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alltooreid · 3 years

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Dancing With Our Hands Tied

In order to keep Y/N safe from danger, Spencer vows to keep their relationship a complete secret from everyone they know. However, as their romance gets more serious, Y/N and Reid begin to realize that no matter how in love they are, they may have been doomed from the start.

A/N: Back at it with a hopefully very angsty fic! This is of course inspired by the Taylor Swift song, but you don’t need to be familiar with the song to read and enjoy! Also I made a playlist for this one shot, which you can find here (its best if you listen to it in order and of course you don’t have to listen as you read, but if you enjoy that kind of thing, I thought it would be fun). Additionally, in order for the timeline of this fic to make the most sense, I’m choosing to ignore the Lauren Reynolds subplot, because trying to incorporate it and explain it would be distracting and unnecessary in my opinion. Thanks for reading!

Pairing: Spencer Reid x Fem! Reader

Type: Angst

Word Count: 3.9K

Content Warnings: Some cursing, general fighting angst, discussion of pregnancy, brief mention of abortion (follow up is left intentionally ambiguous, based on your own desires and beliefs you are allowed to decide where that aspect goes (pro choice tings))

“I, I loved you in spite of Deep fears that the world would divide us So, baby, can we dance Oh, through an avalanche?”

Spencer Reid hated funerals.

Somehow he felt he was always invited to one, and no matter how hard it was for him to be there, he always made every effort to go. So when Hotch had to plan Haley’s funeral, Spencer knew he had to go, no matter how much he would hate it.

He looked down to the grass as his supervisor cried over his now dead wife, the most emotion he had seen from him ever. He refused to look up and watch, although there were at least a hundred people there to mourn Haley, this moment felt innately private to Hotch. Spencer didn’t think it was his place for his eyes to intrude.

So he stared at the lawn and got lost in his own mind.

Right then and there he realized he never wanted to go through what Hotch had to go through. No matter how many philosophers described love in the most beautiful, enchanting way, Spencer didn’t want it anymore.

He didn’t want to go through a heartbreak, because how worth it could it be?

Of course, all information he had in his repertoire pointed to the claim that it was worth it. Yet he couldn’t pay attention to Oscar Wilde, trying to tell him that “hearts are made to be broken,” or E. A. Bucchianeri screaming that “grief is the price we pay for love.”

All he could see at that moment was the most stone-faced man he had ever known, breaking down in front of everyone he knew over the woman he loved.

At that moment Spencer Reid vowed to completely give up on love. He would become the best profiler to ever live. People would compare him to Jason Gideon, but Spencer Reid would win every time. Spencer wouldn’t let himself be like Gideon and get so hung up over a person that he couldn’t ever work anymore.

So when Spencer left the funeral and went to bed that night, he was confident that he would sleep alone like that forever. It was comfortable like that and he was happy. Who needs to be in love?

Not Spencer Reid that’s for sure.

Well, until three months later, when Spencer Reid met Y/N Y/L/N.

She was beautiful, and Spencer knew he wanted to get to know her the first time he laid eyes on her.

But he was doing such a good job recently…. Even Hotch was impressed with his work ethic. The only one who had talked to him about his lack of emotion was Penelope, she seemed concerned when Spencer told her he didn’t want to meet let alone go on a date with the cute nerdy barista from her go to coffee shop. Spencer refused to reason with her, he was too focused on proving himself to Hotch and the rest of the team.

Even though in the back of his mind, Spencer knew he had already proven himself to the rest of the team, now he just needed to be good enough for himself.

A truly impossible task.

But he was still trying to do it, so he didn’t talk to the barista at the new coffee shop he was trying.

He wasn’t expecting her to try and talk to him. Maybe that’s why he was so willing to give up his own reasoning.

“That’s a lot of sugar, sugar. Are you as sweet as your coffee?” she said, giggling as she did it. She knew the line was cheesy and stupid but she had been eyeing Spencer Reid since he came in and knew she needed to get his attention. Luckily, he couldn’t help but laugh.

Their first date was right then and there. They got distracted and talked till closing, Y/N’s coworkers noticing she was actually putting herself out there and deciding to pick up her slack so she could continue.

“So are you going to call me Dr. Reid or were you just leading me on for 3 hours?”

“Of course I’ll call you, how else am I going to get you to watch Doctor Who?”

Y/N smiled, “Well I know this is kind of forward, but I have this art exhibit tomorrow, I would love to see you there. But don’t over think that! I’ve invited pretty much everyone I know. I have a bet to win amongst the other art students, whoever has the most people come to see them wins one of those giant Costco sheet cakes. I need that sheet cake Spencer.”

Spencer smiled, “Well, I am from Vegas . . . Maybe I could help push the odds in your favor.”

“Well I can’t wait to see you there. Tomorrow, 6 pm, I’ll text you the details.”

It was only when he laid down to sleep that Spencer remembered his philosophy on love, but strangely, he did not care.

He may have been trying to freeze his heart, but Y/N was coming in with a blowtorch.

And he didn’t mind. In fact he unlocked the door to let her in.

So when he arrived at work the next morning, he fully intended on going to her art show. He thought about what flowers to bring her. . . was this a date? Was last night a date? Were roses too strong a message? He couldn’t do anything red, it was too forward. Pink? What if she saw it as stereotypical because she’s a woman, maybe she hates pink?! Yellow Tulips were safe, but if he got her yellow tulips then she would think they were just friends and Spencer didn’t want to be just friends.

His internal debate was interrupted by none other than Penelope Garcia, but not to interrupt their paperwork day with a case, but to make an announcement to the bullpen.

“Hello my loves! I have an interesting idea for some team bonding tonight, my favorite barista and dear friend has invited me to her school art show. Of course she needs the most support humanly possible, so you all need to come with me and look at cool art!”

“Who’s this friend of yours Penelope?” JJ asked.

“Oh Jayge you’ve met Y/N! She’s lovely and I’m sure an incredible artist. You guys will all love her!”

Suddenly Spencer remembered Hotch and his broken down faces at Haley’s funeral. He remembered his philosophy on love and his fear of heartbreak.

But he also remembered how alive he felt with Y/N. How the way she laughed like a little kid and how that made him feel giddy. He remembered how she was always so interested in what he had to say. He remembered that he really liked her.

And at that moment, Spencer realized that he did not have to choose between being in love and keeping his heart safe from the devastating heartbreak of seeing his true love die. He realized that the reaper could only find Haley because Hotch let people know they were together Because everyone knew of Hotch’s wife, she was in constant danger.

Maybe if he kept Y/N secret he could still be with her.

“Spencer! Did you hear me?”

“No, um sorry Garcia what did you say?”

“I asked if you were going to come to Y/N’s art show, you know you too would make such a cute couple! You should totally come.”

“I actually can’t, I’m not feeling well.”

She sighed, “That’s what you said last time I tried to get you two together 187 . . . Do you want to talk about anything Spencer? You haven’t been yourself lately.”

“I’m fine, I just have a headache. I don’t want to go out tonight.”

She rested her hand on his shoulder for a second, before following Morgan to the kitchen. Spencer knew she was going to say something to him, but he didn’t care. He had found the perfect solution to his conundrum.

And he knew exactly what flowers to send to Y/N.

Y/N texted him thirteen times, and waited an extra hour after the open house closed in case he showed. So although she went home empty handed, one person away from enough cake to feed fifty, she received a call from Spencer Reid.

“Hey, where were you tonight? I was looking forward to seeing you.”

“I’m sorry Y/N, something came up, but I have something for you! Are you still there?”

“Oh no, I just got to my apartment. I can send you the address.”

“I’ll be over as soon as I can.”

And five minutes later Spencer was at Y/N’s door, with Chinese take out and white peonies, a flower known for its apologetic symbolism.

Y/N blushed, “You didn’t have to bring me flowers Spencer . . .”

“Well I wanted to bring some to your show, but I figured this could be the next best thing . . . And maybe we could eat some of your Costco sheet cake afterwards. Sounds like a balanced meal to me.”

“Although I love that idea, I unfortunately came home tonight sheet cake-less.”

Reid frowned, “How close were you? Would I have made any difference?”

“Oh no!” Y/N lied, “I was way off, don’t even worry about it.” She smiled, “I’m just excited that you're here right now.”

Spencer blushed and looked down at his feet, “Well I’m excited to be here.”

Four months after that night, Y/N asked Spencer a seemingly stupid question while they were eating take out at her apartment. “Spencer, I love takeout and all but we haven’t gone out in public together since the first time we met. . . Call me stupid but I’m starting to wonder if you don’t want to be seen with me.”

Spencer sighed, “Y/N, it’s not that it’s just . . . complicated.”

“I just don’t get it. Am I the second woman or something?”

“No! Absolutely not! You are my one and only flower,” he said, smiling and then leaning in to kiss her nose. She giggled in response, but quickly remembered the serious nature of their conversation. “Y/N, you know what I do for a living.”

“I don’t understand what that has to do with anything.”

“Not too long ago, my boss was targeted by a serial killer who made it his mission to make his life miserable. In doing so he killed his wife. I just . . . I don’t want that to happen to you Y/N. I think I’m falling in love with you, and I can’t put you through that.”

“Spencer . . . I love you too.”

So no matter how badly Y/N wanted to tell her family, or update her Facebook status, she respected Spencer, and although she didn’t completely understand his concerns, she wanted him to be happy.

So she spent ten more months like that, catering to Spencer Reid’s peace of mind. Pretending to smile as he told her stories of all the funny things his team members did, all about their partners, and their love lives.

A couple times now, Y/N asked Spencer if she could meet them, but Spencer always shot it down. When he first mentioned the idea of keeping their relationship a secret, Y/N had secretly hoped it would be one of those things that was forgotten about within a week or two. But no. It had been many, many weeks, and Spencer still didn’t want to be seen in public with her.

And by now that was all she wanted. To go on a real date, to introduce him to her friends, to actually be able to tell her coworkers that something did come from that guy she hit it off with.

Everyday, Y/N felt she did the same exact thing, she went to work, would come home and if Spencer was still in Quantico, she would convince him to come over. (They had been dating for over a year now, and Y/N had never been to his apartment. She didn’t even know where it was). If Spencer did come over, he would usually bring some kind of dessert with him, and they would talk and be merry in their own little secret oasis. A couple weeks ago, Y/N started to get this uncomfortable, uneasy feeling that encompassed her whole body, her whole being. Every part of her was trying to tell her that Spencer Reid was not the man for her. And even though she was still very much in love with him, she agreed.

Although she loved Spencer for the person he was, the man who brought her every different flavor of cheesecake from the bakery across town (one a day for fifty nine days straight), the man who begged her to make him a painting for valentines day instead of buying him a present, the man who cried when she did and laughed when she did and-

There were a lot of things to love about Spencer Reid, but there were a lot of things to hate about their relationship.

She hated the time she bought a gold locket in the shape of a heart, and put a picture of them in it so she could keep him with her all day long, and he made her return it because it could fly open and someone could recognize him. She hated the day she came home with a little beige kitten named Betsy and Spencer made her give Betsy to her sister so that he wouldn’t get cat hair on his clothes and have to answer a million questions. She hated the time Spencer missed her birthday weekend because he had a case and couldn’t give an excuse to why he couldn’t go. She hated that Spencer was her entire life, while she seemed like just an inconvenience to his.

And most of all, she hated that she loved him so much. Because deep down she knew that she could never leave Spencer Reid, but she also knew that there was no way they could last if nothing changed.

Just then Spencer knocked on her door, she had offered him his own key many times, but he declined because he didn’t want anyone to see it on his key ring and ask what it was for. She let him in, and right away his fun perky smile dropped. “You’ve been crying. I can tell.”

“Is that the kind of thing they teach you in FBI school?”

“Yes actually, but that’s not the point,” he said, dropping his bouquet of red chrysanthemums on Y/N’s coffee table and grabbing one of her hands with both of his. “Talk to me Y/N.”

She sighed, “I love you Spencer, but I just don’t know if we can do this anymore.”

“What do you mean flower?”

“Spencer we’ve been together for over a year-”

“One year, two months and five days,” he corrected.

“Yes, yes that. We’ve been together for one year, two months and five days but no one except us knows that.”

“Y/N I thought you were okay with that, I just want you to be safe.”

“I thought I was okay with it but,” she paused, afraid of what she wanted to say, “I’m not Spencer, I don’t want to live like this anymore. I love you, and I want to be with you. To really be with you. What happens if we ever get married, do we have to get eloped, would you even let us get married because you need someone else to watch? When do I get to tell my mom I’m in a relationship? What if you get hurt out in the field, and no one has heard of me, let alone knows to call me, and we never get to say goodbye? How far do you plan on taking this?”

Spencer grew flustered, “Um, I- I don’t know? I didn’t know you were even thinking about those things.”

“Do you think about those things? Things like getting married?”

“You’re the love of my life Y/N, of course I do.”

“Well then something needs to change. We can’t live like this anymore.”

“Things will get better Y/N, I promise you, we’ll start small but I’m going to make this better for you. Actually, um we can start right now,” he started digging through his messenger bag. After a minute, he pulled out a smaller gold heart locket than the one you had originally purchased for yourself. “I, um I was going to give it to you for your birthday, but I feel like now is the best time. I couldn’t find the same one, but it’s the same picture inside.”

She teared up, “I love it. It’s perfect. Here, put it on me.” She turned around and pushed her hair to one side so that Spencer could clasp the delicate chain around her neck.

They kissed, and afterward Spencer spoke, “I hate to ruin this moment, but I’ve had to use the bathroom ever since I got here.”

Y/N laughed, “Ok go, I’ll be waiting.”

While waiting for her love to come back, Y/N admired her flowers. Ever since Spencer began to get her different flowers to symbolize different things she had developed an abnormal botany fascination. She would always beat Spencer to explaining the symbolism of her latest bouquet, so she already knew the red chrysanthemum was a symbol of prosperous, passionate love in most countries. However she also knew that in Italy, chrysanthemums were a death flower, given only at funerals.

Part of her couldn’t help but wonder if some unconscious part of Spencer’s genius brain was beginning to feel the same way she did. Three weeks later nothing much had changed in the state of Y/N and Spencer’s romance. She was still unheard of in the eyes of the BAU and two nights prior Spencer had stopped her from calling her mother to tell her about him.

And then Y/N discovered her sick, uneasy, all over body feeling was not just her incredible intuition.

She was pregnant.

She had taken a couple of tests a while prior and could just now get into the doctor to get it confirmed. But it was official. She was pregnant.

As soon as the nurse confirmed it she broke down crying. And when she asked her a couple more questions, she broke down even further. “Are you currently in a relationship?”

“No,” she sniffed.

“Do you know who the father is?”

“I don’t know,” she sobbed.

“Sweetheart, I don’t know where you want to go from here, but there’s a lot more options that you may think. Everything will be okay.”

Y/N still cried the whole way home.

She spent the rest of the day thinking about how to tell Spencer, and then overthinking what he would say.

She knew Spencer loved children, but he couldn’t even manage to tell people she existed, how was he going to explain a long term relationship and a baby?

It would have taken decades for Y/N to prepare to deliver this news, but Spencer showed up at 8:19 pm.

“Hi flower! How are you today?”

“I’m pregnant.” She blurted out, she was not planning to do it exactly like that, but she panicked.

“What?”

“I’m pregnant Spencer.”

He sighed and ran one of his hands through his hair, “You could get an abortion?”

Y/N lost it. “Are you kidding me? Are you fucking kidding me Spencer?”

“I don’t think a baby is going to be very easy to keep a secret Y/N.”

“Is this how far you’re willing to go Spencer? You want to keep me hidden so bad that you want me to get an abortion? Are you insane?”

“You’re right, Y/N, I’m sorry, we’ll figure something out.”

“No, you’re wrong there Spencer. I’ll figure something out.”

“What are you talking about?”

“I can’t do this anymore. I’m done. I love you but, please just get out of my apartment.”

“Y/N please don’t do this, I love you, we can make this work. I know I haven’t been doing the best job for these three weeks, but just give me a little time and I promise we can do this.”

Y/N wiped tears from her eyes, then reached her thumb up to Spencer’s face, wiping his cheek. “Spencer, it’s not a matter of how much I love you or you love me. Sometimes, things just aren’t made to work out. We gave it a good run, but no matter how hard we love each other, I don’t think either of us is happy.”

“But I don’t know how to live in a world without you in it, flower.”

“I’ve never been in your world Spencer, after tonight, nothing in your life will drastically change. You don’t have to worry about living in a universe without me because you’ve already been doing that for 15 months.”

“Please don’t do this, can we just give it another try?”

Y/N wrapped her arms around him, “That’s all we’ve been doing.”

The couple stayed in silence like that for a couple of minutes before Spencer spoke. “Can we just stay here for one night. I can’t believe I never got to do it.” Spencer had never spent the full night at Y/N’s place because he always worried that he would forget to answer his phone and the team would try to come to his apartment to tell him they had a case.

“You know we can’t do that Spencer,” she sighed, knowing she had to stay strong and act on her own best interest, but she also loved Spencer. “But you can stay here, if you want.”

He thought for a moment. “Okay, um do I need that key you always offered me? To lock up when I leave?”

“No, the front door locks automatically when you close it, you just have to make sure you have everything before you go.”

And so Spencer slept in Y/N’s bed, for the first time, without her in it.

And Y/N called the one person she knew Spencer would never try to track her down to to avoid exposing himself.

Penelope Garcia.

She of course let Y/N stay with her for the night, and although she would eventually, Garcia did not pry when Y/N said she didn’t want to talk about what was going on. So Y/N walked to her apartment with peace of mind, she knew that although she had a lot to think about, for the time being everything was going to be just fine.

On the way to Penelope’s apartment, Y/N saw a flower vendor. She couldn’t help but stop by and pick up a bouquet for Penelope, but more so for the symbolic meaning.

Daffodils and daisies.

The flowers of new beginnings.

“I'd kiss you as the lights went out Swaying as the room burned down I'd hold you as the water rushes in If I could dance with you again”

- Thank you for reading! Please reblog and let me know what you think :))

holly’s tiny taglist: @reidingmelodies @hercleverboy

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kotokoharrow · 3 years

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Case Study 001: Haruka Sakurai

Note that this analysis is based around my own views. I do not present my way of interpreting Haruka as fact, and I am sharing this to see if others agree with me. If you disagree, you are more than welcome to say so and we can discuss it!

Content Warning: This analysis contains discussion of: Animal abuse and death, child abuse and death, emotional abuse, child neglect, murder, flashbacks and nightmares. Please proceed with caution if you are sensitive to any of these topics!

Evidence List:

Haruka’s Profile

Haruka’s Voice Drama

Undercover

Weakness

Two Breaths Walking

Voice Line

Timeline Convo

Character Analysis

A young male prisoner, quiet with downcast eyes. During Es’ early interrogations, he offered only a few constrained words in response. However, he has gradually become more talkative, forming an emotional bond over the course of his interviews. Once one begins to converse with him, his gentle pre-disposition is revealed.

He has a meek temperament and, even in Milgram, does not appear to be dissatisfied. Barely manages to communicate with Es and the other prisoners. However, during conversations, as if some meaning is lost along the way, there is a disconnect.

Haruka is a teenager with a very low opinion of himself, shown in his attitude in his voice drama and the lyrics of his song. When he appears in Undercover, he is shown wringing his hands together, avoiding looking at the camera, and when he finally does shows an unhappy expression. These pieces of his body language show that he is an anxious boy.

Haruka doesn’t appear to be very bright, with his song being written in hiragana, and he struggles to follow along with everything that Es says to him in his voice drama. He even says himself that he isn’t very bright. However, this is likely a result of his mother’s treatment of him, as he hasn’t been allowed to develop as he should have.

The shot in Undercover that shows his room shows young children’s toys on the floor. This, along with his speech patterns, show that he remains in a child’s mindset, despite being 17 years old. I believe that this is due to him becoming ‘stuck’ at an age where he experienced a traumatic event as a child - the event that revolved around fireworks and the girl in his MV.

Haruka’s primary motivation is love. He was neglected and emotionally abused by his mother his whole life, and so has been deprived of the love that most people receive from their parents. Despite love being his motivation, he shows in his interrogation questions that he doesn’t really understand what it is - he just knows that he wants it.

While his primary motivation is love, Haruka’s primary fear is abandonment. He is also afraid of being deceived, which again ties into his fear of abandonment. Haruka believes that everyone will leave him when they learn what he has done, and also believes that he will bring misfortune to others. This belief of bringing misfortune to others is likely a belief that his mother gave to him.

Haruka avoids situations and things that remind him of his trauma, such as animals and small children. This, as well as imagery in his MV, his mother’s treatment of him and his general personality, lead me to believe that he experiences PTSD.

The kanji in his given name means ‘far’ or ‘distant’, which likely references his personality, and the fact that he finds it difficult to get close to and communicate with others, due to having been deprived of connections for most of his life.

MV Analysis

I believe that Weakness takes place after Haruka has committed his crimes, and that it’s showing events from his past in the form of nightmares and flashbacks, which is why they appear distorted and there is heavy symbolism. As a result of this, even what we see in the MV is ambiguous as to whether it really happened, as dreams are not always literal and even with flashback-type nightmares, key facts can appear different to what happened in reality.

At the beginning of the MV, we see Haruka sitting in front of a dressing table, looking at himself in the mirror. The table is likely his mothers, as the perfume bottles on it seem to belong to a woman. Behind Haruka, we can see a window that shows that it’s daytime, but when his reflection in the mirror changes into his younger self, we can see that it is night-time outside (with red sky and a full moon). As the image changes, I believe this is Haruka experiencing a flashback, or perhaps a sign that he is having a nightmare.

I also believe that Haruka experiences PTSD as a result of his mother being emotionally abusive and neglectful towards him. I believe that this mistreatment when he was a young child explains a lot of his current personality - his behaviour fits in well with the behaviours of people who survive emotional abuse (doubting his own perception of things, a very strong negative opinion of himself, fear of abandonment).

There are many lyrics in Weakness that I believe point towards Haruka’s mother being emotionally abusive. The notable ones to me are: ‘Tell me, why are you drifting away from me? / Tell me, why do you say it’s my fault?’ and ‘If I tried and couldn’t say it / You would get angry at me and say “You’re hopeless”’. I believe that these lyrics are directed at Haruka’s mother.

As for imagery in the MV, when Haruka initially falls backwards from the dressing table, he falls into the liquid from his mother’s perfume, which shows how her treatment of him has surrounded him. Later, while he’s walking alongside her happily, she barely looks back down at him, and when adult Haruka pushes his younger self back, the following image is shown:

I believe the drawing in the background is meant to be Haruka’s mother, and his cruel treatment of his younger self is meant to show that he has internalised his mother’s abuse, going on to blame and punish himself for what he believes she would blame and punish him for.

