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demifiendrsa · 11 months

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Weekly Shonen Jump 55th anniversary appendix in Weekly Shonen Jump 2023 issue #33

1968 Weekly Shonen Jump Issue #1 Otoko Ippiki Gaki-Daisho by Hiroshi Motomiya 1969 Dr. Toilet by Kazuyoshi Torii 1970 The Gutsy Frog by Yasumi Yoshizawa 1971 Tezuka Manga Award 1st Edition Samurai Giants by Ikki Kajiwara & Ko Inoue Boy of the Wilderness Isamu by Soji Yamakawa & Noboru Kawasaki 1972 Astro Kyudan by Shiro Tōzaki & Norihiro Nakajima 1973 Play Ball by Akio Chiba Hochonin Ajihei by Jiro Gyu & Jo Big 1974 Akatsuka Manga Award 1st Edition 1975 The Circuit Wolf by Satoshi Ikezawa Doberman Deka by Buronson & Shinji Hiramatsu 1976 Toudai Icchokusen by Yoshinori Kobayashi Kochikame by Osamu Akimoto 1977 Ring ni Kakero by Masami Kurumada Susume!! Pirates by Hisashi Eguchi 1978 Cobra by Buichi Terasawa 1979 Kinnikuman by Yudetamago 1980 Dr. Slump by Akira Toriyama 1981 Captain Tsubasa by Yoichi Takahashi Cat's Eye by Tsukasa Hojo Stop!! Hibari-kun! by Hisashi Eguchi 1982 High School! Kimengumi by Motoei Shinzawa 1983 Fist of the North Star by Buronson & Tetsuo Hara Ginga -Nagareboshi Gin- by Yoshihiro Takahashi 1984 DRAGON BALL by Akira Toriyama 1985 City Hunter by Tsukasa Hojo Miraculous Tonchinkan by Koichi Endo Sakigake!! Otokojuku by Akira Miyashita 1986 Saint Seiya by Masami Kurumada 1987 JoJo's Bizarre Adventure by Hirohiko Araki The Burning Wild Man by Tadashi Sato 1988 Bastard!! by Kazushi Hagiwara Jungle King Tar-chan by Masaya Tokuhiro Rokudenashi BLUES by Masanori Morita Magical Taluluto by Tatsuya Egawa 1989 Weekly Shonen Jump reaches 5.000.000 copies in circulation Dragon Quest: The Great Adventure of Dai by Riku Sanjo & Koji Inada Video Girl Ai by Masakazu Katsura 1990 SLAM DUNK by Takehiko Inoue Chinyuki by Man Gataro Yu Yu Hakusho by Yoshihiro Togashi 1992 Hareluya II Boy by Haruto Umezawa 1993 Tottemo! Luckyman by Hiroshi Gamo Hell Teacher Nube by Makura Sho & Takeshi Okano 1994 Midori no Makibao by Tsunomaru Rurouni Kenshin by Nobuhiro Watsuki 1995 Weekly Shonen Jump reaches 6.530.000 copies in circulation Sexy Commando Gaiden: Sugoi yo!! Masaru-san by Kyosuke Usuta 1996 Hoshin Engi by Ryu Fujisaki Yu-Gi-Oh! by Kazuki Takahashi Kochikame 20th Anniversary & Chapter 1000 1997 I's by Masakazu Katsura Seikimatsu Leader den Takeshi! by Mitsutoshi Shimabukuro ONE PIECE by Eiichiro Oda 1998 Rookies by Masanori Morita Whistle! by Daisuke Higuchi HUNTERXHUNTER by Yoshihiro Togashi 1999 Hikaru no Go by Yumi Hotta & Takeshi Obata The Prince of Tennis by Takeshi Konomi NARUTO by Masashi Kishimoto 2000 JoJo's Bizarre Adventure: Stone Ocean by Hirohiko Araki BLACK CAT by Kentaro Yabuki 2001 Bobobobo Bobobo by Yoshio Sawai BLEACH by Tite Kubo 2002 Strawberry 100% by Mizuki Kawashita Eyeshield 21 by Riichiro Inagaki & Yusuke Murata 2004 Death Note by Tsugumi Ohba & Takeshi Obata Gintama by Hideaki Sorachi Katekyo Hitman Reborn! by Akira Amano D.Gray-man by Katsura Hoshino Muhyo & Roji's Bureau of Supernatural Investigation by Yoshiyuki Nishi 2005 Neuro: Supernatural Detective by Yusei Matsui 2006 To Love Ru by Saki Hasemi & Kentaro Yabuki 2007 Sket Dance by Kenta Shinohara 2008 Nura: Rise of the Yokai Clan by Hiroshi Shiibashi Toriko by Mitsutoshi Shimabukuro Bakuman. by Tsugumi Ohba & Takeshi Obata 2009 Kuroko's Basketball by Tadatoshi Fujimaki Beelzebub by Ryuhei Tamura Medaka Box by Nisio Isin & Akira Akatsuki 2010 ONE PIECE New World Begins 2011 Nisekoi by Naoshi Komi 2012 Haikyu!! by Haruichi Furudate The Disastrous Life of Saiki K. by Shuichi Aso Assassination Classroom by Yusei Matsui Food Wars: Shokugeki no Soma by Yuto Tsukuda & Shun Saeki 2013 World Trigger by Daisuke Ashihara Isobe Isobee Monogatari by Ryo Nakama 2014 Hinomaru Zumo by Kawada My Hero Academia by Kohei Horikoshi 2015 Black Clover by Yuki Tabata 2016 Yuuna and the Haunted Hot Springs by Tadahiro Miura Kimetsu no Yaiba by Koyoharu Gotouge BORUTO by Mikio Ikemoto & Ukyo Kodachi The Promised Neverland by Kaiu Shirai & Posuka Demizu Kochikame 40th Anniversary and Serialization End 2017 We Never Learn by Taishi Tsutsui Dr. STONE by Riichiro Inagaki & Boichi 2018 Jujutsu Kaisen by Akutami Gege

