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k-wame · 1 month

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Jaime Lorente as Néstor & Joel Bosqued as Álex 📺MANO DE HIERRO (IRON REIGN) · S1·EP5 · Crime/Thriller

#GO SHORT KING GO! just remembering jaime wanting to fuck ander the most in the elite cast during their press tour #jaime lorente #iron reign #mano de hierro #netflixedit #queer #lgbt #joel bosqued #couple #kiss #affection #intimacy #desire #yearning #longing #beautiful men

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zanephillips · 1 month

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Jaime Lorente and Joel Bosqued Iron Reign 1.03 "Throne of Blood"

#jaime lorente #joel bosqued #iron reign #mano de hierro #tvedit #serie #men #menedit #lgbtedit #lgbt #gay kiss #gay #netflix #netflixedit #gifs #mine #*

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futilefangirl · 5 months

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#lcdpedit #la casa de papel #moneyheistedit #money heist #*#jaime lorente

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nostalgicninjas · 4 months

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Elite Dynamics: Christian Varela Exposíto & Nano García Domínguez

It’s the opportunity of a lifetime. Well what a shit life if I have to betray my brother to get it. That’s not life, it’s nothing.

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praying4time · 1 month

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Alvaro Morte and Jaime Lorente during the "Las Joyas the Macallan" event in Madrid 21.03.24

#alvaro morte #jaime lorente

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kevjrr · 1 year

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I was so confused about how they met at first but then I remembered they all acted in money heist

#why do I keep forgetting that fact #maria pedraza #neymar jr #jaime lorente #except for Marco ofc

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squiremaximus · 2 years

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JAIME LORENTE as Denver Money Heist — Part One, Episode Four

#money heist #la casa de papel #jaime lorente #moneyheistedit #tvedit #netflixedit #smallscreensource #tvarchive #filmtvcentral #tvcentric #useroptional #dailynetflix #.gif #q

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superb3achk1ds · 1 year

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#Jaime Lorente

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adamwatchesmovies · 11 months

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Tin & Tina (2023)

If you only ace one part of your movie, make it the ending. For the most part, I was enjoying Tin & Tina but it didn't seem like anything special. After the final act, my thoughts on it changed completely - for the better. Due to that period of uncertainty, I have to be slightly conservative with my rating, but this is a movie I’ll remember down the line.

Set during the early 1980s, in Spain, Lola (Milena Smit) and Adolfo (Jaime Lorente) have just said their marriage vows when they unexpectedly lose their unborn twins in a miscarriage. Hoping to make their family whole again, the couple adopt twins Tin (Carlos González Morollón) and Tina (Anastasia Russo) from a nearby religious convent. Lola soon becomes suspicious of the children, though Adolfo insists their odd behavior stems from innocence rather than malice.

When we meet the twins, they seem needlessly creepy. They’re either albino or extremely blonde, they’ve got weird haircuts and their smiles are too big. The children are extremely religious. They've never watched TV, they quote the Bible for fun, the idea of not saying grace before a meal mortifies them. It's offputting but you can understand where that behavior comes from since they were raised by nuns. They're introduced playing the organ with a skill far beyond their years (reminded me of “The Orphan”), which is another sure sign that these kids are baaad news. Despite their appearances and strange habbits, you can see why Lola wants to adopt them, however. As a child, she lost a leg. She was also a “weird” kid and she’s specifically looking to replace the twins she lost.

Soon after arriving to their new home, Tin and Tina's actions raises some serious red flags. Not necessarily the kind that exposes them as evil but they would make any sane parent go back to the orphanage and ask the sister in charge (sor Asunción, played by Teresa Rabal) if she ever noticed anything weird from them. Less patient parents would go to the police and tell them to investigate the orphanage. Whatever those nuns are teaching the rugrats, it’s going to make them all into serial killers. Even for loving parents who really want a family, even for the place and the time period, Lola & Adolfo are way, way too cool with what happens. No one watching would tolerate some of the horror movie behavior exhibited. It’s enough to make you want these people to fall victim to whatever terrors await them once the kids turn full-on evil. I mean when you can’t read ANY of the signs, you deserve it.

Although I still feel like sometimes, Lola – and to a certain extent Adolfo too – let things that no one else, not even a saint, would let slide and that is frustrating, the ending changes all of that. This movie is much smarter than it seems. You see the creepy kids, you witness the horror-movie behavior, you think you know exactly where the plot is headed. You dismiss the characters as too stupid to live and essentially give up. What you don't realize is that you’re the one who's made the mistake. There’s something you haven’t considered while evaluating this story and probably wouldn't have in a million years: the possibility that although this is a horror film, the children aren’t actually evil. What if they’re not the problem? What if it’s Lola and Adolfo?

There are indeed subtle details that hint at the couple not being idyllic. At the orphanage, Adolfo insists that they’re only for children free from deformities. His wife wears a prosthetic leg. She has since childhood. What does this statement say about him? We find out that Lola has a bitter relationship with God. Bitter enough to make her subconsciously hate children who love Him more than anything else? Maybe. Trust me. I know not knowing if a movie is better than "just ok" for nearly 2-hours is hard, particularly with several developments that make you think "Oh come on. How many more signs do you need?!" but it all comes together so well during the conclusion you'll feel foolish for having doubted the film.

There may also be a deeper meaning to some elements of the picture, since it's set during a tumultuous period of Spain's history that I'm not familiar with. I can't say for sure. What I do know is that Tin & Tina deserves your patience. I'm still not 100% sure the characters are not a little bit dumb but that conclusion is so solid I'm more than willing to forgive it. It's scary and makes you think in the most unexpected way. (Original Spanish with English subtitles, May 28, 2023)