Later, it shows Haruka as a child watching the fireworks with a girl his own age, whose face is blacked out like his mother’s. While it’s not clear what exactly happened, something bad happened to the girl, and she vanished from his life.

This is pure speculation, but I don’t think that Haruka killed the girl. I think something bad happened to her - possibly she even died - and that Haruka blames himself for what happened, whether fairly or unfairly. I believe that what happened was traumatic to Haruka, and he tried to avoid thinking about the bad part by focusing on his memory of the fireworks, which is a part of his denial.

Later, Haruka is petting a dog with his mother. Then, he goes outside to search for the dog, and comes across the dog’s body. Initially, I believed that Haruka had killed the dog, and I still think that this is a highly likely theory, as yellow roses are seen (which in flower language used to represent jealousy), and the lyrics that play during this point are ‘You praised me by saying “You’re crazy” / Thank you, I’ll do my best’ which, to me, alludes to children acting out for attention when they are being neglected, because due to the lack of positive attention they begin to see all forms of attention as a good thing, including negative attention.

However, in the timeline conversations, there is an exchange between Haruka and Shidou where Haruka has bloodied hands, and he tells a concerned Shidou that it comes from a bad habit of his, that when he’s tense he clenches his fists and his nails dig into his palms, causing them to appear bloodied.

Shidou: Sakurai-kun...? Could you show me your hand? Haruka: Hei!? No, this isn’t... it’s n-nothing... Shidou: Lend it to me. ...Your palm is covered in blood. Let’s have it disinfected. This... has it always been like this? Haruka: A-ah... I-it’s a habit... W-When I feel tense I grip my hands really tight, and my nails...

This detail has caused me to wonder if Haruka didn’t actually kill the dog. We see child Haruka looking for the dog nervously, and then appearing horrified when he finds the dogs corpse, then he looks down at his hands and sees blood on them. We also only see adult Haruka bludgeoning the dog. It’s common for people with PTSD to re-experience trauma from different perspectives, or with details changed, so it’s possible that Haruka did not kill the dog.

However, at this point, I think either explanation could be possible, so I’ll leave both of those theories here and move on.

Later, when it shows adult Haruka strangling child Haruka, I believe that this is when Haruka’s Milgram murder takes place. Before he begins strangling his child self, he is seen looking at a memory of himself being ignored by his mother, and becomes enraged, lashing out at his child self and strangling him, seemingly in an act of self-loathing.

However, I believe that Haruka is actually murdering his mother, having finally snapped and let out all of his repressed feelings. After the murder is over, I believe that Haruka was so horrified by what he did, he went into denial - which is something he has practice from doing his whole life - and the details of what he did became distorted.

In conclusion, I believe the following:

The MV takes the form of Haruka’s nightmares, which is why it’s ambiguous, unreliable and distorted

Haruka was emotionally abused and neglected by his mother since childhood

Haruka didn’t kill the girl, but he does blame himself for what happened to her

EITHER: Haruka killed the dog to try and get his mother to notice him, OR Haruka didn’t kill the dog but still in some way blames himself for the dog’s death

Haruka killed his mother directly due to his repressed feelings of anger towards her for abusing and neglecting him

Haruka is horrified by what he did, and on some level is in denial of the facts of what happened

Misc Analysis

Undercover

Haruka’s bedroom has toys that would be more appropriate in the bedroom of a young child. This shows that he is mentally stuck in a child-like state. Interestingly, there is also a drawing of a tree with two snakes that also appears during his MV. I don’t know what this means.

Haruka is shown strangling Es, which backs up the idea that Haruka’s murder happened when he was shown strangling his child self. Haruka’s mouth is wide open, showing that his murder involved heightened emotion on his part. This wasn’t a cold and calculated murder, this was a spur-of-the-moment response to something.

Interrogation Questions

I’m picking a few notable interrogation questions to analyse. In general, though, Haruka’s answers were much simpler than Yuno’s, which shows his child-like mindset and difficulty in understanding things.

Q: If one of your wishes could be granted, what would it be? A: I want to be loved.

Pretty straightforwards. This shows Haruka’s core motivation is to be loved.

Q: When was your first love? A: I don’t know.

Q: What’s the difference between romantic love and just love? A: Don’t they both mean that you like someone?

Q: What’s your ideal date plan? A: I don’t understand.

Despite his core motivation being wanting to be loved, Haruka doesn’t understand much about love, due to having been deprived of it his whole life.

Q: What kind of person is your father? A: I disappointed him.

This is the only time we hear of Haruka’s father. I’d guess that his mother blamed Haruka for his father leaving them, and that’s why he believes that he disappointed his father.

Q: Have you ever had a pet before? A: I have not.

Q: What is your favourite animal? A: I don’t like animals.

Q: What are some things you can’t deal with? A: Small children and animals.

Haruka denies any incident that was traumatic to him.

Q: What do you think of your family? A: I love them.

Despite having been deprived of love from his mother, he still says he loves them.

Q: Tell us what you enjoy doing. A: I like talking with the other prisoners.

Haruka talks about what he’s been doing since coming to Milgram, which implies that he didn’t have much he enjoyed doing beforehand.

Two Breaths Walking

A song about a boy meeting a girl. The girl tries to teach the boy about life, but due to the boy’s mother having taught him about life wrongly, he struggles to understand, and as a result ends up hurting the girl.

With Haruka as the boy, the girl in his MV as the girl, and his mother as the boy’s mother, this directly parallels Haruka’s MV. There isn’t much to talk about, because the parallels are pretty direct. It backs up the idea that Haruka’s mother was abusive, teaching him wrongly through her abuse and neglect.

Voice Drama

Es: Now, let’s begin the interrogation. Prisoner Number 1, Haruka. Haruka: O-Okay… I-I’m sorry… Es: Huh? Do you have something to apologise for? Haruka: U-uh, no… I’m sorry.

This shows us Haruka’s submissive personality. This kind of apologising for any perceived fault is very common in survivors of emotional abuse, because they learnt in the abusive environment that their abuser could find fault in anything, and to lower the severity of abuse, they would apologise. However, as this level of apologising isn’t needed or expected in regular situations, when it carries over it stands out.

Haruka: Ah, uh, um… I didn’t understand whatever it was you were saying. It was difficult. Es: Huh? Haruka: Uh, um… I’m sorry. I’m not that bright. Es: Haruka. What age are you? Haruka: Um… 17 years old, I think. Es: You think? Haruka: Uh, well… I have no interest in my age… I’m sorry.

Haruka isn’t used to having to think for himself, which is also common in survivors of emotional abuse. Abusers try to make their victims dependent on them, they may try to make decisions for their victims, or in the case of abusive parents may speak for them and deprive their children of the ability to develop. Taking into account Haruka’s cover song, I think it’s likely that this was the case with his mother.

Es: The only name left that hasn’t been said is Amane. Haruka: A-Amane. Es: What’s wrong? Haruka: I-I’m not good with them. Children at that age. A-Amane is a good girl, but she brings back b-bad memories.

This is most likely referring to whatever happened with the girl in Haruka’s MV. Haruka avoids thinking about traumatic incidents, even in his nightmares he avoids the details of them. Avoiding triggers of traumatic events is a symptom of PTSD.

Haruka: It’ll happen sometime. I… I… Even though I try to be normal, everything gets ruined. You, everyone, if you knew me… If you knew everything that I did… I’m… gonna be abandoned, that’s bound to happen. Because I’m a selfish killer.

Due to his abuse, Haruka solely blames himself for everything that happens. It’s likely that his mother blames him even for things that weren’t his fault, so this thought process stuck. Haruka’s primary motivation is love, and his biggest fear is abandonment.

Glitched Voice Line

Then what should I have done instead!? Tell me! Tell me so even I can understand!

I believe that this line from Haruka is addressed to his mother who he killed. He felt that he had no way to gain her love, and he is looking to her to tell him what to do.

Other Theories

Twin Theory

A theory I’ve seen says that the child in Haruka’s MV isn’t Haruka as a child, and is actually his twin. I don’t think we have any evidence to support this. I think that, given how much of Haruka’s MV is made up with abstract imagery, we should be careful with interpreting it too literally.

Autistic Haruka Theory

I have no issue with people seeing Haruka as being autistic, however, all of the theories about him being autistic seem to come from an outdated view of autism. I am autistic myself, and while I can recognise a lot of autistic traits in Haruka’s behaviour, I don’t think autism is what they were going for. I think that Haruka’s ‘autistic traits’ are, instead, supposed to show that he’s in a child-like mentality after a trauma that took place in his childhood, and that his behaviour has been strongly influenced by his abusive mother. I believe we have evidence that points towards this specifically, but no evidence that points specifically towards Haruka being autistic.

Unexplained

Why does Haruka say that his hands bleed when he’s nervous and what connection does that have to the blood on his hands in the MV?

What is the significance of the necklace that Haruka wears?

What is the significance of the girl in the MV?

What happened while watching the fireworks?

Did Haruka kill the girl?

What’s the significance of the tree and the snakes?

Final Verdict

My Verdict: Innocent.

I’m very glad that the popular vote determined that Haruka was innocent! My major reasons for this are:

1. His MV is the most abstract right now - it’s unclear exactly what happened, so any judgement based on his crime is going to be difficult. 2. For Haruka to open up more, I think he needs to be reassured that he will not be abandoned. I think that Haruka’s second MV will give us more details, because we have reassured him that he will not be abandoned.

Thank you for reading this ridiculously long thing! I hope to write these for all of the prisoners, and eventually catch up to where we currently are with the voting! If you enjoyed my analysis, please consider sharing so it can reach a wider audience!

#milgram #haruka sakurai #sakurai haruka #deco 27 #deco27 #analysis #mine

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ginkgomoon · 3 years

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Victor and the Time Observers- Analysis

It’s finally here! This post is based on a question asked about the Time Observers and what their relations with Victor was! I deeply apologise to the anon for this response taking too long. I wanted each of my posts to be able to reach a standard where it’s adequate enough to satisfy me and most importantly the readers. Contains lots of spoilers, please do not read if you would not like to be exposed to future content! Here we go! ⏱

The Observer Effect definition-

"The observer effect is the disturbance of an observed system by the act of observation."

Who are the Time Observers?

“What is “intervention”, “correction”, “destiny”? Can we really figure out the mystery behind it?”

The Time Observers is an independent third party under the Space and Time Administration. They can travel through time and even tap can even tap into multiple universes/dimensions, such as when seeing MC in Behind the Curtain and when she travels to another universe in the Winter World. They are seen to be using pocket watches as their transportation tickets to other worlds in each timeline.

They were there in the 1908 White House explosion- where Evol was created, where to which Lucien states, “from then on, many futures have already been decided”. This was due to a comet hitting Earth which created a mini-black hole at the same time from the attack of an American hacker who could transmit data through laser pulses. Grandpa Chuck, the original Helios, and the Time Observers were all there. Soft piano music can be heard when they appear.

“Please stop spreading information about the explosion. Your actions have already affected the progress of this world. Someone has become aware of our presence.”

Victor: “Your people aren’t the only ones who can alter the future, Time Observer.”

“You misunderstand. We never alter, we are correctors of history. We want you to join us, your power’s scope of influence has already surpassed the dimension of this current world. Before you are rejected by it…”

Victor: “I will not leave this world.”

“Even if you’ve seen the future of what is all to pass?”

Victor: “No matter what happens, the person I’m seeking for is right here.” -Chapter 6 Black Curtain

Space and Time Administration

“You’re becoming more like the Victor I am familiar with.”

"Really, what’s he like?”

“Powerful enough to control anything… including time.”

The Space and Time Administration is an observation agency independent of all forces. They are noted for not having a guide or workbook- they just know what to do through their observations day by day. Their work is to observe and note statistics of time changes in the timelines, and the butterfly effect that each one produces. (Apparently more than 90% are negative.) Ultimately, their goal to stable the operations of the different worlds on all timelines.

Since Victor’s Evol is strong and has the capability to do more than the Time Observers, he is the one who is deemed the most suitable and more responsible for “grasping the time in the past and the future”. Ever since STF found out about Victor’s Evol, they wanted him to cooperate with them too, because every time he stops time, certain surrounding energy and space changes.

The organisation also entertains the idea of fate, and how things should be refused to be changed. Since they have “seen the future of how the world ends”, they want Victor in cooperating with them in making it stop. Nobody can rewrite the ending among them, except him. Victor refuses to joining because he doesn’t adhere to this idea.

“QUEEN’s return has brought unexpected consequences; the entire collapse of the world is ahead of schedule. The world’s line has come to an end, no matter through time or space, we can no longer interfere in this world.” Was there a difference in letting each world go to the end alone to close all the world lines in the future directly?

Victor: "But since the responsibility of the Space and Time Administration is to prevent the person who rewrites the world ending, don’t you think I am this kind of person? Moreover, the existence of time is objective, but the negative effects are subjective. I doubt 90% of your statistical results.”

"Nobody can maintain the critical value of the stable operation that each world line has reached. Everyone thinks they have done it. In the end, destruction is coming. We are not looking for anything, we are just waiting, waiting for what should happen when it comes to happen.”

ZERO

“In 1908, there was an explosion at the White House in the United States. There were no casualties, but the people there testified that there was no explosion.”

Amongst them, there was a man who looked familiar, but Victor couldn’t remember whether he had met him somewhere or not. He was gripping a pocket watch. Then, the young man left the spot.

The Time Observer Zero in the organisation is one most familiar with Victor, and had observed Victor travel through multiple timelines, consoling with him about his “failures”. He sympathises with him as he believes that the fate of the world cannot be changed, even if Victor tires himself to try otherwise.

“Now the world line is collapsing one by one, we’re running out of time. We can tell you where she is now.”

Time Observers can seemingly also allow others to see into different worlds too, almost how Grandpa Chuck can create and travel into different pocket glass dimensions, but not permanently enter inside. Zero personally lets Victor in.

“You should be aware of the consequences for doing this.”

“I said, my purpose is only one.”

Victor’s tone revealed unquestionable certainty. Zero willingly approached him with his hands stretched out to him.

“However, other matters are my own decision.” -Chapter 18 Rumours and Secrets

Chapter 33-34 Rumours and Secrets

"I’m wondering what happened in the in between- is it the decision of time or is someone interfering?”

He had told me that there was a group of people in the world waiting on various timelines to revise history.

“But amending the fact that has been changed, is it a course of “correction”, or just another “change?”

“But in any case, the end point of all timelines points all the same -this has not changed from the beginning.”

“Her destiny is tied to all timelines and she must walk into the only ending with this world.”

"You are also different.”

Although we found a breakthrough, this situation really caused us a lot of headaches: she who should not have survived and she should not have been sent to other worlds. As a result, it would seriously interfere and disrupt the timeline. No one had done it before, and no one except Victor could do it.

In disbelief, we weighed it and threw the olive branch- as long as he is willing to cooperate, we will help him find her. As decisive as he was to refuse a few times before, this time he had promised me without thinking. And for a moment, I didn’t know if his decisiveness was good or bad.

Once they had seen that MC was able to defy all odds in coming back alive and en route to becoming QUEEN, they were willing to fully accept Victor's decisions and perseverance on MC and why she was so important to saving their world, instead of him.

Chapter 35-36 Rumours and Secrets

Occasionally, Victor would visit the organisation and observe his hometown world, before Judgement Day. They watch as other worlds collapse and fade away.

Time is best at consuming people’s patience. He will understand that in accordance to the next decade, a century, a thousand years, that the world is just one of our many observation objects. At the end of limitless time- the only thing we can’t do is to change the past that doesn’t belong to us.

Victor doesn’t care about this price- he is more concerned with whether he can prevent the death of the girl in every unpredictable future.

"At least only in the Space and Time Administration can you repair your abilities. This, you know better than me.”

“But you can be rest assured that even if you still intend to return to that world after the deadline, the time flow rate there is a month. But if you stay here, you can continue to look for that ending.”

At that moment, full of hope and courage, I crossed the timeline again without hesitation. This time, he accepted Zero’s invitation.

The white crown slowly fell on the girl’s head, and the thin shadow almost turned into a phantom in the white light.

“The person who can save the world… is not me, but her. As for myself, I know my ending line and how much pain I can bear better than anyone. I would rather take such a risk.”

Zero looked at him without a word, and sighed heavily for a long time.

“Time is up.”

Judgement day arrives- to trigger the beginning of Season 2.

#恋与制作人 #love and producer #mlqc #mr love queens choice #mlqc translation #mlqc analysis #mlqc cn #mlqc en #mlqc spoilers #mlqc victor #victor #li zeyan

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theprologues · 3 years

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SUBMISSION - Grammys performance symbolism, part two

So, with those reservations safely out of the way, and a warning to readers NOT to hurt themselves by getting their hopes up again …

What aspects of Taylor’s Grammy’s performance made me think there might be light at the end of the tunnel for Kaylor?

First, Taylor’s blue and gold performance dress. “Deep blue but you painted me golden” is a line from Dancing With Our Hands Tied, a song that is widely assumed to be about the night of Kissgate. It’s a song where Taylor talks about how miserable (“deep blue”) she was after the collapse of her relationship with Diana and her public reputation in 2013. She describes how her new lover, Karlie, brought her back to life and lit her up with the glow of a new, true love. She painted her golden. But then they were caught in an intimate moment at Kissgate, and Taylor panicked. Her fears and anxieties threatened to drown her, and though she and her new lover tried to dance through the catastrophe, they eventually came to realize they were doing so with their hands tied. They had no hope of swimming to the surface together and breaking free. They could only have done so if Taylor had stood firm and owned their love in the moment, instead of setting in motion the bearding contracts that would change everything. (This is what she means when she says that “if I could dance with you again”, she would “kiss” and “hold” her lover, instead of presumably backing away. If she could do the moment over, she would claim Karlie as her lover, and hold her hand for the world to see, through hell or high water.)

Though it’s a depressing motif in DWOHT, Taylor has, interestingly, returned to this imagery of a golden tie several times in other songs, painting it in a much more positive light. Most recently, the Willow music video explores this, visually representing the “single thread of gold that tied me to you” which Taylor sings about in Invisible String. Both IS and Willow are happy songs, which describe their lovers as being tied together by fate. “Wherever you go, I’ll follow,” Taylor sings in Willow. In DWOHT, the lovers followed each other to a place of deepest blue. The bottom of the ocean, under the waves, where they couldn’t breathe. In Willow they follow each other to freedom.

That freedom is represented in the Willow music video by the open cabin door the lovers step through at the end of the video. Taylor incorporates this door into the Willow section of her Grammy’s performance, performing first in the open doorway and then stepping through it to perform with her band out in the open.

But returning to the blue and gold dress. This is not only a very Karlie motif which keeps recurring in her art (often to postitve effect). It’s also a representation of Taylor finding happiness WITHIN the closet. It’s talking about how her partner’s love helps her to bear the depression being in the closet, and fearing exposure, causes her. The fact that Taylor chooses to wear this dress throughout her performance, with no costume changes, suggests a) she is still in the closet, and b) she is still with Karlie, and still considers her love to be such a lifeline.

If Toe was real and Taylor was happy with him, she could have chosen to wear an all-gold dress for the occasion. If Kaylor was over and she had decided to return to the closet, she could have communicated that by wearing all blue. If Kaylor was over and so far in the past she had moved on with someone new, there was no need to evoke the motif at all. She could simply have laid claim to another color, or worn another prairie type dress to fit the aesthetic. And yet, she didn’t. Why not, if not to communicate what I said above?

What else is worth considering, in Taylor’s medley? Well, there’s the cabin setting. Taylor and Karlie famously took a trip to Big Sur forest and stayed in a cabin together in 2014, where Karlie was the first person to hear 1989 in full. They took many photos on the trip, including one captioned with “on the way home” (a lyric from You Are In Love, which talks about hearing love in the silence) and one of the two of them looking up at a fallen tree. A VERY similar looking tree appears in the Cardigan music video, and the slanted, moss-covered roof Taylor opens the medley lying on also looks a lot like this tree. Again, curious that she would call back to this if she and Karlie have separated.

Moving on. Taylor opens the medley singing on the roof, looking straight up into the camera. When we pull back we see the stage around set to that of a starry night. Taylor is thus cast as the romantic, the star-gazer. She also calls back to another lyric Kaylors have previously tied to Karlie - “up on the roof with a schoolgirl crush”. It’s been repeatedly tied to Karlie and Taylor’s attendance at the Victoria Secret show after-party. Again, why evoke imagery so tied to the early, happy days of this relationship?

We then move through a progression of events that sees her hiding inside with friends, before eventually stepping out into the light. That all reads like a visual interpretation of her relationship with Karlie, from her early loneliness and lovestruck dreaming, to the happiness she finds within her little hideaway, to her eventual decision to step out of it and claim her lover. The medley ends on a repetition of “that’s my man”, seemingly hinting that Taylor’s freedom is tied up in her ability to finally say those words.

What else? Well, there are the Ivy allusions. Taylor’s cabin covered in greenery can’t help but evoke the lyrics of Ivy - “my house of stone, your ivy grows, and now I’m covered in you”. Ivy is widely interpreted as a sapphic song about two women finding love despite their commitments to men. Another line in the song “he’s in the room, your opal eyes are all I wish to see, he wants what’s only yours” is alluded to in Taylor’s choice of opal jewelry on the night. What a weird thing to draw attention to, if you’re not secretly in love with a woman while parading a beard around in public. We’re also told in the song that “he” (possibly the same man, possibly another) wants to burn the house of the Ivy lovers down. Jerk just so happened to announce the baby’s birth on this night, in what felt like an attempt to undermine Taylor’s joy. Hmm. Curious.

You know what else is curious? Taylor’s choice of outfit for the Grammys red carpet. Not only is the floral dress very reminiscent of a floral ensemble Karlie wore to cover a June (pride month) issue of Spanish Vogue. (Cover subtitled, “flowers of change”.) It’s also by the designer Oscar de la Renta. Taylor and Karlie famously attended one of his shows together early on in their relationship. They sat in the front row looking very cozy, while Taylor refused to answer questions about why she was there and reportedly giggled “my publicist will be mad at me”. Hmm.

Taylor has also worn Oscar de la Renta on numerous occasions while out with Karlie, including most famously at the Met Gala. That iconic pale pink gown that she was buried in the Look What You Made Me Do music video? That was an Oscar de la Renta. There are many interpretations of the scene in the video, but it’s worth noting that Taylor is buried alive in it (which could be interpreted as a metaphor for being closeted) and that in a video all about her various revenge fantasies, she depicts herself crawling back up out of this grave. She views coming back to life and walking away from the flaming wreckage of her past with Big Machine as the ultimate revenge. At the end of the video she clips her own wings while all the past iterations of her argue amongst themselves. This would seem to suggest that she can defeat her enemies but she can’t defeat herself, because she can’t outrun her past, and until then she will always be doomed to self-sabotage. Nevertheless, this Taylor (lurking in the background bedecked in peaced-out palm tree print) is in a much better position than the Taylor who opened the video as a zombie corpse. She’s on the surface and has some hope of freedome, at last. This is a theme we see carried through in the following video, where Taylor goes one-on-one against herself and eventually breaks free.

