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sentientsky · 5 months

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"I forgive you." It came out like a blood clot—like an artery dripping gore—like an oil spill. Crowley felt his shoulders rise, fall, fall, fall. The air between them hummed, the tension of six thousand years turning every atom electrified and silently screaming. Breath shuddered out of him, human and terrible and hollowing. He had never been more grateful for the swallowing darkness of his glasses, for the way they hid the centuries of pre-emptive grief and wicked terror. The air was suffocating, the once familiar bookshop turned catacomb.

And then, hating himself for it but seeing no other way forward, he spoke the words aloud. "Don't bother". And then he was out in the middle of Soho and the breeze was harsh against his too-warm skin. Stepping out into the sun felt like rising to the surface of some great ocean—the gasping, desperate feeling in his lungs, the sudden crash of noise. A woman across the street called for her wife. A car horn. A dog barking. Laughter, cruel and far-off. He pulled breath into lungs that didn't need it, winced as he felt slivers of cold drive into the soft flesh of his throat.

So that was it; five and a half million years of want and need and burning, aching somedays, cyphered pleas for "our side". All gone in the space between shaking half-breaths and a kiss still seared against his lips.

Fuck it.

He'd ruined it the first time, had forced them both to look directly into the sun, to face the thing they'd been dancing around for the better part of six millennia. He could do better—would do better. At a music café some years ago, a human had been playing the piano—something soft and slow. A jazz number, if the demon remembered correctly. But the remarkable thing wasn’t the song itself, but that they were playing it with their eyes closed. Aziraphale had pointed this fact out to Crowley, excitement lilting in his voice (even then, the sound had thrilled him, sent a stab of warmth through his heart). It was only after the final note reverberated through the room that the artist opened their eyes, blinking in the sudden rush of stage lights. Aziraphale, ever the music connoisseur, approached the musician. The pianist had explained that, for them, reading music never came easy. Rather, they learned by touch, by the way the keys felt on their fingertips. In fact, the only way they could play a song was with their eyes closed. If they watched their hands as they played or thought too hard about their next move, they got confused and tripped over the notes. Muscle memory, they’d said. It was muscle memory—the galactic familiarity of finding the space between seconds and prying—that guided Crowley now. He hadn’t done it since Not-Armageddon, but it came easily to him just the same. Time, you see, operates kind of like sound, like music; it loops and sways and carries forward in waves. If you know where to look (as the demon did), you can disrupt the flow, send it back towards the shore.

And this was what Crowley did now. Drawing his hands through the ripples of minutes and seconds and hours and millennia, time stilled around him. It was natural. Easy, like breathing or sleeping. Or loving Aziraphale. Slowly, the world turned backwards; humans retreating from whence they came, cars driving in reverse, the wind blowing in the opposite direction. If Heaven had taken notice of their "half-a-miracle", Crowley expected them to be able to see this from every edge of the universe. He likely only had one shot at this.

The world aligned itself once more, and time returned to its regular, steady gait—a rubber band snapping back into place. Something hummed in Crowley’s chest. Something bright and burning and the shape of a neutron star. Hands shaking, he reached for the handle of the bookshop and pushed. The bell above the door rang, clear and and too-loud in the morning air. Aziraphale whirled around, a trembling half-smile on his face. Oh. Oh, somebody, this was going to be harder than he thought. It felt like all the oxygen, all the courage, had been punched clear out of him "Crowley!" A beat, a shuddering breath. "Angel". He pressed his still-trembling hands into his pockets and strode forward. "Oh, Crowley, dear, I've been looking for you. I have excellent news." His stomach did a little flip, something deep within him growing hollow and fearful. "We have to talk," he managed to choke out around the heart still lodged in his throat. "Yes, I quite think we do. I have something to tell you." Aziraphale strode forward, all grins and beauty like a flickering star, all plasma and heat. He could practically feel the agitated warmth roll off of his angel. Crowley shivered. "I just met with the Meta—” "No. Wait," the demon held up a hand, pausing the rushing torrent of Aziraphale’s words. "Just let me say my thing, please." "My dear boy, just—oh, what is that lovely human expression—"

"Hold that thought," Crowley muttered. His eyes burned behind his glasses. Aziraphale looked pleasantly taken aback.

