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astuteconnect · 2 months
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"Mastering Supply Chain Excellence" explores the transformative impact of expert consultation calls on modern supply chains. This insightful guide delves into the strategic use of expert advice, unlocking potential improvements in efficiency, cost-effectiveness, and overall operational excellence.
For in-depth knowledge about the topic visit: https://www.astuteconnect.com/blog/mastering-supply-chain-excellence
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paulturovsky · 5 months
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Paul Turovsky - An Industry Expert
Paul Turovsky has built his career as a results-oriented real estate professionally, highly regarded by clients and industry professionals. He has built a fifteen-year track record of proven work as he represents clients and investors in real estate acquisitions, asset reposition & disposition and lease obligations. Mr. Turovsky holds his Bachelor in Business Administration in Finance and Investments from Baruch College. In 2013, he graduated from Ave Maria School of Law with a Juris Doctorate.
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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randybocook · 1 year
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Randy Bocook dedicated 25 years of his career to real estate, learning each and every moving part and creating success systems which he happily shares with others. Born to humble beginnings, he studied real estate literature as a teen and determined it to be his ideal career path. When asked what he enjoyed most in his real estate experience, he reflects on how real estate transactions directly reflect the time and energy agents invest in their work.
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adaeze-uc · 2 years
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Make Money As A Stay At Home Mom 
Make Money As A Stay At Home Mom Make Money As A Stay At Home Mom – Being a home mom often leaves an anxious feeling. On one hand, you want to spend time at home with your beautiful babies, but on the other hand, you long to find a way to feel as though you are contributing to the family as well. Wouldn’t it be great to make money as a stay at home mom and be with your little ones? Are you…
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expertsconsult · 2 years
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ExpertsConsult is an innovation-driven system that uses sophisticated methods, consisting of an Expert system, to browse and match sector professionals based on the needed understandings. Our system reviews over 30 information suggestions to find the ideal specialist from our information resource.
ExpertsConsult aids experts in connecting with experts and also seeking appointments to dominate business and functional obstacles, gain market understandings, creative capacities, and exam suggestions.
With a solid global network of professionals throughout sector groups and sub-groups, ExpertsConsult can provide quick and on-demand understandings to clients worldwide. Not simply that, we furthermore have a committed group of scientists that will aid you in finding a specialist matching your need via our custom recruitment procedure.
Since our starting, ExpertsConsult has attached experts with topic experts throughout locations. Today, we make professionals get smarter understandings by connecting them to our network of more than 50,000 specialists, consisting of sector specialists, experts, professionals, academics, older adults, and subject professionals. We offer experts from research companies, administration consulting companies, firms, and other professional services companies.
Our AI-driven platform and network enable us to, without delay, source the best market experts for examination and consultatory purposes. Our custom solution and likewise tech-driven system use our client's accessibility to a quick conversation with specific niche target markets across the domain.
Our consultatory approach and effort project teams adhere to a standardized procedure to provide the most effective matching accounts to fulfil your research study demands. Our approach assists in linking best-suited experts with insight hunters.
Our highest value depends on matching the precise and accurate professional according to our customer's need to gain valuable understandings. We make the best use of Artificial Intelligence in searching for and matching the exact subject-matter professionals as required.
On-boarding of experts within a couple of hrs guaranteeing expertise at a swift pace. Our stable, as well as unrestricted settings for getting in touch with experts, provide fast accessibility as well as smooth connection.
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https://www.expertsconsult.org/
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nero-neptune · 2 months
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“Roy was the engineer, and anything related to engineering, in any specialism, would have to pass through his hands. This included assembling the plane’s radio, just like he’d fixed the small battery-operated Spika radio and made it work.
“Adolfo sat down beside him. He explained to Roy that it was not a matter of expertise in electronics but one of ignorance, and pointed out that Roy was the least ignorant of everybody in that department. Roy argued that he had never seen an airplane radio in his life, not even in a book. Adolfo put his hand over Roy’s. ‘I know that, Roy. We all know that. I only wanted to tell you that you were the best one at handling the wires and the terminals, that’s all. But right now that’s a lot, it makes a huge difference … you are the engineer.’
“Roy, almost breathless, added something that his older friend already knew: ‘I am barely in my first year in Engineering, I’m only twenty years old, and the only time I’ve ever been remotely close to anything like this was when I helped instal a damn audio system for my cousins.’
