I’ve talked about this before but imagine what it’s like for someone in a country/place where eliot is Top Most Wanted and then your tech guy finds a breakout star baseball player on their visual scanner that looks EXACTLY like spencer. but…there’s no way that’s him, right???
and then the next year it happens again but this time it’s some one hit wonder country singer kenneth crane that has like 78 tween-run fangirl blogs dedicated to him. you see a grainy video of him being chased by a horde of screaming teenage girls and ??? no way Eliot Last Thing You’ll Ever See Spencer is a country singer star just. signing pictures of his face right…?
a few months later your intern shows you footage of an eliot lookalike who is in san lorenzo talking about how there is dog fighting in the presidential palace and you just. sigh. because of course. a scant few days later the political geography of the country changes drastically and damien moreau is imprisoned. …interesting
and then a year of silence goes by. he still shows up as blips on the radar but he must have a good hacker working for him because his tracks on the internet are expertly erased.
every time you ask through interagency channels some random interpol guy talks in (condescending?) riddles at you and it also somehow feels like he’s threatening you
and then your friend who recently got into foreign hockey teams sends you a dropyourgloves video of someone called jacques the bear. you immediately get a headache (and watch some more videos because even you can admit this guy is a good hockey player)
and you know he’s a Bad Guy but it’s been admittedly a bit entertaining seeing what claim to fame he will come upon next. and his most recent actions over the few years make you wonder.
a few months later your phone pings because multiple heads of state evacuated from DC. the reason? eliot spencer was in town. you hear two days later a bioterrorist was taken down by… the report was redacted. your hacker tells you spencer and two teammates were behind the successful operation. which, huh.
not even a full year later it is released that spencer is dead and… you don’t know how to feel.
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cursed modern human garashir au where ds9 is an old ruined resort that was built by some evil rich motherfuckers years ago and was recently seized back by the native people whose land and economy it had destroyed. it's since been converted into an affordable apartment complex sort of situation (just... with a pool, bar, restaraunts, spa and tennis court built into it lol) and is run by sisko and kira. since it is rundown, odo gets hired back on to keep kids from further vandalizing it and o'brien's team gets hired on from the nonprofit organization sisko works for to fix the place up best he can. dukat is the old overseer of the property who drops by sometimes to remind them he and his hospitality business still exist, and my, what a fine job they’ve done renovating the place! it’s actually nice again. sure would be a shame if someone bought the property out from under them (lmao jk kardasi hospitality and starfleet are friends! no hard feelings. they should collaborate on some future projects, actually).
garak's a sad bitch who just lost his amazing morally dubious nepotism career at obsidian corp. (which absorbed kardasi hospitality) and moved into the complex just for the comfortingly familiar architecture. even tho he's not on the payroll for his (secret) dad's evil exploitative company anymore he's still vital to its continued efficiency and is an absolute sucker who still does unpaid shady work for them from time to time. so no one in the complex likes him, but also he's a very pleasant and fastidious queer man who pays his rent on time and has completely taken over the laundry room, to the benefit of everyone, because all the machines actually work now, it's always tidy, and there's a variety of forever-stocked detergents and soaps available, plus an iron?? there was not an iron before garak moved in. which is how it eventually becomes public knowledge that garak has an online tailoring and fashion design business, and he's actually pretty good at restoring clothes that get fucked by the washing machine or eaten by rats, soooo. yeah. they let him stick around.
meanwhile julian's a hot doctor who works at the local hospital and is absolutely buried in student debt that he refuses to let his moderately-wealthy family help him with because they're awful people who had him on illegal drugs without his knowledge since he was a little kid. they were afraid he had something wrong with him, apparently. he was too far behind in his class or w/e. they couldn't handle having a kid with special needs, so they pumped him full of dangerous experimental stimulants. only reason he found out is because he snuck off somewhere to start transitioning and had some tests done that revealed all the crazy shit in his system. he's insanely lucky he didn't end up in the hospital with seizures or fall into a coma or worse. not to mention his parents still dead-name him left and right over a decade later. it's a whole mess and a huge secret, because he technically has a history with illegal drug abuse, and it's a partially ongoing history because going cold turkey off drugs he's been on since he was six is Not A Good Idea, so??? fuck his life, actually. he lives in the apartment just down the hall from garak's.
garak hates the country his dad's company expanded into and would like nothing better than to move back home, but it's not really logistically possible. especially since everyone there hates him cuz his (secret) dad's company is a mega-corporation that's completely taken over everything p much and is a complete monopoly nightmare, and he did... kinda... work there for decades. no one would hire him if he went back. it would be an extreme conflict of interest, since everyone wants to stay on tain's good side, including garak. but starfleet is interested in him, so he does some begrudging contract work for them sometimes, but he really has no desire to join them. he just wants to resume his old career and reclaim his assets.
