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#key switch
chellychuu · 5 months
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ID: Dv34ebRXV8
Pink/black themed showroom!
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crunchchute · 5 months
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an assortment
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etourvol · 7 months
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long time no see
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touchlikethesun · 1 month
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kuroo's an asshole and gets people riled up on purpose for funsies, but he's also genuinely a very caring guy and tries his best to help and encourage people.
tsukki's an asshole, and if he doesn't like you he will laugh as you run off a cliff. if he does like you, he'll laugh at you for being thick, but he'll stop you before you can truly hurt yourself. (bonus secret soft side can be unlocked, but watch out)
oikawa is an asshole, but only because he's keeping up an act to protect himself - and to make others laugh. when the act drops, he's shockingly serious and sincere no trace of assholerey to be found.
kags isn't an asshole at all, he's just incredibly straightforward, and people constantly mistake his bluntness as him being a dick on purpose.
most people get fooled by suga's outward appearance and think he's a nice guy just so sweet, but that's just because they aren't paying attention. make no mistake his asshole streak runs dangerously strong.
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the-punforgiven · 2 months
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I am the sweatiest tryhard in the fucking world in Warframe but not in the actual gameplay or the combat or whatever I just spend hours on end sitting around in my orbiter like
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if-loki-was-a-fox · 1 month
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I love the variety of Minecraft keybinds and set-ups stuff I'm learning about today after Mumbo's recent video — people should put their Minecraft quirks in my notes so I can see more :3
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p-a-stelblood · 2 months
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🎀×Jirai Kei Switch×🎀
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nilonne · 5 days
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Cinemacon 2024
Introducing the trailer of Les Mélodies de la ville
beginning | previous - next
Here you can find the billboard/posters of the movie that I have since forever lol (use nilonne or tkoh to find them)
download : sfs | patreon
Framed posters have two versions (one with coming soon, one without), also if you use it don't put it behind paywall yadda yadda
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javelinbk · 10 months
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Me when people talk about growing old as if you suddenly become a completely different Old Person
Paul McCartney in conversation with Stanley Tucci, 29th June 2023
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caligvlasaqvarivm · 14 days
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Not to be uhhhh annoying, but Karkat's theme and Eridan's theme from Alterniabound at the very least have to do with each other.
Both of them start off with a melody, but switch it up at around 0:06 seconds. Then once again another switch at 0:52 (almost perfectly in sync).
At around 1:06, Eridan's theme goes slow and sad, and on the other end? Sounds of tediousness(TM). Barking, Super Mario ghost oooohing that sounds like rolling your eyes, and vaguely digital soundbites.
And THEN, at around 1:23, Karkat's waltz resumes, and Eridan's theme also becomes a waltz (more or less at 1.25x Karkat's speed).
Karkat's music ends at 1:57, WOULDN'T YOU KNOW IT Eridan's theme kicks up. And then a "Hey!" is heard at 2:03/2:04, a couple of seconds after Karkat's theme actually ends. Quite literally: "Karkat pay attention to me. Hey. Karkat. Karkat. Karkat." lmao.
And guess which theme also loosely follows this pattern? Terezi's. A canonical crush of Karkat's (A lot more out of sync, though). Kanaya's theme doesn't, however. Much less Vriska's, or any other theme in Alterniabound's album.
Of course all of these songs follow a pattern, and they're made for the same [S] Pages. Karkat and Eridan's, though? Almost completely in sync.
I dunno, maybe I'm trying to fit triangles into square holes, but it seemed worth mentioning. I genuinely tried listening to both at the same time in two different tabs but I couldn't get much out of it.
(This is nosyDetective btw, I just can't send asks from this blog bc it's not my main 😔)
Unfortunately, the similarities seem pretty superficial - eridan's theme is mostly in 4/4 (2/2 technically because its a march) and karkat's is in 3/4 the whole time - but still, here's the two 3/4 parts mashed together for your listening pleasure, hahah.
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nohoney · 8 months
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thinking ab c&c!touya marrying reader… oh sweetness it’s so hearteyes and then pumping a kid in her oh I could die! This touya brainrot will melt my heart. Sweetness… he’s just too hot 😭 and pretty and hot and handsome and hot 😔
imagine that touya and reader have actually been engaged for a good while, they just kept it between each other until they were ready to announce it (o˘◡˘o)
on the down low, touya just wanted to elope but you insisted on a small ceremony. you wanted the experience of buying the wedding dress, looking at venues, just overall planning your special day. and of course if that’s what you want then it’s what you get. his side of the family actually covers most of wedding costs and they’re happy, mostly because they thought touya would be the kind to be with someone long term but not actually marry. they only assumed that because you and him were really dismissive whenever anyone asked you about getting married.
truthfully you and him just thought it was no one’s business to know what you and him were planning.
everyone also assumed that you didn’t want kids either. wrong. it was also just a discussion kept private. you and him just kinda retreated for a hot minute from hanging out with friends, which wasn’t unusual, and then you just showed up with a lil baby bump to a hang out and casually announced “yeah we’re pregnant, those months you didn’t see us? we were trying.”