“‘And you fixed the Spika radio,’ Adolfo responded, as if it were a thermonuclear station and not a basic portable radio the size of a pack of cigarettes. Before Adolfo even said the next sentence he knew clearly that it was as painful for him to say as it was for his friend to hear it. ‘Roy, the group needs your abilities. All we’re asking is that you try.’ ”
– “Is Anybody Listening?” from Society of the Snow: The Definitive Account of the World’s Greatest Survival Story by Pablo Vierci
LA SOCIEDAD DE LA NIEVE | SOCIETY OF THE SNOW (2023) dir. J. A. Bayona
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crazycometspecular · 3 months
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I love your art so much especially your character designs! They’re so amazing! I was wondering What are your favorite pens on procreate and do have any tips for anyone who want to be a character designer or storyboard artist?
Thank you for anything answer you’ll give
Hi!! + thank you so much!!
So the main default brushes I like to use are gesinski ink (for sharper and smaller lines) and technical ink or flat brush for coloring
Lately though I’ve been obsessed with these custom colored pencil brushes I’ll add a link: https://fatimamandouh.gumroad.com/l/sdcbd
For tips eeHm,
So for character design lately I’ve gotten more interest in pushing shapes and adding variety to my designs
First and foremost I HIGHLY recommend doing research if you plan to add something specific to a design that’s maybe pulling something from real life; consulting people on behalf of what you may be pulling from help too and can give you a sort of direction of what to add and what not to add (amount of research depends on how much you already know; if you’re not sure of something definitely look into it)
Watching movies helps too (I found myself in a Don Bluth/ Classic Disney rabbit hole recently and I’ve gotten obsessed)
Gesture drawings, body types, & uniqueness in shape in size are all important as well and it’s also super fun! Getting a bit wacky with it wouldn’t hurt
And storyboarding hrmm
I’m not much of an expert in that department (though I do like doing it to practice) but I have learned that when it comes to constructing a scene don’t be bothered adding so much detail, you just need enough to get your point across
Also!! Learn about cinematography and things like camera angles and character acting
The more you know about that stuff the stronger your storytelling is (I would very much like to get better at it haha)
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is-this-yuri · 11 months
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what are the classifications of yuri?
Please refer to this comprehensive list:
https://dynasty-scans.com/tags
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aurosoulart · 1 year
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the CEO of NIANTIC liked my art on twitter?!?!?!?! 🫠 I am passing away 👻
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astuteconnect · 3 months
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Explore expert strategies for mastering marine energy in 'Navigating the Green Surge.' Ride the waves of sustainability and unlock eco-friendly solutions.
For in-depth knowledge about the topic visit: https://www.astuteconnect.com/blog/riding-the-renewable-wave
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whats-in-a-sentence · 1 month
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This 1943 painting by Laura Knight (1877-1970) depicts 21-year-old Ruby Loftus (2921-2004) working at an industrial lathe cutting the screw of a breech-ring for a Bofors anti-aircraft gun. Ruby became an expert in the production of breech-rings in just seven months – something that usually took years. After the war, Ruby and her husband John Green emigrated to Canada and she never worked in a factory or engineering again.
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"Normal Women: 900 Years of Making History" - Philippa Gregory
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This might be a hot take but I've gotta get this off my chest:
I have seen so many times in the past two years the point being made by a particular section of the fandom that Sam was the hero of SPN, the "Luke Skywalker" of the series as Kripke himself stated, and that the finale ending made sense for not only Sam getting to live but also for Dean's ending. And in the very same breath, it's mentioned that the show was always about the brothers, no one else, that's what Kripke always wanted, etc., but this argument is always made from a very pro-Sam slanted/skewed anti-ship (and sometimes anti-Dean) point of view without taking into consideration of just how much the story of SPN evolved even before Kripke left the show.
Like say what you will about Sam being the hero of the story, and I'm not going to disagree with you about that being Kripke's original intention because you're right. Sam was the main protagonist; that's clear from the outset of the series. The whole first season is everything being told from Sam's POV. It's evident in every single episode in how each case has resolution thanks to Sam. He is made to be the hero. The whole arc of season 1 is about Sam being dragged back into this world due to his desire for revenge for what happened to Jessica which turns into something more aka Sam is naturally a hunter and he wants to help people/help his family->Dean. It's even Sam in the season finale that chooses a different way compared to John's quest for revenge by choosing Dean/his family over his revenge.
