiration as her music. Reverso inhabits a musical space both of homage and innovation.
Christian Carey
3 notes · View notes
jeremyesteban · 7 months
Text
youtube
Lili Boulanger, Clairières dans le ciel: Nous nous aimerons.
Emile Naoumoff.
4 notes · View notes
aschenblumen · 2 years
Video
youtube
Lili Boulanger, Hymne au Soleil («Soleils de septembre»). Michael Alber, director de coro Orpheus Vokalensemble Antonii Baryshevskyi, piano
9 notes · View notes
Text
youtube
Lili Boulanger (1893-1918) : Sous-bois ·
Antonii Baryshevskyi · Orpheus Vokalensemble · Michael Alber
5 notes · View notes
teabiotique · 2 years
Text
Tumblr media Tumblr media
Ginette Neveu died in a plane crash at the age of 30. She had received musical training from Nadia Boulanger. Nadia's sister, Lili, died at 24. Both Neveu and Lili Boulanger were considered musical genuises. The remains of Lili Boulanger's parents and her sister Nadia rest with her in Montmartre. Neveu's coffin was accidentally confused with another, and it had to be disinterred and transported from a commune in Alsace to Paris. Neveu was born a year after Lili Boulanger had died. Two brilliant minds that never met.
2 notes · View notes
ondasyletras · 16 days
Text
youtube
Niklas Paschburg: Cortège (Niklas Paschburg Rework) // FRAGMENTS II – Lili Boulanger
0 notes
tejedac · 1 month
Text
Tumblr media
Lili Boulanger (1893-1918) Works · playlist
1 note · View note
donospl · 3 months
Text
Co w jazzie piszczy [sezon 2 odcinek 5]
premierowa emisja 7 lutego 2024 – 18:00 Graliśmy: Reverso “Obstination” z albumu  “Shooting Star-Etoile Filante”   02   Simon Spiess Quiet Tree “Light Light Light” z albumu “Euphorbia” –  Intakt Records Satoko Fuji Tokyo Trio “Jet Black” z albumu “Jet Black” – Libra Records Josh Sinton “Whoosh” z albumu “Couloir & Book of Practitioners Vol. 2. Book W”   Jakub Svejnar/ Pavel Zlamal / Jan…
Tumblr media
View On WordPress
0 notes
wiebke-hoogklimmer · 5 months
Text
Lili Boulanger: "Clairières dans le ciel" - Wiebke Hoogklimmer, Alt
2003 erschien meine CD “Clairières dans le ciel” mit dem gleichnamigen Liederzyklus von Lili Boulanger – transponiert von mir für meine Altstimme – und mit ausgewählten Liedern von Franz Schubert und Gustav Mahler, am Klavier Patrick Walliser, unter dem Label THOROFON. Das ist nun 20 Jahre her!Aus diesem Anlaß veröffentliche ich hier noch einmal meinen Text aus dem Booklet zu dieser CD: Lili…
Tumblr media
View On WordPress
0 notes
bussyplease · 11 months
Text
Like the idiot I am, I ate 3-days expired chicken tonight and now I'm sick. But I've made an important finding: putting on Lili Boulanger in these trying times actually DOES seem to relieve stomach cramps by helping me relax.
5 notes · View notes
soundgrammar · 8 months
Text
youtube
Lili Boulanger - "Faust et Hélène." Orchestra: BBC Philharmonic. Conductor: Yan Pascal Tortelier. Performers: Ann Murray (mezzo-soprano), Bonaventura Bottone (tenor), Jason Howard (baritone).
5 notes · View notes
seagull-astrology · 6 months
Text
The Asteroid Lilith Discovery & Lili Boulanger
Marc Jones wrote very little on the nodes, so last month we took a turn with several other authors and highlighted their work on the nodes. Naturally, we found some better than others like Martin Schulman, Georges Muchery and Bernice Grebner, but in all honesty we did not survey Dr. Mohan Koparkar, Haydn Paul and the Hubers, so this month, June,we are going to continue our with the nodes,…
Tumblr media
View On WordPress
0 notes
mrbacf · 7 months
Text
Boulanger: Psalm 130 'De profundis' by Oralia Dominguez & Raymond Amade
youtube
0 notes
Text
Concert review, ★★★★, Esther Hoppe, Chiara Enderle Samatanga, Luisa Seraina Splett @ Kirchgemeindehaus, Winterthur-Veltheim, 2023-03-05 — Mel Bonis (1858 – 1937): Piano Trio "Soir-Matin", op.76 (1907); Dora Pejačević (1885 – 1923): Piano Trio in C major, op.29 (1910); Lili Boulanger (1893 – 1918): Piano Trio "D'un soir triste" (1917/1918); Rebecca Clarke (1886 – 1979): Piano Trio (1921)
0 notes