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#like i like stan but they kind wasted a perfectly good reveal for a plot that wrapped way past its welcome
capinejghafa · 2 years
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You know it was weird that Diego didn't get to kill anyone in 3 seasons but that his younger self killed so many people (probably, given their first mission)... I keep thinking of "If I wanted you dead, you'd be dead" quote, like do you think he's genuinely killed anyone since his days at the academy?
Like s1, Diego actually felt like he could kill someone if he had to, but s2 Diego felt more like he'd protect people or maim them... and s3, I do feel/think the writers forgot what his powers were, he wasn't really given the chance to in the final battle. Which is weird given that he is supposed to be good a weaponry, more importantly with knives... but also given the chance he would more likely maim them.
Anyways, just casually thinking of Diego and his moral stance on killing people.
Edit: Diego did kill people in s1 ep 10!
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spicycreativity · 3 years
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Fanfic Appreciation Week Day 7: A Place Where I Can Breathe
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Yes, folks, I'm appreciating my own darn fanfic for the final day of Fanfic Appreciation Week because I worked really hard on it and it was a labor of love for/with one of my QPPs, my roommate, the man who got me into Sanders Sides: @\cadeorade-powercade (That's him in the aesthetic board)
Allow me to present the director's commentary for A Place Where I Can Breathe:
Content Warnings: All content warnings mentioned in the fic apply.
Chapter 1: I actually wrote this fairly late in the game. It's meant to serve as a prologue and orient the viewer in the universe, s opposed to staring on Chapter 2, which just throws the viewer in without context. I think it was a good choice, as it also allowed me to introduce the concept of the Sides having power focuses early on.
The Premise: Cade is a Virgil stan and he was getting frustrated looking for Virgil fic. He was finding a lot of stuff written without nuance by young authors, a sort of "by teenagers for teenagers" type deal. We are not teenagers, so we both have a hard time relating to that kind of teen angst fic, as we're not the target audience. So he asked me to write him a Virgil fic and we worked together to identify what plot he wanted, what the Mindscape looked like, and what quirks the Sides have. So a lot of this fic is quite gratuitous and self-indulgent
The Title: Lizzie McAlpine has a song called "Apple Pie" which includes the lyric "I've been running around trying to find a place where I can breathe." Apple Pie SCREAMS Moceit to me, and I had taken notice of the lyric and wanted to use it as the title for a Moceit fic. I didn't really have an idea beyond that, and when Cade asked me to write this fic, I realized it was actually perfect and summed up Virgil's inner struggle quite nicely. So cheers to "A Place Where I Can Breathe," the Moceit Fic That Wasn't
-Cade asked me specifically to include Virgil having a spider and I wrote nearly the whole fic without doing so, then had to go back and sprinkle some references in. I think I managed 2 total.
Chapter 2:
"Uh, how about I hold off on that until I actually see my room?" Virgil stared expectantly at Roman, who bounced on his toes. "Lead on, Macduff."
"That's not the line and you know it," Roman complained, but he turned to lead Virgil to his room. "It's ' lay on, Macduff,' and--"
-This fic was originally supposed to reach a climax with a confrontation between Remus and Roman, and "lay on, Macduff" would come back as a brick joke. Unfortunately, the original ending was a result of me getting tired and lazy, so I had to go back and fix it, and we lost the Roman-Remus confrontation.
It was hard for Virgil to not shudder at the sudden heat and weight on him. With his senses already open and taking in more information than his brain seemed to want to process, touch was an added stressor, more unwanted sensory input.
-Virgil being touch-averse is a direct shoutout to Cade, who is also touch-averse.
Roman had already transformed the living room: metallic streamers of purple and black stretched across the corners of the ceiling, and shiny balloons spelling out A-N-X-E-I-T-Y hovered above the TV.
-Upon first writing, Virgil had already given the upstairs crew his name, so the banner spelled out "VIRIGL" which is way funnier than "ANXEITY." But then his name reveal became a plot point so I had to go back and change it.
-Let! Virgil! Be! Mean!
-Virgil's line about hearing refrigerator noise when Roman talks is another shout-out to Cade, who has leveled that accusation at me
A small, cruel part of him protested at the idea that he would need special treatment and desperately wanted to throw it back in Patton's face. He wasn't a sweetheart, he wasn't a baby. He didn't need to crawl into a blanket fort with Dad just because he was a little stressed.
-Remus calls Janus "Janus Geminus" because I was tired and couldn't come up with a pun. "Geminus" is one of the Roman god Janus' epithets; another is "Pater" meaning "Father." That led to a conversation about Remus deliberately confusing Patton by calling Janus "Daddy," but I couldn't think of a clean way to fit the explanation into the narrative, so I stuck with "Geminus."
Chapter 3:
"There's nothing normal about that! " Roman stared in horror at the coffee massacre Virgil had orchestrated. What had once been a respectable (if not very tasty) cup of black coffee was now part of a 1:1 coffee to milk suspension, the liquid a tasteful shade of tan suitable for business casual trousers or a show-ready chihuahua.
