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#idk what this is but i want threads
inkskinned · 11 months
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it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.
yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.
it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.
how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.
chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?
how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.
"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.
i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.
#writeblr#warm up#i can't write rn but i have SO much words in here bc im reading the chorus of dragons books#(just started book 4)#and this woman's writing is just LIVING in my brain. let me out!!!#(i read roughly like 2-4 books a week usually bc i go on long walks with my dog but when a book is REALLY good like. it eats my life. )#anyway ...... so like here's a story that idk i've tried to explain to other people as being wild#but maybe im the only one who thinks it is wild???#so i play pokemon go (i just started in jan) bc i love pokemon and as i have mentioned i walk goblin for like an hour in the morning#and i don't like a lot of fitness trackers due to the fact it makes me .sad. but i also wanted the little digital rewards. enter pokemon go#anyway so they make you make friends to complete quests. so i used a reddit thread. i do not usually use reddit. i don't have an acct#i lurked. i just googled like ''pokemon go reddit '' and randomly added a bunch of numbers#i was on that page for all of 15 minutes. there are THOUSANDS of responses on that page.#here's what's wild: in that group of people. even though i am not on reddit and it was one random event once#it turns out one of those people lives in the town i live in. or at least very close. i only know this because#when we send each other gifts. it's from the same freaking area.#i can't ask them to meet up bc pokemon go doesn't have a messaging app lol but like . what are the fucking chances that#a random person posts in a random reddit thread and HAPPENS to get added by someone ELSE from their SAME TOWN#who by pure fucking CHANCE is ALSO playing pokemon go and looking for friends#i googled it there's only 42000 people in my broad region. the .......... smallness ! of the world!!!
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niinnyu · 3 days
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Here's why I think the Gojo bait is not great writing and why you should maybe think so too (Spoilers till jjk 260).
We've spent the last few chapter consistently establishing a few things about our protagonist (Yuuji) and our antagonist(Sukuna).
1. Yuuji's father's soul is a reincarnation of Sukuna's twin: This instantly creates a connection between Sukuna and Yuuji.
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As if you needed one outside of Sukuna's constant mockery of his former vessel's lack of "competance", and that most of yuuji's biggest losses can be attributed to Sukuna, building his wrath brick by brick. But surely adds to it all.
2. Yuuji feels incredibly lonely right now: Anyone he's created any sort of meaningful (?) Bond with outside of just 'hey you're an ally I can fight alongside with' is currently either dead or greatly incapacitated.
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3. Also ofc the absolute damage that Yuuji has started incurring on sukuna. Damage that the slew of sorcerors before him couldn't. Forget about everyone teaching him abou love, Yuuji will show him Burning Rage.
This while also having hinted at Yuuji being possibly strong enough to do so on his own. He can go head to head with the King Of Curses with or without the help of his fellow sorcerors once he is able to harness this power.
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Anything that was Gojo vs Sukuna feels absolutely irrelevant with the build up that Gege themself has been creating through the past few chapters.
Gojo's form right at the end of the chapter undercuts the pacing completely. Readers are more interested in those last 2 panels of Gojo which are completely removed from and rather jarring to the buildup between Yuuji and Sukuna. Fan interest in Gojo isn't their fault because that's what the chapter makes you focus on.
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The only way I see this continue the buildup is if this is somehow Yuuji's doing or done with his knowledge, in which case it'd have been better to end the chapter by showing that Yuuji is aware of it and has an ace up his sleeve, bringing it back to the 2 relevent characters, and for people to stew in what Yuuji could be up to for a week.
But no matter what Gojo's visage there means, Yuuji in this moment has been so greatly undermined, not by his lack of strength, not by Sukuna outright demeaning him, but by the writing itself. By Gege.
And oh, how Yuuji deserves better.
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saltpepperbeard · 4 months
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:(
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torgawl · 22 days
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instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:
crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".
kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.
irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.
irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).
crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.
the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.
“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.
there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.