Long story short? Taylor wearing such a floral, literally blooming dress from THIS designer, of all people, suggests she may finally be about to rise again. The aborted coming out apparently planned for the Lover era (and thus seeded during the Rep era) may finally be a go?

Again, I’m very reluctant to get people’s hopes up here. But it’s hard to look at this dress and not think of that June (Pride month) floral magazine cover. Or of the Spade riddle, “Why worry? She blooms in June.” Or of the fact that Taylor’s stunts are often loudest before the end. She acknowledged Calvin and hugged him at an awards show before he was booted out of the narrative and Tom H appeared to replace him. (Something like ten days or so after the “split”, if I remember right?) And the inconsistencies of the Toe timeline speak for themselves. There was speculation - unpopular though it was - among Kaylors in the Rep era that guessed Taylor wouldn’t come out until 2021 / 2022. It seemed a world away at the time but who knows? Maybe this was always the plan. Maybe this is all “part of the fucking story”, even the parts that seem ugly or counterproductive. A lot can change in a couple of months in Hollywood, and with Taylor in particular. By June, it’s possible we COULD be looking at a vastly different landscape. Maybe this was one last hurrah for the Toes. Many of them are just harmless fans taking Taylor at her word, after all.

Only time will tell, and I don’t blame Kaylors for checking out. This isn’t healthy, especially for those of us who are gay ourselves, and can’t help but feel a personal connection to Taylor’s journey out of the closet. We know what a big deal it would be. But for those who still want to hope … It’s just possible Taylor has a plan, and this is the dark night before the dawn.

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Pro: I added the photos and the bolded parts. Love symbolism. This was truly a spectacular performance. Awesome submission anon!!

#submission #submitted by anonymous

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shihalyfie · 3 years

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A meta and analysis on Hurricane Touchdown

Hurricane Touchdown sure is one of the Digimon entries that’s really difficult to describe. Often said to be “confusing” and “like an acid trip” (for pretty good reason, honestly), it somehow also manages to have a lot of hold in public memory, partially due to being one of the three movies that got widespread international distribution via Digimon: The Movie. Moreover, its relevance has started to re-emerge thanks to Kizuna, the director of which has stated Hurricane Touchdown to be his favorite movie (multiple times). Rather recently, there was even an editorial written by a journalist who had been covering Kizuna, professing that he had watched Hurricane Touchdown as a kid and hated it, only to rewatch it as an adult and appreciate it much better.

With all that, plus the fact that the movie recently got a new translation, it’s probably a good time to go back over the movie and analyze it! Despite what popular sentiment may have you believe, the plot of the movie isn’t that fundamentally incomprehensible, just buried under some rather unusual production and execution decisions. But there’s a lot to be said about the themes and story of the movie, so let’s dig in!

(All screenshots and quotations from the movie are based off the Hudie translation.)

Hurricane Touchdown in meta franchise terms

The full title of the movie isn’t technically Hurricane Touchdown by itself, but rather “Digimon Hurricane Touchdown!!/Transcendent Evolution!! The Golden Digimentals”. (The Japanese fanbase tends to shorten it to “Digimon Hurricane”, or, for even more shortening, “dejihari”.) The double-titling there is because of how it was originally screened; it was the 02 “summer movie”, screening in July (between the airings of 02 episodes 14 and 15). Functionally, the franchise has thereafter treated it like a single movie, but at the time, the fact it was technically “two” movies gave it the longest running time of any Digimon theatrical movie, clocking in at a little over an hour. (The tri. movies are officially considered OVAs and not theatrical movies due to their limited-screening nature, so as of this writing Kizuna, at 95 minutes, is the only theatrical movie to break this record.)

The movie itself has a pretty fascinating development history – for one, Akiyama Ryou was originally planned to be the starring character instead of Wallace. It’s also the first Digimon movie to be in “questionable canonicity” territory – this is very normal for Toei tie-in movies, since development for these kinds of movies usually starts at the same time or even before the TV series itself, making it hard to reconcile canon, but unusual at the time for Adventure, which had both its first and second movies be plot-relevant to Adventure and 02 respectively. It is generally understood that the movie takes place in “summer” – possibly between episodes 14 and 15, at the same position it screened in real-life – but, interestingly, the Western and Japanese fanbases’ opinions on why it’s questionably canon tend to differ: in the West it’s usually based on the appearance of Tailmon and Patamon’s higher-level evolutionary forms (which shouldn’t be possible as per 02 episode 27), but in the Japanese fanbase it’s based on Wallace’s existence posing a timeline contradiction (according to Adventure episode 45, there shouldn’t be any Chosen Children before 1995, but the movie states that Wallace had been one before then). Add to that The Door to Summer, which seemingly contradicts the ending of the movie (in which Wallace and Gumimon find what’s implied to be Chocomon’s egg, whereas The Door to Summer has the line “Chocomon isn’t here anymore��), and everything is just a tangled mess.

Despite that, it’s pretty remarkable how lasting the movie has been in public memory. Even with all of the factors working against it – the fact it’s often accused of being confusing (or, by many a Japanese kid, boring and slow) or an acid trip – Wallace is a very popular character, more so than you’d expect for a “guest” character in a one-off movie, especially one so controversial. 02 fans often even consider him an honorary seventh member of the 02 group. His article on the Pixiv dictionary wiki is pretty surprisingly thorough, at that. Questionable canonicity aside, the fact The Door to Summer even exists is pretty significant – how many one-off questionably canon movies have you seen getting an actual sequel?

As an aside, Hurricane Touchdown has a bit of an interesting relationship with Ojamajo Doremi, which is in some sense classic Digimon’s sister series (it aired at around the same time as Adventure through Frontier, and was also headed by their producer, Seki Hiromi). Wallace was voiced by Miyahara Nami, a voice actress who grew up in an international school in Austria and thus speaks fluent German and English, thus often putting her in roles that require speaking one of those. (If you listen to Wallace’s Japanese speech through the movie, it has a very heavy accent, which is deliberately affected on Miyahara’s part.) A year later, Miyahara would be cast as major character Momoko in Motto! Ojamajo Doremi, and The Door to Summer would prominently feature Nat-chan, a girl voiced by Shishido Rumi, who voiced Ojamajo’s Onpu (who is generally agreed to be Doremi’s most popular character, and Shishido’s most famous role). Coincidence? Opportunistic casting? Who knows.

The movie itself

But that’s enough beating around the bush. Let’s get to the movie itself!

I’m not going to dwell on this too much because I’m going to be going more in detail about it below, but our story starts off in Wallace’s hometown of Summer Memory, a fictional rural village in Colorado, in 1995. (As mentioned earlier, this is a bit of a timeline contradiction; Adventure episode 45 establishes that “the one who wishes for stability” and the Agents didn’t get the idea of human Chosen Children until 1995, whereas the events of Hurricane Touchdown imply he’d been one before then.) Chocomon suddenly vanishes, and a gust of wind is left behind, implying that he must have been kidnapped. It’s not exactly said by what he was taken by (Digimon: The Movie ties it into Our War Game! by having both be traced to a “virus”, but no mention of such is made in the original Japanese version).

The mystery of what it is that took Chocomon away is never fully elaborated in the course of the movie, but as it goes on, it becomes increasingly apparent that it doesn’t actually matter. Why? Well, stay tuned.

So, timeskip to 2002!

As Takeru and Hikari are visiting Mimi in New York, Hikari, who is known to have a bit of an empathic connection to Digimon, senses that there’s a “crying Digimon” (this will be important later), and Mimi suddenly vanishes – as do the other Chosen Children.

I think part of the reason this movie is often pinned as feeling like an acid trip is that the demeanor and attitude the 02 kids express in this movie feels a little too laid-back for the very urgent situation of their seniors having suddenly up and vanished (which is also not helped by the movie’s overall soundtrack being a lot more laid-back than the events on screen should suggest). This is especially odd because it’s absolutely not like the kids aren’t worried about their seniors at all! Rather to the contrary; “getting Taichi and the others back” is the major motive driving the whole group for the rest of it, and it’s constantly brought up as their goal in dialogue, shaping their actions throughout the rest of the movie. The execution of the dialogue and the overall direction create a bit of a tonal mismatch, but on its face, the actual storytelling checks.

Shortly after, Chocomon – now evolved and corrupted into something – appears, and Wallace and Gumimon confront him.

The fact that Wallace refers to his partners by their Baby-level names (Chocomon and Gumimon) even after they’ve clearly evolved brings up a lot of interesting implications. One is that, not having been privy to any great adventure in the Digital World before, Wallace doesn’t have a lot of awareness of names changing after evolution the same way his Japanese peers do. But another important thing that comes out here is that, through the course of this movie, Wallace primarily sees his partners the same way he did as a young child. A lot of this movie’s story centers around Wallace’s difficulty in moving on from the past and accepting that things aren’t the same way that they are anymore – and so, just like how he has a hard time swallowing that the circumstances have changed, he has difficulty seeing his own partners as having changed, and calls them by the same names despite everything.

Takeru and Hikari catch on, and Hikari’s psychic sense catches on that something’s happened to her brother, too.

Oh, and incidentally, said seniors aren’t in a pleasant place to be in at all.

The fact that the older kids are clearly Not Having a Good Time in the realm they’ve been kidnapped to – it’s depicted as cold, lonely, full of negative emotions, and eating away at their ability to even bodily function – is very heavily connected to what we later learn about what’s been going on with Chocomon through the last seven years. Moreover, the one truly coherent thing Taichi and Yamato can spit out at this stage is concern for their siblings – i.e., love. Keep that in mind for later!

Wallace drops a line to his family (”Amy” presumably being his sister) saying that he’s going to head to Summer Memory, and skips town. Repeat: Summer Memory is in Colorado – he’s doing something as drastic as going out of state to follow Chocomon, which naturally does not amuse his mom very much (as we find out later in the movie). Patamon eavesdrops on the conversation and relays the information to Takeru and Hikari, who contact Daisuke in turn.

So the remaining three kids nyoom all the way to the US using frequent flyer miles (which makes you really wonder whose those are, or what on earth they told their parents to allow three elementary school kids go around unassisted in another country) to go save their seniors, which apparently doesn’t fund their trip all the way to Colorado, forcing them to hitchhike from New York.

(We also get a quick scene implying that Daisuke has better proficiency in English than Iori and Miyako, as he translates some of the statements for the guy they take a ride from. This is pretty surprising, given that Daisuke hasn’t really been portrayed as particularly book smart…but then again, language skills sometimes just happen to come naturally to some people regardless of skill in books, and hey, it might just come in useful for his future ramen chef career in New York…)

We get our first major scene of dialogue between Gumimon and Wallace, and we learn quite a bit about their characters in the process. Gumimon has a similar laid-back attitude to the more prominent Terriermon in Tamers, but beyond that (and a shared voice actress), it’s important to note that they have very different personalities otherwise. In this scene, Wallace and Gumimon get in an argument over how to handle Chocomon, with Wallace insisting that they shouldn’t have attacked him and that they should have just “talked” about it – even though, as Gumimon correctly points out, he was pretty obviously trying to physically attack Wallace.

In fact, at this part of the story, Wallace is being extremely irrational and in denial. You don’t even have to watch the rest of the movie to see that Gumimon’s very practical stance on the matter is reasonable – Chocomon was very much trying to attack Wallace, and getting caught in the fight was pretty much all he could do for Wallace’s safety. But Wallace, still stuck in the past, can’t accept that at this point in the movie, and, honestly, is being a bit of a brat about it too – he’s engaging in progressively more self-destructive behavior over the course of the movie (ditching his family to set off by himself in order to hitchhike to Colorado, for one). We later find out that Wallace is specifically obsessed with going back to the flower field where he lost Chocomon, having independently come up with the idea that this would somehow let everything go back to what it was before – even though there was really no sign this would actually fix anything.

The Adventure universe generally runs on a concept that a Digimon partner is representative of part of the self, and so, tying that into Wallace and his two partners, it can be taken that Gumimon and Chocomon reflect the duality of Wallace as a character – Chocomon representing his desire to latch onto the past and hope that everything can be the same that it was before, and Gumimon as Wallace’s sense of reason, advising him about the reality of the situation and how to practically get through it (and, thus, to move on). In fact, Gumimon is the one constantly advising him about said self-destructive behavior (reminding him that his mom is probably worried about him, but also berating him for just ditching the train as a result instead of thinking about how that’d leave them without reliable transportation for the rest of it).

The symbolism is driven in even further when the only thing Gumimon has to say, in response to Wallace clinging further onto the idea that going to the flower field will fix things…is a cryptic statement that Chocomon didn’t like the heat, then suddenly offering to be a hat to provide Wallace shade. Because right now, Wallace and Chocomon are the same: clinging hopelessly to shards of the past.

The other 02 kids make their way to meet up in Colorado, but run into some snags when Daisuke, Miyako, and Iori end up missing the exit to Denver (Takeru is not amused), and Hikari and Takeru’s train ends up stranded thanks to Chocomon’s interference…

…and, making things worse, Daisuke, Miyako, and Iori try to take a plane back to Denver, only to overshoot it again. (Sorry, Taichi…your juniors are idiots.)

Fortunately, they get lucky by running into the very same boy they’re indirectly looking for on their way to hitchhiking. We learn that Wallace has never had exposure to other Chosen Children before to the extent of knowing there were any Digimon in Japan, nor has he ever been to the Digital World, so for all intents and purposes, his experiences with Chocomon and Gumimon are all he knows (i.e. he has no awareness of large-scale Digital World affairs). He also apparently speaks Japanese, which is convenient for this movie so that they don’t have to have a language barrier, but, amusingly, Wallace claims that it’s because he “had a Japanese girlfriend once”. (Gumimon, who is much more reliable of a source, says that he’d apparently put an honest effort into studying, so an interpretation that Wallace really likes anime or something is not out of the question.)

It’s also interesting to see how the others react to him, especially considering that it’s becoming increasingly apparent that he’s involved with the disappearance of their seniors. Miyako is as openly friendly as she generally always is, Iori presses him very calmly about questions relevant to the disappearances and Chocomon without even batting an eyelid (future lawyer in training here), and Daisuke is suspicious from the get-go…which is exacerbated when Wallace starts flirting with Miyako. The running gag of Daisuke getting angry about Wallace flirting with Miyako has a lot to unpack here – the most obvious standby is the shipping interpretation (or, at least, that Daisuke may be as protective of Miyako as he is Hikari), but there are other points to observe as well. Firstly, Daisuke is a rather abruptly straightforward and overly honest person, and it makes sense that he’d play badly with people who seem dishonest – after all, his suspicions of Wallace started even before he started flirting, and he also shows similar hostility around Takeru (also not a very straightforward person) when he suspects he’s being made fun of. But also, the Pixiv dictionary entry takes the interpretation that Wallace’s personality had gotten a bit “warped” by his experiences – or, in other words, he’d developed this penchant for acting like a flirt, wandering off on his own, and altogether being incredibly wishy-washy because of the trauma of losing Chocomon and his inability to get over it.

And as much as Daisuke’s being a prick about it (to the point that mocking Wallace for it gets him left there stranded with him), he’s absolutely right about the contradiction Wallace’s posing – he’s acting all high and mighty about trying to become an “adult” (meaning that going off on his own and flirting with girls presumably are part of his perception of what Mature Guys do), yet he’s being a total mama’s boy by constantly dropping everything to call her repeatedly through his trip. (It’s even worse than the subs here suggest; he calls her “mama”, the kind of super-affectionate language used by Mimi and Ken.) As Gumimon says, Wallace thinks he’s actually right, but he doesn’t actually have it together at all.

Another interesting thing to note here is that at this point of the movie, Wallace calls Daisuke “Daisuke-kun” (with honorific attached, slight distance). Remember this for later.

Chocomon appears to confront them again, but he seems to not properly recognize Wallace – because, as we later find out, he doesn’t see the current Wallace as “Wallace”, and will accept nothing less than a younger Wallace from exactly the way he was when they were separated. (It is later stated in the movie that this is why he kidnapped the seniors and turned them younger; since he can’t recognize “Wallace” the way he is now, he’s taking anyone he can find with a Digivice and de-aging them in the hopes that he’ll find “Wallace” among them.) Gumimon recognizes that Chocomon is beyond recognition, and tells Wallace to not see him as Chocomon, but Wallace refuses to accept this and continues to intervene in the fight, telling Chocomon that they’ll meet again in the flower field. Again, Wallace’s mentality isn’t that different from Chocomon’s at this point – he may not be delusional to the point he wants to literally turn back time, but he still thinks that reproducing the conditions of seven years prior will fix everything and make it all better again.

During this whole time, the older(?) kids are getting progressively younger, and it’s turning out to impact not only their physical bodies but also their mentalities. At this point, they’re starting to lose awareness of what’s happening to them, as they become more and more connected to Chocomon’s emotions.

Daisuke is smart enough to catch on that Wallace definitely knows what’s going on, and starts to interrogate him. Recall that Daisuke is completely within his rights to do so at this point – Wallace is not only acting incredibly shady, he’s also being dismissive and refusing to give Daisuke any concrete answers about something that most certainly involves him at this point. As the 02 kids keep reiterating, their seniors have been kidnapped, and it’s pretty clear to anyone that Wallace knows something about this, but he continues to blow them off.

Wallace also doesn’t seem to be very happy about the fact Gumimon had evolved during the battle – remember, Wallace is very resistant to changes in his status quo, and especially when it involves Gumimon evolving in a similar way to Chocomon.

Daisuke continues to pry into what’s going on with Wallace and Chocomon, and Gumimon, who understands that there’s no use in denying that this is a problem, tries to be straightforward about it – but Wallace, still stubbornly refusing to open up about it, won’t even let Gumimon tell Daisuke about the truth.

Daisuke realizes that they’re not going to make any territory as it is, so he decides to have Lighdramon take them to Summer Memory for the time being, bonding a bit more with Wallace in the process.

Once they reach Summer Memory, the kids learn about Takeru and Hikari getting stalled by Chocomon on the train, and the fact everyone else on it had disappeared – meaning that the responsibility that Wallace is carrying for not taking care of this problem begins to weigh further on him. Daisuke, Miyako, and Iori continue to interrogate him about what he knows.

But Wallace, still stubbornly, refuses to talk, and being in Summer Memory only drowns him in further memories of his past with Chocomon and Gumimon. We learn a bit more about Gumimon’s past, too – apparently, he was quite the crybaby…

And when Gumimon finally begins to spill the details of what’s going on – that Chocomon wants to see the younger Wallace and is kidnapping kids with his Digivice and turning them younger as a result – Wallace still continues to double down on his denial. Notice his wording – his specific insistence that things will go back to “how they used to be,” because it’s not just about getting Chocomon back, but also a fixation on recreating that happy childhood he had with him.

(There’s also a bit of a cute moment around here where Daisuke asks Wallace if he needs to call his mom – after having teased him for being a mama’s boy earlier, Daisuke really is starting to care about his welfare. It’s also amusingly mentioned that Daisuke, Miyako, and Iori are broke out of money until they meet up with Takeru and Hikari again…)

That night, Wallace tries to go off by himself to the flower field, not even bringing Gumimon with him – as he implies later, he doesn’t even want to get Gumimon involved with this because he was the closest to Chocomon – but Daisuke, having finally caught on to his suspicion that Chocomon is not only relevant to Wallace but also Wallace’s partner, confronts him about it. Wallace thus finally spills the details – that Gumimon and Chocomon were born from the same egg, that Wallace kept them from his mother and stuck with them during childhood, and that, seven years prior, Chocomon suddenly vanished while they were playing at the flower field.

Wallace: I’ve never been able to forget about Chocomon since then. Not even after moving to New York, not even once. We were such good friends…So why did Chocomon have to end up like that? Does he hate me for not being able to save him? Daisuke: So the enemy we’re fighting is actually your Digimon? Your most important friend?! Daisuke: Of course you’d never be okay with that…

Daisuke is in shock, even though he’d already started to suspect this.

I said, earlier, that Wallace is being extremely irrational and in denial. I did not say that his feelings aren’t valid. Wallace’s situation sucks, and Daisuke recognizes why this hurts for him so much, especially after putting himself in Wallace’s shoes (and in fact it’s even worse for Wallace; Daisuke’s only known V-mon for less than half a year, whereas Wallace is talking about his formative childhood friend).

Daisuke: I’d never be able to do it. If V-mon were to turn into something completely different…Even if he went on a horrible rampage…There’s no way I’d ever be able to bring V-mon down. Wallace: Daisuke… Daisuke: So then, what are we supposed to do? Wallace: It’s not something you need to be crying over. Daisuke: But…

This entire scene is an interesting one for many reasons, especially because of the position in which it aired – this was in the middle of the arc in 02 when everyone was getting their second Digimentals. Daisuke had, only a few episodes prior, expressed trepidation over “friendly fire” – fighting any friend who had become controlled by the Digimon Kaiser. This is consistent with that (and the 02 kids’ general bleeding hearts and difficulty with fighting friends), and it’s even worse – unlike before, when we were talking about evil mind control, Chocomon is pretty obviously a victim of his own madness. And although Wallace continues to insist that this isn’t Daisuke’s problem, Daisuke, for all he’s rough around the edges, is a genuinely kind person who thinks of others to the point he breaks down in genuine tears over the problem, and it’s consistent with not only his prior characterization of thinking about others’ feelings in 02 episode 8, but also how this eventually ties into his indignation over seeing others being hurt (episode 20) or their feelings being trampled on (episode 49).

Another interesting thing here is that at no point in the movie is “killing” ever brought up, but rather the word used is taosu, which literally means “defeat”. In 02 proper, its use is somewhat euphemistic – most famously, it was used in episode 44, when Miyako and Hawkmon have a crisis over killing LadyDevimon (so in short, there’s no illusions about the fact killing is in play here). But in this context, it’s not even really about killing. Wallace doesn’t even want to fight in the first place. The sheer action of physically beating up a beloved friend is painful, with killing as the ultimate unwanted outcome. Everything about this sucks. But Daisuke correctly points out that Taichi and the others’ welfare is on the line here, and everything feels like the wrong thing to do. “What are we supposed to do?”, indeed.

So that’s why Daisuke momentarily indulges in Wallace’s denial-induced pattern of thought, because it really does seem like the only out here. (Especially because, from Daisuke’s perspective, Wallace seems to understands this situation better than he does – even if he doesn’t actually.) If they go to the flower field, they won’t have to fight and everyone will be saved and it’ll be fine! Wallace is irrational and in denial, but you can’t blame him and Daisuke for really, really wanting to believe this.