So, yes, you're right when you say in the beginning of the series that Sam was the hero/main protagonist. Absolutely. But what is not being mentioned/realized is that somewhere along the way, during Kripke's era, Dean's own story within the series became just as integral to the main story like Sam's as did their relationship as brothers. Kripke developed the story to include both. They both become essential to the main overhead arc of the entire show. The whole reason John and Mary even got together (through Heaven's intervention as per SPN canon) was to bring about both Sam and Dean's existence. Dean becomes the complement to Sam's role. We find out that Sam is the chosen vessel for Lucifer, and then we find out Dean is the chosen vessel for Michael, which leads to the showdown between Heaven and Hell essentially through the two. Both have a decision to make; both are tapped on the shoulders by both sides (i.e. Cas/Ruby); both are essential to the main plot while having their own separate arcs/journeys. Dean is no longer a side character or even the "Han Solo". His story is developed and we not only see his own hero's journey that he has to go on (when physically separate from Sam for example; going into the future though this is still intertwined with Sam's journey itself; going back in time, etc.) but his own desires, thought processes, relationships (outside of Sam), are also brought into the forefront for his story. Can this happen with side characters? Sure. But that's not what happens here because Kripke not only develops/beefs up Dean's story but also interweaves it with Sam's very carefully, to the point that the show doesn't work without both characters. Hence, Sam is no longer the sole main protagonist.
Which is why, for example, Dean is the one to kill the YED even though Sam had been determined to make YED pay for what happened to Jessica. And Kripke masterfully balances the main plot between the two as the show develops, so much so that we get payoff for Sam's journey (which leads up to Swan Song but I'll get to that in a moment), by fulfilling big plot points such as his killing Lillith and setting Lucifer free. He even still gets the hero's end by choosing to sacrifice himself to save Dean and the world in 5x22. Kripke beautifully takes Sam's original journey and tweaks it in such a way that while Sam had his dad's training and a similar quest for vengeance, he made a different decision and he did that while having much more on his shoulders (literally the weight of the world) than John ever did. And we still get payoff for what was initially set up way back in season 1. We get a close out to the Jessica story line, to Sam's powers story line, all of it, before Kripke dipped out.
And in the same fashion, we also got a closeout to Dean's story line. If he would ever get out of hunting, would he allow Sam to go into that dark night alone, would he be the same as John -- all of it.
So the ending to 5x22 absolutely makes sense. And we get: Dean surviving and going to live a "normal" life & Sam making the sacrifice (as the hero the series started out with) while also somehow surviving & making his way back to his brother. That's Kripke's ending. Now to be fair, Sam making his way back to Dean more likely had to do with them setting up the next season, but ultimately he wasn't dead after throwing himself and Michael into the pit.
Then in the later seasons, which some fans like to exclude or dismiss (but it's still part of Sam and Dean's official story), their stories were still integral to the main story but they had also evolved to include other characters (such as Cas, Jody, Donna, etc) and they had developed over the next ten years. So when looking at the series as a whole, Dean and Sam's endings in the series finale do not make sense. Kripke already got his ending in 5x22 and the show moved past that, and quickly set out to dismantle it in 6x01. This theme continued and the idea of free will became the center stage even more than it had in the first five seasons. By the time the last season rolled around, Dean and Sam had different desires, their stories had not only been completely intertwined to make both of them the main protagonists but both the heroes, and how their ends/hunting boots were hung up in the end would both matter.
So if you watched all of the seasons, 15x20 doesn't make sense. Because Dean and Sam wanted very different things by that point, they had both built relationships with other characters (Cas and Jack were the biggest ones but those two were not the only ones), and their story had effectively changed.
And if you didn't watch any of the later seasons (or you dismiss it), 15x20 still doesn't make sense because this wasn't the ending Kripke had for the seasons 1-5 Sam and Dean. If anything, it felt like it could have been 1x02 instead of the Wendigo episode, ending Dean and Sam's story in two short episodes with nothing in between.
That does not make sense.
Imagine we were discussing the show Buffy the Vampire Slayer. We all know how that ended (I'm talking TV only, not the comics). Buffy saved the world, she survived (finally!), and she was free from Sunnydale. Now imagine she had been killed off. Not only would it feel redundant but it wouldn't feel like a true ending for the story told over the past 7 seasons. What would have been the point of her being resurrected in season 6 then? What would have been the point of her relationship with Spike, Dawn, and the others? Could Joss Whedon have made it into another hero's sacrifice (instead of Spike doing the heroic/redeeming sacrifice), that she got Dawn, Willow, Xander, and the other Slayers ready to defend the world that she would die saving? Sure. But again, when you compare that ending to her story, it doesn't really make sense. There is no payoff, for the viewers or for the character of Buffy. She had earned that ending, the freedom from the Hellmouth and from the burden of being alone as the only Slayer (aka Chosen One). Which is why we get that great shot in the end:
Willow: "Yeah, the First is scrunched so...what do you think we should do, Buffy?"
Faith: "Yeah, you're not the one and only Chosen anymore. Just got to live like a person. How's that feel?"