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jacksprostate · 3 months
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Before Project Mayhem, before fight club, before Marla, before Tyler — there is still one sad sack of shit.
.
.
The hard part about work trips isn't making the plane or seeing another family of five burnt into their leather seats. It's missing support groups.
See, if you're lucky, the company will send you out to a major city. Cities are great. A little advanced work to find a slightly below average church or library, you're set each night you're there.
It's a bit of novelty, getting to be a new face all at once. People assume you've just been diagnosed. It's never the failed treatments, the degradation of their life and everyone in it, the continuous experience of knowingly dying — none of those things are the worst thing that happens to you.
It's finding out they will.
So people cry. They crowd around, I sob like I've been told I've got stage four colon cancer and three weeks to live. We all cry. I sleep soundly on the plane back or in the nice, four star hotel my company provides me.
Flying out to a small town, though. I'll be awake enough to be hallucinating by the time I get back for Remaining Men Together. The only mercy is that the next time I show for all the groups I missed, I can see who thought I died. I get to be resurrected.
The other part about small towns, you have to take a second, shitter plane to a local airfield, or you have to take a rental car. One of the most popular rental cars available right now, it'll light itself on fire if you use the cruise control at the wrong time. I know this because I sat next to another guy with my job, who worked for a different company, and he said I'll show you mine if you show me yours. So I told him about the faulty airbags, and he told me about the overheating switch.
I prefer to avoid driving.
All the rental place at the airport has left for me, it's one of those flaming cars. I use cruise control. If I don't, one of my narcoleptic spells will send me into the Jersey barrier.
When you drive into these small towns, you have to try to pay attention, or you'll end up a county over talking about the wrong wreck. They're otherwise interchangeable, but the miles on your rental car won't line up and those are the type of records that might get pulled out when the company is finally sued for the big one ten years down the line.
As a result, I see the same decor on the way in every time. Meth lab. Abandoned homes. Garbage fire. Classic Americana. There is no four star hotel here; I sleep the same.
The only reason I've been brought out here is because the poor shithead who drove his truck into the ditch drunk was driving my company's flagship vehicle. It loses power steering if the car jostles the right way going above 55 miles per hour. I've been told to keep track of potential incidents and make sure the company can firmly claim it's not at fault.
We've had this problem for decades, and we will for many more. Sometimes, everything is falling apart.
The job is simple, and I only get tempted by the town's blatant opioid addiction for a day and night. Painkillers would probably make me sleep. The thing about being a recall campaign organizer, though, is like recognizes like. It's not only other Compliance and Liability guys who tell you company secrets while sharing the aisle in business class.
When I'm finally back in my own town, after my own support groups, after crying my eyes out into Bob's meaty middle — I pick up my mail. There's the newest IKEA magazine. Half of it looks like shit. The type of thing you'd only see in some curated art deco, modernist, post-modern traditionalist bohemian minimalist apartment.
I have to have it.
I go to sleep, hard, like God himself tucked me in. I sleep with my wallet net four hundred heavier, because even an IKEA spree tends not to outweigh a work trip. I sleep, with my called in IKEA goods only two short weeks away, my job well done, and I know, my life is complete.
#fight club#my writing#KEY INFO: this is Before Tyler#bit experimental as a result. how to peel away some of the narratorisms but have him still be the narrator? how to make him complacent#like a wisconsin dairy cow but still have undertones of extreme conscious and subconscious distress?#all car faults mentioned are real#ford had an overheating cruise control switch#and some other overheating fire switches#and jeep. i know because i knew a guy with a jeep — they randomly lose pwoer steering sometimes#horrific and scary and potentially deadly in any car — but jeeps have this known and bizzarely widely accepted flaw called the death wobble#which refers to the oscillations that rapidly feed on each other if the car is slightly out of tune#and can result in tearing the steering wheel from your hands#until you slow down#for some reason that's just accepted.#theres a lot of jeep propaganda#anyway you combine those two#you get the picture#i dont doubt theres been incidents even if there hasnt been major recalls lol#i hope this one comes across well... it's always strange to explore an almost hypothetical version of a character. the narrator where Tyler#is just a growing little menace in his head....#I think what made this one fun for me though is the narrator would still be pretty openly bleak I think but the SUBCONSCIOUS stuff.#especially all the stuff I implied at the end. very fun to write#and it was also just fun to lay down the like.... seeds. of things#this is before Tyler in the sense that it's before he was well cooked. Before they met. Etc. Pretty early into the support groups. But yk#he is sleeping.