2019 Chainsaw Man by Tatsuki Fujimoto Mission: Yozakura Family by Hitsuji Gondaira 2020 Undead Unluck by Yoshifumi Tozuka MASHLE by Hajime Komoto Ayakashi Triangle by Kentaro Yabuki Me & Roboco by Shuhei Miyazaki BURN THE WITCH by Tite Kubo SAKAMOTO DAYS by Yuto Suzuki 2021 The Elusive Samurai by Yusei Matsui WITCH WATCH by Kenta Shinohara Blue Box by Kouji Miura 2022 Akane Banashi by Yuki Suenaga & Takamasa Moue

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precuredaily · 1 month

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Once again the calendar has reached the lovely day of April 4 (three weeks ago)! That means it is (was) the birthday of my favorite Precure, Yukishiro Honoka! 20 years after her series she would be about 34 years old today, if she were real.

It's no great secret that the formula for the original series was taking two girls from opposite walks of life and teaming them up, to represent the strength of friendship. Honoka's charm was her intelligence and pursuit of science, while remaining kind and fairly humble despite her wealthy background. Without Nagisa's influence she probably wouldn't be taking many risks, and without Honoka's influence, Nagisa would probably be dead. Well, neither of them would be Precure so probably not, but both would definitely be worse off.

I haven't actually watched Otona Precure yet, but it is my understanding that Black and White appear at the very end of the last episode, looking the same as ever. I'm not clear if they have any dialog. The Kamikta Twins (the most consistently quality part of this fandom) released a piece of artwork that included aged up designs for Nagisa and Honoka. I have to assume they're official and Toei-sanctioned.

Last year, I said I hoped for an Otona-style sequel to FWPC. The middling to negative reception of the series has me second guessing that. But the art is nice.

As always, enjoy the gallery and congratulations to Honoka, and of course thanks to everyone involved in creating and bringing her to life: Character designer Iganami Akira, series director Nishio Daisuke, series composition/head writer Kawasaki Ryo, voice actress Yukana, and more.

Art credits (in order):