Dawn: "Yeah, Buffy, what are we going to do now?"
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The hero, who had already made the hero's sacrifice more than once, finally earned the ending that she wanted: freedom and the ability to choose to live her life for herself. The burden of being The Slayer had been removed and spread out to others (effectively building a network, hold that thought for a minute), she was no longer alone, she had defeated the Big Bad (which was effectively the Hellmouth since it kept creating/calling to these other Big Bads she faced over the years as well as the monsters she started out fighting), she might have more to face in the future, but it's up to her now what she wants to do. She is given the choice aka free will and that's what she earned after everything she had gone through during the duration of the show.
That's an ending.
This isn't:
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Death wasn't supposed to be their ending. While some might be able to turn to you and say 'but they end up in Heaven together, they're at peace', that doesn't make it a payoff ending, for the viewers (early seasons only or all seasons) or for the characters of Sam and Dean. That's not effective storytelling. Neither ending was heroic or earned.
Dean dying, while again wouldn't make sense given the story, could have been painted as heroic if it happened during the battle with Chuck for example. Their final battle with the ultimate Big Bad. Even though they both died heroically quite a few times before this, it could have been done and while ultimately disappointing, it could have been the hero's end for Dean (just like Sam's end in 5x22 was the hero's end for him). This death wasn't heroic; instead it was from vampire stunt guy #4 who apparently juiced before that scene getting an upper hand on the hero and impaling him on a piece of sharp rebar. During a milk run hunt. Now imagine if that were Sam. Ask these people who think that by the end of the series that Sam was the only hero, ask them if that happened to Sam instead, would they still be praising the finale? Or imagine that was Buffy. That she survived like she does, the Hellmouth in Sunnydale was finally gone, only to be killed by a random forgettable vampire who she had faced off with in the first season and got away, only to suddenly return and take the hero out, thus negating the payoff/earned ending she and the viewers got. Doesn't make sense, right?
Now imagine if say Dawn was killed off in a similar way (though tbf Dawn's role was not the same as Dean's in the story) or during the battle, and we see Buffy living her life through the years, getting out of slaying, having a family which consists of a daughter she names Dawn, wearing her own Party City wig and looking at a picture of Dawn all teary-eyed, dying in her sleep as an old lady, and then reuniting with her in Heaven. It doesn't work. Not only because Dawn had a very different role in the show when it came to the main story but also because it DOESN'T WORK. What kind of hero's end is that? What payoff is that? Is it great that Sam gets to choose to get out of hunting and have a family? Sure. But that's not where his story was headed, in later seasons, or even during Kripke's era.
Going back to the network thing I mentioned with Buffy, Sam had done that. Not only were there strong hints of leader!Sam near the end of the series, but he had effectively built a network of hunters for a time until Alt!Michael killed them all. But he and Dean still had a network going through Jody, Donna, Claire, even Jack until he turned God!Jack. Wayward Sisters might not have taken off when it first aired but the point was made: a hunter network still existed. And these characters, this network, even though not shown in the finale, still survived no matter what happened with Sam and Dean in the end. Why is this important? Because not only does it extend the hunting universe, but it also removes the burden from the heroes' shoulders. So they could have gotten out of hunting if they wanted to, just like Buffy could have laid down her axe (or stake). The heroes had earned it.
So for Dean to die on a random hunt and for those few to say that it was being foreshadowed this whole time with Dean's quotes (from before season 15 btw) and a proper ending to his story...they really don't know what show they were watching or how storytelling works in general. Because when they say that, they negate Dean's whole arc of season 15 (while also negating his whole series arc). Dean was angry in the beginning of the season because he thought not only had his free will been taken from him, but also because he thought he hadn't had any free will this whole time. There's a reason why he says what he says to Cas in 15x02. There's a reason why he was so gung ho on letting Jack sacrifice himself, and only once once Sam and Chuck say what they say in 15x17 does Dean make a different choice: his family (and the world) vs his own desire (his idea of free will, not fully realizing that he's actually utilizing it by making that choice). It's only when he chooses not to kill Chuck in 15x19 that he is completely self-aware and that he is using his free will to make a choice. A choice that affects how the Big Bad is ended/defeated. "That's not who I am."