julian's hospital is owned by starfleet, tho. his scholarship into medical school was also from starfleet, in fact--they're the only reason he was able to (sort of) afford becoming a doctor at all. so he's a big fan, even tho they are pretty hardcore anti-drugs in a way that's made him have to forge medical records and risk serious legal charges and prison time. julian comes across as a squeaky clean medical professional and an adorable idiot, but he's intimately familiar with back-alley dealings. which is kind of how he ends up helping garak with his drug addiction, and keeps said addiction off the record.
but basically, how it begins is julian likes to support the local restaurants in the complex and garak finds him there and thinks he's gorgeous, and it proceeds as expected. they fuck nasty and become codependent. ten years later, julian lives in a modest house with garak in his home country and garak irons all his old university hoodies.
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Some thoughts on Asra's route...
Replaying Asra's route after having played Muriel's really hits different...
In one of the other routes Asra and Muriel appear to start a romantic relationship, and in Asra's route it's very clear that Muriel cares very deeply for Asra and dislikes the Apprentice. He mentions in one of the paid? dream scenes that he's worried about Asra and the Apprentice fading into their own world and leaving everyone else behind (again, apparently), and that he's determined to stop this from happening. His concern for Asra and initial hostility toward the Apprentice may be rooted in jealousy, not only because his oldest (and only) friend was more or less taken from him, but perhaps with romantic connotations as well.
In Book XI: Justice, Asra and Julian stage a mock trial by combat against Muriel. Though he apparently agreed to participate and is implied to have returned to the Coliseum of his own volition, presumably out of concern for Asra, who has been accused of being Julian's accomplice... he is still more or less backed into a corner and forced to play along with Asra and Julian's plan to stage a fight.
Now, to be fair to Asra, he states after everything goes wrong that it wasn't supposed to end this way, and it appeared that he was attempting to not only exonerate himself and Julian from their charges but somehow help Muriel overcome his past (he does disintegrate Muriel's chains during the fight no matter what choices you make). There was a point during this that I thought I could guess what Asra's plan was regarding Muriel's past, but being refreshed on how it actually pans out, I can't remember it now. Something about making the people of Vesuvia realize how barbaric the Coliseum was under Lucio.
The thing that stands out to me throughout this whole ordeal is that Asra knows about Muriel's trauma. He knows he was enslaved to Lucio and forced to fight and execute people in the Coliseum. He knows that Muriel is terrified of hurting other people, especially those he cares about. In Asra's route, the only person Muriel cares about is Asra, so hurting him is triggering for him. He literally is in a stupor after the board he was using as a weapon splinters off and hits Asra in the mouth, making him bleed. This is clearly meant to make the reader worried about Asra, but Muriel reacts as well, and appears hypnotized by the blood. I remember the first time I read this I thought he was going to have some crazy berserker-Hulk sort of reaction, but having read his route, it's way more tragic.
Though Muriel did seem to return to the Coliseum of his own volition, it does seem that Asra took this as a sign that he was coming to terms with his trauma. He was willing to exploit Muriel's care for him in order to save his own skin so he can be with the Apprentice. Though I recognize Asra's other toxic traits to some degree, I also have similar ones myself so they don't really stand out to me. This, however, where he more or less disregards Muriel's feelings on the matter, is actually really crushing. In Muriel's route, his whole thing is that he DOES NOT want to fight, he DOES NOT want to even spar with the Apprentice with blunt sticks out of fear of hurting them, so why would he willingly go along with this unless he was more or less in the same position Lucio put him in? Fight in the arena, or something bad will happen to Asra.
Asra knows this, and puts him through it regardless. During the whole fight, Julian's actions are written so as to make it seem like he's the one messing things up--he takes the "finishing blow" that Muriel was going to deal to Asra and gets knocked unconscious. Asra spends most of the entire time doing flashy, dramatic magic tricks that get the crowd cheering for him. After he "wins", he and the Apprentice are carried out of the Coliseum like heroes. Though Asra will try to soothe Muriel if the Apprentice so chooses right before the end, and he does look for Muriel in the crowd, he seems otherwise unbothered or unaware of the impact this may be having on his oldest friend. Which is pretty shitty.