-Cade is a certified Nightmare Man and came up with Virgil's horrifying coffee order after I asked him about it. Keep an eye out for Janus' equally horrifying coffee order later in the fic.
1) Shouts out the fact that Janus is canonically a Dostoevsky fan
Chapter 4:
Janus smiled at him. "Where reason fails, the Devil helps." He fussed with his gloves and straightened his capelet. "It's showtime."
-I fucking love Crime and Punishment. Look at me. Look at me. I fucking love Crime and Punishment. Janus' quoting Raskolnikov serves multiple purposes:
2) Lampshades the fact that Roman just conveniently happened to be alone in the living room, because I didn't want to waste time getting him there. That makes me, the author, the Devil
3) Foreshadows the impending disaster. When Raskolnikov says this line it is because he had planned to commit axe murder. The axe he was planning to steal had been moved, but he finds another, different axe to use. Raskolnikov messes up the murder and ends up killing an innocent witness in addition to his intended target. Janus messes up his manipulation attempt and ends up murdering Roman's self esteem
-I was going to include a reference to Rosencrantz and Guildenstern Are Dead (Remus' line "debauchery and vomit" was originally going to be "blood, love, and rhetoric") but I didn't because... Uh... Hm. Why didn't I do that. Maybe I just forgot about it???
-Roman is too stubborn to manipulate for long and that is a fact.
"I was pretty much done anyway," Remus said. "There's only so much debauchery and vomit you can fit into one story."
-Cade specifically ask me that nobody cry in this fic, but after I had Janus eviscerate Roman I knew he couldn't not cry a little. I kept it to a minimum because there's already a billion fucking fics about [literally any Side] crying on the shoulder of [literally any other Side] and it's really just not interesting to either of us.
-It didn't come up because it doesn't matter, but Thomas dreamed he was participating in the exact Dionysian orgy that took place in The Secret History because it's my fic and I said so.
Chapter 5:
He just sat back and watched and tugged at his hair while Janus spooned mound after mound of crisp white sugar into his mug and Virgil poured his customary eight fluid ounces of milk into his own mug.
-Cade strikes again. Virgil's coffee order is equal amounts milk to coffee; Janus' is equal parts sugar to coffee. He had asked me to include a scene where Roman catches Janus massacring his coffee and is appropriately horrified, but I uhh... Didn't write it. I still might include it as an omake someday.
-I imagine that Roman feels really strongly about dragons vs wyverns, and Remus just pretends to give a shit because he thinks it's funny to wind Roman up. Fortunately for me but unfortunately for my sense of realism in writing, I can't relate because I adore my sister and we get along perfectly almost 100% of the time.
"You shut us down every chance you get!" Remus said, baring his teeth. "How would you like it if your pens never wrote, hm? What would you do with all those thoughts in your head?"
-I do wish I had developed the concept of power focuses a bit more, established rules and such. Basically, Patton is always on the prowl for wrongthink and actively represses it, which in turn breaks or sabotages the Dark Sides' power focus.
Chapter 6: This chapter really should have been Janus and Roman but I was really tired and didn't want to bother with it. Plus, you know, Moceit. This chapter was meant to demonstrate how the characters would get along without Virgil nannying them. There's friction, but everyone is making a conscious, deliberate effort to get along because they love Virgil, and love is a series of choices you make.
I chose "Leo" as the answer for the answer to the crossword clue instead of "Virgo," because my other QPP is a Leo. She'll never read this fic, but I did it anyway because I love her. (Trivia: My sign is Virgo, so it was really a choice between shouting her out and shouting me out, and the last chapter is self-indulgent enough, thank you).
Chapter 7: I was gonna write a fic where all the Sides watched Cats the Musical because I was going through a phase. Then Cade requested this so I combined the two ideas. By this point I was fucking exhausted, and that's the only thing that saved you and the rest of the world from me writing the Sides riffing on the movie scene-by-scene. I could come up with snarky commentary for almost every, if not every single song from the movie.
Most notably, I cut a Patton-Remus interaction where Remus declares his love for Grizabella and Patton gets all staryy-eyed about Remus connecting with the idea of rising above rejection and being loved and accepted only for Remus to shoot him down and explain that he just likes that she got to die in a tire fire.
Other cut scenes include Janus quietly pretending not to go feral over Mister Mistoffelees, Patton full-on fucking sobbing over Grizabella and the kittens, and Logan experiencing a deep, soulful kinship with Munkustrap during Of The Awefull Battle of the Pekes and the Pollices (and henceforth introducing the phrase "like herding cats" into his regular vocabulary
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wetalkinboutbooks · 3 years
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Reaper of Souls by Rena Barron
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Summary: After so many years yearning for the gift of magic, Arrah has the one thing she’s always wanted—at a terrible price. Now the last surviving witchdoctor, she’s been left to pick up the shattered pieces of a family that betrayed her, a kingdom in shambles, and long-buried secrets about who she is. 