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softerhaze · 9 months
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hello.....yes im still in my bg3 hole...anyway, look at my fave evil little slut
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madeimpact · 4 months
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Who can I bother for Quadratum threads
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mummer · 1 year
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whats fun about barry as a protagonist vs other Morally Complicated Guy Shows is that he seriously has no ambition lol, his wildest dreams arent like becoming super rich or relishing in holding power over people, like all he wants is simple happiness, maybe career success, normal life stuff, his wildest dreams are like…. being able to have a wedding. having a kid or two. and theres something reasonable about that, it makes him relatable for a while until the show is very clearly like No dude, that is a fucking serial killer, you should not gaf! and you’re like oh right lol. it’s crazy to make such a simple desire seem so malicious but still human
#like the true success of the show is that he feels just as entitled as walter white even though what he wants is so much smaller#L + serial killer + you’re a war criminal + you’re abusive + kys#barry#but i think it threads the line a little where by s5 of brba i had 0 care for walt i did not feel any emotional attachment#and tbh by the end i didnt even find the whole corruption arc interesting because he was just so painfully malignant and annoying#but barry wants sooooo little. and he’s sooooo stupid. and hes soooo arrested development 15 year old boy#that it still manages to be compelling and he still manages to feel like a human being#not a knock on brba which is incredible television obviously just doing different stuff#idk. something about how it’s tragic but also held at an appropriate distance so as to be laughed at too#like: the irremovable mark doing violence leaves on you.. the inescapability of it… IS sad! it’s sad#and most often IS the result of social conditioning and masculinity constructs and your dads friend grooming you etc#but it’s not the prime sadness. which would be of course the victims of that violence#like. duh#walter my reaction is just. Well i wouldnt do that. I would never choose to do that so who cares#but with barry. all he wants is to not be defined by the hurt he has caused. which is something everybody wants!#but the extents of that hurt are so extreme and are teased apart so well in the show. like theres 0 apologia just exploration#anyway if im doing brba comparisons barry is literally todd
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merevide · 11 months
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can’t take shipping drama in the yellowjackets fandom seriously sometimes bc it’s like. why are we fighting over this. all the yellowjackets are in one big fucked up relationship if u really think hard about it. anyway what we should be discussing is what warrior cats clan each person would be in.
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tricksterlatte · 4 months
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Anyone else think short form social media based on algorithms designed to promote topics that create more engagement instead of more joy, the idea of fast fashion but conveyed through social media, and the fact you can monetize suffering and outrage better than ever has largely resulted in the death spiral of media literacy and the mass emergence of bad faith readings?
#I may be venting a lil but god it blows my mind#fyp is a blessing and a curse because i don't think ppl were ever meant to be subjected to this many ppl at once#god i took a bird site hiatus for weeks and now BARELY check it and it already feels like a hit#oughhhhh#even fandom spaces have hugely incorporated marketing and networking into them bc of cmms and sponsorship and building portfolio#which would be fine tbh if it weren't for the way socmed is designed#now it's like you can't support too many ppl or else you're shadow banned or you have to make yourself palatable and marketable#and websites with threads in which people will only read the first post before qrting because ratios are seen as five minutes of fame#features that permit beating an algorithm are locked behind a paywall that promises you money if you go viral#and what goes viral is usually incendiary content meant for those ratios or trends. whether for or against OP#even in hobbyist spaces the climate has changed so much due to the monetization and marketing and just. ugh#not to mention side accounts dedicated to gossip in this new priv account culture like...idk#if you have to make another account so you can make fun of a friend on main with selected priv friends it just doesn't sit well with me#and not every priv account does this but enough do and it makes me tired#unsolicited hate comments are still as bad as they used to be on ff dot net except now people openly are proud of it more#why do most socmed feel like passive aggressive sticky notes on high school lockers#there is so much more I could say about everything that has left me weary about the internet but I don't know the time or place#and I don't want anyone to think this is about them because it's a general statement. though if you are doing the more inflammatory things.#maybe rethink that. it's not good for anyone else and it's not good for you either#I keep coming back online to check on ppl and see art and I *know* it's draining for my health every time#but I feel a lot better now that i use socmed less overall. and that I try to focus on what makes me happy#it just sucks seeing so many people i care about endure absolutely wild struggles bc people online do not care.#I like rambling in my tags because this is the only place I ramble except my personal journal and to my wife
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y’know, I still feel the most recent bsd arc ended really oddly
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being-of-rain · 3 months
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I just listened to The Children of the Future, and really enjoyed it (Sarah and the Brig were such a delight in it, and Tim Foley is definitely one of my favourite current regular Big Finish authors). But I found it interesting that Three seemed to think he was near the end of his current life, because that's a trope that turns up a fair amount in the Dr Who expanded universe. Basically every classic Doctor seems to know when they're in their final few years, (it sometimes feel like Seven spends half his EU life thinking about how he's going to die soon,) because the authors just can't help themselves. The stories are deeply rooted in the continuity of the TV show, and the emotions of the fans who are writing the new stories. So every time a Doctor reaches their final season they get a meta self-awareness about it, which is something that I don't think ever happens in Classic Who itself. Even in New Who, the melodramatic 'the end is coming' attitude only turns up when the Doctor is told so by someone else. It's just when authors are looking back on the show that authors add the knowledge in, as if it wouldn't have any affect on the character or stories.
I don't know where I'm going with this yet. It's not something I really dislike, because I'm a fan too, and I understand exactly the bittersweet place that the writers are coming from. And in some stories, like The Children of the Future, it works really well and adds an extra dimension to the character (which goodness knows is always welcome when it comes to a character as well-worn as the Doctors). But it's another instance where it feels like the Doctor is really in-tune with the timeline (or narrative) of themself and everyone around them. Things like that always puts me in mind of TV Movie Eight, who reads people's entire lives like a book just by being around them. Or even less deliberately than that: he instinctually, maybe even subconsciously, picks up on their destinies, like long-time audience members of a specific genre, passively recognising the tropes and character archetypes as they're introduced.