Of course, Asra, Julian, and Muriel are all playing characters during their fight--Asra is the flashy magician, Julian is the rogueish BDSM dagger guy, and Muriel is the Scourge. Asra obviously can't show his concern even if he wanted to because he's supposed to be fighting Muriel. But putting his bro into this situation in the first place says a lot about his character. Though Julian is the one whose route is based around self-loathing because he believes he hurts everyone around him, Asra is the only one who gets what he wants out of this ordeal, and he even says so right before the chapter ends. Muriel was forced to relive his trauma and didn't get the resolution that was intended, and Julian gets KOed by a punch that literally sent him flying across the arena (though he probably enjoyed it tbh, he's a nasty little man like that lmao).
I wonder if this dynamic between Asra and Muriel was intentionally written this way in order to further amplify his tunnel vision when it comes to the Apprentice. Is this is how he acted in the past, causing Muriel to hate the Apprentice as he does and remark that he won't allow it to happen again? Maybe (probably) I'm reading too much into it, but as a survivor of abuse and trauma it rubs me the wrong way much more than Asra's obsessive, clingy nature. Of all of the reversed ends, Asra's is the one that actually scared me and kind of haunted me, because it hits a little too close to home.
These are all just thoughts that I wanted to spill out because I thought it was interesting and I wasn't sure if anyone else has talked about it before.
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I finally actually watched that Loki s1 bts clip where Owen quotes the first line of Two Gentlemen of Verona and. WHAT DO YOU MEAN he doesn't have any particular connection the play he 'just' took a Shakespeare class in college. He's so clearly trying to laugh it off like it's not very impressive but that's sure not working on me Owen, I can barely remember which classes I took let alone verbatim quotes from plays I'm not even that into WHAT
Everything about this ask, yes!!! 💕
Thank you anon because that's something I've been going on about for years ever since the s1 Assembled ep dropped lol, the fact that Tom just casually mentions Owen knows most of Hamlet BY HEART is wild but of course he shrugs it off as usual insisting it isn't true before dropping that line from Two Gentlemen of Verona verbatim?? Like okay tell me more about what you don't know then 😳
He has very possibly the most literary mind I've ever experienced and it actually drives me a little crazy that somehow isn't a more well known or acknowledged fact about him. After the first season of Loki ended I thought I'd just be going through his many films I hadn't gotten a chance to watch yet but instead got just as captivated with interviews where he was detailing his home libraries, referencing lines from even the most obscure novels or scenes at the drop of a hat and falling even more in love with how that's clearly shaped his sense of humor and delivery.
It's also why I wish he didn't laugh off the idea that he himself could've played Hamlet, which he likely did since as we've noticed he's quick to downplay his skills and talent, but also because that's how most of the general public would react if the same question was presented?? And he isn't especially comfortable on live stages so theater probably isn't a medium he's considered in any serious fashion but for me at least it's far more fascinating to see the take an actor more well known for comedy would give a dramatic role of any kind and I don't doubt he'd be incredible at any he set his mind to 🥰
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Finished FF16 a few days ago and I do have some (long) thoughts about it, so I'm noting them down below. Reactions include the Waloed & Origin arcs.
Tagging @zadien as you requested <3 My thoughts won't be organized but I'll try my best to articulate as I go. Wall of text alert!
I think this is yet another case of "the story didn't satisfy me a lot but the characters bewitched me body and soul" so here I am at the end of the roads... with a lot of grievances toward how the story was structured & written but also impossibly attached to the cast haha, needless to say I have fanart ideas planned and incoming.
Things that I enjoyed a lot:
CliveJill's scene with the snow daisies, where she tells Clive that she wants to spread her wings after all this is over. MY GIRLFRIEND... YOU SHALL HAVE THE WORLD.
Jill being so good with acting dkfjsl <3 <3 she's so cute....
Jill being as much of a ruthless mtfk as Clive, they're soooo in tune when it comes to wrecking havoc
Everything about Joshua he brings SO SO MUCH to the table both with his personalities and the themes he represents. I would ramble if not for fear of this post's length...
Dion's contradictory demeanor hahahahaha - he insisted everyone call him "Dion" but wouldn't shut up about "Ifrit" and "Phoenix", he also refused Harpocrates' gift but then gave another to Clive 2 seconds later, then sauntered off without even checking if Clive likes it or not...
I generally bemoan the lack of discussion on Dion's relationship with his country's imperialism and his hands in that (like, everything about him was perfect to address that topic even in very brief ways?), BUT I highly enjoyed Dion's theme about the loss of personhood and to be reduced to a vessel of power and worship, his multifaceted relationship with the concepts of power & duty & hierarchy. So subtly yet powerfully done with so little screen time... I think Clive's own engagement with the theme (which is supposed to be his central theme) comes short in comparison.