Desperate not to repeat her mother’s mistakes, Arrah must return to the tribal lands to search for help from the remnants of her parents’ people. But the Demon King’s shadow looms closer than she thinks. And as Arrah struggles to unravel her connection to him, defeating him begins to seem more and more impossible—if it’s something she can bring herself to do at all.
Set in a richly imagined world inspired by spine-tingling tales of voodoo and folk magic, Kingdom of Souls was lauded as “masterful” by the School Library Journal in a starred review. This explosively epic sequel will have readers racing to the can’t-miss conclusion. (Taken from Goodreads)
Our Ratings:  
 → Geena:  ⭐️⭐️⭐️⭐️🌗
 → Kae: ⭐️⭐️⭐️⭐️⭐️
Overall: A messy sequel to an amazing series, we get to see the after effects of the fall out of Arrah vs. Efiya from KOS… and when we tell you it is MESS!!!
~Spoiler-Full Review Below~
The Good: 
→ Arrah and Dimma
Geena: One of my favourite things about Reaper was the sprinkle of Dimma’s POVs throughout the story. We got an insight into Dimma’s life before she was Arrah, and how her relationship with the other Orisha and Daho developed. It also really helped build up the suspense near the end and set up plot twists that clocked us near the end. Dimma aside, let’s talk about Arrah. Rena Barron said brooding boys are out, brooding girls are IN! And you know what, we love to read it. The story starts off with Arrah trying to save Sukkar after she snapped all his bones while trying to save him, and she does save him :) Or so she thinks but that’s besides the point. Over the length of the book we follow Arrah’s inner turmoil of suddenly having the power of 10 tribal chieftains and being insecure about whether or not she even deserves it.
I loved Arrah, even when she was holding herself up to a terribly high bar and beating herself up about everything she did. Arrah helped bring her Auntie back from the dead and was like “Damn I suck :/” and thought shattering a girl’s glass (who was flirting with Rudjek) put her on the same level as her mom and Efiya. I was sitting there like NO GIRL YOU’RE PERFECT, YOU, YOUR MISSING TOOTH AND YOUR PETTY NATURE!! 
Kae: YAAAAAAAAAS! Geena summed Arrah and Dimma up perfectly. 
But I would like to add how much I love Arrah and how selfless she is. She’s always thinking about her friends and their safety, the safety of the tribal people, and of course the kingdom. She’s a worry woman, but for all the right reasons. And she also cares about herself; so much even that like Geena said, she beats herself up for the smallest of things. She’s so worried about being evil like her mother and her sister, that she calculates every single move that she makes, debating if it’s really worth it to use strong magic or not. 
As for Dimma, I loved her POV’S. She is a complex character who has been demonized since book 1. We were taught to believe, through the POV of some of the Gods, that Dimma was a horrible Goddess who wrought nothing but chaos. They erased her name from history, LITERALLY. And Dimma became known as the Unnamed Orisha. While reading her POV, we learn that Dimma was quite selfless, much like Arrah (since they are technically the same person). Dimma was full of love and loved even harder. She went out of her way to give Daho immortality as well as his people, because she loved them so much. She defied the rules of the universe for her love, and it only came to bite her in the ass in the end. Like her siblings told her, “A God’s love is a dangerous thing.” And it was, but not exactly for the reasons one might think.
Geena:  Kae’s summary of Dimma and Arrah is AMAZING, you know my ability to connect dots when reading is kinda shit so reading Kae’s summary gave me realization…  Arrah tries so hard to separate herself from Dimma, because she refuses to believe that a part of her is in love with Daho because she herself is in love with Rudjek… but it’s like girl… you have travelled to the ends of the earth to fight and bring back the people you love (the tribespeople) just like Dimma searched the ends of the universe for immortality to give to Daho. It’d be much easier to reconcile your feelings if you just accepted that “Okay, I may have been Dimma but now I am Arrah”
Also another thing I love about Arrah is how she had…. For a time… three dudes in love with her… or at least what she thought was three dudes. Real hot girl shit. 
→ Rudjek and Daho
Geena: You know the character archetype that’s like a snarky boy who knows he’s hot shit and acts accordingly, but when it comes to the person he’s in love with he’s just a bowl of mush. That’s Rudjek, and only Rudjek can pull it off. In KOS, he was slated to be the next vizier because of his father, in Reaper he’s known as a prince because his dad snaked his way into becoming the monarch. So, now he’s the snarky prince…. And the only snarky prince with rights! His POVs were actually so fun to read, like following the politics of the Kingdom and him dealing with his new craven powers…. Which also had him being able to smell pheromones when people were doing the dirty around him 😭
I really liked that Rena gave him a POV, because now we get to see how he develops given the fact that him and Arrah are dangerous to one another, because he saps her magic with a single touch and could kill her. The whole time Arrah is stressing like “Damn, what if he doesn’t like me anymore because we can’t touch” meanwhile Rudjek is like “I’ll fight the Gods if I have to, to keep her by my side” and it’s like 🥺Also, who let a teenager be in control of a whole army… I thought the vizier was a sly and smart man but I digress… Another thing I liked about Rudjek in this book was that he didn’t shy away from uncomfortable conversations with Arrah, regarding the fact that he confused Efiya for Arrah when they did the unspeakable in the clearing in KOS. Like, that was very mature of them and I’m glad they could deal with that misunderstanding… But… hands down… my favourite scene… During the climax of the book Rudjek gets a demon soul shoved down his body, and immediately assumes it’s the demon king…. And his only command to his friends is to not let him near Arrah😭😭😭 I was like PEAK ROMANCE, SOFTEST SHIT, SACRIFICIAL LOVER!!!!! 
