okazyyyy here we go. parts from murder drones eps 6-7 that really tickle my brain that i never see people mention like ever (if you come into the reblogs or comments of this post being like "why didnt you include (x part that everyone talks about)!!!" then that is why. and also i am going. to Eat You.) this isnt really going to be organized or anything. basically just me being abnormal about sounds and movements and other minuscule details that im really fond of for however many words
okay, first thing is gonna be a sound thing. i absolutely LOVE the beeping sound uzi's visor makes in this part. i really like sounds.
cant get a good screenshot of the movement cus.. yknow. duh. movement. but the way alice moves from there to the ground to where v is so. idk. fluid. its so fun to look at i really like it
the finger snap here. i love this finger snap. the noise. the movement. its so good. its so crisp. i love it
the lighting on uzi's face. forgive me for using the word crisp twice in a row but its crisp. its really good. okay
and the lighting on n's face here??? the colors are so harsh. i really like looking at it. okay. i feel like im not writing enough to just describe how much i like the lighting here. i really like it. its cool. okay i think its cool. i dunno
i really like this hallway. thats it. thats the section. the way the camera slowly tilts just a little bit while it zooms in? the way the slowed down music in the background almost sounds like alarm sirens? like okay
another thing i cant capture properly because, duh, movement! but the way the red sentinel kind of dips down here? i dont know why it did that but it slayed. and id like you all to ignore the fact that my nyan cat youtube bar got caught in the screenshot
the sound effect that plays here when "tessa" cuts herself with the sword. i dunno. its just a really satisfying sound to me thats all
another thing about sound effects really close to the last one but. the sorta crunching noises that uzis hand being contorted here make. im normal about sounds i promise. ok on to episode 7
the lighting here. on nori. insane. im not normal. as mentioned before with n i love this kind of harsh lighting especially with the drones it just looks so visually appealing
okay ANOTHER part i cant properly capture. this bit where it zooms in on the screen and shows the elevator. im. not normal about it. i really really like it alright.
UGHHHH THE WAY UZIS HAND MOVES HERE. THE MOVEMENT. THE FLUIDITY OF IT. IM ACTUALLY OBSESSED. AAUUGHHHHHHHHHHGGGGHHHHHH
LETS EAT!!!! DUDE. UGHHHH. AUGH. i LOVE this part SO MUCH you guys have no idea. im obsessed with it. the line delivery. the pose. the shot. the implications. the way that its just such a simple and commonly used phrase. do you get it. do you understand. genuinely one of my favorite little parts in the whole series im not kidding. let's eat
o-o-o-o-ow! ! !!! i always love the glitched voice effects alright. and that combined with the movement of nori's body being forced back by the crucifix. idk. i dunno man. i just like it
and UGH. LITERALLY right after that. the lighting flash just as she pulls it out of her face????? i hate this show so much guys. aughhhhhUGHHHHHHHHH AUGHJJ
grrrr this part. i literally NEVER see people mention it but. the way uzi.. the solver.... uh. whagever. the way their eyes sorta wobble when they turn to look up at n and nori. its a really cool movement to me i dunno
THE CRUNCHING NOISE WITH THE MOUTH GETTING PULLED SO FAST FROM A TINY FROWN TO A HUGE SMILE LIKE THAT??? EWWW????? INSANE. CRAZY. I LOVVE ITTT AUGH
no comment needed. the 😁
ok im kinda putting a lot of stuff from this fight on here. forgive me. its got a lot of really cool stuff. this part like. like. the way all the sound gets kinda muffled and crunchy.. aughh.... i love it. hurts me in my bones. 10/10
ok bit of an unusual thing to point out here but. the solvers flapping here. its so strange. it looks so weird and mechanical to me. in a good way i love it
the hand twitch. no further comment.
eugh. this part. the way the coagulated blood (???) almost jiggles like jelly. eughhh ewwwwwww. why are you like thattttt. (positive! i love blood.)
drone sound: much, crunch (i REALLY like the sound effect that plays when uh... flesha. bends down and Crunches dolls core. the sorta glass breaking sound. sorry doll.)
the fucking frog blink. why are you like that. i hate this thing so much.