"Yes, how did you know? I—" "No." The angel's eyebrows crinkled in confusion. "No?" "No," he repeated, enunciating each letter with perfect clarity. He was going to do it right this time. He was going to keep him from leaving. He could be good. Right? "I’m gonna speak, and I want you to listen to me without interrupting, m'kay?" Words were building in the basin of his sternum now, pushing up on his airways. He was going to have to say it outright this time; no more waltzing around this frenzied galaxy of emotion. Willing his hands to steadiness, he pulled his glasses from his face, and tucked them into the collar of his shirt. Aziraphale's breath seemed to catch for a moment, meeting the ferocity of the demon's gaze head-on. A deer in headlights. And then, "Crowley, I really—" (Eons hurtled through his mind in a split second, the serrated knife's-edge of want like a being all its own. Aziraphale in the garden. Aziraphale in the tavern, on the cliffside, on the West End stage, in the Bentley, in the bookshop, in the very marrow of Crowley’s bones.) "I love you," he rasped, ichor writhing in his veins.

There, he'd said it., said it fully and completely, without so much as flinching. It was the same love he'd expressed for the past several thousand years in a million little, unspoken ways: an ox rib, a revolution, a church, a burning bookshop and the bottom of a glass and a lost best friend. A yellow Bentley, a lifetime of tethering his life to Aziraphale's, of trailing after him like a moth to flame—like a dog to its owner. "I love you," he pushed on. They were both looking directly into the sun again, Crowley urging them to stare straight into the heat of it all. The words were spilling out of him now, a heaving, thrashing current falling to the bookshop's hardwood floors. "I love you and you can't go to Heaven." Aziraphale froze, pupils blown wide and unblinking, for just a moment. Tension stretched out like a thread between them. And then he pulled in breath like a drowning man (who wasn't really a man at all), and tears were gathering in the corner of his eyes, and oh god, he'd made his angel cry. Fear and guilt and horror slammed into him at a million kilometers an hour and left him halfway between dizzy and nauseous. His fingers tensed at his side, desperate to do something, fix what he'd so obviously broken. Heaven would be on the front step any moment. It was too late, wasn't it? It was always too late. "Crowley—what?" Aziraphale breathed, mouth twisting into a brutal, terrible, heart-wrenching sob. Crowley ached, panic lancing through him like a knife. "I—I really, I can't. You could come with me." He stepped forward, moving to place his hands on the demon's shoulders. Crowley leaned into the touch, almost unconsciously. "Don't go," he croaked, tears beginning to prick his own eyes once again. This time he didn't reach for his glasses, didn't try to hide his fear. If he was going to do this, he was going to do it right. And then Aziraphale could hate him and his desperate, hungry, reverent love in the aftermath. "Don't go where I can't follow. Please".