Kae: SO GEENA SUMMED UP RUDJEK SO DAMN WELL. LIKE DUDE OMG? Correct. He is perfect. I really don’t have much to add but I just genuinely loved him as a character. He is caring for both Arrah and his friends. He is also one of the few male characters I’ve read that actively tries to go against their father. Most dudes in books are like “Fine puhpa, I shall do your evil bidding.” But Rudjek is like “Sike bitch, I’ll let you think that but I’m doing what I WAAAANT!” 
But okay, let’s talk about Daho. So first off, I love him??? Am I a villain sympathizer now? Tbh, I don’t really see him as a villain. Man’s didn’t commit a genocide or try to scheme Arrah out of her pants. AND HE VERY MUCH HAD THE CHANCE TO and he was like “nah.” And I appreciate that. Because there are a few certain villainous men who I shan’t name, that be on that scant shit. And Daho is just like… genuinely trying to avenge his wife’s death (Dimma) and try to get Arrah to remember that she is Dimma. 
YES, I know he got Arti to bring him back. BUUUUUT, he didn’t tell her to kill a bunch of kids and shit to do it. Arti did all that evil shit on her own and Daho was like “look, i don’t condone that shit. But it’s over and I’m sorry it happened but I can’t change it.” And I’m like… okay, mood. I get it. Daho is sweet and caring. He looked out for Arrah in *redacted’s* body because we didn’t know *redacted* was dead the whole time. And even then, Daho was still like “My bad… But he wasn’t using his body??? So I took it???” Why let it go to waste, amiright? 
Geena: STOOOOP FOR REAL HE WAS LIKE “It was empty, I didn’t think you’d mind” 
Kae: LMAOOO OKAY BUT DEADASS. And like, idk man. He just seriously isn’t a bad person. He was trapped because after the God’s killed Dimma, he was like “BET IMMA JUST KILL THEM” and they lowkey were shook so they trapped his ass in a box for a millenia or whatever. He wasn’t even out to kill all humanity or anything. The God’s were just being some haters and now he’s suddenly the bad guy. Anyway, we stan Daho in this house. 
Geena: Daho is how you write a sympathetic villain. He owns up to his own mistakes even while his demons run free terrorizing people. Kae said it best that he just wants justice for his wife and unfortunately history is written by the victors so the Orisha painted him out to be a bad guy… My dude was just chugging that respecting my wife juice and they killed her… and he also thinks they killed his son… Guess me and Kae are just villain sympathizers now 
The Bad:   
→ The Ending 
Kae: Okay, let’s get it. And I also just want to clarify that when we say “the bad”, we don’t mean we hate it. This is just something that was like “oh fuck, this is BAAAAD! THINGS ARE ABOUT TO GO DOOOWN.” 
But like, good Lord. The ending? That shit was crazy. First of all, we find out that *redacted* aka, SUKKAR. OUR SWEET, PLAYFUL, SARCASTIC SUKKAR. IS DEAD. HE HAS BEEN DEAD THIS WHOLE TIME!? Excuse me while I *SCREEEEEEEEEEEAM*. Like, what an unforeseen twist. This mf kicked the bucket back in KOS when Arrah tried to save him. Turns out… She maybe… Totally… possibly… Absolutely killed my guy on accident. He dead-dead. And this is how we find out that Daho took over his body, once Sukkar’s spirit ascended. It was a really sad reveal and my heart kind of hurt reading it. I straight up wasn’t expecting that to happen. THEEEEEN. GOTDAMN EFIYA. IS BROUGHT BACK. 