Kamikita Twins https://twitter.com/kamikitafutago/status/1729634086849855800

Camille☆ https://www.pixiv.net/en/artworks/117523421

Rakugaki Shitagari-ya https://www.pixiv.net/en/artworks/117523771

Uzukun https://www.pixiv.net/en/artworks/117530711

Mishima https://www.pixiv.net/en/artworks/117532584

Xiao Mo https://www.pixiv.net/en/artworks/117532942

Myarikuru https://www.pixiv.net/en/artworks/117532942

Yumikosky https://www.pixiv.net/en/artworks/117543640

Luna Rune https://www.pixiv.net/en/artworks/117547004

🌈 honagino 🌈 https://www.pixiv.net/en/artworks/117543627

Touka https://www.pixiv.net/en/artworks/117551553

kobo https://www.pixiv.net/en/artworks/117551713

paretto https://www.pixiv.net/en/artworks/117552049

doragodorago https://www.pixiv.net/en/artworks/117553638

GiulliaGT Art https://www.pixiv.net/en/artworks/117557408

Naaga https://www.pixiv.net/en/artworks/117620871

Nanakusa Gaiyu https://www.pixiv.net/en/artworks/117641037

Toyarinomu https://www.pixiv.net/en/artworks/117532148

Matsu-chan https://www.pixiv.net/en/artworks/117586520

Funari https://twitter.com/Funakounasoul/status/1775661044196610501

Mece Pokeee https://twitter.com/mece_pokeee/status/1775724041355325674

Funari https://twitter.com/Funakounasoul/status/1775754583672844323

lilac❁୭* https://www.pixiv.net/en/artworks/117549533

BLOODOCTOPUS https://twitter.com/kihari561208/status/1775921798179385603

Bonus comics:

Kato Kyoka https://www.pixiv.net/en/artworks/117525210

TL: p1 N: Happy birthday Honoka! H: Thank you Nagisa! N: Isn't it nice, you're older than me. It's not fair… H: Come on, that's not really something to be jealous of, is it? H: But when I think about it

p2 H: If I'd been born 3 days earlier, I'd be a grade higher than you. N: That's true… it's really close… N: *stare* N: Thank goodness we're in the same grade! Thank you! *squeeze* H: Eh, um, y…. y-y-y-y-you're welcome…?

And this one I didn't have time to translate:

Links to previous birthday posts: 2019 2020 2021 2022 2023

#Precure #Pretty Cure #Futari wa Precure #Futari wa Precure Max Heart #Yukishiro Honoka #Cure White #Honoka Yukishiro #Happy Birthday Honoka #Precure Birthdays

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the-monkey-ruler · 2 months

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Shinzo (2000) 爆裂战士マシュランボー

Director: Tetsuo Imasa / Kenji Nakamura / Haruo Kosaka / Toshiaki Komura / Miyo Sasaki / Mitsuo Hashimoto / Tomoharu Arata Edited by: Izumi Higashido / Makoto Kanjima / Kenichi Kaneka / Hiroyuki Kawasaki / Yukito Nonaka / Kenichi Yamada / Yōmichi Shirai Starring: Minami Takayama / Yuko Minakuchi / Yasuhiko Kawazu / Naosuke Tatsuta / Atsushi Kashiwagi / Kyoko Yamada / Ai Maeda / Tsuyoshi Hisakawa / Atsushi Kashiichi / Tomoe Sato / Junko Shimakata / Michitaka Kobayashi / Hideyuki Hori / Kenji Utsumi / Takashi Nakao / Mami Koyama / Toshio Furukawa / Keiko Han / Hiroo Egawa / Takeshi Aono / Banjo Ginga / Takashi Koda / Koji Fukusaku / Kazuko Sugiyama / Takumi Yamazaki / Horinoku / Nobutake Tatsuya / Tomohisa Aso / Norio Tsukui / Ienaka Hiroshi / Chie Seguchi / Hitoshi Domon / Akira Tahara / Kazuya Ichijo / Masaya Takatsuki / Masaharu Sato / Mitsuo Iwata / Keiko Yamamoto / Kunihiko Yasui / Hikaru Midorikawa / Mami Kanazuki / Hisaya Suganuma / Chigusa Ikeda / Hiromi Konno / Daisuke Nari / Yuko Nagashima / Nobuo Satouchi / Daifumi Tanaka / Naosuki Imamura / Takayuki Inoue / Akiki Chatan / Munehiro Ehoku / Rie Aoki / Yo Murakami / Tsuyoshi Nishi / Tsuyoshi Toshita / Higashi Genre: Animation Official website: www.toei-anim.co.jp/tv/mashura/ Country/Region of Production: Japan Language: Japanese Date: 2000-02-05 (Japan) Number of epsiode: 32 Also known as: Mushrambo IMDb: tt0293741 Type: Reimanging

Summary:

In the distant past, the Guardian of the Milky Way galaxy named Lanancuras began to harbor a desire for more power. Because of his connection to the galaxy, he was able to absorb parts of planets and add them to his strength. As a result, he began invading the worlds he was assigned to protect. In the wake of his destruction, a following of creatures from across the galaxy pledged allegiance to Lanancuras and became known as the Kadrians. Taking notice of his ever-growing power and followers, the other Celestial Guardians confronted him; however, he had become too powerful, and they were defeated. Unable to subdue Lanancuras, the Celestial Guardians each gave up a part of their power and combined it into a single new Guardian, Mushra. In a final desperate attempt, they used Mushra's core by transforming it into a powerful card with which to seal Lanancuras in a prison. The prison was created from the remains of planets that had suffered under Lanancuras' tyranny. Because planets are themselves large beings, their combined strength (along with the power of the card) was able to restrain him. Thus Lanancuras was successfully sealed in a large meteorite.