He was given the hero's choice and he made it. And his decision was the right one that had payoff from not only the events in 15x17 and 15x18 but for his overall story. That's why what Cas says to him in 15x18 about who he is as a character was so important. It set Dean up to not only have self-realization but to also act upon it. Think about how many times over the years Sam and other characters have told Dean this about himself but he never really believed it. Why? Because he hadn't reached that part of his journey yet. Because he hadn't reached the end of it yet. So it makes perfect sense how 15x17, 15x18, and 15x19 play out. This is the appropriate ending battle for not only Dean but Sam as well:
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This was the hero's sacrifice they made. They could have been killed from Chuck beating on them as he did. He could have chosen to snap his fingers at any point. They made the sacrifice in order to get Jack the time and energy he needed to power up to overpower Chuck. And they never stayed down no matter the pain, no matter the potential of their deaths at Chuck's hand. They refused to give it up. This is why Sam helps Dean back up and why they're laughing/smiling. Because they know that no matter what happens to them, Jack/the world is going to win. "Why are you smiling?" "Because...you lose." And their sacrifice not only hands victory over to the new generation aka Jack but also instates the new God who replaces Chuck aka The Big Bad of the entire series. EVERYTHING ABOUT THIS SCREAMS HERO.
So it's not only payoff for Jack's story (as well as Chuck's) but also for Sam and Dean's. And both brothers were the heroes. Which is why Sam tells Chuck that he loses and Dean tells him that they won. Why both of them tell Chuck about their plan that they formed together (and Jack doesn't say a word). Which is why Chuck says he's going to die at both of their hands, both Sam and Dean look at each other, and then Dean makes the choice not to kill Chuck. "See, that's not who I am. That's not who we are." Because they both were the heroes and main protagonists of the series. Something that Kripe had set up long before 5x22.
"What kind of an ending is this?" One the heroes had earned. Chuck as the Big Bad wanted violence and death, an ending he would be entertained by. And even for an ending he hadn't imagined for himself (where he loses), he still expected a grisly death at the hands of the heroes. Had either Winchester done that, then Chuck would have gotten what he wanted and it wouldn't be the heroes' end that they had earned.
This was the ending that Sam and Dean earned:
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The choice to continue on if they wanted or to get out of hunting for good. To go see Jody, Donna, and the girls, or go get Cas out of The Empty, or go on milk run hunts for a while, or even to go to a freaking baseball game (screw you, John!); the point is it was their choice. That's what they had earned by the end of the series.
The ending that Chuck earned was not only the worst he could imagine but it was punishment for everything he had done. Both brothers say as much:
Sam: "I think it's the ending where you're just like us. And like all the other humans you forgot about."
Dean: "It's the ending where you grow old, you get sick, and you just die."
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Sam: "And no one cares. And no one remembers you. You're just forgotten."
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This was not the heroes' ending or the ending both characters had earned/deserved:
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This was:
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For the ones who insist that Dean's sacrifice was the right ending for his story and that he got a new Heaven as a reward are incorrect. Heaven wasn't what Dean wanted, not before he got what he earned.
For the one who insist that Sam's ending was right for his story and that he got to have a family and choose to get out of hunting as a reward are incorrect. Sam wanted Dean to be a part of that life (however it looked) and he had no desire to get out of hunting by the time the series came to an end.
15x20 is not the right ending for either Winchester.
And for those who say that Dean hadn't become one of the heroes in the series or that the finale was right because Sam was the sole main protagonist by the end (or even Kripke's ending in 5x22) clearly weren't paying attention. Not only did Sam not get the heroes' end or the end he wanted and earned, but neither did Dean who had been developed into the other main protagonist of the series, by the series creator himself before he left the show.
Bonus:
15x20 was not their real finale and here's how you know:
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Next shot (after cutting to black):
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Nothing after it.
SPN:
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Next shot (after fading to black):
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And then:
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(while still in costume, the two leads thanking the fans and then the crew/bridge drone shot complete with show music)
Compare this to how 15x19 ended as well. We get the montage, the drive off shot, and then the scene from 1x01 of Sam shutting the trunk of the Impala as Dean watches. Then cuts to black.
That's their finale.
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happywebdesign · 3 months
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sentimental-obsessions · 10 months
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Unpopular opinion but I kind of hate posts making fun of “instagram poetry.”
Like I get that the people making them are thinking about soulless marketing or whatever, but I feel like assuming the thoughts and intentions put into a poem are inherently fake just because it’s short and poorly written (in your opinion) is a big oversimplification.
I just knew kids in high school who had/still have poetry accounts that had some poems that could fall under the “instagram poetry,” definition and like, they weren’t getting book deals or even a lot of attention, they were just expressing themselves. And yeah, maybe they were doing so in a simplistic style that’s gotten semi-popular, but like… so what?
I’m not saying you have to like that type of poetry by any means, just that maybe your frustration should be pointed more towards the media industries only promoting whatever they think is the safest bet, and less at the artists themselves and the people that enjoy their work.
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