Geena: No joke, the ending of Reaper was just one sucker punch followed by another… At first you think Tyrek (the prince from KOS who joins Arrah and her crew on a journey to save the tribespeople) is the demon king, then you think it’s Rudjek because he’s getting possessed, and then you learn it’s Sukkar… The final punch to the gut was Daho bringing back Efiya because his close general asked for her… because she’s his daughter. We were like, DAHO ARE YOU SERIOUS YOU SAW THE DAMAGE SHE DID TO THE HUMANS!!! Like Efiya may have grown quickly in a few months but her brain isn’t fully developed, like that girl is UNHINGED!!! I thought we were done with the Efiya chapter but here we are, and I’m scared to see what role she’ll play in the final instalment of the series. I guess this is the case of bringing back an old villain that can work out really well…  I trusted Rena with the messy Arrah/Daho/Rudjek love triangle, so I trust her with this too 
The Ugly:  
→ Tyrek 
Geena: Remember how I said Rudjek is the only valid snarky prince… Yea, Tyrek can CHOKE!! In KOS he sides with Efiya and she wreaks havoc in the Kingdom, and in Reaper he’s brought to his knees. Rudjek’s dad wants to execute him for his crimes, but Arrah sympathizes with him because she knows how Efiya’s mind control worked. As you read, you get a sense of “Okay, maybe he isn’t bad, he’s helping Arrah and them” but then you get to the climax and you’re like okay nvm this boy was insane… Imagine travelling to a whole other dimension and making deals with demons, because you’re in a fucked up sort of romance with a half-demon girl. He managed to lie to Arrah that he was being controlled by Efiyah, when he was really with Efiya the whole way…. Even when she told him to murder his whole family… this man was vile!! He’s also one of our first fake outs, when he pretends to be the demon king I was kinda disappointed… I was like no this ruins the messy love triangle I’ve been waiting for! But it was just a fake out, Tyrek was just trying to scare Arrah into freeing Efiya, whose soul was in the demon dagger that Arrah used to kill her in KOS. Overall, 1/10 for this man… the 1 point is for when he figured out “Sukkar” had a crush on Arrah before Arrah even knew.  
Conclusion 
Kae: So, I don't have much to add to Tyrek’s snake ass. He really was ugly in the end. I’m glad he’s dead. 
But to conclude, this was such an amazing, refreshing read. Reaper of Souls was a wonderful sequel to Kingdom of Souls. Rena writes so beautifully and she didn’t hesitate to have us readers shaking in our boots. Getting more background information on Dimma, the Gods, and their old ass war, was really fun and insightful! IT added to the story in a way I hadn’t even thought about until I was consuming it all! 
Arrah and Rudjek are perfect angels and I can’t wait to see where book three leads them. I also want to give a shout out to Essnai and Majka for being such good friends to Arrah and Rudjek. Same to Kira and the Cravens. This is a really close knit group of friends who will go to the ends of the Earth (and literally new dimensions) for each other. THAT’S LOVE, BITCH. And we LOVE to see it. 
Geena: For real! Rena Barron set up such an amazing cast of characters, and she really emphasizes the power of friendship in her series and it’s one of my favourite things to read. With Reaper, from the very start, she sets up the story in such a way you’re literally screaming by the end… I think it requires a special kind of skill to be able to set up a story so well that while you do make predictions about what’s going to happen, it still shocks you when you realize you’re right. Cannot wait to see the absolute mess that will be the final book, with Rudjek/Arrah vs. Daho… and the drama it will bring now that the Orishas realize that Arrah is Dimma’s reincarnation.  
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themattress · 6 years
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My Top 50 OUAT Episodes
And now, as a final goodbye to OUAT, I give you this list of my personal picks for the 50 best episodes in the series, listed in order of airing. Two-hour broadcasts are counted as one here.
1. Pilot - 1x01. One of the best TV pilots of recent years due to how quickly it grabs you and emotionally invests you in its magical atmosphere and the plight of its central characters. 
2. The Thing You Love Most - 1x02. Best watched immediately after the pilot, as it deals with the same story but from the dark and twisted perspective of its villain, the Evil Queen.
3. Snow Falls - 1x03. Snow and Charming are, well, charming in their first adventure together and the start of their romance, as is sweet Mary Margaret in the present day.
4. That Still Small Voice - 1x05. Jiminy Cricket of all characters gets a surprisingly dark and emotional backstory that resonates with him in the extremely intense present-day scenario.
5. The Heart is a Lonely Hunter - 1x07. Jamie Dornan gives an incredible performance as the tormented Sheriff Graham / Huntsman, all the way to the episode’s tragic conclusion.
6. Desperate Souls - 1x08. We get our first true insight into the backstory of the enigmatic Rumpelstiltskin, and Emma becomes sheriff, making this a truly pivotal episode for the show.
7. Skin Deep - 1x12. A truly subversive, twisted take on the Beauty and the Beast story, with some unexpected layers added to Rumple’s character and Robert Carlyle’s performance. 
8. Red-Handed - 1x15. Little Red Riding Hood IS the Big Bad Wolf. That is awesome.
9. Hat Trick - 1x17. One of the most terrifying, surreal episodes in the entire series, with the great Sebastian Stan knocking it out of the park as the deranged Mad Hatter, Jefferson.
10. The Return - 1x19. We learn why the curse was cast in a devastatingly emotional story that adds more to the characters of Rumple and August as the season enters its final stretch.
11. The Stranger - 1x20. August’s true identity is one of the best reveals in the whole series.
12. An Apple Red As Blood - 1x21. Part 1 of the season finale, as Regina in both the past and present gears up to finish off her nemesis, with the episode ending on a huge shocker.