His angels blue-grey eyes searched his own, and the weight of his gaze was impossibly heavy, pressing down on his chest like a river-smoothed rock. "Crowley, please. I don't understand. The Metatron said—" His palms found the sides of Crowley's throat, thumbs resting gently on the side of his jaw. Crowley sucked in a breath. "Angel," The scent of earl grey—of old books and soft tartan chairs. Aziraphale's hands were shaking. "I know what the Metatron said," he intoned, soft as rainfall. "You can't go. It's not—they won't change. You're better than that." "But you could be an angel. With me," he murmured, soft thumbs running across sharp cheekbones. "Be my second-in-command." "Don't want to be. Want t' be an us," he felt tears—traitorous, burning tears tip over the edge of his lashes and fall against his face. "Crowley, darling, please." A beat. "I love you." The bottom of the world dropped out from under him in that moment. Aziraphale loved him. He loved him and he'd said it aloud and now it was out there in the world and it was as though every nerve on his body was on fire. His angel pushed on, "Truly, I love you. I need you with me. Please, come with me. We can do good, I know it." He could never say no when his angel asked something of him. Especially not when his kind, gentle hands were holding him like something good, something precious. Especially not when Aziraphale had just admitted to needing him, had injected the word with so much warmth he thought his all-too-human heart might beat clear out of his chest. But there was a first (technically, second) time for everything. He drew in a heavy breath, and tilted his head, breaking his angel's hold on him. Aziraphale's hands—now empty, still shook. He made a soft whimpering sound, and Crowley ached to kiss his fingertips, banish the fear. But instead, he looked up towards the ceiling, to a God who was not there—who maybe had never been there at all. He felt the Heavenly Host drawing near, a sense of hollow emptiness, the scent of absence. This was the time of last-ditch efforts, of holding his heart out and hoping Aziraphale might take it as it was, bruised spots and all. "I can't. I won't. I need to be here, on Earth, with you." "Crowley, please. I don't think you understand what I'm offering you," he huffed. A residual shard of anger stabbed at him then, and he turned his gaze sharply back to the angel before him. "Oh, I understand perfectly well, angel. I'm fairly certain I understand better than you do." Aziraphale's mouth drew into a thin line, tears welling fresh in his eyes again. And still, Crowley ached. A beat. Something in the angel shifted, then, turned on its edge—the walls beginning to go up again, and it was just like it had been not fifteen minutes ago. He was watching the same moment play out over and over again; some cyclical, torrential nightmare. "I would like you to come with me, but," Aziraphale paused, voice breaking in the middle. "But I'm leaving, with or without you." And there it was, like it was predestined. Despite the love, despite the want, despite every shared bottle passed between them, every half-accidental touch and glance and whispered word—despite the way he would’ve let Aziraphale run a sword through his chest... It wasn't enough. It was never enough. They were re-enacting their old magic trick, right there in the bookshop, this time with Crowley staring down the barrel, letting Aziraphale pull the trigger. Aim for my mouth, but shoot past my ear. Aziraphale wasn't shooting past his ear. His bloody ribcage felt as though it might splinter apart. Wingbeats in the distance, a grief wide enough to drown the sea. Crowley reached down, pulled his sunglasses from their resting spot against his clavicle. And then the hunger in his eyes was once more hidden, and he was walking towards the door like a man headed to execution. "Crowley—" Aziraphale nearly keened, the wall crumbling for a split second. Without turning, Crowley said the only words he could think of. "I forgive you."

#did i steal some lines from one of my own fanfics??? yes. yes i did #because im tired and i don't want to come up with more metaphors for time warping rn. so hush <3 #good omens fanfiction #good omens angst #THIS WAS SUPPOSED TO BE LIKE 300 WORDS LONG #FUCK I FUCKED UP IM DEHYDRATED AND IM SUPPOSED TO BE WRITING AN ESSAY WHAT THE FUCK #idek what this is i literally have not edited one tiny little bit of this. i just came up with everything as i went along so i apologize #ignore the fact that the dialogue/pacing/ideas diverge from canon shhhhhh im too tired to look at source material #ehhh dunno how i feel ab this but whatever here's something (???)#take a shot every time i say chest or heart or ache or tremble #good omens #crowley #ineffable husbands #good omens 2 #aziraphale #aziracrow #go2 #ineffable lovers #ineffable wives #good omens season 2 #crowley angst #final fifteen #aziraphale x crowley #crowley x arizaphale #david tennant #michael sheen #ineffable divorce #good omens fic #good omens fanfic #gomens

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technicolouredmonochrome · 10 months

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so i have this theory that, as much as we the fandom can see that crowley is in love with aziraphale, crowley himself, the character as canon in the series, doesn't actually know that what he's feeling is love. he doesn't actually know he's in love with aziraphale, and season 2 is going to help to flesh out his side of the romance more thoroughly.