And Daisuke drops this zinger of a line, too:

Daisuke: So don’t say you’re gonna go alone.

Daisuke’s characterization really is important here, because, again, this movie came out during the first arc of the series, before episode 21 and the second half that centered around Ichijouji Ken’s redemption. At this point in the series, Daisuke was still being extremely deferential to others, especially his seniors, in almost all cases, and although episode 8 was a momentary glimpse into the kind of resolve Daisuke could have when it involved something he really cared about, this movie is really the first major sneak peek into how supportive of a person Daisuke is going to develop into, especially when it comes to Ken.

And Gumimon reaffirms that he’s going to stick by Wallace no matter what – filling the traditional role of a partner that Chocomon won’t anymore.

So they go to the flower field, and everything…fails spectacularly.

Well, before that, we get a glimpse of how the older kids are doing (they’re barely even conscious now), and we finally get to see Chocomon “in his element” and not as a rampaging monster. Things really, really aren’t going great for Chocomon either. He desperately and sadly jumps among the kids, trying to find Wallace among them, and what he really, really wants is just to be with his partner again. But they’re all “wrong”…

At first it seems like Wallace is making headway – for a second, Chocomon even recognizes him as Wallace! – but he continues to insist that he wants Wallace to come “with him”, to where it’s “cold and lonely and no one is there”. The way he starts chanting that he wants to go back is represented by the young Chocomon’s voice getting progressively lost in the monster’s voice, and Wallace, starting to grasp how futile Chocomon’s clinging to the past is, makes his first statement of the movie’s core theme: you can’t go back to the past, the only thing you can do is look forward and think about what you can do from there.

So after witnessing very clearly, in front of his eyes, how Chocomon is not going to listen to reason and will accept nothing less than something he can’t have, to the point of evolving and distorting everything around him, Wallace’s denial finally hits its limits, and he accepts that fighting him will be the only option out. (Again, note the use of “defeat” here – it’s not really about beelining straight to euthanizing him as much as Wallace has finally gotten over his refusal to fight Chocomon at all.) And considering that the situation is clearly rapidly escalating, and that Chocomon himself is clearly not in sound mind and having a terrible time himself, it doesn’t take much to see why the bleeding-heart Daisuke would also end up conceding so quickly. There’s a limit to how much you can hold out with pacifism when that just happened right in front of you!

(Also, Wallace no longer uses the honorific on Daisuke. Friendship level up!)

Chocomon evolves further and further, and his personality starts to actually take a turn for the cruel as he starts toying with the Digimon. In fact, it’s made pretty apparent that they’re no match for him from the get-go – he keeps toying with reality and forcing the Digimon back and forth between forms. He ends up “altering the world” into something reflective of his own heart, and it’s repeatedly pointed out that it’s “cold and lonely” – in short, Chocomon is subjecting the world to feel the same pain and loneliness that he felt, the pain that was enough to drive him mad.

And Wallace finally has this to say:

Wallace: Like Daisuke said, I’m a big baby. But you’re not Chocomon anymore. No, you’re the one who did this to Chocomon…Chocomon was all by himself and lonely, and in that loneliness, he tried so hard…But you took his heart and locked it away somewhere! I’m going to fight. If I defeat you…If that means I can free Chocomon from you…Then I want to fight, too! I need strength…

Firstly, Wallace acknowledges that he’s been a brat – that he’s been philandering around and acting spoiled and stringing everyone around (character development!!). And secondly, Wallace finally acknowledges the truth of Chocomon no longer being recognizable anymore. The ending quarter of this movie focuses heavily on the idea that Chocomon has now become so distorted that he can no longer even be considered the same thing anymore – it’s ambiguous as to whether that “you” that Wallace refers to having taken Chocomon away is actually a separate supernatural entity, or whether Chocomon was drowning in his own loneliness to the point those negative feelings became their own entity and consumed him.

In actuality, though – it doesn’t really matter! 02 as a series would also go on to blur the boundaries between external interference and internal forces – Ken having the Dark Seed as an influence but also being personally responsible for his own emotions driving him over the edge, and having to take responsibility regardless, and Oikawa technically being possessed by Vamdemon but still being goaded on by his own fixation with the past (in fact, notice how all three of these cases have to do with a fixation on things that can’t be brought back). Right now, the only thing that matters is that Chocomon is no longer recognizable, the thing in front of Wallace is no longer the same friend he knew, and even being able to bring back Chocomon’s sense of self is something Wallace wants.

(Daisuke also throws in a more charitable interpretation of Wallace’s actions even when he’s being hard on himself, pointing out that he can’t really be called a “baby” when he also did have genuine determination to come all the way there to find Chocomon despite his age.)

Hikari and Takeru arrive on the scene, and after Daisuke loses his marbles a bit over his happiness at seeing Hikari-chan there, Hikari points out the same thing: “You’re not the Digimon that was crying.”

Chocomon starts turning the 02 kids younger too – and remember, it was established earlier that he was using the Digivice as a guide. That meant it made sense for him to target the older kids, since they had the same model of Digivice Wallace did. But Daisuke and the others have D-3s, and there’s no way to really mistake them for Wallace – so in other words, Chocomon has devolved to inflicting cruelty for no good reason, with the original motive having completely vanished.

In increasing desperation, Angewomon and Angemon decide to evolve, and…look, I don’t have an explanation either, but I have to admit I’m somewhat amused by the fact that even they don’t really seem to have an explanation beyond “well, we’re desperate and hopefully it’ll do something!”

So they evolve, and Chocomon oneshots them. But that’s okay, because they released some golden Digimentals for Daisuke and Wallace to use! So V-mon and Gumimon get shiny new golden forms –

– and Chocomon pretty much oneshots them, too. More specifically, he eats them…and within his body, Magnamon and Gumimon’s consciousness gets eaten apart to the point they start forgetting their partners. Wow, this situation just got worse.

Yeah, so, despite the movie being named after the golden Digimentals, the actual point being here is that power means absolutely nothing in this situation. Remember, I pointed out that even from the beginning Chocomon was straight-out warping reality – they really didn’t have a chance.

So basically, everything devolves into complete chaos. Everyone’s being turned into little kids, with the mentality to match. All the Digimon are being oneshotted and being tossed around like tissues. But the one constant through all of this is that the kids are constantly running after their partners.

Remember how, back when the older kids were first getting sucked into Chocomon’s world, the one thing that seemed to remain intact at first was “love”? That “love” is what reaches out to Magnamon and Gumimon inside Chocomon, and makes them remember their partners again.

And, more importantly, that “love” is what awakens Chocomon – the real Chocomon – inside his consciousness, and he wordlessly makes a gesture begging Magnamon and Gumimon to kill him. And so they do – with understanding and consent from all three involved.

So in the end, the most extreme conclusion was reached. Chocomon died, at the hands of Daisuke and Wallace’s partners. But in that moment before he died, Chocomon’s pain was relieved, and he was himself again – Gumimon says that “Chocomon was smiling”, even in spite of his usual personality being that of a crybaby. They may have failed in their struggle to prevent the inevitable conclusion of having to kill Chocomon, but they did, to some degree, “save” him – so all of it did mean something in the end. And Daisuke promises that this still doesn’t mean the end of everything – they may have not been able to bring back Chocomon, and especially not in the exact way that would make things “the way they were before”, but the future is still there for him to return someday.

So, we clean up loose ends. Taichi and the others are returned safely, and in the end, Wallace decides to still be a vagrant for a bit longer – and to flirt with Hikari and Miyako a bit before he leaves. In the end, Wallace still has a long way to go if he wants to really grow as a person. But as Miyako points out, he’s gotten a bit bolder than he was before – and he’s greeted with an egg in the end, as if opening up new possibilities.

The Door to Summer contradicts the finding of this egg, or at least opens up the possibility that this wasn’t actually Chocomon’s, so it’s ambiguous as to whether the frame of Terriermon and Lopmon at the end of the credits is meant to be taken literally, or if it’s just symbolic. But even in the case of the latter, Chocomon is seen as Lopmon, a form he never got to have in Wallace’s childhood – so, in the end, it’s about different possibilities opening up in the future, rather than replicating that of the past.

All right, let’s recap this movie for those doing a tl;dr! Or, more specifically, let’s recap the events in chronological order:

Sometime before 1995, an egg emerges from Wallace’s mother’s computer, and hatches into twin Digimon, Chocomon and Gumimon.

In 1995, while playing in a flower field in Summer Memory with Wallace and Gumimon, Chocomon disappears for unknown reasons.

For the next seven years, Chocomon is trapped in delirium, full of loneliness and pain from being unable to see Wallace, and starts to become obsessed with the idea of reuniting with him, but, in his madness, accepts only a version of that reunion that involves him being the same young child he was when they parted, as if nothing had changed since.

Wallace, likewise, develops a fixation with getting Chocomon back so that things can be like “the way they were before”, even after moving to New York.

In 2002, Chocomon begins to kidnap kids with the same model of Digivice that Wallace has, and starts to forcibly turn them younger and send them into delirium like his own, hoping that this will bring the “Wallace” he wants back. Wallace starts to chase after him and decides that returning to the flower field in Summer Memory will allow him to communicate with Chocomon and make him go back to the way he was before.

Takeru and Hikari, hoping to find a lead on their seniors’ disappearance, drop a line to Daisuke, Miyako, and Iori, who head to the United States, also hoping to find a lead in Summer Memory. On the way, they run into Wallace, who is evasive about his connection to Chocomon and the kidnapping incidents.

At Summer Memory, Daisuke confronts Wallace and learns about his story, emphasizing deeply with the difficulty in killing an important friend, and agreeing that they should reach out to Chocomon at the flower field.

Chocomon continues to fall deeper into madness at the flower field, and Wallace and the others realize that they have no choice but to fight him. As Chocomon becomes so distorted he’s no longer recognizable, Wallace declares an intent to at least save his consciousness.

As the fight carries on, the kids are de-aged by Chocomon in his madness, and Magnamon (V-mon) and Gumimon are swallowed by Chocomon. However, the kids’ love for their partners awakens Chocomon’s consciousness again, and he asks Magnamon and Gumimon to end his pain.

With everything settled, Wallace and Gumimon are able to face forward into the future in the hopes of meeting Chocomon again and starting anew from scratch.

The Door to Summer

Actually, there’s not much to really be said about Hurricane Touchdown’s spiritual sequel The Door to Summer, except that it revisits similar territory to the movie, observing it more in Daisuke’s context than it does Wallace’s. (The story is very much more Daisuke’s than it is Wallace or Mimi’s.) The short synopsis is that Daisuke, having had a pretty bad time recently, finds himself in contact with a mysterious “winter” (in the middle of summer!) that seems to reflect his own heart…and a mysterious amnesiac girl whom Mimi names Onpu “Nat-chan”, who immediately latches onto Daisuke. In the end, “Nat-chan” turns out to be “a Digimon who’s taken in a lot of evil data,” who goes on a rampage and forces the others to fight and eventually kill her.

Although the reason for Nat-chan going on a rampage is more concrete than what was given in Hurricane Touchdown (it’s portrayed as “data chips” that seem like fireflies), The Door to Summer also makes it very clear that it wasn’t just supernatural influence, but also Nat-chan’s loneliness, desire for a human partner, and jealousy of Daisuke and V-mon’s relationship. Daisuke, while showing immense hesitation about fighting her when she had befriended them, still manages to “save” her in some way, to the point she actually verbally thanks him as she dies. And in the end, Daisuke and the others decide to take her egg and find a partner for her – even if she can’t be Daisuke’s partner like she wanted, she can still start anew with someone else.

Wallace in Kizuna

Warning: The rest of this post contains spoilers for Kizuna.

As said before, Hurricane Touchdown has been said to be the favorite Digimon movie of the director of Kizuna – and certainly, while Kizuna references all four Adventure-series theatrical movies, Hurricane Touchdown’s references are the least subtle, with the plot point of de-aging kids lifted directly from it. (Except, in this case, it’s in the context of trapping oneself in blissful memories rather than being portrayed as the upfront listless torture it is in Hurricane Touchdown.) Moreover, the theme of warning against being fixated on the past is just as present in Kizuna as it was in Hurricane Touchdown, especially when Kizuna’s main antagonist (Menoa) also falls victim to something that’s part supernatural influence and part getting swallowed by her own negative feelings…so it’s only fitting that Wallace himself makes a cameo in the movie. Two cameos, in fact.

The fact that Wallace is established as canonically existing within the Adventure main timeline has thrown a lot of people for a loop, especially since recent franchise events have made it questionable as to how it’s possible for canon to even make sense anymore because consistency has just gone out the window, but the Pixiv dictionary’s chosen rationalization for this is that, at the very least, “(some version of) Wallace exists in the timeline of the main story”. I’m inclined to agree with this evaluation; the fact that people around the globe can agree that the movie is questionably canonical but can’t even agree on how, and the fact that certain franchise entries considered canon (Tag Tamers) have their own contradictions, plus the fact that it’s not like Hurricane Touchdown takes a complete knife to timeline and lore common sense and more that it has some contradictory minutiae that are really easy to sidestep, it’s not actually that hard to say that some timeline of events that reasonably resembled Hurricane Touchdown (with maybe only some minor timeline or evolution differences) happened during the summer of 2002, and thus that Wallace exists.

Assuming that the story of our canonical Wallace is mostly the same or similar to that of the story presented in Hurricane Touchdown, Kizuna provides us with quite a bit of interesting information. We’re treated to two shots relevant to him: one in the form of his name at the top of Koushirou’s list of kidnapping victims, and one where he appears in person at the very end. It’s hard to miss him; he’s wearing similar colors to the clothes he wore in Hurricane Touchdown so you can identify him even at a distance, and he’s also the only loser around here with two partners. That’s right, two! Two!! Chocomon is back – and as Lopmon, exactly like the end credits card of Hurricane Touchdown depicted him!

So it looks like that, one way or another (after Hurricane Touchdown, after The Door to Summer, whatever, make up your own story), Wallace did manage to reunite with Chocomon and start a new life with him. It looks like not all of his habits have died – he’s depicted in a place with palm trees, meaning he’s definitely not in New York or Colorado, so either he’s moved again, is still maintaining the vagrant lifestyle, or just happens to be on vacation.

The other interesting thing here is that Wallace is depicted as one of the Eosmon kidnapping victims. According to Menoa, kidnapping victims were ones who were entertaining thoughts of wanting to go back to the past and remain a child forever – something that should intuitively be against everything Wallace learned in Hurricane Touchdown. But it’s important to point out that Eosmon’s lure is depicted as working on a subconscious level – certainly, if the kidnapping victims in Kizuna were to be outright asked if they wanted to be kidnapped and de-aged and trapped in their childhoods forever, most of them would probably say “no!”, and Wallace is likely no exception! But even if he’s starting his life anew with Chocomon now, it’s not hard to believe that there would still be lingering subconscious regrets about everything he’d lost with Chocomon and the childhood they could never spend together, ones that Eosmon’s allure would end up connecting with, even if the events of Hurricane Touchdown had consciously taught him better. Alas, being a human is hard.

#digimon #digimon adventure 02 #hurricane touchdown #shihameta #digimon adventure last evolution kizuna #kizuna spoilers

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dreaminpeaches · 3 years

Text

“Ladies, Gentlemen, Enbies...HER--I mean Him? Or them?-- whatever, anyways here's the first part of my daydream paracosm, Humble Pie. I was really happy I was able to come up with the first part in a somewhat cohort manner. Part 2 is also going to follow this sometime soon, but after that its probably just gonna be short shorts, text exchanges, and or drabbles, but that first part’s finally a thing! And that’s cool”

“Also just reminder that this paracosm is set in a mix timeline, like people have flip phones, cassette tapes, but still also have stuff like gamer chairs, and slang like sus/lit exist, so I hope that doesn’t bother you..oof”

“Also I wrote this from my Remarkable, then convert it to text, and did some proof reading, but my handwriting is still can only be read by chickens and my dyslexia ninja has sneak 100 accuracy so..yeah

Word count: 6,115

TW: mention of Bullying, DeadBeat dad, Smoking, Drinking, Swearing (only for comedy’s sake tho’), Dissociation, Guilt (but don’t worry there’s still A LOT of fluff in this piece, tho)

Link to Alternate version on my off-site daydream blog: Humble pie part 1

=================================================================

"Okay, here we go" Beau said, taking one last drag of his cigarette, and taking in one last look at the panoramic view of the town below, Newbury, his hometown, he was away for a year because of college which he dropped out of. Well, "dropout" made it seemed like he had a choice, more like he flunked out, there were' 'reasons that 'made college impossible for Beau, reasons that he couldn't get into or more like reasons he didn't want to get into, these were the some reasons that turned what was suppose to be a 5 hour drive into an 8 hour one, making him stop ever so often to the nearest park, overlook, or clearing to get out, smoke and or take a short walk. These stops were so frequent by the time he reached his hometown’s overlook he was on his last stick, hard to believe he started the trip w/ a full box.

He dropped the last of the remains of the cig on the ground and stomped out the glow ember with his dark brown rounded toed boot, watching the embers glow go out made him feel similar in a way.

Beau took one more last look at the small town below blanketed by the dark, light sky. He looked around. the overlook, bring back memories of. late night make outs, sneak outs and general teenaged shenanigans.

Beau remembers once on a night he was really buzzed, a rare event for him, drinking with his buddies, rather it was the buzz from the beer, or he was just 'riding the 'high off scoring the winning goal for the team, or general teen hormones. He felt invincible, so invincible he stood up on the ledge and proclaimed himself as king of the world

A moment Beau looks back at and shakes his head as if to try to erase the memory from his mind like an etch n’ sketch, suddenly he got a bad taste in his mouth or maybe that's just the cigarettes "King of world….yeah, right" Beau said pulling up the collar of his jacket and shrugging his hands into his pockets, and headed back into the car.

It was getting late and there was no use in stalling any longer, might as well continue to the inevitable. Stalling may be that’s the feeling that's been following him the whole time, stalling the fact that he would have to return to his hometown a failure after being touted and praised for being a star athlete , and getting into a ivy league school, a feat his mom was really proud since she herself couldn't go to college because of having Beau at such a young age, and having to deal with a bunch of other “BS” as Beau would put it.

Beau really wanted to make her proud by becoming a famous football player and make tons of money so she wouldn't ever have to worry about bills n 'stuff and live in the malibu dream house she dreamed of living in since she was a kid, a dream she would talk about to her children like it was fairytale during when time got real tough.Even though she sounded upbeat over the phone about the news, Beau knew his mom was an expert when it came to masking her disappointment and skill that was pretty integral with dealing Beau's birth father. He just hopes she's not too disappointed

As the twilight sky grew more dark the street lights flickered on. Familiar and nostalgic landmarks and structures rolled by as Beau drove by with one hand gripping the wheel while the other hand hung casually out of the rolled down window. the nighttime breeze gentle, tossing his cart dirty blond hair mullet. The 'murmur of punk music lighty playing from the car's speaker, that was playing louder earlier but the volume's quickly depleted because blasting punk 'music at night in a small town is pretty serious offensive a risk, a younger Beau would play around with, but now being older he knows better.

Driving into his old neighborhood, seemingly not much has changed, but what do you expect from a small town? The old neighborhood consisted of typical signatures of most middle upper class .. neighborhoods, Christmas ' decorations long over due to be taken down, manicured lawns, next to slightly less manicured lawns. Some lawns adored w/ gnomes and flamingos, a step up from the lawns of homes in his childhood neighborhood whose homes had what one could consider a lawn but just barely, Beau and his brother were lucky enough to have a sizable back yard and a tree house.

His family's lawn had a bunch of outdoor toys laid about on their lawn: a nerf gun, a pink tricycle, a tiled dyed color bouncy ball and an empty container of mega bubble wand. Beau drove up in the driveway being careful to not accidentally run over any of the toys in the yard.

He eject the mixtape from the player and put it into his jacket chest pocket. Beau leaned over and rummaged through the glove compartment fishing out a small travel can of axe's body spray and another small spray can of mouthwash, he used both to cover the scent of cigarette smoke, a smell his mother was highly sensitive to. He popped in a stick of spearmint for extra measure before getting out of the car and going to the trunk to retrieve his suitcase. Beau only had one suitcase since all the stuff really needed and cared about conveniently fitted in one suitcase.

Beau propped up his suitcase as he closed the trunk, the car beeped and blinked as he pressed the lock button. He headed up the pathway to the front door, his heart beating louder and louder with each step leading up to the front door.

Beau took a deep breath, Pulling himself together. "Okay" He said under his breath as his hand slowly reach for the knob but before he could even get a good grip, the door swung open, Beau's eyes raced up to see the thinning hair of a middle aged man, Beau eyes lowered a bit more to see the mustached clad face of the man the hair belonged to. "Hey, Big Boss! '' the mustache man said with a grin. The man was Beau's stepfather, David.

"Hello, David, I-I mean Dad." Beau awkwardly greeted his stepdad, trying his best not to show discomfort at his step dad's “nickname" for him.

"Ha, ha that's okay, son!”David laughed, giving Beau a hefty pat on the back.

"Here, let me get your bags." David said, reaching for Beau's suitcase, looking behind Beau expecting more bags

“You only brought one bag?" he questioned, looking curiously.

'--I like to be efficient" Beau muttered with a shrug and a side glance. "HAHA you and me both, Big B" David chuckled playful elbowing Beau, who gave a half-smile and a small chuckle--well, more like a slight nose huff

"Hey, honey Big B is home!" David shouted as Beau closed the front door.

His mother came rushing from the bedroom in her rose pink robe w/a barbie in insignia on the front with matching fuzzy slippers, her sandy blond hair still damp from the shower.

"My little boy, oh!" she said, warping Beau in a tight motherly embrace. "Welcome home!" Beau's mother pulled back for a second, cupping her son's face in her hands “you’re still so handsome"

"Wait..." Beau gently removed his mom's hands from his face "Are you okay, mom?" He asked his considerate brown eyes searching his mother's teal eyes for any sign of distress.

"Of course, sweetie," his mom beamed. "I have all of my loved ones under one roof. What's more to ask?"

it's just that I didn't- Y-you know." Beau said with downcast eyes

"Oh, that" his mom said wide eyes and then shaking her head in dismissed

"Don't worry about not finishing college, I mean just look at me"

“But You just seemed so proud that I got in, I just didn't want to let you down"

“Sweetie, it's fine," his mom said, gently guiding his head up with her hand to look at him "I was not proud that-You were becoming the smart, sweet kind young man, I always knew you were, but now. I'm just happy that you’re here and I get to see you go. on the journey myself!" Beau chuckled tightly and blushed at his mom's admiration.

"Plus, Your mom's not the only one who is happy to have You home!” David said, gesturing towards the hallway. Beau looked to see a small figure peeking from the corner, the figure quickly disappeared followed by an overflow of giggles.