13. A Land Without Magic - 1x22. Part 2 of the season finale, the best finale the show ever had, and quite possibly my all-time favorite episode. Almost everything about this episode is perfect and gives you the feeling of a story coming to its end as the threads come together.
14. Broken - 2x01. A solid season opener that sets the show on an exciting new course.
15. Lady of the Lake - 2x03. Things really pick up as Team Princess is formed, Cora is established as the new Big Bad, and we get some beautiful moments between Snow and Emma that make it all the more shameful that the show utterly ruins this dynamic later on.
16. The Doctor - 2x05. Dr. Whale is Victor Frankenstein. Did NOT see that coming!
17. Tallahassee - 2x06. The first adventure that “Captain Swan” (Emma and Hook) partake in together, while at the same time we finally learn about Emma’s sad past with her ex-lover.
18. Queen of Hearts - 2x09. A thrilling conclusion to the first arc of Season 2, where we finally learn Cora’s motivations and get an epic fight between the heroes and the villains.
19. Manhattan - 2x14. This episode is a real turning point, with Emma’s ex-lover being revealed as Rumple’s long-lost son, along with several new insights into Rumple’s past. 
20. The Queen Is Dead - 2x15. One of the show’s most emotional episodes, in no small part thanks to Bailee Madison’s truly amazing performance as young Snow in the flashback.
21. The Miller's Daughter - 2x16. We learn about Cora’s fascinating backstory and the true nature of her relationship with Rumple. But then she dies, and the season totally falls apart.
22. Second Star To The Right - 2x21. Finally it feels like shit is getting done, and the concept of a terrifying re-imagining of Peter Pan in the flashback is immediately captivating.
23. And Straight On 'Til Morning - 2x22. The mess Season 2 became gets cleaned up in this gripping finale, with a brilliant new story set-up laid out to be followed in Season 3.
24. The Heart Of The Truest Believer - 3x01. OUAT is truly back at the top of its game here, juggling four different plot threads perfectly and introducing its greatest villain, Peter Pan.
25. Lost Girl - 3x02. The flashback here is meh, but the present day stuff is nigh-perfect.
26. Quite a Common Fairy - 3x03. For the first time, Regina’s potential redemption feels good and genuine, and Rose McIver’s re-imagining of Tinker Bell is a delight from the start.
27. Good Form - 3x05. Hook’s backstory is amazing, and Captain Swan truly begins here.
28. Ariel - 3x06. JoAnna Garcia Swisher makes a truly perfect live-action rendition of Ariel, and the interactions between all the characters in Neverland take a truly engaging turn.
29. Dark Hollow - 3x07. Belle and Ariel, on a mission from Rumpelstiltskin, team up to fight John and Michael Darling who serve the villainous Peter Pan. Only on this show, people!
30. Think Lovely Thoughts - 3x08. The “Nevengers” truly show how far they’ve come working as a group here, and we get one of the show’s most shocking and twisted reveals.
31. Going Home - 3x11. The perfect series finale that isn’t a series finale, with the action increasingly slowing down so that you can fully appreciate the emotions. I’ve said it before and I’ll say it again: if the show had ended right here, I’d have been completely satisfied. 
32. Witch Hunt - 3x13. Just plain fun and funny, with great dialogue and great character interactions that really get you re-adjusted to these characters and to life in Storybrooke.
33. The Jolly Roger - 3x17. Quite possibly the quintessential Hook episode, showing just what kind of a person he was and how he desperately wants to be a better man now.
34. Snow Drifts / There's No Place Like Home - 3x21 / 22. After the incredible letdown that was the climax of the Wicked arc, we get this two-part finale that really embodies the magic OUAT had and never quite will again, with Emma’s character arc coming to a fitting end.
35. The Apprentice - 4x04. “The Dark One lies. The Dark One tricks”. This episode does a perfect job at re-establishing Rumple as a true villain and a schemer to be reckoned with.
36. The Snow Queen - 4x07. Quite possibly the most heartbreaking villain backstory the show has ever had, plus riveting scenes between Elizabeth Mitchell and Jennifer Morrison.
37. Smash the Mirror - 4x08. It’s overlong and the Regina and Robin subplot is complete bullshit, but everything else in both the past and present is golden. The 4A arc peaked here.
38. Shattered Sight - 4x10. The boffo comedy in this episode is cringe-inducing, but all of the serious, emotional stuff centered around the Snow Queen and her family gets me every time.
39. Poor Unfortunate Soul - 4x15. Ursula’s backstory is kind of iffy, but the effect it has on Hook and his development here is really good, as are the villains and August’s return.
40. Sympathy for the De Vil - 4x18. “Evil isn’t born, it’s made”...except in this case, where it is 100% born and takes us on a twisted tale that could pass for a good Twilight Zone episode.
