does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.
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saw someone say they're we're happy Alicent's and Otto's deaths forced them "realize what they had done" and like...
Otto's one thing, I get the animosity. but Alicent? your getting hot and bothered over her realizing she failed, she failed to save her children, she failed to protect them, to them alive? that she tried so hard, so fucking hard, making every hard decision, trying to get between her children and the fate they were damned to by Viserys and Rhaenyra? that she damned her kids, who were already damned to die to begin with, and had to suffer the guilt of them dying to her own hand? that she's going to drive herself mad with grief over her children, her grandchildren?
like... it's not satisfying (especially for show Alicent) watching a woman go so mad with grief it literally kills her because she fought with everything she had to save her children only for them to die anyway. ever since her father's exile, when Rhaenyra's lies took Viserys's favor, when Viserys ignored the Rhaenyra's sons bastardhood at the risk of the whole house, or when Luke took Aemond's eye and Viserys demanded good will; she knew her children's lives were forfeit. then Daemon killed Vaemond and her children's coffins were built, catching cobweb's all the while. she knew and she fought it desperately, taking risk after risk, living in fear until her moment came, she could out Aegon on the thrown, she could protect her kids, maybe, just fucking maybe they'd be safe... only for it to lead to a war that would kill her entire family.
her death, slow and tragic as it was, is heartbreaking. she didn't deserve it, she deserved to feel safe, to feel as though she could allow her past friend take the thrown without her children being at risk to feel as though she and her children weren't being circled by wolves and picked at by vulture's. she didn't deserve to live alone and die alone. she didn't deserve to have her hands coated in her children's blood.
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some silly Wally & Barnaby western au scribbles
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tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.
while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.
thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."
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I was so caught up in the euphoria of making shit up, I forgot I wasn't uncontested. Wild that canon exists and is ongoing. Wild.
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Tbh I think the Barbie movie handled its theme of existentialism better than the feminism.
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You've mentioned that rarely Swanatello's family is unable to come visit him. What would make it so that they couldn't?
Overall, they're very on top of coming to see Swannie and making sure someone is with him at just about all times, but there have been one or two occasions when things have popped up-- and even then, it's not that the family didn't come to visit him for the day, but rather that they were delayed. Think things along the lines of "X villain is doing something completely fucking batshit and we need all hands on deck to make sure no one dies and get things under control before we can go visit" and/or just simple miscommunication about what the plan is. It should also be noted that they are currently almost entirely reliant on Leo to portal them over to the Lake. If Leo is incapacitated or occupied for whatever reason and can't portal them over... then they can't visit.
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listen Chakotay/Seven is bad for many reasons but it really doesn't bother me as much as it should because it's so poorly written that it just ends up feeling like both Chakotay and Seven were in love with Janeway and realized it would never work out so they just shrugged and starting dating each other. (i'm not even that much of a shipper either but like. the subtext is there for both JC and J7.) you cannot convince me that they didn't mutually break up before they even landed on Earth and then they never talked about it again.
and to add to the comedy, both Janeway and Seven know that if Voyager didn't get home then Seven and Chakotay would have gotten married and both died, etc etc while Chakotay, if i recall, just Never Learns This. Chakotay goes about the rest of his life thinking "oh yeah i went on a few dates with Seven but it never went anywhere" and then Seven and Janeway are just haunted by this alternate timeline. peak comedy tbh.
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It would just be so easy for Steel to start behaving overtly controlling and War-minded at literally any point (seeking control and owning up to what that means) and at that point it would become easy to dislike her and her sway over Suvi but that's not the POINT, she is GENUINELY wise and so, so brilliant and she loves Suvi so truly and she is infuriatingly level headed and sincere in her efforts to help and so very kind, and I love her character more than I can adequately put into words and the inevitable clash of ideals, the rift that will and must develop, is going to destroy me. Because I genuinely don't know if Steel could choose Suvi over the empire and in fact I think it's pretty clear that she wouldn't, but that does not diminish the love she has for Suvi and the two things being true simultaneously have me biting the air. Steel is a goddamn masterclass in examining characters who act from fundamentally kind intent within a twisted framework of lifelong indoctrination and beliefs that have taught her a distorted view of what that should look like. Bringing the empire's light to the world is the ultimate kindness to her, and she wants nothing more than to be a key part of the mechanism by which that will happen. Because it will happen. And we're not told this, we're shown a brilliant and devoted mother figure who will stop at nothing to make a better world in the image of the empire her life belongs to.
Every single time something goes wrong with Ame and/or Eursulon (and even Suvi) I brace for the kind of overbearing "us VS them" mentality that never comes. She genuinely wants collaboration and answers so she can help. she very much means well, as do they all. It compels the absolute hell out of me.
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I sort of like the thought that Zuko and Aang take the Sun Warriors' warning not to tell anyone about the dragons a little more seriously… and they keep it between them. Of course, they trust Sokka, Toph and Katara. Of course they know they wouldn’t tell anyone, but now three people (including Iroh) know the truth about Ran and Shaw. And that’s three too many when you’re trying to keep a secret.
(and there are other people at the temple as well - like Haru, Teo and The Duke - who, while trustworthy, aren’t as close to them as the others, and when it comes to secrets with as much consequence as this one, you can’t afford to take any chances.)
Furthermore, the culture within the Fire Nation since Sozin’s rein has been warped. The culture is not to respect the dragons as the original firebenders, it’s to conquer and kill them. It’s the ultimate proof of your strength as a firebender. All it takes is one mistake before rumour spreads, and people go looking for the ultimate hunt. It’s not something Zuko or Aang can risk.
Whether Katara, Toph and Sokka (and Suki) ever find out the truth is up to you. But post-war, after Zuko returns from a strange, poorly explained trip with a dragon, and eventually develops the ability to use rainbow fire, either the others have some questions about Aang’s knowing look, or they are finally let in on a monumental secret.
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I don't think my life could be any happier than it is now
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im glad everyone in the belcher family isn't really academically smart (louise definitely COULD BE but she doesn't try or see any real value in it) or particularly knowledgeable but their accomplishments are always celebrated within their family!!! because all of them (except louise which once again isnt really relevant) are terrible at math but that's fine and literally Normal for their family. and when gene gets a B- in science and they make a whole event of it bcuz they're so proud of him!!!! i see a lot of sitcoms where there's one Super Smart genius sibling and then the others kinda get pushed aside or their accomplishments aren't celebrated but bob's burgers celebrates all the achievements in the family no matter how small and theyre always so supportive :)
(it's funny bcuz gene is literally a savant musician but they don't treat him or his sisters any differently bcuz of that. and louise is incredibly intelligent but neither of them are ever made to believe they're BETTER than other people bcuz of that or that their accomplishments are all that they are. which is much healthier imo)
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i think that unless you're talking about stuff that's like purposely and maliciously created with the goal of endangering people (e.g. nazi propaganda or cult recruiting etc) you should probably retire the term "irredeemable media". like i don't think this cartoon meant for children or niche webcomic or barely known indie game are as dangerous as you think they are
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the smallfolk being horrified at blood and cheese and eventually rioting (in part) because of Helaena Targaryens suspicious death + the smallfolk being one of the few groups of people who still cared about the “butchery of Rhaegars children” years after Roberts Rebellion and claiming that the Lannisters were cursed for what they did like the nobility has been so corrupted by the system they uphold and benefit from that the peasantry are the only ones who have normal reactions to atrocities anymore
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