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fleurladari · 14 days
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not me having like a 2 hour discussion with my aunt on whether or not horror and writing "evil" things is okay or not .
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lilacsongs · 1 month
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“  —  that’s  enough  for  tonight.”  kyungsoo  snatches  the  bottle  away  from  eden,  before  steadying  the  tipsy  man  with  his  other  arm.  it  isn’t  often  that  he’s  forced  to  be  the  more  responsible  adult  between  them,  but  it  happens  from  time  to  time.  “it’s  time  to  go  back.” / @artisn
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daisywords · 10 months
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the good news: finally started* my new bookbinding project (making a sketchbook for a birthday present for my brother—I think I'm going to do some variant of a sewn boards binding if I can find some kind of card with the right weight. thinking of doing some kind of loz design or at least a sword on the cover? also I found the scraps of gold leaf I scavenged from the trash this has so much potential)
the bad news: it's 1 am and the high of starting something is making me. not tired
*folded the signatures and that's all
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lunanoc · 4 months
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PART III: WHO ARE KING SHANG OF LU AND THE IRON-MASKED GENTLEMAN, AND WHY IS IT EVEN IMPORTANT
finally we’re reaching the end of this thing
(to see previous disclaimers and context here’s part I and part II of this madness)
blanket spoiler warning for the books once again
more disclaimers, the entirety of this part is where i veer solidly into crack theory and full-on interpretation, so while everything i’m presenting here does have arguments based on sources that’s important we do love sources, it’s very much speculation and not hard fact
now that that’s out of the way, let’s get into the really wild stuff
with the various versions of “king shang of lu”’s and the iron-masked gentleman’s story, along with king mu of zhou’s story more or less unpacked (or as unpacked as they can be given we don’t know everything or even have a definitive truth), the real question then becomes what exactly you do with that information
based on what we’ve determined so far through the various versions of these characters’ stories, and taking into account the dubious nature of some or all of them to some degree, i feel there are a few base assumptions and conclusions you can come to, and that i’ll be working with from here on out:
the silkbook that wu xie found in “king shang of lu”’s coffin was indeed a fake, and was placed there with wu xie in mind, knowing that he would find it, and its purpose was to ease wu xie into the game the wu and xie families had been playing with the wang family. whether it was wu sanxing himself or the wang family who did it isn’t certain, and while either is a solid option, @tiesanjiaoshenanigans raised some solid arguments in favor of it being wu sanxing that you can read in their reblog here. in any case, it’s highly unlikely that it was xiaoge. grain of salt because i haven’t reached this point myself, but i’ve looked into a particular passage in ten years (Ten Years, Ch. 31, Key) where wu xie thinks back on the seven star palace, and while he does speculate that wu sanxing had a hand in using the silkbook jin wantang brought to him for his own purposes, wu xie also works on the assumption that it was xiaoge who swapped out a real silkbook for the fake one that contained the first version of king shang of lu’s story, and that his unease was due to recovered memories. granted wu xie does also speculate that he’d had the impression that xiaoge had been to the seven star palace several times before, which is entirely possible due to its significance in relation to “the truth of the world” (credit to @kelly42fox for speculating that maybe the headless corpse thrown into the sacrificial ding cauldron at the entrance of the seven star palace was in fact that missing blood zombie that xiaoge had subdued on a previous visit, and it was this memory that was triggered). however, while wu xie’s word is generally the most trustworthy simply because he’s dmbj’s main narrator, bases his assumptions on logic, and readily course corrects when he’s proven wrong (so in that sense he’s not the type of unreliable narrator who deliberately misleads the reader), he’s still a limited pov character, and what wu xie thinks he knows isn’t always necessarily the truth. because again, xiaoge planting the fake silkbook implies either he or chen pi ah si had a solid motivation for deceiving wu xie specifically, which seems odd all things considered
the wang family’s version of the tale of king shang of lu is the closest we have to the truth simply by virtue of it being the most detailed, of providing additional information that conveniently sheds light both on things mentioned in prior books and things mentioned in later books, and of it being a tale they clearly believe in. while it’s likely not the entire truth, both because they have a clear bias, and because they themselves are lacking key elements of this history, namely what “the truth of the world” is and what their feud with the zhang family truly stems from (Sand Sea Part III, Ch. 146, Wang Zanghai), it’s the best candidate so far
the iron-masked gentleman from the first two versions of “king shang of lu”’s story and the owner of the fox mask from the wang family’s story are the same person, and there might be more to his identity than you’d think
with all this being said, what’s left to consider is the possible identities of the characters in this story, namely king shang of lu, the iron-masked gentleman, and king mu of zhou, and the ramifications of those possibilities
let’s start with the iron-masked gentleman, as he’s arguably the most nebulous of the three, and for the sake of convenience i’m going to refer to him as just iron mask from here on out since that’s what he’s best known as