someone who is more entrenched in good omens lore can probably do a better deep dive, but I've always found crowley's little kindnesses to aziraphale as things that he has to frame as an exchange, or as possibly beneficial to his own needs first. even all of the working together in modern day to avert the apocalypse comes across more as crowley behaving like an individual that is terrified of being alone and feeling like he needs the extra assistance to keep his independence from an organisation that he wants no affiliation with. so he has no choice but to resort to asking aziraphale for that assistance, because who else has as much of a stake in the end of the world as him?

and when the bookshop burns down, there is a moment where he's freaked the fuck out because he really truly is all alone and he has no idea how he's going to manage by himself. but the idiot will never, even under pain of death, be able to admit to himself that what he feels is love for the angel. he says "best friend", he rants about becoming a demon because he thinks he's going to be tied to hell forever once the apocalypse begins, and he laments and cries about it to the bottom of a bottle.

so i have a feeling that that's what season 2 is. season 2 is crowley's "the blitz" equivalent for aziraphale. it's him realising that he wants aziraphale not because he's terrified of being alone, or because he needs aziraphale's help. it's him coming to terms with the fact that he's hopelessly smitten with the angel, and that's why "you go too fast for me crowley" had hurt him so terribly all those years ago, even though he could never understand why.

we were seeing the crowley/aziraphale relationship in season 1 through aziraphale's perspective. hopefully, this means that we get to see the same relationship through crowley's perspective in season 2!

#ineffable husbands #good omens #good omens 2 #idek but if they don't at least hold hands during the second season then what even is the point???#okay but this is truly brain rot if it makes no sense please ignore me

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hellsingmongrel · 2 months

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Man, so I'm not normally the biggest fan of Modern AUs, nor am I overly fond of fiction focused on kids, but...last night, my sleeping brain decided to concoct this Trigun (Stampede-flavored) Modern AU that now is living rent free in my damn brain! I want to get it out of my head and into the ether. I don't know if I'm going to do anything long-form with it, and I'm having to translate dream weirdness into more coherent storytelling, but here we go.

So it's modern day Earth, like 2024 or some shit, right? And that's when this version of Earth had just begun fucking around with Plant cloning. It's early enough that the SEEDS project hasn't even left the planet, the scientists haven't yet figured out how to put Plants in bulbs and use them for fuel, none of that! But they've already had Tessla happen, and the boys have already been born. Since they're not in space, even though they had to have found out about their sister, Nai hasn't had a chance to literally nuke humanity from orbit, and I guess Rem has had a chance to try and curtail some of his trauma, so he's...more stable? Ish? Stable enough where he's not actively trying to murder everyone. And the boys are "older," like we see in the flashbacks for the time Vash encountered Nai during the Last Run, so probably around 6 years old but looking 16 or so.

Rem has managed to fudge their paperwork so they've started going to school with human kids, to try and give them a normal childhood. Nai isn't as eager to play ball with the whole "being human" thing as much as Vash is, but Vash has got so many friends, Meryl and Milly and Lina are there and they're like the cutest, most stupidly adorable group of friends, just a bunch of little goofballs, like kids that age are. And the school has a field trip to a theme park (it was Disneyworld in my dream because my school actually did this, but ours was a band trip) and Vash manages to convince Rem to let him go. Vash and Nai and Rem are still paranoid about humans figuring out who they are, so you know, he's told to be extra careful and take care of himself, and Nai gives him one of his blades or something for self defense, just in case something happens. Even though Vash would never, that boy has trauma around knives and trying to defend himself, if you've read Trimax, iykyk. But he takes it anyway, and somehow, he manages to sneak it into the park. Maybe the metal doesn't register on metal detectors or something, who knows.