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I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.
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YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 
And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.
"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)
Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.
I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.
Tim + watching / Dick + being watched / different dynamics
Tim's origin story
Being watched goes with vulnerability/exposure
Incomplete list of moments with Dick and Tim and vision
Tim + watching
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The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)
Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.
And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.
Dick + being watched
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Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)
Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.
At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.
Possible dynamics
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Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face
"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?
You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!
One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").
And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.
When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.
And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.
Tim's origin story
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Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)
I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.
Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.
And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.
... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.
But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.
So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.
Being watched goes with vulnerability/exposure
So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!
Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:
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Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!
Here's Robin 49 - clambering through a tunnel into No Man's Land:
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Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -
Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:
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Dick: Gotcha! Tim: Augh!
I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?
Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:
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Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)
Or here in Nightwing 6, when Tim wakes him up from a nightmare:
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Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!
Or here in Gotham Knights 26, when Bruce is accused of murder:
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(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?
Here's Tim spotting him before he can get away in Nightwing 110:
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Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.
Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:
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Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.
(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)
Incomplete summary of moments with Dick and Tim and vision
I think I already mentioned a lot of these but here is my LIST
almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;
Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;
in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";
there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;
in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;
there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;
Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;
there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;
in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;
in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!
(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)
In conclusion
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Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!
In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.
And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah
Anyway I think they're neat <3
#ask tag#hi anon this is SO old i'm so sorry sdfsfs#if you're still here hi!! <333#this was such a validating ask to get because as you can probably tell i think about the vision thing constantly#also this is SO long oh man. sorry i just started typing and it went on and on sdfdsf#dick grayson#tim drake#dick & tim#it's like. it's just endlessly fascinating to me because the paparazzi/photography stuff is one of dick's biggest triggers#and tim's introduced as a surreptitious amateur photographer#so there's no WAY they will ever get along#but then there's the Meaningful Photo from before the show#that low-key shows that tim's freaky obsessiveness comes from a place of genuine caring & this moment of real connection#so you have early days!dick kinda vibrating back and forth between 'I DON'T WANT HIM MAKE HIM GO AWAY'#vs. those moments when he IS getting attached to tim kinda against his will sdfsdf#and just. the dichotomy between paying attention as a form of love vs. being watched as a kind of violation and exposure#and that both are kinda the same thing?? and dick deeply craves the first and deeply hates the second#tim shows up being all I REMEMBER and what he remembers is exactly what dick was demanding bruce remember in b416#but /also/ he remembers /everything/ 'i remember it all' he remembers the graysons dying in incredibly painful detail#and like. kid!tim is very tactless & has only two switches of 'TELL HIM NOTHING' and 'if forced to speak then overshare'#but the tactlessness is a fixable problem and the remembering is /not/#it's not like it's any better for tim to keep his mouth shut & dick to just be painfully /aware/ that he's thinking abt the graysons dying#bc ofc /tim/ remembering forces /dick/ to remember#but!! but also. you know. maybe that remembering /isn't/ entirely a bad thing#and dick's feelings about it can change over time#anyway tim's not the only person that dick has this kind of conflict with - wally & roy sometimes chase him down when he's withdrawing too#and he often doesn't really appreciate it from them either#and dick's not the only person who gets subjected to tim's particular brand of intrusive caring#conner's not thrilled about the dna thing & ives would be within his rights to resent the stalking even though he doesn't#but i am obviously personally most fond of the ways this plays out with dick & tim
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its-leethee · 1 month
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any thoughts on the keys from finnegrin?
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I love how they represent tdp's recurring threes, keys, and children's games motifs in "Bait and Switch."
The alliteration and the meter of "Squid, sails, and a hammerhead's tail" evoke a children's nursery rhyme. Ezran recites this rhyme to solve the "riddle" of the locked door to Finnegrin's office, while playing a trick on Finnegrin and stealing his secret treasure from him.
Plus these keys just look heckin' cool.
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mii-terra-opia · 8 months
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New Miitopia Master Post with NEW CODE that should ideally work.
Updates -All PPG options completely revamped to look more accurate to the style -Kotodama Diary Characters Added -Ms. Lavee, Pumpkin, and Smiley Added
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salami-dono · 21 days
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Megan's Room ~Creepy Ambience~
"A Place for Dreamy Thrills"
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