A smile slowly creeped across Beau's face, he slowly kneeled down. " "Gasp * Is that my little care bear?"

From the shadows totted out, a little girl dressed in a blue care bear patterned nightgown, her blonde hair tied up in pigtails, she grasped a love-a-lot bear in one arm while her other arm was open as she raced towards Beau, also with arms wide open for a hug "Bo-Bo"

"Hey, care bear!" Beau cooed as he picked up his little sister "Wow, You've gotten so big since the last time I saw you!

"Carrie's been asking when you were coming since you told us you were coming home "David stated

"Really?"

"Yep!'' Carrie nodded proudly "You still have the love-a lot bear I won at grad night". Beau vividly remembers winning Love A Lot and his friends making fun of him, but Carrie really appreciated it more than he thought.

"Yeah, she takes it with her everywhere!" mom emphasized “Thank god, the kindergarten has a security blanket policy!

"Aww..." Beau said fondly looking at Carrie, who had her head resting on his shoulder, still grasping love a lot.

Beau thought for a moment and looked around "wait, where Dev?"

"Oh" mom said putting her hand on her head with a semi sigh "He's been going through... things"

"Teenager things: David specified "He's the big one three now.. "

“Don't worry, I can talk to him!”Beau said, confidently, slowly nodding his head

. Carrie lets out a small yawn "Aw, you sleepy, care bear?" Beau asked as Carrie rubbed her eyes

"It's past her bedtime, but she really wanted to see you," Mom said, stroking Carrie's hair. "Is someone ready for the sleep shuttle'?" Beau asked Carrie, looking at her in her sleepy hazel eyes, she nodded in response

"Alright, Here we go!" Beau held Carrie in both hands placing his arms out in front of him, he kneeled down and started counting down. "3…..2...1. Blast off!"

Beau shot Carrie in the as he stood back up. As he moved towards Carrie's bedroom, he moved all around side to side, up and down while making spaceship sounds, Carrie was giggling all the way through.

"Incoming! "Beau shouted as he swooshed Carrie round a few more times before landing her swiftly on the bed.

"Huston, the eagle. has landed!." Beau said, holding his ear as if he had an earpiece "Not eagle! Bear!" Carrie stated holding up her care bear "correction, the "BEAR" has landed!" Beau correcting himself, bringing a huge smile to her face as she nuzzled her care bear

"Okay, night, right, care bear" Beau said patting carries head

"Wait!" Carrie said holding on to her brother's arm "Is Bo-Bo still gonna be here in the Morning?""Of course, I'm not going anywhere at least for a while.." "Beau said, kneeling down to Carrie's eye level.

"Okay, I like having Bo-Bo around:'' Carrie said "and I like being around" Beau said, "see you in the morning, care bear" Beau gives Carrie a good night kiss on the forehead.

She settles into bed as Beau closes the door. Beau grinned to himself, feeling lucky to have such a cute sister. He remembers when Devin was that little, speaking of Dev. Beau apphoraced Dev's bedroom door. The door was caution tape, Don't enter signs, with a please knock before entering sign.

At first Beau did think about knocking but then thought "I could be a respectful older brother respect the sign or I could have fun and be a little shit. He pondered about it for a minute then-"yeah, I'm gonna be a little shit.”

Beau took a card out his wallet and wedged it in between the door to jimmied the lock. He peeked through the door to see Dev playing a video game on the tv. "you little..." Beau said under his breath, before bombastically opening the door "Hey there, squirt!" Beau said, shoving the door open

"Didn't you read the sign?!" Dev said as he turned around in his gamer chair in both shock-and annoyance

"Wow, that's a pretty warm welcome to give your older brother you haven't seen in a year!" Beau snarked, pretending to look hurt'' "Nice to see you too!"

"Oh my god!" Dev said, rolling his eyes and turning his chair back to tv, bringing his attention back to the game.

"and here I thought you were working on a project or homework or some school shit!" Beau continued "but no, you're just sitting here playing one of your little nerd games"

"Oh my god, can't you just leave!" Dev groaned as he hunching closer to the tv.

"You couldn't at least say "Hi" " Beau said now standing right behind Dev gamer chair

Dev raised and waved his hand half-heartedly and flatly said "hi"

"Well, damn I feel loved," Beau said sarcastically. "aren't you at least gonna look at me?" shaking the gaming chair a bit to gain an ounce of his little brother’s attention.

“ I saw you "Kool aid man" into my room. Is that enough?" Dev said still focusing on the game Beau sighed, then got an idea "Dev! Dev! I think there's something wrong with my heart I think I gonna-ugh!" He said staggering forward a bit before falling in Dev's lap, knocking out the game controller out of Dev's hands.

"Come on! I was in the middle of battle!" Dev whined looking at his brother playing dead

"Get off of me!" Dev go armed as he tried to push beau off with no luck

"Come on, Beau!" He gored in frustration “I know you're not dead! I can still feel your heartbeat..."

Get up!" Beau remained still, Dev rolled his eyes; he knew the exact words to get his brother off his back or in this case lap.

"Big brother, can you please get off of me n Dev utter begrudgingly "Aw, you haven't call me ‘Big brother’ in years" Beau chimed with a smile, finally getting up "I'm still kind of hurt, that you cared about your gaming progress than the well being for your one and only big brother"

"You were still breathing, I could literally see you inhaling and exhaling." Dev clarified rubbing his forehead

"Touche, I guess" Beau said he then directed Dev's chair in front his bed," now that I have your attention"

"Okay, I guess I should say sorry since you couldn't and say "hi" to me because you were too busy saving some elf princess, or some anime chick with huge melons"

"I-H-Hey I don't even play those types of games!" Dev argued blushing

" .-sure you "don't'." Beau taunted with a wink, Dev goanned "Anyways, Anyways you don't have to say "hi",; but you could at least not talk to me"

Beau suggested, shrugging. "I guess" Dev mumbled kind of sinking into his chair "cool, so how's life?" Beau started, trying to start a diagoul "okay"

"How's school?"

"Okay"

"How’re your friends?"

"Okay"

"Got a girlfriend?"'

"NO”

"Got a boyfriend?"

N-NO"

"Got any crushes"

“….NO…..."

"joined any clubs or any other after school junk?"

" ..... NO..."

"Are you just gonna answer all my questions in one word?"

Dev fell quiet, and shifted his gaze from his brother

“Okay, that's it!" Beau huffed, he picked up Dev and hoasted him over his shoulder "Hey! put me down!" Dev-shouted , beating his fists on Beau's back "Not until you talk to me like an actual person, and one worded answers aren't gonna cut it, squirt!"

"MOM! Dad!"

"Mom and Dav-Dad are fast asleep, and you know they both sleep like rocks!" Beau stated'' the only person you'll wake up is Carrie, and You don't want to wake little care bear, now do YOU?"

Dev fell Quiet again, "You know I can hold you like this for hours, you aren't really that heavy, or you can just end this and talk to me" Beau suggested ending the suggestion with a sigh and started to stomp his foot impatiently..

Dev continued the silent treatment for a bit until letting out a meek "Okay...I'll try" .

Hey, three words, that's a start!" Beau cheekly commented,He sat Dev back down in his green gamer chair.

"Okay, do over!" Beau said casually sitting across from Dev and his bed. "so, how's school going?" "F-fine” Beau gave Dev a intense look, reminding Dev of his word count “N-no, I mean it's just weird" Dev stuttered choosing his words carefully, Dev fiddled with his hoodie sleeves.

"and it's weird because..." Beau initiated, gesturing his hand toward encouraging Dev to continue "It's weird because.... I don't know, Middle school is way different than 'elementary school, I mean I knew that from tv, but middle school isn't like tv."

"It's okay, nothing like tv, that thing lies” Beau softly chuckled to himself and continued “I remember thinking Pogo sticks were the SHIT-cuz 'of people and cartoons on tv made it look so easy"

"I finally got enough money for one-- you were like little you probably don’t remember this-- but I was SO HYPED, I wanted mom to watch me. I took one hop, fell on my ass, and never hopped on that bitch again. I was pissed, I think mom was trying to her best not to laugh but I was so pissed I think I didn’t notice until now. I chucked the pogo stick in the garage, and I never looked at that bitch again”

Dev let out a stiff laugh, the defensive wall Dev put was slowly breaking

"Oh WAIT WAIT!” Beau said taking a moment to correct himself “ That WASN’T the last time the last time I looked that bitch, I fished it out of garage years later, only cuz’ I need some money for Madden. So, I did look at that bitch one more time, but only to sell that bitch.”

Dev let out a more audible laugh, but quickly caught himself and recollected, returned to his disillusioned teenage state.

"Anyway, The teacher's are kind of weird, like a lot of them hate my guts already, except for the coaches who are super nice to me." Dev explained, kind of looking away from his brother

"Weird, why do you think that is?" Beau asked whole hearty

"Because I'm related to you, Numb skull!" Dev blunted , groaning putting his hand on his forehead

"Oh damn, I guess that's my fault." Beau realized, rubbing the back of his neck "My bad. that my awesomeness is just lengardy"

Dev shook his head and rolled his eyes "It's not awesome to live in YOUR shadow!" Dev sulked, sinking back into his chair, his hands covering his face.

"You don't have to follow in my awesomeness, I know I'm a hard act to follow." Beau boasted teastingly so"You just gotta make your own awesomeness."

"What does that even mean?" Dev questioned, moving his hands down, allowing his eyes to peek through his fingers, trying not to given the urge to roll his eyes

"It's like my awesomeness comes from my boyish charm and good looks..." Beau claimed, striking an award winning smile, The urge not to roll his eyes was becoming even hard for Dev, but he still had to try and respect Beau "But your awesomeness could come from being good at games, or computers shit or math or robots or something--I don't know something real nerdy"

"I guess, you're right" Dev mumbled and shrugged,lifting himself up back into a sitting position rather than almost spilling out of his chair.

"Its not a guess, its science!" Beau declared proudly, tapping his temple with his index finger

"No,that's not science!" Dev arguing his brother's stupidity, flatly shaking his head in disagreement

"See, there you go using your nerd awesomeness" Beau pointed out with a wink "Keep that up and you'll go from Beau's lil bro, to just ‘Dev’ in no time." Beau playful tousled Devs mop dirty blonde hair

"I mean.." Dev continued batting his brother's hand away, "I was also thinking of joining the video game club or the robotics club at school."

"There you go another nerdy thing that to add to your own awesomeness" Beau said

"Yeah...." Dev continued ignoring his brother's comment' “Some of my friends are thinking about joining, and it would be a nice place to go away from mom and dad."

"I had sick memories of hanging out with the team, we got into some wild shit." Beau said laughing to himself, fondly reminiscing "But I'm sure you and you geek squad could have "wild" times too, like making an anime robot 'weify." or whatever those called or finding a new math formula or something"

Dev fell quiet for another moment, Beau always seems like he’s in between being supportive and subtly roasting him, Dev then uttered "um... I think I kind of have a crush... on a girl..."

"AYE, let's go! "Beau exclaimed, clapping and shaking Dev's chair for a bit before bouncing back on the bed'' Come on, don't leave me hanging, what's her name? "Have you talked to her vet? Have you asked her out? Have-"

"Calm down!" Dev demanded "I said I had a crush, I didn't say we’re going out.'"

"Oh, so you haven’t talked to her, huh?”

"No, I-I don't even know her name" Dev huffed, he let his arms slip into his oversize sleeves and covered his sleeves with his face in frustration.

"You know you could just ask, not the chick, like just ask around"

"I can't do that because if I do, people will find out I like her and if she finds out, I would just have to stop going to school!”

"Okay, let’s just pretend you DO have the balls to talk to this girl, what's the worst that could happen?" Beau suggested

"She finds out that I like her, thinks I'm weird and never wants to talk to me again or even look at me!” Dev muffled through his sleeved covered face

"You really think she can sus that out all in one go!" Beau said "I mean she is a middle Schooler unless she's like a young nancy drew, she is not going to chew you up and spit out like that." Beau explained "speaking of which''

Beau paused for a moment to spit out his gum into the trash can "Score!"

"Anyways, have you done anything weird to her or around her?"

"No, I mean I look at her in the hallways before and in between class, but I don't like-- stalk her or anything too weird." Dev mumbled, moving his sleeves from his face, but his head was still targeted down at his fingers fiddling with a tag on his black shorts

"So, then what's the fear?" Beau inquired, resting his chin on the heel of his palm

Dev thought for a moment, his eyes shifting looking for an answer." I-I guess I just don't know how to talk to her."

"Well, fuck, that's easy" Beau chuckled “Just talk about school shit, or just say "hi"

"Is it really that easy?"

"Yeah, if you have the balls for it" Beau reiterated "Think about it like this, the dudes you play in your little nerd games have to fight a dragon, a demon or some anime witch with huge melons to talk to the girl they like and they er brave enough to do all of that wacky shit. But you’re lucky, you don't have a dragon for real in your way to keep you talking from your crush. The dragon's just in your head! If those hero dudes can fight dragons they actually can see, doesn't that mean you can fight a dragon you don't even see."

"That was a really lame and kind of confusing metaphor" Dev sassed " But I guess understand what your trying to say"

"Exactly" Beau said nodding confidentiality

"Can we talk about mom and dad?" Dev asked sheepishly, looking up at his brother, (well as much as he could with his shaggy bangs in the way), his fingers now toying with his hoodie strings

"Did something happen?"

"No, I mean yeah, I mean it's just weird" Dev said "Mom and dad are starting to get more annoying but I don't know if they were always like that or they like charged"

"No, parents don't really change-usually” Beau explained “It's just that being a teenager makes you hypersensitive to a bunch of shit and makes you wanna be alone more. Parents, the good ones like spending time with their kids and they actually want quality time n' shit and that's where they start to get annoying".

“"Oh okay,” Dev nodded.'' It's just weird because sometimes I feel like I hate them, but I don't want to. I think I just really want to be alone more like you said but I don't want to shut them out, I just want them to get that." Dev-fiddles with the strings of his green hoodie

"Yeah, I think they do in a weird old people kind of way. Believe it or not they were teenagers to even if that was back in the stone age n' shit" Beau joke"

Dev let out an actual laugh, a sign to Beau that he's little bro was being less of a moody teenager

"Anyway, even with that said mom and david-I mean dad aren't mind readers, it would be cool if you give them a heads up, you don't have to tell them all about what's going on in your little teen nerd brain but at least something simple like something weird or funny that happened at school, or asking for help on homework or a project for class or some shit like that, I'm pretty sure Dav-dad would love that.."

"I guess I could try". Dev said slightly nodding his head "But Carrie is kind of weird too!

"How can Carrie be weird, she's 5.” Beau scoffed "she doesn't do anything weird really"

Dev added" it's just sometimes she's regular cute and other times she's annoyingly cute if that makes sense"

"I mean like kind of get what you're saying but "Beau shrugged gesturing his hand toward prompting Dev to continue

"Like I still look out for her because she little, but because she's little that means I have to do dumb stuff like look for monsters under her bed or do that sleep shuttle thing you do, but I can't really do it because my arms give out halfway through and she's heavier than she looks."

"Well, little brothers and sisters are annoying, it's kind of their job, trust me I know from experience" Beau: put his hand on Dev's knee, Dev tried to Swat at it but Beau quickly put his hand back with a smirk.

"But like with mom and da-David just cuz she's annoying doesn't mean You can’t look out for her n stuff"

"I guess, its because lately, it seems like'' Dev paused 'for a beat, his hands hard gripping the strings of his hoodie, before continuing" I don't know mom and dad have been paying more attention to her than me"

A mischievous smile creeps across his face. "AW does someone miss being the baby?"'

"Oh, fuck! I knew you 'er gonna say that!" Dev blurted out, feeling really exposed, he pulled his hoodie strings allowing his head to be consumed by his hoodie, all but his nose.

"Hey! language,” Beau said, surprised at his little brother's reaction those harsh words coming out of the mouth of small boy sporting a Yoshi hoodie

"You cuss' all the time!" Dev huffed pulling his hoodie back down, then crossing his arm definitely

"Yeah, but I'm older than you, and if mom and David--DAD hear you curse they’er gonna know you got it from me and won't get off my ass about it!"

Dev stared at his brother, simmering in frustration in failing to coming up w/a good come back or a flaw in his brother's logic, He let out a heavy sigh and resumed "Anyways, it's NOT like I miss being the baby, I just miss being able to hold their attention without Carrie coming in and stealing them anyway, I don't know its weird"

"Wait, did you just say that you wanted to be alone and away from mom and David-fuck. I'm not even gonna try more-he's asleep anyways." giving up any attempt to make the word "Dad" same with the name "David"

"Yeah, I know that's what makes it weird!" Dev admitted, he sulked back deeper into his chair and let out a groan.

"You know Carrie's not awake all the time, maybe you can talk to mom and David, when she goes down for her nap, hell, I could just take her to the park for a day." Beau offered

"You'd really do that for me?" Dev peeped, quickly lifting himself up in a sitting position, surprised at his brother kind offer

"Yeah, anything to make you less of a weird angsty shut in, with a bunch of cringy keep out signs and keep out tape!" Beau gestured towards the door

"Actually, I got that caution tape from a real crime scene" Dev clarified, with a smug smile

"Really?" Beau taking a longer closer look at the door

"No, thick head, I found it in a dumpster next to party city!"

"You go dumpster diving?" Beau said, raising an eyebrow

"I have a life outside of YOU!" Dev stated proudly

"Okay, and on that... Weird garbage goblin flex, sibling bonding time is over." Beau said getting up from the bed and heading for the door

"Actually, one more thing..." Beau said quickly, turning around, rushing towards Dev, putting him into a headlock.

"Did ya miss me? Come on, tell me that you missed me!" Beau taunted as he gave his brother a long and through noogie "Ouch, Ow, Ow, Okay, okay, I missed You. Geez:" Dev pleaded trying to struggle out of his brother's grip

"That's what I wanted to hear!" Beau said with a smirk, letting 'Dev go.

"Ugh! my hair" Dev fumed , gawking at his even more messy mop of hair.

"Like you care about appearances" Beau chuckled" mop top nerd!"

"Mullet-hair metal meathead!"

"Ouch, that was pretty good" Beau teased pretending to look hurt "Garbage Goblin"

"You already-"Dev started but was cut off by Beau closing the door

"Too late, the door is closed, I can't hear you, which means I win!" Beau said through the door, laughing at his brother's muffled fury of frustration.

Beau grinned relishing in the absolute confusion of his younger brother, but that good vibe quickly faded once he arrived at the door to his old bedroom. He just stood there and stared at the door for a bit, he could feel the icky stew of the emotions from bubbling back up again.

He flexed his hand a few times as if this was the first time he's ever pored a door, Beau's hand reached for the door handle before retracted as if the knob was red hot.

Beau sheepishly looked around as if somebody was watching him, no one was but it sure did feel like it. He considered sleeping on the couch, but that would be weird, since it seemed like his step dad put his luggage in his room. so, eventually he would have to go into his room anyway.

Beau took a deep breath. "Come on, it's just a door, dude!" He told himself Beau's hand rested on the door knob, he took another deep, his hand gained a stronger grip, and he slowly pushed the door open, Beau carefully entered the room as he closed the door behind him. Looking around the room was plaster with posters of football players and a few pinups of doe-eye, sensual women in swimsuits and other scantily clad outfits.

Athletic medals, trophies and awards displayed proudly on his bookshelf that lacked any actual books, those trophies stood next to pictures of Beau with his teammates, all illuminated by the moon's dull pale blue light. These relics of what felt like a bygone era used to fill Beau with so much pride and joy but looking at them now just leaves a bad taste in his mouth.

He could barely even recognize himself in those photos. This whole room felt like a shrine or more like a tomb to someone who no longer exists.

Looking at all this stuff just made the icky feelings from before rise up to the back of his throat making the bad taste linger even longer.

Beau couldn't really pin what-these feelings were, so he shifted his focus on just getting some sleep

As he thought, Beau's step dad put his luggage on his bed. He opened his bag and quickly changed into a white tank top and some grey sweatpants. He fished out the mix tape from his jean jacket and put into the gray clucky music player on his nightstand. Beau turns the music up loud enough for him to hear but not loud enough for disturb anyone else. Heavy metal music (ironally) helped him sleep on hard nights.

Beau laid in bed focusing on the one spot in his room that wasn't decorated with high school memorabilia. Focusing on that spot was way better than focusing on the icky feelings from earlier. All he needed to was focus on sleep just sleep, Beau closed his eyes and tried to focus on just sleep.

The next time Beau opened his eyes, he was back in the hallway of his highschool. Beau looked around confused why he was back here but before he could really sus out the situation, his thoughts were interrupted by a loud thud. He followed the sound of the thud that led to a scene of a bespectacled student being shoved up against the lockers. The student's face contorted by fear.

"P-please, d-don't hurt me. "the student uttered, the words quivering as it left his lips.

"Aww, look at him, guys." a familiar voice said, Beau couldn't see whom the voice belonged to. There was a strange mist in the hallway that obscured the person's face.-

"He's scared." the voice said mockly, the person nodded towards a group of people whose faces were also obscured by the mist, they laughed in response

“Don't worry, little buddy, I'm not gonna hurt ya:" the person taunted as he tightened his grip on the student and shoved his body up against the failing student. "As long as you don't squeal" .

"You squeal, and I'll fry you like the pig you are, got it. Swine?"

"I-I p-promise I W-won't. J-just please let me go!" the student begged

Beau was disturbed by scene happening before him, but along with the feel of disgust came a feeling of familiarity, like he's been there before

Just then the fog lift to reveal the face of a younger version of Beau dawned in his red “New Burny High school” letterman jacket. He was smirking relish in the fear he was inflicting on the poor student.

Older Beau slowly back up, almost stumbling as he was coming to the realization of the origin of all those icky feelings from before

"I don't know, do we trust him, guys?" Younger beau asked cocking his head back to his teammates, who shook their head in disagreement "The Boys and I don't seem very sure of that, I think I'm gonna have to test your loyalty !" Younger Beau winded up his arm for a punch, But before his fist could make an impact.

Beau found himself back in his room in a cold sweat, hyperventilating as quickly rose from his bed. His room, still illuminated by the moonlight, with the metal mix tape softly playing in the background. He looked at his hand as if they were lethal weapons. How could I do such a thing?

#daydream blog #daydream blogging #daydream dairy #paraportal #paracosm: humble pie #para: beau #para: devin #para: carrie #immersive daydreaming #paracosm

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padawanlost · 3 years

Note

hi!! i adore your blog!!

i’m sorry if this is query is too long to make sense of but i was wondering, since you’re such a well or prequels knowledge and the 2003/5 clone wars has just arrived to d*sney+, what the canon story is for when palpatine was “kidnapped” by grievous immediately before RoTS?

as far as i can tell, there are seemingly several versions?? or am i mistaken? there’s the 2003/5 version and the filoni!clone wars season 7 version (i’ve yet to read luceno’s labyrinth of evil so i don’t know if that has any bearing on my question), as well as the RoTS novelisation — but that introduction is less focussed on the attack on the senate itself and more on how the galaxy reacts to the whole ordeal.