ironically however, the first detail i want to bring attention to regarding him is that he specifically wears a fox mask adorned with “patterns often found on bronze ware”, bronze ware being so precious a material at the time that it was used almost exclusively for ritual objects, most often funerary ones (Sand Sea Part III, Ch. 132, Lesson). later, we learn from the wang instructor that similar fox masks were correlated with a specific group of tomb robbers operating in shandong (where this story takes place) during the same time period (Sand Sea Part III, Ch. 134, Deception). based on this alone, i feel it’s safe to say that some type of parallel is being drawn between both iron mask, and if not this particular group of grave robbers, then at the very least the activity of robbing tombs. this detail will be important in a bit
for now, let’s look at how iron mask is presented to the reader in the various versions of king shang of lu’s story we’re successively given:
in the first version taken from the fake silkbook, iron mask plays a fairly neutral role despite helping king shang of lu to find the famed jade burial armor, which ironically in this version he also reveals the existence of to the man he advises
in both the second version briefly mentioned by xiaoge and in the third version given by the wang family, iron mask plays a more duplicitous role, either by stealing the jade armor for himself, or by sharing in duping the ruler of the state of lu to acquire his resources to find the jade burial armor in king mu of zhou’s tomb
according to the wang family’s version of the story, iron mask wasn’t king shang of lu’s advisor, but rather the advisor of the ruler of the state of lu, and as such, while he wasn’t in a position of direct power himself, he was in a position to influence said power, and he clearly did given he deliberately swayed the ruler of the state of lu into granting resources to rob king mu of zhou’s tomb. it’s also noteworthy enough to mention that the state of lu happens to be where confucius was born among other eminent scholars of the spring and autumn period, the intellectually prosperous period preceding the warring states period, and the one during which king mu of zhou supposedly began to implement his plan by incorporating the guarantee of tomb robbing into chinese tradition itself (Sand Sea Part III, Ch. 135, Stone Box). as such, the state of lu had a particularly important cultural influence on the rest of china both at the time and going forward. what i’m getting at by bringing this up is that iron mask was therefore not only in a position to influence the court of just any of the many states of the eastern zhou dynasty, he was in a position to influence one of the more prominent states of the time that had been a hub for some of the foundations of chinese culture for millenia to come. that iron mask was the one to recommend “king shang” to the ruler of the state of lu in the first place, clearly long before king shang ever had any sort of prominent position at court, further solidifies this idea.
and while there’s no direct evidence to infer that king shang, iron mask, and king mu might have been searching for and robbing tombs before iron mask ever brought up the idea of robbing king mu’s to the ruler of the state of lu, the previous connection between iron mask and the grave robbers with fox masks seems to hint at that possibility, and the narrative, by drawing this parallel, lends itself to interpreting iron mask and these fox-mask wearing grave robbers as some sort of organized collective
as mentioned in a previous part, the wang instructor explains to li cu that a number of these fox masks were found in tombs all over shandong, and that grave robbers of the time associated foxes with grave robbing because they’d often burrow in grave robber tunnels and around graveyards. what this then means is that, assuming these fox mask-wearing grave robbers and iron mask are indeed connected, then the activity of grave robbing itself is also connected to iron mask, or rather iron mask is connected to tomb robbing. as for the reasoning behind why someone would consistently wear a mask to the point their identity becomes eclipsed by it, the easiest answer is to assume that concealing their identity was maybe the point, and in the case of iron mask, given we have no information on his real name or anything else about him really, if that was his goal, then he clearly succeeded. therefore this fox mask he wears potentially has the dual purpose of both hiding his identity, and establishing some form of kinship with others who wore similar masks
to sum up then, iron mask was a man whose true identity and name remains unknown, who held an influential position in the court of one of the more prominent and certainly most culturally significant states of the eastern zhou dynasty, was associated in some capacity with grave robbing via kinship with a group of people who wore the same type of mask as him, and he used his influence at court to sway the ruler he advised into taking actions that benefited him in some capacity. as it happens, we know of at least one organized group of people in dmbj’s universe who also held influential positions in various imperial courts, are associated with grave robbing, and used their influence in spheres of power to sway rulers and/or the course of history in directions that benefited them and/or their endgame
do you see where i’m going with this
again, there’s nothing anywhere that can directly confirm that either iron mask and/or the fox-masked grave robbers were members of the zhang family or even associated with them, but there’s also nothing to technically disprove it either so i’ll just. leave the parallels here for people’s consideration
but where things get even more interesting is when you stop to then consider who “king shang of lu” might be
outside of the very first stone slab we get in the seven star palace that describes king shang of lu as having been “born with the ghost seal in hand” and the command of the army of the dead, if we assume that version 1 of his story in the silkbook that wu xie finds is dubious at best, then we don’t really get all that much about king shang of lu’s life or identity. the wang family’s version describes him as being introduced to the court of the state of lu as a descendent of the zhou emperor and as a “strange man” or “奇人” (qiren), which can either mean a “strange” person or an “extraordinary” person, as in having extraordinary talents, which arguably, given what his tomb looks like, he was (Sand Sea Part III, Ch. 132, Lesson).