41. The Broken Kingdom - 5x04. The twist of the glorious kingdom of Camelot being a kingdom literally built on sand, and its monarch a disturbed megalomaniac, is a great one. Plus, Snow and Charming actually get do something heroic after a long period of inactivity! 
42. Nimue - 5x07. The actors portraying Merlin and Nimue really sell the doomed epic romance between the two, as we get the most far-back flashback in the show’s entire run.
43. Labor of Love - 5x13. This episode can be summed up as “The Nevengers are back.” That alone counters the disappointment of how blandly Hercules and Megara are portrayed.
44. The Brothers Jones - 5x15. A touching tale of brotherhood, good intentions gone wrong, self-loathing and forgiveness, plus giving Hook closure with his big brother. I just love it.
45. Firebird - 5x20. The flashback is utter tripe, but the escalation in the present-day story, the performances, and Captain Swan’s True Love test makes this episode well worth it.
46. Last Rites - 5x21. Aside from that moment with Robin, this episode is awesome, especially the Underworld scenes with the duo I never knew I wanted: Hook and Arthur.
47. The Other Shoe - 6x03. This episode embodies what the show SHOULD have become: a more light-hearted series with adventures-of-the-day starring Emma, Hook and Henry. 
48. A Wondrous Place - 6x15. Hook sails on Captain Nemo’s sub, the Nautilus, alongside Aladdin and Jasmine, meeting up with Ariel and facing down Jafar. Only on this show, people!
49. The Song in Your Heart - 6x20. Because really, who doesn’t love a Musical Episode? This one centering around Emma and her marriage to Hook makes it all the more special.
50. The Final Battle - 6x21 / 22. It’s got a LOT of problems, but the ending it reaches is truly one that fits the show, and we would have been better off if ABC hadn’t renewed it afterward.
HONORABLE MENTIONS:
The Price of Gold - 1x04. Rumpelstiltskin’s first showcase episode, and he’s terrifying in it.
Dreamy - 1x14. Screw the haters, I really liked this episode! It was hilarious and sweet.
The Crocodile - 2x04. Our introduction to Killian Jones / Captain Hook. It’s a good one, and I’d have liked it better had Rumple’s role in both the past and present not been so disturbing.
Save Henry - 3x09. A tad anti-climactic and the Regina focus was misaimed, but still good.
New York City Serenade - 3x12. A damn fine start to a new beginning for the show.
Rocky Road - 4x03. Elsa and the Snow Queen are both fantastic characters, both shown well here. It’s held back by the introduction of Will Scarlet, who ended up being a waste.
Darkness on the Edge of Town - 4x12. This episode gives us the visual of villains on a road trip stopping at a drive-thru. You just gotta love that! Also, the Chernabog was awesome.
Operation Mongoose - 4x21 / 22. Despite Isaac’s (and by extension, A&E’s) terrible writing, the weird situations and performances from the actors makes this an entertaining finale.
Siege Perilous - 5x03. A good old-fashioned Camelot adventure is just what I wanted. 
The Bear King - 5x09. Again, screw the haters. The show needed more episodes like this, a standalone where the plot takes a pause and the side characters are allowed to develop.
Broken Heart - 5x10. The present-day plot is absolute crap, but the flashback in Camelot is really well executed, and Colin O’Donoghue is clearly having a blast playing Dark Hook.
Souls of the Departed - 5x12. Not ideal for the 100th episode, but a good start to the Underworld arc, with a lot of familiar faces returning and a great new villain introduced. 
Devil's Due - 5x14. Despite her fate in this episode, it’s great to see the writers presenting Milah more sympathetically than she was before, and Hades continues to be a delight.
Our Decay - 5x16. The first episode where Zelena feels truly human instead of the cartoonish psychopath she was before, with her and Hades’ romance being legit touching.
Sisters - 5x19. While I don’t much care for the subplot with Prince James, the main plot featuring the reconciliation between Cora, Regina and Zelena is great and beautifully acted.
Strange Case - 6x04. Oh, Mr. Hyde, you left us way too soon. The episode is sadly weighed down by Rumple’s textbook abuse toward Belle, which we now know is never truly punished. 
Dark Waters - 6x06. A good bonding episode between Hook and Henry, plus a great new character from the Land of Untold Stories who is actually faithful to his source material!
Heartless - 6x07. For once, Lana Parilla actually gives us an old-school Evil Queen performance, where she’s scary and truly malevolent rather than campy and over-the-top.
Mother's Little Helper - 6x16. I really like the Dark Realm, and wish that more was done with it. The reunion between long-time rivals Hook and Blackbeard is also a lot of fun.
The Black Fairy - 6x19. The retcon that Rumple was born a Savior is ridiculous, but the titular Black Fairy’s backstory actually makes her an interesting character for the first time.
A Pirate's Life - 7x02. It was nice to see Emma again, and even better to see that the Hook in this arc is actually Wish!Hook rather than the original, who is still living happily with Emma.
The Girl in the Tower - 7x14. Robin and Alice are beyond precious as a couple in both the past and the present, finally washing away the bad taste left behind by “Ruby Slippers”.
