man i love this sequence so much—and tbh their dynamic in general which i feel like we don't talk about enough
on paper they seem like such opposites—and they kind of are—with tanaka being a mood maker and morale stabilizer for the team, he's loud and boisterous and never holds back what he's feeling ("dial down my feelings?? what does that even mean??"), while tsukki barely speaks on the court, openly admits to disliking loud and excitable people, and seems to calculatedly hide his emotions away. you would think they wouldn't like each other and wouldn't work well together, but i think every interaction we see between them is a positive one
we see them kinda partner up to roast other teams or their own teammates, but also tanaka is one of the few senpai that tsukki seems comfortable openly making fun of directly. but then tanaka doesn't even ever seem mad by tsukki's taunts—occasionally he'll even pass judgement on how successful tsukki was with his comebacks. and tanaka will just throw a jab back easily, which tsukki doesn't really seem bothered by either—tanaka never gets under tsukki's skin the way kageyama does, for example
and then we get a great little sequence like this one that's deliberately pointing out their differences and then using them to emphasize something more, and it's just so effective??
what tanaka goes through in the first set of the inarizaki match of feeling like he's not doing enough and having it shoved in his face that he'll never be the best, is like a speedrun version of what tsukki has been going through since he was in middle school when he found out his brother was lying about being the ace. there are these little subtle callbacks too—with the dichotomy of being lame vs cool (yamaguchi calling tsukki lame for not trying and tsukki thinking yamaguchi is cool for saying so), and furudate even uses the same visual metaphor of a never-ending staircase
it took tsukki years to realize he might be looking at things in a destructive way, and then months more after that until he actually saw the merit of trying—and then even here we can see that he doesn't find any of this easy. and tanaka basically does all of that in thirty minutes or so.
and while tsukki seems perturbed by this, he isn't mad at all. you can feel the respect tsukki is veiling behind his words in the first panel of the page when he calls him "ridiculously mentally tough." it's "frightening" to him because it's something that doesn't come naturally to him personally, when it obviously does for tanaka
of course it's important to note that the situations are completely different in terms of the catalyst for those feelings, tanaka didn't have some world-shattering event he's been struggling with since he was a pre-teen (that we know of). he just had an off day. but what i like is that the emphasis here isn't really about the circumstances, it's about their attitudes, how they each react to feeling down about themselves
and i just love the way furudate put this page in here. we just had this awesome sequence of tanaka scoring a well earned set point by doing a move he's been practicing for months after he spent all match feeling inadequate—sounds a lot like tsukishima winning set 2 vs shiratorizawa with a stuff block that was preceded by months of extra practices from him, but the reader (rightfully) isn't thinking about tsukki at all. until furudate gives us this conversation and we're reminded (not specifically or directly of tsukki's moment but) that this feeling is something other players, other people go through too. like, furudate didn't have to put this page in here, the chapter and tanaka's moment would have been just as epic without it, but i feel like it just adds this extra little emotional grounding to it
it just, it feels so human. getting down, being hard on yourself, feeling or even knowing you'll never be the best, everyone can relate—it's a storyline we've seen in haikyuu before but furudate always manages to make it feel not only fresh but satisfying because of how they present it to us with a new lens every time. tanaka and tsukki are so opposing in their character and actions that it makes their moments feel different and new, so it's just as cathartic for the reader every time, even though the underlying message is the same
whether it's hard or not, it's always cooler to try
28 notes
·
View notes
may i have some jonmartin w/ 14. ( Singing and dancing to their favorite song ) in these trying times,,,
14. Singing and dancing to their favorite song.
oaugh my uwus.....
- - -
The first 24 hours are clumsy and awkward.
Fleeing the country is definitely not as cool as it looks in the movies, Jon thinks. Mostly it involves a lot of stumbling and fear and confusion and buying train tickets in cash, at full price, because even though Martin has a railcard, using it would be too close to leaving a paper trail.
The keys stick in the front door, and the hinges squeak from disuse, but finally, after a day of nonstop travel, they’re standing on the threshold of Daisy’s safehouse an hour outside of Inverness.
At his side, Martin sneezes.
Jon looks up at him, raises his eyebrows.
Martin smiles sheepishly, twists his hands around the strap of his duffel bag. “Dusty.”
Jon hums, trails a hand over the wall as they go, trying not to marvel too obviously at every word Martin says to him. “It does smell a bit like the Archives my first day on the job.”