beyond this however, there’s nothing in the wang family’s version to suggest that king shang of lu was anyone of note before iron mask quite literally pulled him out of thin air, as if he’d never existed until he suddenly appeared at court one day like a mysterious messenger from the beyond that the ruler of the state of lu, if not purports him to be, then may also believe him to be. the mystery persists with the tale of how king shang of lu supposedly gained his title by communing with the dead king mu of zhou to ask permission to open his tomb, since while we know that this perspective on what happened is in fact skewed by what the ruler of the state of lu who was tricked saw, and that in reality, king mu of zhou wasn’t dead, knowing this doesn’t answer how king shang of lu actually acquired the ghost seal or who he really is, if his identity is even significant. that he was “born with the ghost seal” in hand is likely a descriptor made to reflect him coming out of the coffin he’d been sealed as if “reborn” under his new title with the proof of his “covenant” with king mu of zhou. however, given the meaning of the name 殇 shang mentioned earlier (that is to say “to die young or at war”), and despite the explanation given of his title as a means to justify the subsequent robbing of king mu of zhou’s tomb, it nonetheless leaves you wondering why this name, and why specify that he was a direct descendant of king mu rather than simply “forming a covenant” with him? it could simply be that it was the most efficient ploy to manipulate the ruler of the state of lu into finding convenient moral outs, and there’s nothing more to read into it than the first step of the elaborate plan king mu of zhou had roped king shang of lu and iron mask into
but consider: we’ve established that while it seemed as if there were only two people working together, in fact there were three. but what if against all odds, there really were only two people in the end? after all, a third party is never really hinted at in the earlier versions of this story we get in book 1, unless you count the initial corpse in the fake silkbook version of the story that king shang supposedly removed from the jade burial armor when he found it, but that can’t have been king mu if king mu was in fact alive. what i’m saying is, what if we consider the crazy possibility that king mu of zhou and king shang of lu were in fact the same person
we know that king mu of zhou faked his death centuries before, and while he might have simply sought out and convinced king shang and iron mask of his identity, objectively, the less outside parties involved in his plan, the better. to be fair, it’s entirely possible that king mu used himself as a living example that immortality existed in order to bait king shang and iron mask into helping him, only for them to betray him later and successively take the jade armor for themselves. but if you consider the possibility that king shang was nothing more than an alias king mu used to “return to life” so to speak, it wouldn’t be less fitting of an explanation, as who could possibly have stood to recognize the face of a man centuries dead? of course, nothing really exists to solidly confirm this idea, which is the case for pretty much all of this “meta” that’s entirely speculation at this point but consider
after all, king mu of zhou saw “the truth of the world” in the queen mother of the west’s kingdom. i’ll come back to her briefly later, but we also know that to our knowledge, before wang zanghai, the zhang family were the only other people to have access to that “truth”. it’s reasonable to assume that king mu of zhou, having seen the “truth of the world” and returned from the queen mother of the west’s kingdom changed from it in more ways than one, might have also gained knowledge of another party who knew this “truth”. it’s equally reasonable to assume that rather than go through a third party and thus introduce an unknown variable into his plan, and seeing as king mu of zhou had been “dead” long enough that no one would recognize him should he choose to assume a different identity, it would have simply been easier to approach the only other party who both shared in the same forbidden knowledge, as well as presumably shared similar goals to some extent. and if iron mask was a zhang, then coming back to the previous point, given his particular social status, iron mask would have been the prime candidate for king mu to turn to for assistance. it also stands to reason that if iron mask was a zhang, then by extension a member of the zhang family would have accepted a mutually beneficial arrangement. after all, king mu’s plan and goals aligned somewhat with the zhang family’s interests, and they had to have been aware of king mu’s covert manipulation during the spring and autumn period. using grave robbing as a means of perpetuating curated traditions and culture over centuries, manipulating the flow of history, and thus making it extremely easy to practice convenient historical revisionism perfectly aligned with the zhang family’s designs. arguably it’s also precisely what the zhang family had been doing and continued to do, as wu xie himself eventually speculates, wondering if the zhang family had used tomb robbing as a means of disseminating if not false, then modified histories in order to control china’s “fate” through the ages (Tibetan Sea Flower, Ch. 67, Biggest Secret)