The meteorite was sent off into the galaxy to be sealed forever. Meanwhile, the way Lanancuras had increased his strength had consequences on the planets of the Milky Way On Earth, around the 22nd century, it was in the shape of a virus that merged with human DNA and destroyed the humans that way. In order to eliminate the virus, scientists worked on combining human DNA with the DNA of animals and other creatures immune to the effects. They succeeded and created a sentient race known as Enterrans (a race of engineered Earthlings) which are based on humans, insects, reptiles, birds, sea creatures, wild beasts, and phantom beasts. Eventually, a cure was found and the human race survived.

However, due to Lanancuras' influence, the Enterrans fought their human creators as well as the robots that worked with the humans, driving the human race to a near extinction state. Luckily, a scientist named Dr. Daigo Tatsuro placed his 4-year-old daughter Yakumo in a sleep chamber in hopes that she would save the human race and find the human sanctuary Shinzo and bring peace back to Earth which was then renamed to Enterra. When the meteor that Lanancuras was imprisoned in struck Earth during the earlier parts of the Human-Enterran War, its fragment had struck an infant Yakumo giving her abilities that she would later discover.

Source: https://en.wikipedia.org/wiki/Shinzo

Link: https://kissanime.com.ru/Anime/Shinzo-Sub/

#Shinzo #爆裂战士 #マシュランボー #Mushrambo #jttw media #jttw television #television #animation #reimaging #reimagining #alternative universe #sun wukong #zhu bajie #sha wujing #tang sanzang #xiao bailong ma

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teknomagic · 11 months

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Ha ocurrido otra vez

Me he picado con una cosa y el resultado es un post largo.

Veréis, alguien en Mastodon se quejaba de que su profesor de animación desprecia el anime. Que dices, pero vamos a ver criatura, ¿cómo puede alguien que se dedica profesionalmente a la animación, aunque sea a la parte de docencia, o incluso precisamente porque se dedican a la docencia, ningunear la producción de un país que literalmente ha cambiado el medio en los últimos treinta años? ¿Estamos tontos o qué?

Total, que un comentario de dos líneas escasas en una red social sobre un hecho relativamente común a la par que molesto me ha motivado lo suficiente como para juntar una lista rápida de, básicamente, la filmografía que pondría yo en clase si mi vida hubiese tomado otro rumbo y me hubiese especializado en animación durante la carrera en vez de salir corriendo en segundo la primera semana por una serie de razones*.

Sigo por aquí abajo, la lista tiene videos de ejemplo y hay spoilers, claro:

Esta lista está hecha específicamente para que estudiantes de animación puedan imprimirla, enrollar los folios y darle en la cabeza con ellos a ese profesor que dice que el anime es una mierda. Si además queréis ver las obras considero personalmente que son una flipada todas, especialmente desde el punto de vista técnico.

No he puesto los títulos más obvios porque para decirle a alguien que vea Akira y Cowboy Bebop o que se mire los otros trabajos de sus respectivos directores no hace falta que os haga una lista.

El gato con botas (Kimio Yabuki - Toei, 1969)

Kimio Yabuki dirige una de las películas icónicas de Toei, cuyo logotipo aún incluye al personaje del gato con botas. Vale la pena verla aunque fuese solo por el referente cultural.

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Belladonna of sadness (Eiichi Yamamoto - Mushi Production, 1973)

este largo de animación adulta experimental sobre sexo, violencia y pactos con el diablo se ha convertido en una película de culto. Me parece muy interesante especialmente a nivel técnico (la animación es limitadísima y está llena de metáforas visuales y demás), aunque os prevengo de que os vais a encontrar los 70 como si os los tirasen con una manguera de alta presión a la cara.

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El castillo de Cagliostro (Hayao Miyazaki Tokyo Movie Shinsa, 1979)

Con la película de Lupin de Miyazaki tacho dos casillas al mismo tiempo; Miyazaki dirige una película de la popularísima franquicia de Lupin III y una de las más recordadas (aunque a nivel personal recomiendo mucho también La conspiración del clan Fuma).