Dion's side quest with Harpocrates also scratched my brain in INCREDIBLY ways, but again I won't ramble too much in this post...
(Hahaha by this point I think everyone knows who my fav is)
Dion & Joshua's dialogues are all so well-written (maybe save for Joshua's last speech...)
Everything about Mid & Gav, they're beautifully done, I love them they have such solid places within the narrative and lovely personalities too. When I watched Mid navigating the Entreprise I was just squealing and cheering for her! Her talking about the dream of flight and the danger it might entail, and her plan of turning such a weighted topic into a lighthearted treasure hunt! My gosh 💗 Gav's drinking scene with Clive is also especially touching, I felt a lot for his burdens.
Lady Isabelle may I have your hand in marriage--
Clive holding Joshua or clutching his body...... breaks me every time I love love LOVE tragic siblings
I can honestly write an essay for each of the characters (especially Jill & Dion my thoughts about them are overflowing) but they will have to be separate posts at this point, let me know @zadien (or anyone else reading this 🫣) if you'd like me to talk some more.
NOW onto the criticisms proper...
Waloed & Origin arcs were pretty underwhelming, mostly because I feel like they haven't offered anything new that wasn't already resolved in the previous arcs...? I enjoyed Barnabas' vibe but his impact on me was a big fat 0, and here comes the conundrum because, well, I'm guessing him being emotionless & devoid of a personality is supposed to be the point with his worship of Ultima, but even that was not done well... All his bedroom scenes kinda ruined all of that, not to mention the out-of-nowhere 'mother' appearances that the story doesn't even bother to explore aside from showing her naked body (Benedikta got the same treatment after her death my god I'm so sorry my beloved)...
Idk what I'm supposed to take away from the character and, in consequence, the Waloed arc? I know nothing of who he was, his dialogues didn't even match Clive's growth at that point - again, why is Clive questioning his humanity NOW of all time, when the story has been going so well? Could they have, idk, shown Clive's fear coming back to him after reuniting with Joshua & discovering Dion's descend to madness, so that they can segue into the Waloed arc more smoothly - that despite Clive's best intention he may lose all his control at the most crucial point and ruin all that he holds dear (like Dion), and that he never let go of his guilt at Phoenix Gate, and having Joshua back unwittingly brought back the nightmares he'd lived with for 13 years? Maybe that would give his identity crisis at the beach some more substance instead of "Barnabas bested me twice and now I'm wet and sat" situation he got going on... I am thankful for Mid & Dion's arc & CliveJill romance & everything about Joshua but the main villain & plot points felt so distant... MY BRAIN WAS NOT SCRATCHED
(I adore Mid & Dion & Joshua hahaha they're so colorful in 3 entirely different directions, my silly children)
I am also not really convinced by Ultima's writing. The plot reveal of him being a God who created humanity but then abandoned us all *could* have been pretty powerful and on point if it wasn't executed in such fragmented ways. If only they dig deeper into one or two specific aspects of that concept to explore...
I am especially fond of the idea of Ultima as symbolic for "the absent parent" and "the narcissistic parent" (both in the intimate familial context and the wider context of head-of-state/leader figures), which could have paralleled SO WELL with Anabella & Sylvestre & EVEN ELWIN had they not cut off Anabella's presence immediately after her death, or had they make Dion reflect deeper upon his relationship with his father beyond "I killed him I am so sad", or had they make Joshua's and Clive's memories of Elwin more complicated - maybe in how they (especially Joshua) worshipped his as their father & leader, but less so as a man, someone human & flawed? And then they can explore how the children gaining autonomy & freedom despite their parents & the circumstances that shaped their childhood as a direct mirror to them breaking away from Ultima? The frustrating thing is, I THINK they did try to do that, what with all the Inner Voice snippets and the initial buildups and all, but the execution keeps coming up short...
Ultima & the Eikons as symbols of "power that binds & enthralls" in contradiction with Clive's fight for a "free world" could've been much more relevant and poignant if maybe they allowed us to get more invested in Ultima's backstory (flashback cutscenes perhaps? more involved murals? a more multifaceted discussion around the concept of will? some attempts at humanizing Ultima's race so that when Clive says "you're just like us" we feel it a bit deeper?) instead of just having the guy monotonously narrating all the plot twists... my god. Not to mention all the on-the-nose dialogues of power of friendship & crude slavery allegories... I don't know! I think Square did NOT do it well in this one.
That's all I can pull from the top of my head at the moment! Ready to hop into replies or asks to talk some more, but yea!
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