But he's a kid, and kids are dumb. Especially when they're 16. Especially if those 16 year olds aren't actually 16 and don't have the actual lived experience to know better. So he starts playing with the knife in front of the girls, showing off and just being a silly little guy. And then the knife slips. Bad. We're talking "this is how he probably lost his arm in this AU" bad. Blood everywhere, the girls are panicking and take him to the school chaperones and it's like "HOLY SHIT WTF DUDE, We're taking you to the ER, someone call his mom!"

And he hears that, pictures the doctors finding out he's not human, remembers what happened to Tessla, and panics. Boy does a runner like only Vash can do, and he manages to get away from them, out of the park, and escapes from security. And when parents get involved in trying to find him, the authorities start looking into the incident, and someone in the government overseeing the Plant research is able to recognize the elemental make up of the blade he dropped, and they start having suspicions. So the feds get involved, and it just goes from bad to worse, right?

Meanwhile, loopy from blood loss and panicking and a little sobbing mess because he feels dumb about slipping up and he's afraid he'll never get to go home to his mom and his brother again and is spiraling the way kids do when they panic, he gets lost in the city and ends up stumbling over teenage Wolfwood, who lives on the streets and has a few street kids that he looks after on his own with Livio. They never got to live at the orphanage, but that also means that the Eye (in whatever form it takes in this AU) never got ahold of them, so yeah, shits fucked for them, but it's actually a whole lot better for them than it might have been. And it's Wolfwood without all of the EoM trauma, so you can just imagine what he does when this delirious, bloody, terrified, severely injured kid runs him over in the street, sobbing about being caught by the adults and taken away.

Big Brother Nico do what Big Brother Nico do.

At that point, I ended up waking up, but damn if my brain didn't give me enough details to come up with a dumb AU idea that I kind of love and want to do something with, but I don't know if I have the time or spoons to do so.

Ideas I'd had following this beginning to flesh itself out in my head; Luida and Brad are Plant researchers brought onto the project to help the feds figure out wtf is going on with this whole situation, and when Luida is told to talk to Rem, because she's not giving them anything they can use, the two of them reach a secret accord to bring Vash home safe and sound and cover everything back up nice and squeaky clean the way it should have stayed.

Vash's arm is bad enough that he can't really heal it very well on his own without medical care, Plant healing or no. He's doing better than most kids would, but it still begins to go septic, and it forces Nico and Livio to make the really hard decision to find adults they can trust to bring him to so he can get the care he needs. He still ends up losing his arm, though.

At the end of everything, Melanie ends up taking Nico and Livio and the other kids in, so they still get to have their momma figure, even if she comes in later. Maybe she's the one that they find to help them. Is she maybe someone they've known was mostly safe but was never able to get them to stick around long enough to take care of them? Either way, the boys get Vash to her, and it starts the process of getting him home and the kids finally staying at the orphanage.

Meryl, Milly, and Lina all end up sneaking away when they realize that Vash is in more trouble than the adults are letting on, trying to go find him, since they know him better than anyone other than Rem and Nai. Eventually, they meet up with Nico and Livio while everyone is trying to avoid federal agents.

Obviously it's lovey-dovey Vashwood and Insurance Girlfriends and Polygun-flavored, but in the "these kids are too oblivious to think about sexy things, yet" sort of way, because I really do headcanon that at least Vash is ace, Wolfwood is probably demi, and also I am not writing children getting intimate like that. >8/ But kids having little crushes on each other is adorable and I can't not have Vashwood and Insurance Girlfriends be the eventual outcome, once those idiots all grow up and get their heads screwed on straight.

Also, because Nai hasn't had a chance to murder everyone, Rem's managed to work with him enough that he's very slowly overcoming his trauma and regaining his ability to trust that he's not in permanent danger. He'll probably grow up to be a Plants Rights activist or something, lbh. Or a politician. But he's not going to murder people, so either way, it's a win/win!