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Take the train X (Rintaro – Madhouse,1987)

una fábula moderna dirigida y escrita por Rintaro. Normalmente cuando se habla de este director se nombran otros títulos, pero en este OVA como que se le ve más suelto que cuando ha trabajado en franquicias ajenas. Si Belladonna es los 70, Take the train X es los 90 nivel catálogo vintage de Esprit.

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Crusher Joe: The OVAs y Crusher Joe: The movie (Toshifumi Takizawa - Studio Nue, 1989 / Yoshizaku Yasuhiko - Studio Nue, 1983)

la película la recomiendo principalmente por el estilo gráfico y concretamente porque me flipa como hicieron las explosiones; además pienso que Crusher Joe influenció bastante en estética y temas a Cowboy Bebop (que no está en la lista porque considero que no hace falta, cómo va a estar nadie metido en animación sin conocer Cowboy Bebop).

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Record of Lodoss War ( Hirotsugu Kawasaki/Akinori Nagaoka - Madhouse, 1990)

la primera serie de OVAs de la lista y es por una razón: para que veáis el mérito que tiene mover los diseños de personaje de Nobuteru Yuuki. Luego aparte es una obra importante por varias razones, como su impacto en la fantasía épica y la comunidad de juegos de rol tanto en su país de origen como luego en occidente por ejemplo.

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Utena la chica revolucionaria: Apocalipsis adolescente (Be Papas - J.C. Staff, 1999)

la serie por sí misma ya entraría en la lista solo por la enorme influencia que ha tenido en la animación occidental reciente, pero es que además la película es técnicamente estupenda (la serie está bien pero tuvo menos presupuesto y se nota bastante, una pena).

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Ghost in the shell 2: Innocence (Mamoru Oshii – Production I.G. 2004)

lo normal cuando se nombra a Oshii en entornos en los que ya se sabe algo de animación es recomendar Angel’s egg o Urusei Yatsura 2: Beautiful Dreamer, pero aquí voy a ser una básica porque el Oshii de GitS: Innocence es el más reconocible (ved las otras dos si tenéis oportunidad también).

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BUENO ESTE POST VA A TENER SEGUNDA PARTE NO SABÍA LO DE LA LIMITACIÓN DE URL POR PUBLICACIÓN

*las razones son que el profesor del segundo curso lo empezó con un ejercicio práctico obligatorio increíblemente machista y racista y me piré de la clase.

#post en español #anime #animación #Youtube

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fighting-these-demons · 1 month

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Hey so about the Shizutan Tragic Biker AU and the one sided Yukieiko:

⬆️ This is one of the cases Yukina is working with Keiko.

Is it really ethically sourced? Informants whisper no. 👎

The Bayside Butcher from 20 years previous is at it again; but who could have known there was a demon connection to the serial murders from 20 years ago?

And what does Mr. Kuwabara know about this case?

In case it was lost in the the previous posts: Post-canon has entailed Shizuru, Kazuma, Hiei, and Touya training Yukina in combat.

She's also taken some training in stealth and enforcement from Mr. Kuwabara, Kurama, Botan, and Koenma.

She's working alongside Botan on less dangerous cases that are centered in Ningenkai involving lower level demons (for now - she's Hiei's twin don't tell me she couldn't be just as strong if she wanted to be). Keiko and Shizuru will team up with Yukina on occasion. The frequency that Keiko teams up has been steadily increasing since she finished college and started working with her parents.

She and Keiko often use their soft and innocent looks to their advantage to catch marks off guard before delivering an assbeating they won't forget.

Her bike is a black Kawasaki Ninja ZX-11 that Shizuru helped her to customize. It's got decals in mint, purple, and white decals. Very 90s.

I will make a separate post about motorcycles and I am changing my mind slightly I think. Anyway

I have an idea of how to rope the Shounan Bakusouzoku crew into this via the cold case and ties to Mr. Kuwabara. Namely that it's one of Mr. Momoyama's cold cases and that Mr. Kuwabara, Yoshishige, and Mako were all involved in.

But also in present day Kakuji has been snatched and the boys are following leads to find him with Yoshishige and Mako's help which of course leads them to Mr. Kuwabara, Koenma, and extended Team Urameshi.

Yusuke, Yousuke, Kazuma, Akira, and the rest of the Shounan Bakusouzoku boys are getting along famously almost instantly.

I want to edit this more or add more but I'm posting it now lol.