Martin huffs, dry and quiet, but still the closest thing Jon's heard to an actual laugh from him in so long. "You mean the day I let that dog in?"
Jon's heart does something complicated. He remembers feeling so nervous that day he thought he might throw up, but now looking back on it he feels a pang of something almost like nostalgia. Things were easier, back then, when the worst thing he had to worry about was a dog making a mess on the carpet, even if the memory is marred by how abhorrently he'd treated Martin.
"Yes." He nods fondly. "The day you let the dog in."
Martin does another of those little huffs, this one with a bit more life in it. He shrugs his duffel off his shoulder, lets it fall to the hall floor at his feet. "Well. Better than... blood and rotting meat, or something, so. I'll take it."
"Fair point," Jon gives him. He slips his own bag off his back, clutches it momentarily in front of his chest, before setting it cautiously on the floor beside Martin's. "I suppose we should... take inventory?" He suggests. "Give it a, a look-over?"
Martin hums, nodding. "Yeah, we could do that."
"Right. Yes. Um..." Jon scuffs his toe on the floor, eyes flitting away from Martin before invariably being drawn right back to him. "Where would you like to start?"
"Uh, I-I can take the back half? You check out the front?"
"Ah." Jon bites his bottom lip, tells himself there's no reason for his heart to skip uncomfortably. "S-should we split up?"
"We're hardly splitting up." Martin shrugs. "I think this place might be smaller than my flat back in London."
Jon swallows. He taps his fingers against his thigh. "Still..."
Martin peers curiously at him over the rims of his glasses. "Would you rather we stick together?"
"W-well, I— I, i-it just seems like t-the best, er, that is—" Jon stops himself, purses his lips, sighs. "Yes. I would rather not be apart from you yet."
"Oh," Martin breathes out softly. His cheeks go pink, a barely-there dusting of blush that still manages to knock Jon sideways. "Okay. Sure. Let's, er, have a look at the kitchen then?"
Jon exhales in relief. "Yes. Let's. That sounds good."
They start with the kitchen, Jon leading Martin in with a hand on his wrist, because— well. Because he likes being able to touch Martin, now. Will find any excuse for it.
Martin finds a meager supply of canned goods and nonperishables in the cabinets (no peaches, he's pleased to announce), and Jon finds cookware in the drawers by the oven. It's not an impressive collection, but it'll do. Maybe he'll even get to cook something nice for the two of them. To do something nice for Martin.
Kneeling down, Jon opens the cupboard under the sink. He finds a handful of cleaning products, an old hatchet, a rusty-looking toolbox, and—
"Hm." Pushing a bottle of window cleaner aside, Jon grabs the dusty gray box in the back, turning it over in his hands. He's a little wary of old-timey audio equipment these days, but they're going to have limited entertainment up here on the lam, so anything that's not a tape recorder can stay, he supposes.
He feels more than hears Martin coming up beside him on almost eerily silent footsteps. "What've you got there?"
Jon stands with the ancient bit of tech, setting it on the counter. He pulls his sleeve (Martin's sleeve; it's Martin's cardigan he's got on, after all) over his hands and makes a clumsy swipe to clear away the dust. "Old radio."
Jon sees the way Martin perks up. He sidles cautiously closer, hands stuffed in his pockets. So this he's afraid to touch, but boxes of C4 are fair game. Jon is hopelessly endeared. "Does it work?"
Jon gives him a look, raising his eyebrow, trying to hold back the rush of fondness threatening to make itself known as a dopey grin. "Only one way to find out."
He finds an outlet by the sink to plug the thing in, pulls out the creaky antenna, and fiddles with the buttons until static crackles to life, making them both jump. Twitchy, the both of them, but fleeing the country does tend to set a man's nerves on edge.
Jon twists at the dials, crawling through different tones of static one after the other, until, finally, crackly notes of actual music break through.
"Oh!" Martin's hand lands on Jon's arm, stilling his hand before he can switch to the next station. "Stop, stop there!"
Jon is helpless to do anything but oblige, fingers falling away, head tilting so he can watch Martin, sidelong, as his eyes go wide and his face lights up. Jon wants to frame that expression and hang it on the wall; would do anything to be able to make Martin look that delighted any time he wants.
Jon's a little proud that his voice only wavers a little when he finds it again. "Like this song?"