Because Nico's been living on the streets with him, Razlo either hasn't had to manifest as strongly for Livio, or hasn't manifested at all. Livio is still the sweet, shy, crybaby teddy bear we see, and maybe Razlo only comes out when the feds start getting closer and almost managing to grab the kids, and because he's been able to bond with Nico and the other kids so well this time, Livio is close enough to them that the thought of them getting hurt or taken away is enough to make him want to protect their little group instead of just Livio.

Wolfwood absolutely grumbles about how alike Vash and Livio are. Both a couple'a crybabies, geez, what the Hell you two??? But he also is very much a teddy bear who gives the best hugs when one of his little band of gremlins is upset, so he probably spends more time in a cuddle pile than anything else, now that there's two of them to lose their shit at the drop of a hat.

Vash was totally the one very sweet boy in a clique of girls that everyone who'd known him realized, when they were adults looking back, that he was very much the sweet gay kid hanging out with the girls because it was safer to be himself around them than it was to be around the other boys. (This isn't meant as a stereotype of gay kids, this is based on actual kids I grew up with. My friend group honest to God adopted them because we were all a bunch of momma bears.)

Vash is also...not trans? Because he's a Plant and Plants don't work the same way humans do, but he's also not what humans would think of as a cis boy. He expresses a masc presentation, but probably the closest equivalent would be an intersexed kid. Nai, too, tbh, though he's probably more of the "I don't give a fuck" opinion when it comes to his own gender identity. He uses he/him because that's what humans think when they see him, but he doesn't care any deeper than that.

#Trigun #Trigun Stampede #Trigun Maximum #Modern AU #Vashwood #Polygun #Insurance Wives #Random idea ramblings idek I just have this in my head now and I'm going to make it the world's problem!#Also any ideas anyone else might have about this would be fun to hear #I don't know that they'll become part of my own headcanon on this weird little thing but I always love throwing out random ideas with peopl #What even are the Eye of Michael doing in this thing?#IDEK maybe they're the feds chasing the kids down #Also I wouldn't be at all surprised if Nai did a runner on his own after he found out Vash was missing because he needed to go save him #I honestly imagined the whole thing ending up being a media shitstorm #“Young Boy Goes Missing From School Field Trip; News At 10!”#“Is Missing Boy Secretly An Alien From Outer Space?”#“Federal Agents Are Now Searching For Known Delinquent Youth In Case Of Missing High School Boy”#That sort of craziness on the media that makes it impossible to ignore Independent Plants #And starts the entire Plants Rights movement when the truth comes out or something

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ovaryacted · 4 months

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This is gonna be a longish analysis post but just walk with me for a bit. I don’t even know where I’m going with this, but I’m going to talk about Leon’s humanity and how important it is to his character.

The topic of goodness, morality, and humanity when it comes to a zombie apocalypse is something I always find interesting. It’s huge when it comes to depicting what is defined as “good” in a universe where the living are amongst the dead and they are left to survive by any means necessary.

I’m currently rewatching The Walking Dead from the beginning, and I want to focus on Rick Grimes and use him as an example. When we first meet Rick, he’s a sheriff, a good man with a wife and a child (Carl) that he loves dearly. He has community, he has a life, and all of that gets taken away from him when he wakes up in a hospital alone in the middle of an apocalypse. Early on in the show, the first 2 seasons really, Rick is depicted as a man with a big moral compass, he does right by people, he protects who he loves and tries to save whoever he can.

Towards the end of S2 into S3 and beyond, Rick beings to change after he starts killing humans who pose a threat to his livelihood on top of killing the walkers (zombies) as a means of survival. He begins to lose himself the more he kills and the more losses he experiences, because he carries the burden of being the leader and has to protect what he currently has. Killing becomes second nature to him, and he’ll do it without hesitation because he has to.

Within every zombie or monster apocalypse franchise, like TWD, The Last of Us, and Resident Evil included, you quickly learn that zombies aren’t the only things you have to be scared of, but the people that are also surviving alongside you who become corrupt and are a threat to you.