in addition to that, considering we know the ghost seal is something tied to the main zhang family, particularly zhang qiling, and that it allows passage into the bronze gate beneath changbai mountain that houses the ultimate (which is what “the truth of this world” ostensibly is) past the ghost army that does exist (though whether they can be controlled is something we have no evidence of), it’s also not a stretch of the imagination to consider that the zhang family might have lent the ghost seal to king mu/king shang for appearance’s sake. and if all this did have to do with the zhang family and there really were only two people involved in the endgame of this story, it might also provide a tentative reason for xiaoge’s unease as he tries to parse through why there isn’t a third blood corpse in the seven star palace. it might have triggered a memory or some feeling in him that there was an explanation to all this that existed but that he wasn’t privy to in the moment, but perhaps he had been privy to it in the past, and perhaps he had come to find it many times before that he could no longer recall because it was a place tied to the zhang family in some capacity
that does however raise the question of why then had iron mask’s memoirs been circulating if he’d been a zhang, but then again, dissemination of information via tombs was a plan the zhang family had every reason to encourage and perpetuate if they hadn’t already been in the business of practicing it, so if iron mask was a zhang, he would have neither had any qualms about participating in it himself, nor of providing a revised version of the truth. after all, we have no indication that version 2 of the story as told by xiaoge is a truthful account either, especially since this version still doesn’t reveal a name for the iron-masked gentleman despite it coming from his supposed memoirs
in addition to that, we also get an interesting tidbit in hindsight from practically the very beginning of book 1, where wu sanxing takes note of the fox pattern on the warring states silkbook that started wu xie’s journey into the conspiracies and says that it depicts “the mask worn by the earliest people in the state of lu when they were offered up as sacrifices” and that it must mean that “someone with a very special identity” was buried in the tomb, possibly “more respected that the emperor” (Book 1, Ch.3, Temple of Seeds). it’s hard to say what to make of the notion that the fox-masked people were “sacrifices” considering the wang family’s story explicitly makes them out to be grave robbers, so either or both of them is a lie. however, it does at least confirme there is something special about these fox-masked people beyond what’s being said (especially given the green-eyed fox corpse, who following the zhang logic, might have been a lower ranked family member offered up as a sacrifice and who turned after death, but this is probably a stretch), and whoever is buried in that tomb is abnormally important. the only real issue you run into with this train of thought is considering how far back the zhang family tomb extends, why would any zhang of note not be buried in it, so that’s at least one gap in logic
all of this then leaves us with a final question: if we assume iron mask was a zhang, and that king shang of lu was in fact a false identity created by king mu of zhou for himself, then what exactly happened in the seven star palace, and who is who in what coffin?
we know that the seven star palace is a warring states period tomb constructed on top of a pre-existing western zhou dynasty tomb. there’s no indication of whether this pre-existing tomb was meant to be king mu’s (in which case it was at least partially a dupe as he was still alive), and raises the problem of king mu not having had the jade armor prior to the king shang of lu story as he was actively looking for it, so he can’t have found it in his own tomb. to me, this means there are two possibilities to consider:
possibility one: king mu had a tomb built for himself during his reign that was designed with his plan in mind, which might explain the presence of the snake cypress (which we again only ever see elsewhere in gutongjing in ancient ruins related to a candle dragon baby snake mine, so clearly it being in the seven star palace is of some significance). king mu and iron mask did find a jade burial armor, but in another tomb or elsewhere that isn’t what would become the seven star palace
possibility two: king mu and iron mask, with each other’s mutual knowledge and abilities, found a tomb containing a jade burial armor that happened to be a western zhou dynasty tomb. the story then roughly proceeds like in the first two versions, and king mu/shang removes the corpse from the jade armor and takes it for himself
in some ways i feel like the most logical and likely option is the first one, simply because the mechanisms inside the seven star palace are too precise and deliberate, namely the timer coffin that was tied to the box with the baby in it (which i won’t be getting into here because that’s for another meta). this then leaves us with the problem of determining exactly who is who in this tomb by the time wu xie walks into it. the wang family implies that king mu’s plan ultimately failed because he hadn’t considered that someone like wang zanghai would come about and have the ability to hijack king mu’s plan for his own purposes. you can interpret that either as referring to his grave robbing plan alone, or that it also refers to king mu himself successfully staying in the jade armor for as long as it would take for him to come out of it side effect free. the ambiguity of what the wang family meant by “plan” makes it difficult to decide whether, following that wording, it leaves room for king mu to have been dumped out of the jade burial armor or not, which doesn’t really make deciding who is who any easier. for the record, wu xie mentions later when he comes back to this story in ten years later that he believes the one buried in the coffin under the snake cypress was iron mask (and npss also states this in his timeline in the postscript of book 8). if we choose to believe this is correct, and that king shang of lu was in fact king mu of zhou, then it leaves two more possible outcomes to the story:
possibility one: the thing in the coffin at the entrance of the seven star palace is king mu of zhou, and he was also the blood zombie that xiaoge killed
possibility two: the thing in the coffin is king mu of zhou, but he didn’t turn into a blood zombie, rather into something different or more powerful, and therefore the blood zombie xiaoge killed was someone else