The Guardian - 7x18. It may have been late in coming, but Rumple / Weaver actually becomes interesting here as we get to explore his relationship with his newfound friends.
Homecoming - 7x21. It’s good to see several old characters again, and even better to see all the loose threads from that abominable Season 6 Wish Realm two-parter finally addressed. 
Leaving Storybrooke - 7x22. Except for Rumple’s end, most of what happens following Snow and Charming’s appearance is utter shit. But.....at least the show is finally over!
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blakegallo · 6 years
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so i just saw infinity war... actually by the time i get to post this i’ll have seen it hours ago. still. spoilers and everything else under the cut, so you were warned.
IDRIS ELBA IS THE FIRST ONE TO DIE. BITCH WHAT THE FUCK, THE THOR MOVIES DID JACK SHIT WITH HIM AND HIS LAST ACTION WAS TO SAVE SOME RANDOM AS FUCK WHITE DUDE??? NOT EVEN THOR. OKAY. NOT TO MENTION OF COURSE THE FIRST GUY TO DIE IS THE BLACK GUY.
loki dying doesn’t bother me, partially brace loki is a god so like i feel if marvel ever wanted to bring him back they could.
so that leaves gamora as the only other real death of the movie. and she was fridged for thanos and his development. real cute marvel, so far no one has called them out on it and i now that it’s had a us release everyone better. also i feel the mcu failed ti ever depict gamora as the deadliest woman in the galaxy, and i refuse to believe that gamora wouldn’t carry a suicide pill with her. like, she was a mercenary type lady before she never thought that she might have to kill herself before she asked peter quill? she had to know he wouldn’t have the balls. 
as for everyone pulling that voldemort fade to paper bullshit, um... definitely would have preferred a skrull reveal because none of those characters are gone. if only because sony wouldn’t get rid of tom holland when they are going all in with their spideyverse. unless the rumors of them selling off their entertainment assets are true... in the meantime tho I STAN ONE MOTHERFUCKING QUEEN OF WAKANDA SHURI. tho avengers 4 already wrapped filming they have plenty of time to add more of her into the film after the success of black panther because really most of the wakandian set pieces were shown in the trailer. but also not a single original avenger pulled a voldemort and that sucks. tho when okoye said it would be the noblest death before all of that shit happened i almost cried.
as for the movie this really is more about thanos than the avengers. they talk a lot of shit about this being 10 years in the making, but really use this film to establish thanos and his backstory. there was also a sequence at the beginning of the film with wong and dr. strange explaining each of the fucking stones because the films have done such a half ass job of doing that up until now. i also thought that thanos’ motivation being population control was like an adaptation of dan brown’s inferno with a superhero twist. his comic motivation in infinity gauntlet was just to impress the mistress of death, and it’s equally weak but it could have meant more hela, i dunno. i wasn’t feeling his population control situation. 
as for my other thoughts can we talk about how doctor strange and iron man are the same person? for a film willing to get meta about chris pratt’s less perfectly sculpted body but not that steven and tony are the same person... okay...
wanda maximoff is the fucking GOAT and of the two romances that had to kill their partner she was the real one. i know feige has said that captain marvel/carol danvers is the most powerful avenger but wanda sat there and destroyed something that has been around since the beginning of the universe. like bitch. guess it helps that her powers stem from the stones but still. 
low key this is the same plot as suicide squad and is told in the same choppy and half assed wag and while i enjoyed that movie it was called out for all it’s problems. so i can’t wait to see the same thing happen here. i’d also like to take this moment to remind everyone that that movie won an oscar.
i also think that sidelining antman and hawkeye here was sorta trash, not that the movie needed more characters it didn’t know what to do with. i’d hope that since scott lang’s house arrest was mentioned and antman and the wasp comes out between now and avengers 4 that the fact the events in both movies happen concurrently is explained in the advertising? i mean you would still think that if hope and hank were breaking scott out while thanos was attacking that would be more important than getting janet van dyne out of the microverse? but i dunno.
as for the end credit scene, honestly wasn’t here for it. when it was announced that captain marvel would be taking place in the 90s a lot of people assumed that meant that at the end of the film she would enter some kind of suspended animated state and now that we know she’s available to be paged i’m really going to need to know where she’s been. especially if she’s as powerful as feige says.
but also that means that in this current era of superhero movies where female superheroes lead their own movies [ sorry wasp ] both have been introduced in a time that isn’t the present. i get that carol gets her powers from the kree and the kree don’t age, but like we’ve seen the kree a couple times in the mcu and carol’s existence hasn’t really been teased. so captain marvel and avengers 4 better give a good explanation.
i won’t waste my time saying you shouldn’t see this movie. at the same time tho this movie is just okay and for all the hype it didn’t meet it. it relied in “ten years in the making” and not solid storytelling. if any other studio put this out then we’d already be talking about how it has a 39 on rotten tomatoes.
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