(there have also been several debates on whether or not the 2003/5 clone wars are considered “canon”, which can be factored into discussion, but i personally do consider them to be canon (if not spaced out somewhat oddly, if we’re to believe they coincide with filoni’s canon))

additionally, there’s the question of shaak ti’s “death” on grievous’ invisible hand; whether it actually even happened or not. there’s been debates over her canon death for years now and i’ve never truly gotten a straight answer.

i, and many others apparently, don’t believe that grievous killed her on the invisible hand (THAT death only serves to further goad obi-wan and anakin into wanting to bring the general to justice, which is referenced with the scene in filoni’s tcw where grievous crushes a clone trooper’s skull and obi-wan informs him that “[grievous]’ll regret that”), nor do i believe that she survived order 66, in the pursuit of training a padawan on felucia and then dying by the hands of vader’s secret apprentice starkiller. circling back to the RoTS novelisation, shaak ti is there to keep a watchful eye on anakin and try to keep him from leaving the temple while under lockdown (i’m afraid that’s all i remember of her in the book lol).

at the very end of the 2005 micro-series, anakin and obi-wan are informed by mace windu that the chancellor has been taken hostage before they leave to pursue him – leading directly into RoTS. i personally believe that this aspect of the micro-series is no longer canon, since this is erased with tcw season 7 when anakin, obi-wan and ahsoka are forced to end their reunion prematurely.

one final question (sorry again; i feel like i’ve been asking more than fair, and this has already grown into a tangent) are there other aspects of the 2003/5 clone wars that you believe are no longer canon? what with tcw and d*sney now being unanimously considered to be the True Canon™️, while earlier clone wars material are now only legends.

look forward to hearing your reply!! 💝

Hi! Sorry for taking so long :(

There’s a lot to unpack here so I’ll try to give you a timeline, maybe it’ll be easer to understand what happened

2003 -2008

What was canon? Everything officially released by Lucasfilm, unless stated it wasn’t canon by official sources. Novels, comics, movies, shows, games, etc. Everything was canon, save a few exceptions.

What happened? Palpatine was kidnapped by Grievous before the beginning of ROTS. Shaak Ti was one of the many Jedi sent to rescue the Chancellor. She wasn’t able to rescue Palpatine or kill Grievous but she survived the Ordeal and was alive during the events of ROTS. these events are called the Battle of Coruscant and they were portrayed in Clone Wars (2003) and Labyrinth of Evil by James Luceno.

During the production of ROTS (2005) they had to different death scenes for her. In one she would die by Grievous hands during the Battle of Coruscant. The other would have her be killed by Anakin/Vader during the attack on the Temple. Both ideas were scrapped and neither were considered canon.

So, technically, Shaak Ti survived the events of the Revenge of the Sith (2005). In 2008 The Clone Wars were released. As informed by Lucasfilm everything previously released that clash with what was being portrayed with TCW was no longer canon. But because TCW never clashed with Clone Wars (2003) or the movies on this particular subject, it doesn’t influence Shaak Ti’s fate. Also in 2008 the game Star Wars: The Force Unleashed was released where Shaak Ti officially dies after a fight with Star killer.

2012 - ...

That was her canonical death until 2012 when Disney bought Star Wars and made everything, with the exception of the movies and TCW, non-canon.

‘Fun’ fact: TCW (2008) did show a vision of Shaak Ti being killed by Anakin/Vader during Order 66 (based on the ROTS deleted scene) but because it was a vision and not an actual death scene, I don’t think it counts (in terms of Original canon).

However, those episodes were released after the Disney purchase so at the time everything previously published that could contradict this was no longer canon. i’m not 100% sure but i think Shaak Ti dies, in Disney’s canon, during Order 66 because of the events mentioned above. They used that vision to ‘explain’ her death.

PS:

The Battle of Coruscant remains canon to this day. The shows/novels don’t contradict the movies because this is what happened:

Anakin and Obi-wan were away from Coruscant, reunited with Ahsoka.

Grievous and Dooku arrive on Coruscant, kidnap the Chancellor and the Jedi Council goes to the rescue.

Before Anakin and Ahsoka can properly reconnect, he and Obi-wan are told about the Chancellor and return to Coruscant to help.

Clone Wars (2003) we see what happens in Coruscant;

Revenge of the Sith (2005) we see what happened immediately after anakin and Obi-wan arrive on the planet.

The Clone Wars (2020) we see them leaving to Coruscant and what happens to Ahsoka.

#ask #anon #sw meta #meta: fandom #txt #shaak ti #tcw meta #meta: shaak ti

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worryinglyinnocent · 3 years

Text

Fic: Haven (1/50)

Summary: They say Resembool is a haven, and they’re right. Lush pastures, quaint country town, farmers’ markets on Saturdays: a bucolic paradise.

But it’s more than that. Resembool is a haven for the runaways, the deserters, the people who don’t want to be found…

The Resembool community knows there’s something odd about Hohenheim, but they’re not going to let that stop them helping him out. This is Resembool after all, a place where no one has to hide and neighbours help neighbours, be they building a fence, chasing a sheep, or trying to save the country from an evil they inadvertently helped release centuries ago…

Or: A series of slices of life in an AU in which Hohenheim never leaves, and several broken state alchemists find hope and home in Resembool.

Rated: T

Note: These little slices of life are in mostly chronological order and mostly follow the canon manga timeline, but there are various bits of divergence here and there. It's mainly focused on Trisha and Hohenheim and the Elric family in the beginning, but more characters and ships will be arriving later. Each chapter will state the focus characters/ships at the beginning.

Haven

[AO3]

One

Summary: A few months after Van Hohenheim starts to make his home in Resembool, Pinako Rockbell begins to learn his secrets, and to let him know that there is no need for him to hide.

Characters: Hohenheim, Pinako

It’s a well known fact in Resembool that if someone has a secret, it will be common village knowledge within about a week.

This isn’t because the Resembool townsfolk are gossip-mongers or particularly nosy people. Well, they are nosy, but it’s with the best of intentions. If someone in Resembool is trying to hide something, then the rest of the town take it upon themselves to let them know that there is no need to hide in Resembool.

For as long as the village has been standing, it has been a place of safety. Many generations ago, people realised that people usually hide things because they need help but they’re too afraid to ask. The Resembool spirit is that of helpfulness. A problem shared is a problem halved, and by the time it’s been shared with the whole town, someone somewhere will have come up with a solution to the problem.

There is no need to hide in Resembool. Sitting as it does near the Eastern border and seeing the myriad souls coming and going, it’s become something of a melting pot despite being such a small village. It may be small, but the people there are anything but small-minded. They accept all sorts, from all backgrounds. It has always been the ideal place for anyone seeking to hide, anyone with a secret, because although that secret will no longer be secret within the village, the village will keep that secret from outsiders and will take it to the grave.

When the man known as Van Hohenheim arrives in Resembool, he does not at first know the village’s quirks and their well-meaning nosiness. He is a man of many, many secrets, and he picked this place to settle as somewhere as out of the way as possible. He has finally made peace with the souls within him, and he wants to stop in one place to find peace and space to breathe for himself. Not wanting his nemesis to have any hold over him and not wanting him to realise that he is still plotting against him even now, Hohenheim has chosen Resembool as somewhere remote where he can disappear and remain off the grid for a while.

Hohenheim did not count on the sheer tenacity of Resembool’s residents, in particular one Pinako Rockbell.

It is Pinako who discovers Hohenheim’s secrets. Not all of them at once, but it’s Pinako to whom he gradually opens up after that first unintentional reveal.

She learns his story by sheer stubbornness.

Pinako decides that she’s going to befriend her new neighbour, and he doesn’t really get any say in the matter. She can see that he’s a solitary soul who keeps his cards close to his chest. She can see that he’s hiding, and over time, she tries to make him see that there is no need to hide in Resembool. They’ve taken all sorts into their midst; there’s not much that he could have done in his past that would make them recoil and run him out of town. If he’s a hardened criminal or sex maniac then perhaps, but he’s so mild-mannered and so much of an airhead that Pinako really doesn’t think he’s dangerous. Except perhaps to himself.

It’s the ‘danger to himself’ part that reveals his true nature to Pinako, and she will admit that it throws her for six a little. Of all the things that she could have imagined about the very mysterious Hohenheim, being an invulnerable immortal was not one of them. She knows that he’s an incredibly skilled alchemist; everyone in town knows that. She does wonder if the alchemy is tied in with the fact that he just accidentally jabbed one of her screwdrivers through his palm and then pulled it out as if nothing had happened, red alchemic lightning crackling over his skin and healing him up, good as new.

Pinako sees the moment that he realises she saw this happen, and he looks like a deer cornered by a wolf, his gold eyes - such an unusual colour, and yet it looks so normal on him that no-one’s ever questioned his heritage - wide and scared.

“Huh.”

“For a long time, that’s all Pinako can say, because she’s having a bit of trouble processing what she’s just seen.

“I should go.”

Hohenheim is on his feet and almost out of the workshop, and Pinako knows instinctively that when he says ‘go’, he doesn’t just mean ‘leave the workshop’, he means ‘pack up and leave the village immediately by the next train, never to return’. She slides between him and the door to block his path.

“Why?”

“Sorry?”

“Why do you think you need to go?”

He looks down at his undamaged hand, his other thumb rubbing almost unconsciously over the place where the screwdriver stabbed through.

“Seriously, Hohenheim, you’re looking like I’m about to eat you. I swear I’m not going to. You’re way too hairy.”

He gives a snort of laughter and looks at her again.

“You’re taking this very calmly,” he says eventually. “In the past, the reaction to that particular reveal has not been so calm. I find it best to leave before I’m chased.”

“Huh.” Pinako is still having trouble processing it, but she can see why the poor man is so closed off and distant from everyone now. Then she shrugs. “We get all sorts in Resembool.”

“You’ve never had anything like me before.”

“No. Never anyone like you.” Pinako notes the vocabulary, the way he refers to himself as a thing rather than a person. “But that’s no reason for you to leave.”

“I don’t think that the rest of the village would see it that way.”

“Then you clearly haven’t met the rest of the village. For the love of Something Up There, Hohenheim, sit down, stop worrying, and let me get the whisky out. You look like you could definitely use one.”

Cowed under the force of her determined friendship, Hohenheim returns to his seat, eyeing up the dropped screwdriver warily, as if it’s going to attack him. Pinako goes into the house and grabs the whisky and two large tumblers. If her husband is alarmed by this then he doesn’t show it, simply raising an eyebrow.

“Is everything all right?”

“I think our next door neighbour is immortal,” Pinako says, completely matter of fact. “I’m going to try and find out how old he is.”

“That’s nice, dear.”

She’s pleasantly surprised to find that Hohenheim is still in the workroom when she gets back; she had half-expected him to have done a runner and she had visions of chasing him down the high street, still holding the whisky.

“So… You’re immortal?”

Hohenheim scoffs. “I’m a monster.”

“I highly doubt that. No person who is actually a monster ever thinks that they are one.” She pours them both a generous measure. “So… You’re immortal?”

He sighs. “Yes. I suppose that’s one way of putting it.”

Pinako takes a hefty glug of her drink. “How did that happen, then? Have you always been immortal? Or was it some kind of alchemy what-not?”

To give him his due, he does laugh at that.

“It was some kind of alchemy what-not. And it wasn’t intentional. But it’s not a story I want to share.”

“OK.” She’ll give him that. She’ll get the story out of him at some point, but considering she’s probably the only other person in the world who knows he’s immortal and has seemingly accepted it without an issue, he’ll likely take a while to open up more. “So how old are you?”

“I stopped counting.”

“Are we talking centuries or millennia here?”

“Four centuries. Give or take.”

“Huh.” Pinako reflects that she probably ought to try and say something slightly more eloquent, but Hohenheim doesn’t seem to mind and she was never one for flowery speeches anyway. “Where’ve you been all that time?”

“All over the place. Like I said, most people aren’t as accepting as you are.”

“Well, you’ll always have a home in Resembool.”

He doesn’t look convinced, but he stays, and he drinks his whisky, and he’s still in Resembool the next day, so Pinako thinks that maybe he believes her.

#FMA: Brotherhood #FMA Fanfiction #Van Hohenheim #Pinako Rockbell #Fic: Haven #canon divergence

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popculturebuffet · 3 years

Text

Ducktales Final Four: The Life and Crimes of Scrooge McDuck Review! or The Batman Trial Episode but with Ducks, Sharks, And the Fonz

Hello all you happy people and welcome to the penultimate Ducktales review... for season 3 anyway. I still have most of season 1, all of season 2 (I did cover one but I’ll probably redo it), the tie-in comics, the 87 series, and even then i’ll never really be done with ducks between all the scrooge comics and other duck related shows like Darkwing Duck and Quack Pack. But as far as covering the show as it comes out as i’ve done for the past year, that’s’ts almost done. It’s honestly just starting to hit as I type this: this is the second to last episode. After next week while there’s always fan fiction (And I certainly aim to contribute to that), a possible Darkwing Duck Reboot under frank (though that’s in doubt) where they could show up, and a movie down the road given what we saw with Phienas and Ferb and the show’s popularity it’s still not the same as getting these well animated, well crafted adventures every week with breaks or the ocasional entire week of them. The show won’t go on, and whatever happens with the property next is a mystery no amount of ducks can solve.

So with all that in mind naturally this episode is a breather episode: It’s not unimportant: like the rest of the season it ties off a lot of loose ends, adds in some stuff we didn’t know we wanted, and in general feels necessary like every episode this season. It’s something I credit the season for immensley: They knew this would probably be it so while they had more stories to tell, they made sure if these were their last, to leave no loose ends. And outside of ones they just never wanted to address in the first place like “What happened to Donald’s parents”, “Why was every trace of Della missing despite Scrooge’s search for her having just ended”, and “What did Della thing of the decades long seperation”, they’ve tied up pretty much all of them except for FOWL and what Beakly was lying about, and I feel both are about to ducktail into one another int he finale. Could be wrong but I applaud them for tying off almost every loose end and character arc by this episode that isn’t related to FOWL in some way. Not every show can do that: She Ra was a masterpiece but still had a few things like Scorpia and Catra’s broken relationship, Hordak’s reformation and Adora’s Parents just left up in the air due to time constraints, Steven Universe ONLY got to go back and answer a lot of questions because they were lucky enough to get an epilogue mini series, and Star Vs... was not as good as either show by the end and by the finale about 80% of things it’d brought up all had the following answer:

My point is it’s VERY hard, even when you know the end is coming to tie everything up in a neat bow. And I can’t know how good the finale be or how satsifying it will be but given how well this season’s wrapped everything up so far, i’m betting on immensely. But we can talk about that when it finally comes around next week. For now we have a trial episode to talk about that’s mostly good.. mostly. See why the mostly under the cut as I discuss and recap the episode with full spoilers. Count it down!

We open in the Mansion, where a bunch of tribble like Fuzzy creatures are running amok. Unsuprisingly, Scrooge bought one for Louie as a pet to teach him responsiblity.. again. And once again he instead turned into a get rich quick scheme, didn’t read the manual and now they have an infestation.

ONCE AGAIN, Louie is written like he’s barely changed at all in the past three seasons. Anyone whose been following my reviews regularly knows this has been a pet peeve of mine for the entire season. Despite having an ENTIRE arc about Louie growing as a character and learning the human cost of his scheming and to use his angle seeing talent’s wisely, the writers keep writing him as if he learned nothing. I went back to track it and while not as often as it felt I noticed a few things. The first is that it WASN’T like this for the first half of the season. No really. He even learns brand new lessons in The Trickening and Louie’s Eleven. Granted he also exploits his uncle in Louie’s Eleven but that’s mostly played for laughs.. still not a great bit but not a major part of the episode.

So he was fine for the first act of the season... but then for whatever reason from Let’s Get Dangerous onwards (Again I don’t count the Christmas episode as both of those are meant to slot in anywhere and chronologically take place before this season for the timeline to make any sense), he’s just...

He’s utterly insufferable in his small parts of the first half of Let’s Get Dangerous! as he berates Huey for daring to look a gifthorse int he mouse.. even though everytime he’s seemingly got something for nothing or minimal effort it’s backfired and it’s something that seeemd to stick with “The Richest Duck in the World!”. He’s fine in Impossibin and alright in split sword as while he clearly hadn’t learned lying isn’t the best policy we at least got a good story out of it. He then went right back to obnoxious with New Gods on the Block where he, EPISODES AFTER THE SOLEAGEO FISACO again thinks an easy way out is the right way, and has NO guilt over possibly killing a bunch of people with his gold powers and in fact is disapointed he dosen’t get to keep a living being turned to gold!. He spents all of Fight for Castle McDuck being a huge dick to Huey AGAIN iwth no lesson, and now has yet another family endagering get rich quick scheme he feels no remorse about.

I will admit when I”m wrong and I DID think it was in way more of the season than I thought. And let’s face it in real life personal issues don’t just go away and you can sometimes slide back, i’ve done it way too many times and i’m not proud of it. We’re only human. But this isn’t real life, this is cartoon ducks. And cartoon duck wise most character development has stuck or if a bad trait’s come back it’s been in a new way. Webby is still trusting, but knows how the world works now and while idolizing scrooge dosen’t think he’s perfect anymore. Huey is no longer a skpetic towards the super natural and hasn’t forced a party on anyone. Dewey hasn’t craved other people’s love or thought he needed to earn his mom’s love again. And that’s just the other kids. They aren’t the same people theyw ere going in, neither is Louie. So it’s grating when an episode acts like h’es exactly the same, let alone almost a fifth of the season.

What makes it even worse though is that he had an ENTIRE STORY ARC dedicated to learning some of these lessons already. With the others if one episode were forgotten i’d let it slide as it happens with tv, i’m used to it. It’s not a great look but it happens. Mistakes happen again we’re all human. But you can’t act like an entire arc of a series didn’t exist. While they ignore Della’s history somehow being hidden for the rest of the show they don’t ignore that Dewey spent a whole season looking for her, as he never hides something like that from his brothers again nor do they, and he’s out of them the biggets mama’s boy. While they did take a while to adress Lena, partly because the episode got pushed back, they didn’t act like season 1 never happened and she was still working for her aunt. Della still isn’t on the moon and Owlson still isn’t working for glomgold. Actions. Have. Consequences. That’s the whole point of this episode, but they act like none of it got through to louie and it makes his arc feel like a giant waste in hindsight. This episode even feels like it was SUPPOSED to be in that arc: Louie is back to his season 2 characterization, Scrooge is actively trying to mentor him again.. it just feels really out of place as our second to last episode in that way and drags it down a bit.

Thankfully after Scrooge bars the door, and possibly leaves everyone to their deaths but he presumably has enough faith in the kids, the twins and Beakley to take care of it, he gets a summons to court.. and gets kidnapped. He and Louie are whisked away to a mystic court presided over by a giant statue of justice holding scales, that judges someone based on Karma. Scrooge’s foes have brought him to court, blaming him for being evil and if he looses he looses EVERYTHING. And their proscutor?

Sadly not Droopy, maybe next continuity, but searing the same Hannibal-Esque Getup is Doofus Drake to Louie’s horror. As for why he’s like this.. he thought iht was fun. Great gag.

After the credits we find out why he’s doing this: He’s still pissed about Louie taking half his inheritance and giving it to his family, so he’s going to take LOUIE’S inheritance. It’s.. honestly a great setup: Doofus was already a villian I liked, being a nice weird evil mirror dewey instead of a walking fat joke like last series. So I was glad to both see him pop up one last time to make it a full trilogy of apperances as an angonist and to see him take a step up from his passive roll in the past: in his first two apperances while he was evil and abusive, and still is, his evil was mostly due to his own warped logic, feeling he could put shock collars on and control people and that Louie lying to him was enough to warrant making him into a pinata. He’s still a bad person mind you: kid or not he ensdlaved his parents, tried to enslave louie and goldie and in general REALLY needs some help empathizing with people. But my point is that before he didn’t come after anyone.. so it’s a nice capper to have his final turn as antaognist be him going after our hero.. and at his most dangerous. Before someone would’ve come for Louie eventually in Doofus’ first apperance and Goldie would’ve found a way out or Scrooge, despite grumbling about it, would’ve helped.. if nothing else than to lord having to save her from a 12 year old over her. Here if he wins the family is out on the street and three of their greatest enemies are now infinitely more well funded.

So while naturally unnerved by his rival Louie offers to defend Scrooge who denies it despite the fact that Louie is REALLY good with words, and Scrooge, while not bad with them, can’t stop shouting and keeps pissing off the baliff, played by my boy Henry Winkler whose done a lot of voice work and also played Fonzie on Happy Days, is currently on the HBO series barry and in general is just a fucking delight. The irony is also not lost on me that he’s not playing a lawyer here despite being one on arrested development.

We get our first witness: FLINTHEART GLOMGOLD. Hell. Yes. It’s nice to see him in his full glory one last time, as I don’t know how much he’ll be in the finale. Scrooge blows of the Duke Baloney thing, which is fair given that while Scrooge screwed up there, Glomgold still stole money from him right after and then spent his whole life trying to one up him. But Glomgold has a different tale in mind as he stole something else from him: the limelight.

It was 1980-something and Glomgold was a bonified celebrity in Duckberg for his hot dogging, grandstanding and treasure hunting loved by all and took Baba Wawa, a nice mix of Barbra Walters and the parody of her on SNL by the late Gilda Radner, to a shark shaped cave to get the gem of the shark god, a ruby tooth at the end of the cave. Naturally Scrooge popped up and easily made his way through and stole the spotlight. As it turns out he wasn’t always well loved and it makes sense: he dismises Baba asking him about how disliked he is, and dosen’t care and even in the current story, or rather season 1 of it, he dismiseed PR entirely in Jaw$. He was rich enough and enough of a job provider he just didn’t see the need for fame or glory, that just came second so it’s logical no one liked him. Fortunes naturally reverse as you’d expect though: Glomgold dashes forward and ends up putting Baba and her camerabird in danger and being Glomgold he irrationally assumes she’s working for Scrooge and leaves her to die. Scrooge however, after getting the rock, goes out of his way to save her because it’s the right thing to do. He can be selfish at times, and as we’ll see monstrously so, but at his core Scrogoe is a good man who will do right when the chips are down. So this leaves Glomgold trapped and Scrogoe getting his good press instead and realizes he likes the attention.