the only thing that makes me doubt in this theory that king mu of zhou could both have been the blood zombie xiaoge killed and whatever was in the coffin at the entrance to the seven star palace is that to start with, there was a coffin so elaborate there to begin with convenient enough to place someone in (unless there had actually initially been a sacrifice in it and that’s the body that got dumped in the ding cauldron on the side to get replaced), that if wu xie was correct in assuming xiaoge had been to the seven star palace before, he would have left a dangerous blood zombie that could roam around in it “alive”, and lastly, the fact that not only did xiaoge kowtow to it to ask for safe passage within the tomb, even after having killed the blood zombie, xiaoge insisted on respecting the time limit the thing in the coffin had set and pushed wu sanxing’s team to leave the seven star palace before dawn regardless. it’s worth noting that xiaoge has never kowtowed to a corpse outside of this occasion (to my knowledge at least), has only actually knelt in front of changbai mountain that houses the bronze gate really, and has only ever spoken to one other also incredibly old and likely powerful corpse that was very likely one of the first people to come out of the kunlun mountains, and that rests inside the meteorite in tamutuo (Restart Part I: The Sound of Providence, Ch. 222, Countdown to the Finale 4).
why adamantly continue to uphold the demands of a creature that you’ve killed and that can presumably no longer harm you? unless leaving before dawn was an imperative that went beyond the sole demands of the thing inside the coffin at the entrance, it’s a little strange. however, the problem with saying that whatever was in the coffin at the entrance to the seven star palace and the blood zombie that xiaoge killed are two different entities makes things difficult, because it would mean there was some third party involved somehow, and it gives possibility two (the one where king mu/shang and iron mask find another tomb to steal the jade burial armor from and co-opt it) a little more ground. i haven’t been able to find any conclusive information on where the real-life king mu of zhou was buried, and it’s hard to say how much of an argument a real-life fact holds for something like this, but it’s interesting to note that the western zhou dynasty’s capital was fenghao, located in what’s now part of present day xi’an in the province of shaanxi, and the province of shaanxi is roughly 800 km (or 500 miles) from the province of shandong where the seven star palace is. it’s relatively far, especially for the time period, so does the distance justify the thought that it might not have been king mu of zhou’s tomb that was used as the basis for the seven star palace after all? did king mu/shang and iron mask really find a tomb that contained a jade burial armor and co-opt it? more food for thought
either way, whether or not the blood zombie xiaoge killed was king mu of zhou, if we choose to follow both wu xie and npss, then it doesn’t change the fact that it’s very likely that regardless, king mu of zhou ended up in the coffin at the entrance of the seven star palace, and iron mask in the jade burial armor in the coffin beneath the snake cypress. in that case, it brings into question the motivations iron mask might have had for doing this if, following the current theory, he really was a member of the zhang family. surprisingly, it’s not too difficult to think of some plausible ones
the zhang family have been searching for a way to curb their own terrible longevity curse for centuries, to the extent their blind determination to find meaning in their existence is what proved to be the fatal weakness that drove them right into wang zanghai’s and the wang family’s trap. if he really was a zhang, why then would iron mask have been any different, especially since given the time period, knowledge of anything connected to either the queen mother of the west, or what her kingdom housed (re: the meteorite), or both would have likely still been fresh enough for zhang family members anyway. the promise of the jade burial armor could have been a tempting offer for a man himself doomed from birth. it’s also possible that while king mu of zhou’s grave robbing plan naturally aligned with what the zhang family had likely already been doing, and so in that sense they facilitated it, they drew the line at him potentially accessing longevity, as king mu of zhou remained an outsider and therefore an unknown variable in the long run. better then for one of their own to guard something like a jade burial armor than someone who while aware of the “truth”, wasn’t necessarily an ally, which is what ended up happening much later with wang zanghai. king mu would thus have been a liability to dispose of. and king mu/shang might have sensed this and tried to have all the people working with him killed like the first two versions of the king shang of lu story seem to suggest, and so iron mask really did fake his own death to ensure king mu couldn’t succeed
i realize this idea raises a number of other problems, such as again why the zhangs would not either have kept some knowledge that one of their own was buried not only outside of the family tomb (which had things dating back to the spring and autumn period, suggesting burial in it had already been an established tradition then), but also in something like a jade burial armor. maybe they did, and it’s one of those secrets only zhang qiling is privy to. only xiaoge would truly be able to answer that (not that he will). it’s also possible following this logic that if iron mask did fake his own death, doing so placed him outside the scope of the family enough he was free to act of his own selfish free will and seized the opportunity, but again, this is all speculation. it also raises the question of why the wang family, if they’d known there was a zhang buried in jade burial armor, wouldn’t have tampered with it and removed him, but then again, they likely needed to keep the corpse there to bring their plan against the zhang family to fruition regardless of who it was