Throughout TWD as the story progresses, Rick faces challenges with other leaders like The Governor and Negan who are seen as a modern depiction of “tyrannical dictators”. These people constantly fighting with Rick in particular, are intended to make the viewers question who is good, and who is evil, because all of these leaders in comparison to Rick are seen as “bad people”. Yet, when Rick goes batshit crazy in S5 and does the things he criticized his late best friend Shane of doing (before he kills him), you start to wonder whether or not Rick is still considered a “good man” or has any humanity left in him.

Why am I talking about this you ask? Well, it’s because the same questions you get when thinking about morally grey characters like Rick Grimes from TWD, it can be applied to perceiving Leon Kennedy’s character from RE. Rick has been through hell and had to do what he could to survive and protect those that he cared for, the same way Leon wanted to do from the beginning except of course it’s a bit different in his particular case.

When we first meet Leon Kennedy as a character, he’s a bright eyed rookie at the age of 21. He’s practically a baby with no proper life experience, and he carries a sense of innocence that he doesn’t really understand until he finds himself smack in the middle of a zombie apocalypse of his own. After experiencing Raccoon City and barely surviving, he gets blackmailed into military service and has to work alongside the corrupt government for years fighting against what essentially ruined his life. He was never meant to be a soldier, or a government lap dog, he was told that from the start of his military career. But he was essentially groomed and molded out to become one by force, and that would make anybody turn cold.

Leon at his core, is someone who is so selfless and heroic that it’s tragic to see how he’s changed as he gets older, of course none of it being his fault. His entire perception of the world gets flipped upside down, and he no longer believes that there is “good” in the world, that there is no justice and the reason why he joined the police force (to protect people) is a fallacy. He’s a good guy that gets thrown into the worst possible situation, and he grows numb and detached from reality because he doesn’t see a point in continuing to fight for a world that will destroy itself.

Despite his thoughts and his traumas, his humanity remains intact. Even when he’s been on so many missions knocking on death’s door, he continues to fight. Of course, a big reason being because of Sherry and because he has nothing else, but at the same time it’s because he still maintains some sense of his moral code after everything happens. He easily could’ve become corrupt with his bitterness and anger towards the government after all the trauma he experienced. If he wanted to he could’ve become like Krauser, or Jason, or even Dylan; trying to gain some power because there is no justice or morality. He also could’ve just ended everything a long time ago if he really didn’t want to live anymore. But he doesn’t. He still helps people, he still wants to save them, and he lives by his own personal mantra: If you don't try to save one life, you'll never save any. (In Degeneration)

And we see that in practice multiple times throughout the times we get to see Leon:

RE2 w/Sherry and Claire, and also trying to save Ada and Marvin

RE4 with Ashley (Luis is questionable but both his death and Krauser’s impacted Leon too)

Infinite Darkness with his team, Claire, and seen in how he treats Patrick

Damnation with how he tells Buddy that he shouldn’t kill himself because he owes it to the people who died to stay alive (kind of questionable cause the delivery was wrong but yeah)

RE6 in general trying to save everyone against Simmons

Vendetta helping Chris to fight against Arias despite being drunk and suicidal

Death Island trying to take down Dylan with everyone else

Leon’s humanity is so fundamental to his character that it’s the one thing that really makes him stand out (of course the main character have their humanity but I’m focusing on Leon in particular). The fact that no matter what happens or what he says or what he’s been through, he still somehow carries the same thinking he had when he became a rookie cop in the first place, and honestly it’s admirable. It’s one of the things that really makes me love him as a character. He’s just a good man with a heart of gold in a shitty situation, even though he doesn’t he’s a good person, and somehow underneath all that trauma, a part of him he still cares enough to keep fighting.

#ovaryacted thoughts #leon kennedy #leon scott kennedy #leon s kennedy #resident evil #resident evil leon kennedy #idek what I was talking about but I hope it makes some sense LMFAO #I just get on here and start yapping geez #I made this at like 4 am last night okay #ignore me #I just be thinking

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