As the flashback ends Glomgold fills in the gaps, pointing out he was stuck with the sharks for days, but slowly bonded with them learned from them and they became family, helping him with traps, joining him for thanksgiving and even getting a heart taatoo with a shark on it. Awww. Look I didn’t really need to know where Glomgold’s love of sharks came from, nor that he had some weird tarzan origin story with them.. but my life is 100% better knowing all of this so thank you Frank and Matt. Thank you. I’m also entirely convinced the two have had this whole part of his backstory ready to go for three seasons and were waiting to use it, along with the other two bits we’re about to get to. This episode as you can tell is also a vingette episode, but one where the wraparound is way more improtant than usual.. but it works given the setting and allows the stories to be as long as they actually need to be, and it addds some nice stakes instead of just having Scrooge’s villians gripe about him.

Scrooge protests and the Bailiff puts a clamp on his beak, so he has no choice in the matter when Louie steps up for the defense. Louie also proves that irresponsible he may be.. he’d be a damn good lawyer, as he easily picks things apart, pointing out Glomgold was ALREADY bad by then, Scrooge had no intent to steal the spotlight and Glomgold is currently planting dynamite under his chair, with predictable and hilarious results. So he gets put on the “good” side of the scale. Next witness.

Next up is Ma, and I was delighted that as I’d hoped and theroized this episode wrapped up one little plot point that while not major, was something I was curious about: Ma’s claims Scrooge stole Duckburg from her family. This was also likely the backbone of the episode at one point as Frank pitched a beagle trial episode at one time, but Disney nixed it. Likely the magic stuff was added both to justify it better and to distract Disney Channel’s higher ups because they constantly underestimate what a child will like. It was for the best though as the beagles are just a bit weaker here: While Character Actress Margo Martindale is a delight and was specifically cast for the role, overall it just feels like they ran out of ways to make the beagles a big threat and releigated them to muscle when needed, to the point they only appeared in one episode besides this one this season as with FOWL about, they didn’t really need villians of the week and what ones they did use like Glomgold and Mark were far more entertaining villains who needed a coda to their stories.They aren’t bad characters, but in a series where their breaking into the bin or mansion wasn’t a story the crew was interested in they served no real purpose.

So we finally get answers about the whole Deed thing: It was sometime in Ma’s childhood, good look guessing when, and the Beagles owned Duckburg having clearly overwhelmed Fort Duckburg at some point in history between Clinton’s defense of it and now, with Grandpa “Pa” Beagle finally making an apperance. In the comics he was basically what Ma is to both series: the scheming brains behind the beagles who showed up on occasion and it was a good idea to use him as the past version of her.

Scrooge naturally comes a calling and unsurprisingly Ma was lying: Scrooge offered to buy the place first from Pa, he refused outright, and then when Scrooge showed off the money he was offering, Pa bet the deed for it in an arm wrestling contest. Not only that but as Scrooge finds out as he almost looses, Pa was cheating having a smaller beagle boy operate pull a lever in a device attached to his arm to give pa extra force. Scroooge simply dropped a few coins to distract the guy and claimed victory and the deed.

Little Ma is left dejected though and Doofus claims he ruined his life, but Louie steps up, at this poitn Scrooge has learned to reign himself ina nd accepted Louie as his defense without saying anything, a nice subtle bit. He probably realized that while irrepsonsible.. Louie has everything to loose her and no reason to slack off and dosen’t even relaly have to lie for his uncle to get him off: he’s simply using his ablitiy to see all the angles to poke holes in their story.

Case in point, he orders the “tape” to continue and finds Little Ma berating her dad for his failure and forcefully taking control of the family. LIke Glomgold, Scrooge may of cost her something.. but it was something she and her family hadn’t earned and they were still on a bad road. Scrooge just made it worse.

But suprisingly, its MAGICA, who we’ve established is an uncaring monster, who has a story Scrooge genuinely feels bad about. Like the rest she was not a good person: Long ago she and her brother Poe were extorting a villiage, and lording over it as gods, changing the population into goats, toads and other things. The only diffrence from what Magica would do to the blot and presumiibly others later, is that Poe reigned in her manical tend ices, trying to get her to think things through. The goat transformation was so they’d have milk and at least get something out of it and as to not waste all their slaves. Poe is voiced by Martin Freeman of The Hobbit and Black Panther fame. Great actor, does amazing work here. So like the others Scrooge changed things, and fought someone with bad intentions for his own self. He talked Magica into fighting him with both amulets by playing into her ego and Poe trying to talk her down, and easily deflected her bolt with the dime to turn her into a crow with her own spell. So far it’s just like the other tales in a nice mirror.. it’s what comes next that makes Scrooge into a bad guy too. Not as bad as Magica and Poe.. but sitll not good. Poe dives selflessly in front of the coin.. and shockingly while she cared nothing for Lena.. that wasn’t the case for Poe. Magica is truly devastated, desperatly trying to put the amulet back on and begging scrooge for help while he just ignores her and fills up his sack. And while they both deserved it... Scrooge and Louie both recognize he was wrong as the flashback ends with Poe escaping and Magica sitll haven’t having found him to this day. And props to Catharine Tate here a she takes a normally hammy terrible person who was wholly unsympathetic and manages to make her painfully human.

What makes the act so terrible is not who it happened to, they both desrved it, but Scrooge’s attitude, utterly callous to magica’s pain with not a drop of sympathy. While she deserved it as did Poe.. he’s not doing this to her as some justice for her crimes, or because she did something horrible to him or any valid reason.. he’s doing it because he’d rather get more of her and poes gold than lift one finger to help someone who had , for all his evil, selflessly sacrificed himself for his sister. For all Poe’s evil and tyranny.. there MIGHT of been a good man in them, in both of them.. and Scrooge could’ve cared less. He shut the door on Magica ever becoming a good person, ever getting her brother back to line his own wallet and to satisfy his own ego. See that’s the true mark of a hero: how they treat others, even the worst of them. And in his lowest moment Scrooge could’ve cared less about anyone but himself.

Scrooge feels bad and Louie does finally get the responsibility thing and this is where things start to go off the rails: he apologizes to Doofus and admits he dosen’t want an enteral rivalry and h’es sorry for any pain he caused. The off the rails part is because Doofus is genuinely not a good person, ahs done very bad things and is trying to bankrupt Louie for the crime of “taking half your fortune after you used it to torment and enslave your own parents’. It just.. dosen’t play as well as they’d like. That said I DO like both Louie deciding to bury the hatchet instead of just avoiding him and Doofus showing some nobiity in accepting it. Maybe he’ll change.

He goes off into the night, and Scrooge genuinely apologizes and accepts repsonsiblity... and here’s where the plot finishing going off the rails and into someone’s living room: the bailiff AWARDS THEM SCROOGE’S FORTUNE BECAUSE HE ADMITTED SOME CUPLABLITY AND WAS HUMBLE.

This just.. it makes no sense, it will never not baffle me and it hurts my brain> Yes he admitted some wrong doing and apologized for it.. but it was also THROUGHLY proven the other two weren’t his fault, and he was simply being a good man which should get him some good. Thankfully the conclusion is a bit better, as Louie points out while they made him, he made you so who made who, who made you... okay i’m getting into the AC/DC of things point is these incidents all shaped Scrooge into a better person. His mistake with Magica. is clearly learned from. He’s stopping a group of bullies in Ma’s story and saving a life without a second thought in the second. He learned to value others, to value family all because THEY showed him what happens when you don’t. By seeing the worst person he could be.. he became the best. So the trial’s thrown out his assets are returned, and their teleported out before magica can hit them with lighting. Lesson learned.. well kinda Louie tells scrooge to do it because he got the pet.

Final Thoughts for The Life and Crimes of Scrooge McDuck:

Great title aside.. this one is a mess. It’s not a terrible episode: the flashbacks are genuinely engaging, each one helping flesh out the villians and in Ma’s case pulling one last dangling plot thread. Glomgold’s was just entertaining , clevelry using his 80′s origns for an 80′s style news special and giving us the origin to his love of sharks that we didn’t know we needed., Ma’s tied up a loose plot threat with a fun flashback and Magica’s was genuinely heart wrenching and did the tall task of making us feel for someone that terrible. The wraparound.. was a bit weaker. Doofus was the best part, playing an excellent manipulative bastard lawyer, and being a genuine threat and his walking away peacefully was a nice touch, and Louie having to defend scrooge was great and showed him off better than ever. And Louie did get some moments to shine.. it was just wierldy bookened with him acting terribly AGAIN, in a way he should know better than in an episode where he acts fine for most of it and even then he thinks lying to a judge is a good idea! I know he’s 12 but he’s not this stupid and while as I made very clear i’ve seen this shit before, I haven’t seen it flip flop in the same episode. Louie deserves better than this.

But it’s also in service to a responsiblility aseop that just.. dosen’t work as presented. Yes you should take responsiblity for your past, yes you should learn from your mistakes and own up to them, I have, and yes it’s all too easy to slide back> That’s all fine.. but him apologizing to Ma, whose family was terorrizing a town, and Glomgold, who he did nothing to, and having Louie apologize to Doofus, who while he tried to exploit him still enslaved his own parents and deserved to loose half his fortune AND loosing half his fortune wasn’t even the main thing Louie wanted to do as his main goal was getting BOYD a loving family.. it’s bullshit. Just pure Grade-A bullshit. Why are you booing them their right. It’s a good idea for a moral but it’s executed so overwhelmingly poorly it bogs down what was otherwise an exceptional episode, into just passable. It’s just mind numbing and saddening to know the next to last episode wasted so much good ideas on a clumsy moral. Thankfully I have hope the finale will be better, and again at least we got some good out of this one.

Next Time: Endgame Baby! Clan McDuck and their Amazing Friends Vs F.O.W.L. for the fate of adventure itself! One last ride! I can hardly wait!

This week on the blog: Ducks Ducks and more ducks.. and a top 12 list of my faviorite superheroines later today’s for international women’s day. But after that we have more of the Della arc, the last step in the Lena arc before Shadow War next week, and the 87 ducktales pilot treasure of the golden suns!

If you liked this review, share it around, follow for more, and you can comission your own for 5 dolalrs an issue or episode, or kick in some money on my patroen, link on my blog. Even a dollar a month helps and my next stretch goal is 5 dollars away and if we reach it i’ll review both the super ducktales mini series introducing gizmoduck AND a darkwing duck episode a month. Until the next rainbow it’s been a pleasure.

#ducktales #the life and crimes of scrooge mcduck #scrooge mcduck #louie duck #doofus drake #magica de spell #poe de spell #FLINTHEART GLOMGOLD #ma beagle #the beagle boys #disney channel #disney #ducks #uncle scrooge

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raging-violets · 2 years

Note

What changes for Averey, post-Crisis? After the anti-monitor's defeat?

OOh, another fun question! Thanks for sending this in, Day! There are spoilers for my fanfics in here, because obviously, and I don't really care! I think spoilers are fun, haha! -Averey's Rogue's gallery is bigger than it was before. Instead of just the Royal Flush Gang, to an extent the Reverse-Flash (who will always be a part of Barry and Averey’s story whether it’s a big component or smaller), Lisa Snart, and Double Down; there's Mirror Master and The Top, Abra Kadabra, and the Pied Piper.

-This also gives Averey an ally in Zatanna

-Joan takes on a more mentor role for Averey

-Averey has more psychological issues manifesting itself due to her ability to remember everything and every timeline change because of her memory; which leads to

-Belle Reve and the Institute for Metahuman Research more of a success and normal thing in Central City, a place she goes to willingly for regular neurological tests

-General Eiling is back, and continues to be a threat to Team Flash, leading to an almost obsessive stalking of his movements for Averey (akin to how Barry acted with trying to prove DeVoe was behind everything in S4)

-Not to mention dealing with the build up to and fall out from Barry’s looming death; Averey really comes to terms with the fact that the Allen name would live on in her if he were to actually die, all the while she feels like she hasn't done enough to live up to the name all the while continuing to work towards being the hero of Keystone City as it was shown in Wells's future newspaper (Still deciding whether or not she'd be a Paragon or not as that fits with this as well)

-While she has come to terms with her role in the Royal Flush Gang, her background as a CI (confidential informant) comes back into play and becomes a bit of a "side hustle" for her - this brings back her ties to the Royal Flush Gang as everything that occurred between her and Gavin are changed. (Haven't fully decided on how just yet). This continues into post Armageddon.

-She has a younger half-brother

-Mercury Labs' data leak and start of their tarnished reputation doesn't occur in 2014, but later on Post-Crisis, thus Averey's reluctant civility with Dr. McGhee isn't apparent. With more and more tech companies being revealed in Central City, it is a hit to the technology world, but also a seemingly small blip as there's always "the next big thing" waiting to get their name out there

-Most importantly, at this point, she and Barry have come to terms with the circumstances surrounding their relation to each other and regarding the meta world, are each other's closest confidants.

-And for funsies, Averey joins the underground, not so secret fight club earlier than Oliver initially let's her join

#darknightfrombeyond #answered ask #ask #oc talk #fic talk #oc: averey moore #averey!the flash #series: blindsided #rhuben answered

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gfpt-comic · 3 years

Text

So. Here goes nothing... (1/?)

(Major spoilers for the comic, but since it won’t update anymore (besides PERHAPS some random comic strips/excerpts without context every now and then, but don’t count on it), I guess it doesn’t matter.)

If you read my answer to the ask posted earlier, you probably know what this post is about. I’ll make a list of every important point I wanted to tackle in the comic, in multiple sections. Be prepared for the long post that awaits you below the cut.

Summary of what was left of Chapter 2

Following their first appearance at the beginning of the chapter, Lolph and Dundgren try to question Blendin, who is staying at a hospital and is still under intense care. They discuss what exactly happened to Blendin in the first place: he was assigned what was supposed to be a routine mission to solve a minor time anomaly in the 21st century, but his time machine exploded when he tried to operate it and he was gravely injured. Dundgren mentions that any normal time device should hardly cause this much damage when malfunctioning, suggesting that Blendin’s level of incompetence is so incredibly high, it somehow managed to make something that shouldn’t be able to explode blow up in his face. On the other hand, Lolph starts to wonder if, exactly because it should be impossible, the accident may have had a reason other than just Blendin’s incompetence. Unfortunately, the accident had consequences so grave on Blendin’s physical health, it seemingly also took a toll on his sanity and questioning him only leaves them with esoteric sentences of dubious credibility.

Blendin: “This is very nice of you… to visit me. There isn’t much time left. I was starting to feel alone, before everything disappears.” Blendin: “Time Baby will succeed… He will free us from this time.”

July 13, 2012 again: back in the gift shop of the Mystery Shack, Wendy and Soos have captured Bill and tied him up to a chair. Wendy starts interrogating him, asking him who or what he is-- throwing in her multiple guesses: the Shapeshifter she defeated with Dipper in the bunker, a paper clone... She doesn’t suspect demon possession or a switch-because-of-the-carpet scenario, however. Bill just keeps trying to break free with little success, without answering; and soon, Stan interrupts them when he enters the gift shop as well, followed by the dozen of tourists he took during his latest tour. Wendy and Soos manage to evade Stan’s obvious questions by pretending they were making a new attraction.

Back in Mabel’s Dreamscape, Mabel encourages Dipper to have some fun with Bill’s powers, but he is scared of messing up because of just how powerful he is; having seen Bill’s powers both in the Mindscape/Dreamscape and in Weirdmageddon when he witnessed the alternate timelines, Dipper knows just how far those powers can go and he isn’t sure he can control them. Still, after some teasing Mabel starts a snowball fight with the surrounding ice cream, and gradually the twins have more and more fun starting with the ice cream, then with the tricks Dipper starts to use. When they take a break, Mabel points out that nothing bad happened, and Dipper grows a bit more confident that he can use Bill’s powers in a way that isn’t dangerous.

Dipper: “I guess it’s easy to do exactly what you want when it literally happens in your mind... Huh.”

Dipper notices it’s almost noon, and Mabel remembers that she was supposed to meet William at Greasy’s Diner for lunch. Mabel is unseasy upon thinking of talking to him again after what happened the day before, and Dipper confirms by showing William’s current whereabouts through a peephole that William seems about as worried as she is. Mabel takes a deep breath, makes sure that she will be able to see Dipper whenever she needs (during the night for sure, perhaps earlier if she asks for it). Still, just before Dipper wakes her up... She has a favor to ask him.

Mabel: “Now that you can do lots of magic stuff and all... Could you do something for me?”

Back in the gift shop, the tourists have left and Bill was untied due to Stan’s confusion over the situation. However, he is forced to stay inside and is stuck sitting by Wendy’s side behind the cashier desk. When Mabel goes through the gift shop to go to the Diner, everyone notices that she made a new sweater -- one with a pine tree symbol on it, no less. Bill is enraged but can’t stop her from leaving.

William has his first face reveal. He is a blonde 13-year-old, and is already waiting worriedly at Greasy’s Diner when Mabel arrives. He immediately apologizes for what happened on the day before.

William: “About yesterday, I... I’m sorry I said your brother was a bad influence. That was uncalled for.”

Mabel: “Yes. Yes it was.”

William is genuinely apologetic, but soon it is revealed that the reason why he thought Dipper and the Mystery Shack were a bad influence was because he doesn’t believe at all in the supernatural. Even if Mabel told him about her adventures, he assumed they were just stories she made up while playing in the Mystery Shack’s museum and never believed them to be true. Mabel tries to convince him by showing him some episodes of Dipper’s “Guide to the Unexplained” -- a series of videos he used to make and post online at the beginning of their summer break upon arriving in Gravity Falls, but stopped making altogether after Summerween. Sadly, the episodes made up until then did not revolve around exceptionally weird anomalies, and aren’t enough to convince William. The only thing William admits to being strange is the fact that every inhabitant of Gravity Falls is “out of their minds.”

Exasperated by William’s absurdly high levels of skepticism, Mabel eventually dares him to go on a forest expedition with her, Candy and Grenda on the next day, just so they can show him pretty much anything in the forest that is out of the ordinary. William strongly refuses and tries to dissuade her to go into the forest at all; he has been personally forbidden by his mother from going anywhere near the forest, and he has also read on the local news that there is currently a predator of unknown origin or species on the loose, which has been notably attacking sheep from the nearby farm. Mabel teases him about the fact that he believes that this creature is real, and suggests that it might be a werewolf for example; but William doesn’t take her seriously, especially because the creature is supposed to fly.

And... This is the part where my script starts getting wonky. I’ve been trying to fill the holes, but sadly it’s proven to be quite difficult, especially now that I know I won’t be drawing it in comic form anyway. Still, the main plot should be precise enough! The holes are mainly just “there should be some filler and/or foreshadowing to what’s coming here”, with little more than just prompts for what could be happening.

Back in the Mystery Shack’s gift shop, Wendy tries to sneakily question Bill, but when Stan asks them where Mabel went and Bill tells him she skipped her restocking duty so she could spend time with William at the Diner, Stan asks him to get her back. Bill happily takes this opportunity to slip out of the Mystery Shack, and have an excuse to bother Mabel at the same time.

Eventually, William is obligated to accept Mabel’s terms and intends on coming so he can at least make sure that the girls won’t put themselves in danger upon visiting the forest on their own.

Bill arrives at the Diner. William, thinking he is meeting Dipper again, tries to make amends for the things he said the previous day and says that he earnestly thinks they can start again on the right foot; Bill sadistically mocks him instead, all the while pretending to be Dipper, just so he can ruin Mabel’s hopes of reconciling William and Dipper. Bill finishes Mabel by forcing her to leave, saying that Stan expects her to work at the gift shop like she was supposed to since the beginning.

Mabel gone, William and Bill start to have a tense conversation; well, tense on William’s part, while Bill is mostly just having a blast driving William mad. The old fanfic that was the first “draft” version of the story has this chapter, which gathers most of the jokes I intended to keep, and at least some of the plot points. I’ll put a warning for awkward English, though. Oh and also, apparently in the old version it was July 3rd and not July 13th, so in the comic the “tomorrow is July 4th so the forest trip can’t happen anyway” excuse wouldn’t work.

About the Quetzalcoatlus thing: here, have some fun dinosaur size comparisons & history following my latest research on what the pterodactyl from S1E18: Land Before Swine.

William: “And how would you even know all that?”

Bill: “Because I ate Leonardo da Vinci.”

William: “. . .”

William: “… It must have been some VERY cryptic way for you to say that it was one of those conspiracy things mentioned in the old book supposedly written by a genius that you keep reading passionately every day. Right?”

Bill: “Oh, so your brain CAN work sometimes!”

Bill gets bit by a soothquito. His bite marks spell “FHOASE CORECULLY“

Upon leaving the Diner, they both see someone being kidnapped by a member of the Blindeye Society. William insists they immediately go warn the police, but Blubs and Durland prove to be ineffective as ever. Bill slips in one or two facts about the secret society, but William dismisses them completely as other random insane things Bill just happens to say all the time for trolling purposes.

Mabel is back in the Mystery Shack and starts her restocking duty, but her mind is clearly elsewhere. She starts mumbling to herself, but is interrupted by the decapitated head of Larry King who just happened to be in the vents nearby. Mabel isn’t surprised at all to see he survived, and when Larry King starts "interviewing” her about the issues she was mumbling about, she complies. Some time later, while Soos is cleaning up the floor, he overhears Mabel complaining about Bill being a jerk on purpose and making Dipper seem like a terrible person, and ends up hearing pretty much the whole story that way, without Mabel knowing. Soos proceeds to tell Wendy what he heard, helping them putting two and two together-- all the while understanding why Mabel didn’t warn them, and why they should stay silent as well. They decide not to tell Mabel they know her secret; but when Bill comes back later, just as Wendy’s shift was about to end, she has just one thing to tell him:

Wendy: “Tomorrow 6PM. My place.”

Night time; Bill is annoyed, but not very surprised by the fact that Soos is sleeping with him for the night, in the room on the ground floor where Dipper had relocated. Bill is at least glad he no longer has to pretend to be Dipper around Wendy and him.

Soos proceeds to ask Bill what his intentions were; not just in the present times now that the switch occurred, but also before it.

Soos: “So you really are that triangle guy from two weeks ago?”

Soos: “Now that I'm thinking about it… A lot of things happened two weeks ago. That's when it began to get all wrong. Well, it was already wrong before that, but… That's really when you came that everything started to get all weird and… bad.“

Soos: “It all started because of that Summerween night. What did you want with us?”

Soos: “Why did you tell Dipper that Gideon summoned you?”

Bill: “It was just a job. Jobs are boring. There’s no fun in it if nobody’s trying to stop you.”

Bill: “Oh, and you wanna know the best part? If you’d taken Shooting Star along with you instead of going just the two of you, perhaps you would’ve had an opportunity to beat me.”

Soos: What did you do with Gideon two weeks ago? Dipper and I knew it wasn’t a coincidence that those government guys showed up just the next day.

Bill: “Something that neither Pine Tree nor I want anybody to find out, I bet. Also if I were to tell you, you'd either faint or spend the next fourteen hours trying to explain it all to Red. Funny, but not worth it.”