#headcanons and impressions #Shizutan Tragic Biker AU #crossover au #yyh #shounan bakusouzoku

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prfm-multiverse · 9 months

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New work for Perfume! Please enjoy this trick as often as you like. We are looking forward to working with you from January onwards!

Moon MV Crew

Director : TAKCOM（CONNECTION） Assistant Director：倉光哲司 Tetsushi Kuramitsu Cinematographer：田嶌誠 Makoto Tajima (館岡事務所) 1st Assistant Cameraman：尾崎圭市 Keiichi Ozaki 2nd Assistant Cameraman：森田曜 Akira Morita 3rd Assistant Cameraman：宮崎新大 Arata Miyazaki

Key Grip：大江史也 Fumiya Oe,石井努 Tsutomu Ishii,岡田雅成 Masanari Okada,室山聖 Kiyoshi Muroyama

DIT：タキユウスケ Yusuke Taki(Kotetsu Inc.)

Lighting Director：前川賀世子 Kayoko Maekawa Lighting Chief Assistant：井上真宏 Masahiro Inoue Lighting Assistant：大谷力 Chikara Otani,工藤こずえ Kozue Kudo,樋口学 Satoru Higuchi,福田和宏 Kazuhiro Fukuda,藤井裕介 Yusuke Fujii,新田泰之 Yasuyuki Nitta,山崎達也 Tatsuya Yamazaki Production Designer：三ツ泉貴幸 Takayuki Mitsuizumi（STARBOY）

Transportaion：牧尾智史 Satoshi Makio Studio：角川大映スタジオ Studio Coordinator：山田隆久 Takashisa Yamada

Choreographer : MIKIKO (ELEVENPLAY) Choreography Assistant : SAYA, SHOKO, MAI (ELEVENPLAY)

Stylist：タケダトシオ Toshio Takeda（MILD inc.） Stylist Assistant：岡崎くるみ Kurumi Okazaki,藤田和哉 Kazuya Fujita Dressmaker：内藤智恵 Chie Naito,斎藤利保 Riho Saito Make-up : 大須賀昌子 Masako Osuga Hair : 福間友香 Tomoka Fukuma (VANITES)

Offline Editor : 前田径成 Michinari Maeda（CONNECTION） Colorist：芳賀修 Osamu Haga（Artone Film）

CG Production：Citro CG Director：竹山寛史 Hiroshi Takeyama,平川侑樹 Yuki Hirakawa

Post-Production：Khaki Compositor：水野正毅 Masaki Mizuzo,川崎琴美 Kotomi Kawasaki,藤田智子 Tomoko Fujita Roto & paint : Taupe / Roudiez / Elephants Gate

Producer：松竹奈央 Nao Matsutake Production Manager：南水朋子 Tomko Nansui Production Assistant：橋本和佳奈 Wakana Hashimoto,足立芳洋 Yoshihiro Adachi,川久保開 Kai Kawakubo,日尾野穂乃香 Honoka Hibino,伊堂寺夏鈴 Karin Idouji,加賀美椋 Ryo Kagami Production : P.I.C.S.

#2023 #TAKCOM #instagram #moon #mv #prfm #perfume #a-chan #kashiyuka #nocchi

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hirocimacruiser · 1 year

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Bee*R Lancer GSR Evolution article.

Tetsuya Kawasaki's

Popular series No. 34

Let's go with Pachigiri!!

Photo Akira Hosaka

Bee⭑R

Lancer GSR Evolution

290 horsepower specification

Defeat the Skyline GT-R, and the Lancer Evo announced by Mitsubishi aiming to conquer the WRC. Bee-Racing, which is familiar in this magazine, has already made a 290-horsepower specification by working on the suspension and CP. Now, can BeeR Lancer Evo's ability surpass R!?

Great possibility of GT-R killer!!

Bee☆R has already light-tuned the Lancer GSR Evolution, a 4WD machine boasting high power in a lightweight body and an amazing power-to-weight ratio.

The engine is normal, but each part is balanced, the turbine is processed and installed for VR-4 even though it is the same type of TD05 and the muffler is also processed and installed for VR-4.

The fuel tuning was set with the original ROM tune, which I am good at, and I marked 12.5 seconds in the 0-400m that I attacked the other day. When I took a quick look during the test drive, I noticed that there were about 4 ROMs on the side seats, so they were doing a replacement test.

When I measured Zeroyon, the boost was 1.0kg/cm, so if I boosted it a little more, it would be easy to break into the 11-second range, and the GT-R might even be on the line. However, since this car was made for rallying, the crossed gear ratios made it so busy that even a zeroyon would go into 5th gear!