the music that starts up right as j lands.. eughjghgjhhhh. augh. dies. also side note that i wasnt able to fit really anywhere. but i love the sound that the ship makes. dont know how to describe it but yknow what im talking about right
the fucking. sound effect. of uzi stabbing her own hand with the protruding bone. crunch. i really really love crunchy crunching sounds. theyre so good. one of my favorites honestly
uh. okay. well thats it thats the post. thanks for coming to my Autism. walks away
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Am I still a STAY if I don't have any skz merch? Or a nachimbong?
if you like stray kids then hell yeah! Being a stay (or any kpop fan for that matter) is about the music and whether you love it or not and thats it. You're still a stay if you dont watch all (or any) of their content, own any merch/albums or even dislike some of their songs (there are a few i dont like)
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i didn't want to leave a wall of text on that muse post by @marxistgnome but i love it so much and this is going to be so rushed but i could go on and on and on about b'elanna and storytelling and narratives. this got really long and so under the cut it goes
it all really ties into that post i once saw about this consistency with b'elanna episodes where they reveal more about her as a person through her interior life- her thoughts and dreams and visions... what she does when she's alone. and muse really gives us this close up look at the way she sees things and what she cares about through kelis - the stories she tells him and the way she interacts with him- because he gives this good intimate portait of the world as b'elanna sees it- as she's described it to him (almost makes you wonder what she was considering there- whether she thought she should tell someone their stories because they're stuck in another quadrant and might not make it home, or if she thought she wasn't going to get off that planet and might not make it back to voyager)
and of course he's crafting a play so there's room for his own creativity but b'elanna tells him their story really well and she cares about it and you can tell. she cares a lot.
we get another really good look at this in barge of the dead like famously- and it's so consistent in that episode too because she's on the barge and she recognizes kortar from the stories her mom told her as a child and he directly acknowledges that. he says she believes in grethor and in him and she believes because her mother told her the story after she nearly drowned in the sea of gatan. remember prophecy? she's recounting the whole heroic battle with the borg to the klingon generation ship that think baby miral is their savior and the whole scene is framed like (at least it felt this way to me) that for all she says about not being familiar with klingon culture in any respect, the way she interacts with storytelling especially reveals the depth of her understanding of it- shes telling the story and she's telling it really well according to klingon custom and the first thing the visiting klingons do after she tells it is compliment that ability. and its sooo much.
when her and harry are going back and forth at the end of muse and she just goes harry have you ever inspired somebody? when he asks why she even cares so much about the ending of kelis' play. there's just like this klingon belief about living a life that's worthy of being shared with others- like when in day of honor the hologram is evaluating whether she's spent her year honorably and asks her what she's done with her life that's worth celebrating and she can't answer and he tells her that she's giving him excuses. and the direct parallel that could be drawn about how she feels about that with the janeway vision in barge of the dead where she's being condemned and the whole reason is that she's done nothing worthy of glory- 'nothing worthy of song and story.' my goodness
even when she convinces janeway to let her go back to the barge- janeway says it's not real, that she won't let her risk her life for something that she only thinks she experienced- but b'elanna tells her it doesn't even matter if she thinks it was real- that it was real to her and she cares about what her mother thinks of her and she doesn't want her to die thinking badly of her.
we see this with worf, of course the angle we're given is honor and truth and duty- but how you're remembered and talked about is important, even from generation to generation- disgrace in his family is disgrace for him. when they accuse his father of being a traitor at khitomer, it's important to him that his father be remembered as he was - truthfully, honorably, as someone to remember well (even the titles and names they give themselves being little retellings of their lives and the members of their family- on memory alpha worf isn't just worf, he's worf, son of mogh, of the human family rozhenko, mate to k'ehleyr, father to alexander, husband of jadzia, bane of the house of duras, slayer of gowron etc etc.)