Soos is disturbed by Bill’s attitude, because of course he tries to both troll and traumatize at once, and given how Soos was already terrified of Bill because of the Summerween night (”I’ve had nightmares for weeks!” from an earlier comic page), it doesn’t help. Soos tries to ask Bill about the deal he made with Gideon -- more specifically, he asks what Bill wanted in return for stealing the code from Stan’s mind. However, Bill doesn’t answer and instead opens the bedroom door to reveal that Mabel was trying to eavesdrop.

Mabel was mostly there to make sure that everything was alright, and deduces that Bill hadn't slept at all during the first night and that he intends to never sleep at all, even after she tells him that humans need sleep to survive. Thankfully she came prepared with a “surprise gift from Candy and Grenda”, and sprays Bill with Fairy Dust.

Mabel: “There’s probably enough in that bag to knock out a gremloblin in an instant, so I think he’s good for the night. :p”

Once Bill is asleep, Dipper takes this chance to come to his Dreamscape and talk to him one-on-one; and, he is not happy at how Bill treated Mabel so far. Still, after a certain point the conversation gets to a more pressing topic.

Bill: “You saw it happen, didn’t you?”

Bill: “Weirdmageddon. You saw it, right?”

Dipper: “. . .”

Bill: “Oh-ho, even better! There’s a timeline in which YOU make it happen, isn’t there?”

Dipper: “That’s not gonna happen.”

Bill: “Look kid, take it from me. The more you try to actively prevent a specific outcome, the more likely you usually make it happen.”

Dipper: “You can’t make something happen if you specifically stop everything that can lead to it from happening first.”

Dipper: “Even if it includes lying to Mabel… I saw it. If she learns there’s a way to get me a physical form, she’ll try anything to make it happen and disregard the consequences. I bet she trusts me to keep things under control, but everything else? There’s just... There’s too many variables. We can’t let her know anything about the portal. Or Weirdmageddon.”

Bill: “Well, that doesn’t change anything from my original plan anyway.”

Bill: “So you’re just gonna stay in the Nightmare Realm forever, is that it?”

Dipper: “That’s not much of a plan so far, but that’s still an effective way to save the world.”

Bill: “Don’t mess with me. You DO know that if you don’t make your way to another dimension eventually, you’re just going to die, right?”

Dipper: “... W-what are you talking about?”

Bill: “Wait. You REALLY didn’t figure that out yet?”

Bill: “The Nightmare Realm is unstable. It’s just gonna collapse one of these days, destroy everything in it. Could be in a billion years. Could be tomorrow.”

After leaving Bill’s Dreamscape, Dipper decides to visit Wendy’s and tell her everything. He confirms her doubts, tells her the whole story with the carpet... And he tells her about Weirdmageddon and what Bill just told him about the Nightmare Realm.

Dipper: “I mean, it’s better this way for everyone, and of course I’m not gonna go with Bill’s original plan to destroy the laws of physics or whatever, but… I-I just don’t wanna die, you know?”

Wendy: “Don’t worry. We’ll find a way.”

> Summary of chapters 3 and 4

#pt comic #pt compilation #pythagorean thoughts

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bisluthq · 4 years

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Taylor Showmances

March 2015 - Taylor writes “So It Goes”. Oscar, one of her collaborators says this about it: essentially, that he was writing it just after he’d first become a father. And his baby was born around now. “So It Goes” is one of the edgiest songs Taylor had written up to this point, with lines like “scratches down your back,” among other things implying a sexual relationship in far more detail than Taylor had previously, even on 1989. Calvin Harris seems to have been chosen as a beard as an attempt to get Taylor’s public image in line with the new, edgy lyrics she was writing. “So It Goes” also has an EDM influence to it, suggesting that originally it was going to be attributed to Calvin -- before he ruined any chance of that and forced Taylor’s team to pretend it was about Joe.

However, lines like “I’m so chill but you make me jealous” and “Gold cage, hostage to my feelings” and “We break down a little / But when you get me alone, it’s so simple” seem to imply that whoever Taylor was writing the song about (Karlie) and her were in a complicated relationship, involving jealousy and miscommunication. This fits the timeline happening here with Joshlie much more than the traditional Kaylor timeline. And it fits this situation much more than the Joe retcon.

2 March 2015 - Karlie posts a photo of flowers she received in Paris, using the hashtag ‘feelingLOVED.’ While these could have possibly been from Josh OR Taylor, seeing as Karlie hasn't been seen with him in over a month and Kaylor seems to be back on, I'm leaning towards them being from Taylor… or Derek or her parents or someone else.

9 March 2015 - Karlie posts a photo on Instagram in Josh's usual photo taking style (Karlie's back + some aesthetic background), however, she makes it VERY clear in the caption that the photo credit goes to her mom -- more proof that Josh and Karlie are not together at this point. It seems like an odd clarification otherwise.

20 March 2015 - Joshlie attend the wedding of one of Josh’s business friends. Josh seems to have deleted his post about it, and there is little to no other coverage of this event from the two of them - or in the press. This was not a ‘stunt’. In fact, it is likely they were simply invited to it as a couple prior to the breakup/rough patch they seem to be going through and went together anyways. The fan account linked above picks up the pic and says they’re “back together” which implies that, at that point, it was known or suspected in fandom that they were “off”. What fandom, you ask? Well, the Kushners do have a very specific set of fans lmao. We have to laugh but as we laugh we must acknowledge we too are being laughed at and all fandom is a liiiittle ridiculous.

Karlie also talks to E! about Taylor in an article that is very clearly just promotion for L’Oreal Paris hair products. She does say that they share clothes, and that seems like a real detail, but the article is for branding.

March 26 2015 - Calvin and Taylor are spotted (by a fan?) in Whole Foods (probably buying Karlie’s Kookies). This is the first stunt between the two of them, and the fact that it ties back to Karlie’s Kookies is hilarious. Calvin's appearance is a solid reason we have to think that Kaylor is on, because Taylor was starting to write songs about her new relationship - we discussed So It Goes above - and she was going to need a cover for them.

3 April 2015 - Karlie kovers Porter Magazine. In it, she seems to critique Josh: “‘You could easily picture her becoming this generation’s Grace Kelly. “Yeah, right,” she says. “Where’s my Prince Charming?” That may be her boyfriend Joshua Kushner, a founder of the investment firm Thrive Capital, which works with a number of startups, and scion of a prominent real-estate family in New York. His brother Jared is married to Ivanka Trump. “I don’t talk about him too much,” she says, but does admit, “I feel lucky I have met someone who inspires me and challenges me in ways that I never had before.”’

It sounds like they’re having problems but she has not (contrary to the Kaylor narrative) “forgotten” he exists. In fact, the “yeah, right” sounds downright bitter and saying he “challenges” her is hardly true love 5eva talk. But she also clearly hasn’t given up on him, because actions (like attending his friends’ wedding) speak louder than words (in this case “yeah, right”).

3 April 2015 - Calvin and Tay stunt at a concert wearing matching jackets.

5 April 2015 - Kloss sisters take a trip to Paris.

7 April 2015 - Karlie promotes both Porter and Vogue.

8 April 2015 - Karlie announces a partnership between KWK and Flatiron (which Josh funds/owns/incubates). We knew they were in touch since the wedding they attended, but this is a business step forward, which is big for them since Karlie seems to want him to take her seriously.

12 April 2015 - Bad Blood MV filmed. Karlie features prominently, boxing with Taylor.

CONCLUSION: From Feb to April 2015, Kaylor were good. Karlie was still in touch with Josh, but in a casual way - as evidenced by the wedding they attended together. Word on the Kushner gossip street was that Joshlie was broken up. It’s very possible that Karlie was hoping to get back together with him, but that didn’t happen until he made adjustments and a plan for integrating her into his real life. Karlie was still promoting Taylor, as usual, but they were also seemingly legit trying to make it work. Tay picked up Calvin in a stunty, public way to account for possible romantic songs, including So It Goes.

#Kaylor #gaylor swift #swiftgron #tily

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rachelbethhines · 4 years

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Tangled Salt Marathon - Rapunzel and the Great Tree Part 1

We’re now finally at the mid-season finale of season two, and it’s easily the best episode of this season. That however doesn’t mean that it’s not flawed, so here we go...

Summary: The group makes it to the Great Tree, only to be confronted by a new adversary: Hector, the brother of Adira, the most dangerous member of the Brotherhood; sworn to keep all from reaching the Dark Kingdom. Despite all that has happened, Rapunzel is determined to continue on toward the Dark Kingdom to uncover the truth behind her destiny. As they navigate through the Great Tree, Rapunzel discovers the Moonstone incantation which overwhelms the magical powers of the Sundrop in her blonde hair and causes injury and weakness to those around her.

The Brotherhood Is Such a Wasted Concept

We have a group of highly trained warriors, directly connected to the series main macguffin, who consider each other siblings, who all have conflicting goals, and they’re all severely underdeveloped to the point of ridiculousness.

For starters, in a show all about pushing sibling rivalries as parallels to the two main characters, it utterly fails to show the only other siblings who are actually connected to the plot acting like actual siblings.

Adira and Hector should be a parallel to Cass and Rapunzel in this very episode. One that actually ties into the narrative, yet outside of calling each other brother/sister/brethren they don’t act like family; even feuding family. Adira also fails to treat Quirin, Varian, Edmund, and Eugene as family. She shows no real concern for any of them despite saving her home (which would included her family) from the rocks being her main goal. She should be just as every bit as invested in saving Quirin as Varian. Which is yet another reason why Varian should have been S2 and another entry point for him in the show’s plot.

As for the rest of the Brotherhood, they never even interact at all. I don’t think anyone tells either Edmund or Hector what has happened to Quirin or Varian. And Edmund clearly didn’t inform Hector of Eugene, even though he logically should have. And did any of them know if Edmund was alive, despite Edmund having the means to communicate with the outside world with the crows?

What we’re left with is a bunch of holes in the story, because there’s now a bunch of holes in everyone’s motivations and their actions never quite line up.

And before you say, ‘well they’re not that important’, or ‘they’re aren’t meant to be a real family’; then that is in of itself a flaw because they should be. Not making them found family undermines Raps and Cass being found family, as it undermines every other sibling parallel in the show, and those parallels are the only build up we have to the sister reveal in S3.

It also undermines the moonstone plot and the whole reason why season two exists. Don't introduce things that connect back to your story and not make them important. In fact don't introduce unimportant elements in a plot driven show like this period.

Another Indication of the Timeline

As stated before, Tangled is really bad at indicating the passage of time, despite the passage of time being a big plot point. We’re now a ‘few months’ past the island, which itself was 6 weeks, and before that it was several weeks to maybe even a few months before getting to the island...

So when does this take place? Well we were told that season two takes place over the course of a year by the creator, and that this is the mid-season finale so 6 months since SotSD sounds the most plausible. We also see fall trees dotted around like we did during the first half of season one. Which is the only visual indicator we get of changing seasons in the show, but it’s too understated to be properly noticeable most of the time.

However, the crew themselves can’t even seem to agree if Rapunzel’s Return is her birthday or not, so if you’ve heard conflicting sources, it’s because this shit wasn’t planned properly first. But all dialogue and visual cues point to the first half of season two being at least 4 to 6 months. With 6 being the most logical placement.

Just a Reminder, that Hook Foot Is Still Useless

If all you were going to have him do is whine like a child during the only plot important episode that he is in, then why not just replace him with an actual child?

It takes more work to leave Varian out of season two and force Hook Foot in his place, than it does just to write Varian in. There were so many potential entry points for his character, that the one they would up going with was the least natural to the characters and the story they were trying to tell. And even then, the Saporian take over they went with could still have worked had they handled things properly and pre-planned that stuff out.

But they didn’t. By all accounts S2 was a hasty re-write to get rid of Varian and Hook Foot was shoehorned in as his replacement at the last minute. And it’s the most utterly baffling creative decision I have ever witnessed in my life. There was zero logical reason for it.

This Plot Point Wasn’t Built Up Enough and It Goes Nowhere

Look, had they actually pointed out that Cass is a bodyguard now, and that this line from Raps threatens her career goals, that would make sense; or they could have explored the idea that Cass’s identity revolves around her job, and so feeling like her job is pointless makes her feel pointless therefore making her feel insecure about her future. Either of those would have been interesting jumping off points for her character arc and later conflicts.

But that’s not what they did.

I think that’s what they were initially trying to go for here, but it got muddled in the mess that was last minute rewrites.

Cass obtaining her goals in season one is ignored in favor of a bland and vague validation goal from this point onwards. Her issues with Rapunzel are then boiled down to be about; not identity, agency, class, or wanting a future, but into fighting over a dead mom and how one wasn’t ‘loved enough’ apparently. Which makes no sense given what we know of Cass from previous seasons.

Cassandra isn’t deep or complex; she is convoluted. The writing team couldn’t agree on what her goals and motivations should be, and so she performs conflicting actions throughout the story that actively undermines what was previously established and what she supposedly wants.

Most people who try to defend the writing for Cassandra do so with this idea that because they had to work hard to ‘connect the dots’ for all these seemingly disconnected plot ideas, means that of course the writing is ‘deep’ but that’s ignoring one of the basic fundamentals of writing.

The audience shouldn’t have to do the writer’s job!

Having to think about a story doesn’t mean that you need to go digging around for basic information like the character’s goals or what happened when. A writer’s job is to first and foremost clearly communicate ideas to their audience. Plot and character analysis is about finding extras like, metaphors, moral messages, and coming up with fun headcanons that don't impact the wider story. Because all of the bare bones information needed to understand the story should already be there for everyone to see.

If you gotta go into ‘analysis’ just explain the damn plot and why things are unfolding the way they do, then the story is badly written. Full stop.

Cinderella wanting to go to the ball is a simple goal, but it’s an understandable one that anyone watching can grasp. You could go into a deeper analysis about abuse and what the ball symbolises for Cinderella’s character or how the story is an analogy for wider social issues at large, but at the end of the day everyone needs to be in agreement that, yes, Cinderella wants to go to the ball and we know why she wants to go, so that her actions in trying to get there make sense.

No one knows what Cassandra wants. Cassandra herself doesn’t know what she wants. So the ‘why’ part for what she does is never answered.

Hector Is Wasted

As already stated, all of the Brotherhood is wasted, but Hector more so than most. Season two desperately needed an ongoing threat, a main antagonist to push the story forward. Hector should have been that antagonist. Instead he shows up for this one episode, and then in a few non-speaking cameos in S3.

Then Why Not Just Stay With Them Adira?

We’re never given an actual reason for why Adira keeps leaving the group, and indeed doing so conflicts with her stated goal of getting Rapunzel safely to the moonstone. It’s just shoehorned in here to create ‘mystery’, but mysteries have to be answered at some point. You can’t throw something in for drama’s sake and not explain why it’s there.

Lance’s Crush on Adira Isn’t Handled Well

Look, this isn’t a judgment upon those who ship the characters. When I talk about relationships in the show I’m only talking about how well they are written on screen. I couldn’t care less what the fans do with them.

Even when I discuss my personal preferences for ships, that is all that is, my personal preference. I don't give a shit if you ship something that I may dislike, or if you hate something that I do enjoy. I’m a grown up with more important things to do than worry over what a bunch strangers may write on A03 about a bunch of fictional characters, and as someone who hates bullies above all else, I’ll defend your right to make whatever content to want to because censorship is just a form of bullying and nothing else.

No matter how gross or reprehensible I may personally find it. Different stories resonate with different people and for different reasons. I may debate your reasons, if the subject comes up, or critique professional media for the messages it puts out to the wider public, but I’ll never say you can’t like it or that you can’t make it.

So with that stated, I don’t like Lance’s dynamic with Adira in the show and here’s my reasons for that.

She doesn’t ever return the feelings.

At best she tolerates him, at worse she actively kicks his butt when he gets too close, and most of the time she ignores him. Which is for good reason; she’s old enough to be his mom. Why would she be attracted to him?

Like I’m not saying that age gaps between adults are inherently wrong; I’m saying that if there is a significant age gap then you really have to work hard to build up a reason for why the two characters would go for each other when naturally they wouldn’t be in each other’s usual sphere of dating options. Which the series never does because once again Adira is clearly not interested in him.

This leads to Lance basically being an annoying ‘nice guy’ who can’t take a hint. Like constantly badgering someone who doesn’t want you to isn’t charming or endearing, and Lance is old enough to know this by now.

Basically the writers just took the Varian and Cassandra dynamic from Great Expotations and slapped it onto Lance and Adira despite the fact that it made zero sense for their characters. Lance isn’t a lonely teen who desperately wants to fit in and make a connection with someone. He’s not out to prove that he is mature, nor mistakenly believes himself to be an equal to the only other girl in the kingdom that has ever talked to him that isn’t already married/seriously dating and still living at home. Adira never comes around to considering Lance a trusted friend and confidante after shoving nearly everyone else away. She doesn’t seek out his help or approval, nor tries to build him up with compliments, ect, and so forth.

Now, I dislike the Cass and Varian ship for many, many reasons, but as they are presented on screen in the Great Expo it makes sense for why Varian would at first have an unrequited crush on her. Now after that QfaD he logically shouldn’t ever want anything to do with her but we’ll get to that later. That’s not the case with Lance and Adira; they’re both too old for such a dynamic.

To add on to the weird factor, they’re both related to Eugene. Adira is technically Eugene’s aunt, even if she never acts like it. Lance is also the closest thing to a brother Eugene has. They don’t recognize each other as such, so if you want to say their just friends or ship them or whatever, there’s wiggle room. But the end effect is like Maya in Girl Meets World crushing on her best friend’s, Riley’s, Uncle Josh. Only even with less basis, and it wasn’t that great there either.

Why Do you Suddenly Not Trust Adira Cass?

Forest of No Return was all about establishing trust in Adira, including with Cass at the end, so why the sudden back track? Especially since Adira hasn’t done anything but been honest with them, and has saved their butts several times now. All this does is make Cassandra look like an ass, which you don't need to be doing if you want the audience to side with her later on in the story.

Everyone Now Knows Quirin is a Part of the Brotherhood, So There’s No Excuse For Later

It’s an odd way to state that fact, but yeah, both Cass and Raps are told directly that Quirin is in the Brotherhood, and Lance, Eugene, and Hookfoot are also present and presumably listing to this exchange. So no one in S3 has an excuse to ignore this plot point until the finale.

This Backstory Goes Nowhere

Adira launches into this story about Zhan Tiri, Demanitus, and the Great Tree and literally none of it actually matters. It’s never brought up again after this episode. We never get any insight into why they were fighting, how Zhan Tiri corrupted a tree, what significance the tree has outside of being really big and holding some scrolls, nor how the scrolls got there, why the tree is still connect to Zhan Tiri hundreds of years later, nor how Demanitus magic spear works or what it even does exactly.

Don’t introduce lore and then don't have it mean anything.

Why Do you Care, Cass?

Cassandra isn’t a lady-in-waiting anymore. We’ve already established that back in Secret of the Sun Drop and in Beyond the Corona Walls. So why should she care if Adira calls her one? Adira isn’t from Corona. Adira isn’t in charge of anything. Cassandra doesn’t even like her, so Adira’s opinion shouldn’t matter.

This whole season we’ve seen Cass treat Adira like shit, but apparently we’re supposed to feel sorry for her when she can’t take clap back for all the grief she’s given. Is she really so immature that she can’t just ignore a petty insult for what it is? Why does she have to behave so insecure that she will jeopardize the mission or someone’s life over it? This is the deuteragonist I’m suppose to root for and relate to? I mean she’s twenty three for goodness sake! Grow the hell up woman!

Also while we on the subject, a royal guard and a lady-in-waiting are both servants. There’s no distinction between the two beyond what duties they perform, and that would be the case regardless of what job Cass had. Rapunzel’s a princess, everyone is her servant. That’s how the class system works, and by all means Cassandra enjoys more privilege than most people in Corona. She’s the Captain’s daughter, was granted next in line for that position in SotSD, and lady-in-waiting means to the princess means she’s above all the other maids except for Crowley and Friedberg. Cass may hate her job, but she hasn’t room to complain when Faith is right there and has things much worse.

In short making Cass suddenly indignant over being treated as lower class when she didn’t give a crap about the likes of Attila, Caine, Varian, Eugene, Lance, ect... just makes her look like a hypocrite.

The Other Reason to Dislike Lance’s Crush is That It Hinders His Development

Lance’s arc is that he’s suppose to learn to be more responsible. This episode in particular is suppose address his habit of lying... only it doesn’t. We get no real resolvement on this point. We also never see Lance progress enough to give up on Adira and stop pursuing her even when it’s directly pointed out to him that she doesn’t reciprocate his feelings. So in the end he still remains immature and irresponsible.

Though this conversation just proves that Eugene and Lance still have the healthiest relationship in the show. They’re about to disagree or call each other’s bullshit without resorting to insults or getting violent, which is more than what any relationship involving Cass does.

Questions With No Answers

We never learn why these scrolls are here, why they have the incantations on them and upon the wall, we don’t know who translated them, nor who came up with the incantations in the first place.

This is all important info that he series glosses over, because unlike the moonstone and sundrop, the incantations are things that someone had to have made at some point, and they could only have made them by studying what our plot macguffins are and how they work. Since the incantations are things that are also sought after by the big bad along with the magical objects, then we need to know how the big bad knows about them when no one else does. How they came about.

Which is yet another reason why we needed a magic system in place.

This Song is Catchy, But It Doesn’t Need To Exist

In a musical a song needs to either establish the plot, build the world, or further the characters. This song does none of those things, it’s not needed for Lance and Eugene’s relationship, it doesn’t actually resolve Lance’s plot as he is high when he apologizes for lying, and it wasn’t needed to established the man eating plant. I honestly think this song only exists so that the animators could just reuse assets they built to save on money.

The Hurt Incantation Is the Coolest Thing In the Show! Shame It’s Not Utilized Well

People are suckered into this show by one of three things usually, ‘Let Me Make You Proud Reprise’, ‘Ready As I’ll Ever Be’, or this scene.

It’s shocking, powerfull, and a really, really awesome concept. It’s one of the best scenes in the show, and an interesting idea that offers up a lot of story possibilities.

Possibilities that’ll never actually be explored on screen. The hurt incantation isn’t useless, it does affect the plot, but it’s not used effectively. There was so much you could have done with this but it’s then never explored. Characters outright forget its existence even when they have no reason to, or it’s used to do things that should have been accomplished in other ways. It’s also never fully explained or expanded upon. They couldn’t even bother to give it more than one verse.

All of the incantations are mishandled in this show, but the hurt incantation is the one that has the biggest let down.

Conclusion

So that ends part 1, join me tomorrow for part 2.

#tangled #tangled the series #rapunzel's tangled adventure #anti-tangled #anti-cassandra #hector #the brotherhood #lance #adira

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