Considering this shift, winding etc.

may be more advantageous.

The suspension is a Bee☆R original suspension kit with image brake pads, which is nice. The vehicle height is kept low, and cornering is good. I heard that the Lancer has a lot of understeer due to the 4WD, but it was barely noticeable. Ride comfort is not rugged and roll is suppressed.

As the car is light, the footwork is good, so it is more fun to ride than the GTR.

Changed the mission & differential that was shaken to the medium and low speed side

Well, if you raise the power a little more, it's true

I think it will be an interesting car. Car charm is value

The most fun is when you get on, not on the steps!!

I will be driving Bee☆R's Zeroyon again this year, so I'm looking forward to seeing a lot of tuned times. Also, I'll do my best to go this far, so thank you!!!!

PIC CAPTIONS first page.

△ 0-400m in 12 seconds in the Yatabe test

The aero mirrors, which are popular in N1 races, add a styling accent.

<Muffler is HKS for VR-4 and installed. 60→75→ 90→100Φ

▲ Tires are matched with DL Performer 8000 205/50R15 suspension kit for significantly improved handling.

SECOND PAGE Text and picc

power builder

Bee Racing

4-4 Shiratoridai, Yokohama City, Kanagawa Prefecture 250456985)1136 ANC 10:00-20:00

Shop profile

have to have fun

It's not a tune, I'll do my best

Bee☆R, which has become a familiar name in HA, has completely changed its model after moving to Yokohama. The factory is spacious and well-organized, making tuning and maintenance possible at any time.

The computer's original ROM setting has been well-received for a long time, but the range of compatible models has been expanded, and now it covers many machines such as Toyota, Mazda, and Mitsubishi in addition to Nissan vehicles.

As for the undercarriage, they have a lot of know-how and will surely give you a satisfactory setting. President Imai himself is a racer who participated in the freshman race at Fuji Speedway, so I can trust his data.

Bee☆R's motto is to make fun cars and enjoy driving them!! That's why we never look at cars that don't interest us or customers who don't get along!! Secondly, I want to say that I will take care of every car I work on.

Rather than doing anything as long as you have the money, you can say that he has the spirit of a craftsman who thoroughly does what he likes.

It sounds like a grumpy store when you write it like this, but when you actually go there, all the staff are friendly and the atmosphere is really bright!!!! If you explain it properly, I'm sure it will live up to your expectations!!!

Let's go with Tetsuya Kawasaki!!

score sheet

engine power 8

styling 8.5

handling 8.5

stopping power 9

Cost performance 9

BeeR Lancer Evolution change point

Toba Rewan

Piston/crank balancing Turbine TD05H-VR4 machining BR Blow off valve BR-SYNTOIL Racing 40 BR-ROM (Evolution 1 spec) HKS-M40 plug Machining for HKS-VR (60Ø outlet 100 stainless steel)

Undercarriage

BR suspension Kit-PRO (F14kg-R12kg) Image brake pad (prototype) Tire Dunlop Performer 8000 205/50R16 Wheel BRS Mio 7J-16

others

Original cutting seat line BR35p sports steering Recaro seat 2 Simpson 4 point full harness HKS boost gauge Omori oil pressure gauge charge mirror

*Cost about 1.5 million yen

PIC CAPTIONS (Not already on separated pics)

▲Lancer Evo's distinctive high-height large wing. I'm proud of my sticker

From the outside, the vehicle height has been slightly lowered and the cutting lines have been added, but this is cool.

_________________________________________

A gift that will always be taken care of. This month we have 5 BeeR original windbreakers. 10 BeeR emblems. Thank you, President Imai. If you are interested, please write your address, name, age, and a few comments on a government-issued postcard. Deadline is January 25th

Presentation of the month

________________________________________

▲President Imai participates in the roadster race, holding the steering wheel himself. Real experience + theory tuner

________________________________________

▲The shop is crammed full of original parts and goods.

The factory is neatly organized and you can see N1 machines and drag machines. Machines are reborn here

#Lanevo #Evo Lancer #Lancer GSR #Bee*R #Bee*R lancer #JDM

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thenewfuture · 9 months

Note

Fun fact about DR2, the person who co wrote it with Kodaka was Akira Kawasaki, the same person who wrote Persona 4 Golden. It’s why DR2 was much better written than most other installments.

Huh. Well there’s another connection to DR2 and P4. The crossover vibes are immaculate.