The corners of Martin's lips tick hesitantly upward, the beginnings of a smile that catches Jon's breath in his throat. "I do, actually."
"I suppose that makes sense. Suits your... retro sensibilities."
Martin snorts. "Okay, it's not that old."
Jon can't fight his grin any longer. He's sure Martin can hear all the syrupy-happiness of it dripping into his voice. "It came out in nineteen-seventy-six, Martin."
Martin politely ignores that Jon Knew that particular bit of trivia about a song he's heard maybe once or twice in his life, crosses his arms over his chest. "That's— Okay, well, it was on when I was a kid!"
"Whatever you say, old man."
Martin stabs a finger at him. "Oh, shut it. You are six months younger than me, grandpa."
Jon loves the splotchy indignation, the put-out blush, the stubborn set to his brows, because this is so much more than he ever thought he'd get again. After months of avoidance and vague disdain, after how painfully empty Martin had looked in the Lonely, Jon feels like he's finally come up for air after a long time spent underwater.
He feels, if he's honest, a little bit giddy.
Chasing that feeling, he carefully holds his hand out. "Alright. Come on, then."
Martin looks down at his proffered hand, head tilting. "Are you... Jon, are you asking me to dance?"
"I'm trying to, but there's only a minute-and-forty-eight seconds left of this song, so we'll need to hurry."
Martin raises his eyebrows. Jon frowns, but wiggles his fingers. Martin's face softens, and he slowly slips his hands into Jon's. "I don't know how to dance."
"That's fine," Jon tells him, smiling. "Neither do I."
And then Martin laughs for real, a small, soft thing that still sends every cell in Jon's body chiming like a bell as he pulls Martin into motion.
They really are horribly awkward: the song doesn't allow for slow dancing, too fast, too energetic, but it's still delightful to hold onto Martin's hands and move together.
"I warned you," Martin huffs immediately after he narrowly avoids stepping on Jon's toes.
"You're doing fine," Jon tells him, knocking his bony knee into Martin's thigh for good measure.
Martin giggles (actually giggles!), a flush rising high on his lovely cheeks. Shedding his self-consciousness as the seconds tick by, Jon watches his movements become freer and more confident as they unfreeze from fog-chilled shores and hours of travel.
He even, delightfully, picks up the song and quietly starts humming along. After a few seconds of holding his breath to be sure he heard right, Jon even picks up the odd word or two here and there.
Then, he starts hearing entire lyrics, soft and shaky and a little awkward in a voice that's unused to having presence enough to speak, let alone sing along to seventies rock songs.
Jon doesn't realize he's gone reverently motionless until Martin stops moving, too, looks at him with something that borders too close to nerves. "What?"
Jon wants to say something to preserve the mood, get Martin back out of his head. Maybe quip out decided to serenade me now, have you? or something.
Instead, he says, "You're lovely," in that awed, earnest voice Martin always seems to drag out of him.
Martin goes completely still, now, sucking in a sharp breath, eyes round and mouth half-open. "Oh."
"Er." Jon swallows. "What I mean, is, um." What he means is Martin is absolutely fucking lovely, all of the time, but seeing him like this is a revelation, should be categorized as the eighth world wonder, probably. But he hadn't meant to say it yet; had meant to give Martin more time to feel like a person again. He can't take it back now, though. "Well, actually, no. T-that's what I meant."
"Oh," Martin says again, small and soft and a little dazed.
Jon looks down. Martin is still holding his hand, even though the dancing's stopped and the last notes of music are fading out to make way for the next song, faint pinpricks of static filtering through the airwaves in the growing quiet. "Th-that okay?"
"Yeah, Jon. That..." Martin smiles, small but bright as dawn light, his fingers squeezing where they're still wrapped in Jon's. "That's definitely okay."
Jon's heart, fragile as it feels, bursts with a sun-hot affection. "Good. Because you are."
Martin looks about as fragile as Jon feels, and just as lovestruck. It's good, Jon thinks, that he's able to hear things like this and not shrink away.
"Okay." Martin gives Jon's hand another squeeze before he slides it free. He turns the volume down on the radio, but not all the way off, so the next song filters quietly into the room. "We should, um. G-get back to it, right?"
"Probably," Jon agrees regretfully. He already misses Martin's hand in his.
And together, they set to it, the hopeful start to a long undertaking.
46 notes
·
View notes