((sidenote but b'elanna never in her life introduces herself as b'elanna daughter of miral always as b'elanna torres but on the barge of the dead kortar calls her miral's daughter immediately. and if she's partially from this culture where naming and titles are so important in that respect and b'elanna thinks her mother is. not what she wants to be known by not what she wants to be identified as it's soo relevant to what she calls herself. roxann dawson said that b'elanna wanted to be 'human and perfect' like her father and so she's not ' b'elanna daughter of miral' anymore because she doesn't want miral to be a part of her story, how she's remembered. so it's belanna torres.))
anyway this same- dedication to truth we get from worf and his father's memory we see even with b'elanna in 'remember' where she gets those telepathic dreams/visions from the alien woman about what really happened with that group of people they oppressed. the crew discover that the dreams are starting to affect her health- and so they offer to suppress them, take them away and b'elanna just refuses. because how else will she know what happens to them? who's going to tell their story? and she shares that story once she has it with anybody who will listen because its worth telling.
i'm going a little crazy but klingons and writing and literature and song and stories and living memory its all so. it's ridiculously important culturally. and how that translates back to b'elanna is so fascinating
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what's good about a pilot falcon?
HI!
The Pilot Falcon (older generations were sold in the US as the Namiki Falcon for whatever reason) is a japanese fountain pen manufactured by Pilot!
it's often referred to as the best modern flex pen, or the best gold nib for a beginner! Tldr for people who aren't pen nerds, a flex pen is a pen that...well, flexes! Most pens have some sort of "flex" to them that results in some sort of line variation, but flex pens can handle a relatively higher amount of pressure. Think like a G nib used in a lot of manga. Old pens were the MASTERS at this, and a good bit of that is due to the nibs being made of gold, which naturally has a "bounce" to it that modern steel nibs have a really hard time living up to. Most people wax poetic about Waterman or other vintages like that because of it. Even modern gold nibs can't really keep up with the gold nibs of yore, but the Falcon is considered to be one that can. I do think legally it's considered a "soft" nib, meaning it's not truly a flex pen but has a lot of flex qualities to it, but some terms that get used are used interchangably so. idk. True flex nibs aren't really a thing in fountain pens these days outside of Noodler's Ahab and Konrad (which are their own nightmare and a half tbh).
The Falcon prized amongst artists for it's very fine nib, which Japanese pen manufacturers like Pilot and Platinum are known for. A Japanese Fine is comparable to a Western (Kaweco, Lamy) Extra fine, and a lot of these pens come in an EF, F, and M. It gets alot of nice line variation despite being so small, and is really an all-around great pen, if legend is to be believed :]
An alternative to buying the Pilot Falcon would be getting the Pilot 912 FA, which has something called the "Falcon Nib," not to be confused with the actual pen. They actually look pretty different. The FA nib (right) has these weird cuts on their side that help with flexing and allow it to mimic a full-flex nib, but again. According to legend, modern pens don't flex like vintage pens do, but it IS pretty close.
(sources mentioned in alt text)
I've never used either myself, but I'm pretty picky about my pens and so I don't know if I'd ever pay upwards of $200 unless I got familiar with the nib first tbh....The falcon's nib isn't offputting to me like many feel about it, but I'm particular about aesthetics and the feedback on paper and I can't tell if I like them just from looks alone lol. Right now, I don't have much experience with pilot nibs, but if i were to get a pilot pen, tbh I'm looking at the Pilot Elite/e95s in a fine or medium, or a vintage platinum pocket pen.
Anyways that's that and this is also that. *twirls so elegantly and then collapses onto the ground in slapstick fashion*
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best and worst The Clash song?
excluding any song from cut the crap bc everything on that album is objectively the worst, i def think ghetto defendant is the worst clash song simply for having allen ginsberg on it. fuck that guy. combat rock is already a mid album but his presence just makes it so much worse
as for their best song...its white riot. i mean ofc its white riot. how can it not be white riot? its everything great about 1976/77 era clash distilled into one song. punchy and politically resonate lyrics, fast and catchy, joe giving it his all on vocals, and tons of fun of listen to. it makes you want to get up and pogo but the message behind the lyrics sticks with you long after the song has stopped playing
but my personal favorite clash song is stay free. mick has always been good at inserting real wistful longing into his vocals when its time for him to sing. you dont need to know that the song is based on a true story to tell that mick cares a lot about the person hes singing about and means every lyric from the bottom of his heart. its a powerful song and, like a majority of clash songs, the lyrics are some of the best ever written for a rock song
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