-Mod

#asks #anonymous #the new future #mod freeze

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thekimonogallery · 2 years

Photo

NTT DoCoMo Kawasaki Building If you walk along Sakura-dori from the east exit of Kawasaki Station, you will come across a spectacular high tower that stands out from the surrounding scenery.

The three structures composed of these blue-blue rectangular parallelepipeds are practical facilities for communication, but you can also feel the landmark elements with rich design, and you cannot help admiring the design concept. .. Text and photography by Akira TAKAUE | アキラ・タカウエ @Akira_TAKAUE

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nuo2x2 · 2 years

Photo

Anata no Warehouse (Kawasaki Warehouse) circa 2018 Taken by nuo2x2 with Premier BF66 + Fujicolor 100

oof sorry, again, crazy IRL works... nonetheless, gotta finish this series!

one of my best memories when moving to Kanagawa back then, was this stunning gesen or arcade center... more like mini theme park even... pretty famous during that period on socials like Instagram and the likes, where they have gory scary yet beautifully themed interior, more like jumpin into post apocalyptic or even Akira’s world type of interior, and it’s totally free.. many tourists visit this place for sure...

personally, I really love this arcade because of their game collection, mostly a bit older, a bit more retro than what we have in regular arcades in Japan, think of 2000s ish type or arcade... and reason Im keep coming, they got music arcades from that period, like Guitar Freaks and Drum Mania V3, dayum.. only place where I can experience that game in Kanagawa

yet that snap might be my last photo of the building, since not long after, in November 2019 they closed down.. even before the pandemic..

sigh... RIP Kawasaki warehouse.. was really a gem, such lost...

Gesen (5/7)

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may8chan · 11 months

Photo

Kinbaku Naka Akira Model Kawasaki Rie

#Naka Akira #Kawasaki Rie

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mayumikarasawa · 2 years

Photo

I keep fiddling around with the surname.

There is this Japanese Film Director who is well known in the sixties through the eighties. His films are ground-breaking and revolutionary. He started a movement. His name is Akira. Akira Kurosawa. Something like that. However, I prefer Kirosawa.

Akira Kurosawa made a film where there’s both a Kurosawa and a Kirosawa. And you have to figure out which is the correct one. Something to do with his name. I choose Kirosawa.

~Mayumi Kirosawa

Credit: Art by Audrey Kawasaki

#art #japan #films #names

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byneddiedingo · 2 years

Photo

Kinuyo Tanaka in Phoenix (Keisuke Kinoshita, 1947) Cast: Kinuyo Tanaka, Keiji Sada, Isamu Kosugi, Toyo Takahashi, Akira Yamanouchi, Tamotsu Kawasaki, Eiko Takamatsu. Screenplay: Keisuke Kinoshita, Yoshiro Kawazu. Cinematography: Hiroshi Kusuda. Production design: Motoji Kojima. Film editing: Yoshi Sugihara. Music: Chuji Kinoshita. Keisuke Kinoshita's Phoenix probably had much more resonance for the Japanese audiences who saw it in 1947 than it does for us today, when it can easily be dismissed as a tearjerking love story. For those first audiences, the heroine, Sayoko, a war widow with a three-year-old child, could easily be seen as emblematic of the hopes of the Japanese people -- hence the film's title. We see much of Sayoko's story in flashback: her first encounter with Shinichi, the man with whom she falls in love; her rejection by his stern, conservative father; her own family's attempt to force her into an arranged marriage that would cement a business deal with a weapons manufacturer; her lonely life with her brother, who is dying of tuberculosis; the capitulation of Shinichi's father, who agrees to let them be married during Shinichi's brief furlough before he returns to the war in which he's killed. After all this, Sayoko lives with her late husband's family, essentially as a factotum, tasked with keeping the large Yasaka family on point and occasionally getting scolded by her father-in-law. But she tells her brother-in-law that she's happy, pinning her hopes on her small child and on her plans one day to open a shop as a seamstress. Kinoshita is often a shameless sentimentalist, but here he has first-rate actors, Kinuyo Tanaka and Keiji Sada, as the ill-fated couple. They have real chemistry together, even though Tanaka was 16 years older than Sada.

#Phoenix #Keisuke Kinoshita #Kinuyo Tanaka

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llxlxlxlxll · 1 month

Text

#21 Akira KAJI / 加地亮選手 (GAMBA OSAKA)

J.League official trading cards

[ TEME EDITION 2009 ]

Authentic Autographed Card