for the sake of debate, i might as well also share an alternative theory to this, that while i feel has a lot more problems and ultimately doesn’t fit with a number of other elements of dmbj lore brought up here where the theory this “meta” has been about so far does, is still maybe worth mentioning. it’s essentially the reverse, that the iron-masked gentleman was king mu of zhou’s fabricated identity, and king shang of lu was a zhang. again, i feel like this spin on the theory has a lot of logic problems going on, but if i had to make a case for it:
殇 shang and 张 zhang are vaguely homonyms and both pronounced in the first tone, which while it’s likely a coincidence, lends this theory a tiny bit of substance given the zhang family is also associated with death both by nature and design
if king shang was a zhang, it could explain why he would have had access to the ghost seal, in which case it would have been iron mask who sought the zhang family out and then ultimately duped them
if iron mask was king mu, then his ability to spin a tall tale about himself to the ruler of the state of lu would have been much easier
if king shang was a zhang, then slaughtering any outsiders aware of the plan would have made sense to ensure knowledge would stay within the family
it would also mean that king shang the zhang was tossed out of the jade burial armor and presumably into the coffin at the entrance of the seven star palace while iron mask/king mu took his place, and was maybe duped by iron mask/king mu who faked his own death because the zhang family’s hubris has always been massive and he didn’t suspect he could be bested
this would fit with the interpretation that by saying only wang zanghai prevented king mu’s plan from succeeding, the wang family meant both his grave robbing plan and his ability to successfully attain longevity without side effects
this would have presumably also given iron mask/king mu the time to accomplish his “series of things” such as writing his “memoirs” onto a silkbook, constructing his own coffin duo together with the box that contained the unborn baby
that would mean that whatever was in the coffin at the entrance of the seven star palace was a zhang, which might explain why xiaoge would feel the need to kowtow to it when this is something he doesn’t usually do
again, as nice as this idea seems, it has a bunch of flaws to it, namely for example how that would then connect the fox-masked people and iron mask (unless you want to consider those were simply his own followers brought about by implementing his own plan), how king mu even in disguise could have had held a position at court without any suspicion and likely no familial backing as he’d faked his own death, and many more. so ultimately i feel like t’s not as solid of a theory, but it’s an interesting contrasting thought
as for who the queen mother of the west really was, that’s also up for debate and lot more difficult to determine. though li cu suggests even she might be a fabrication meant to embellish the story of king mu of zhou for the sake of luring people into believing immortality existed, we know enough by sand sea to be certain she did in fact exist. while it’s unclear whether she truly was the queen mother of the west of legend, i like to think she was simply because we have no other accounts of anyone with that name, and because of how deeply entrenched she was in things relating to “the truth of the world” that she was more or less implied to have been privy to. the theory i’m personally going with is that she discovered the meteorite in the qaidam basin and constructed a kingdom around it (which would have taken far longer than a lifetime to accomplish to the degree that she did), knowing full well what the meteorite represented and what it could do. and if she did know, then considering her knowledge of “the truth of this world”, and her supposed longevity, it’s not entirely impossible to consider, especially given the title of the book itself, that the queen mother of the west might be related to the ancestors of the zhang family mentioned in queen mother’s ghost banquet, and that she simply belonged to a different branch of those people who took a different direction than the zhang family did, and sought to remedy the curse in a different way. and what better way than to return to its source? after all, knowing the zhang family’s origins, it’s not impossible to suggest that not all of the people who emerged from beneath the kunlun mountains and among other things built the bronze gate all ended up congregating to form what would become the zhang family. we know, for example, that baima, xiaoge’s mother, also had special blood akin to the one running in the zhang family, enough that she passed it on to xiaoge, ironically granting him purer special blood than any other main family zhang by that point. so it’s not that far-fetched to think there may have been offshoots of the zhang family’s ancestors who chose to lead a different life and eventually drifted apart from their brethren enough that they lost knowledge of each other, or served a different purpose for whatever is controlling the zhang family like marionnettes on a string
so this has been a massive “meta” i still can’t believe i actually sat down and wrote this
hopefully it makes some kind of sense and isn’t just incoherent babbling i’m going to be honest that’s still what it is lbr and i’m not sure it’s contributed much to anything besides being one more rabbit hole crack theory, but uhhh if you’ve stuck out this long thank you for reading! and feel free to comment or add anything onto this i’m always happy to talk about dmbj lore please talk to me about dmbj lore
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wifeguycyclonus · 2 months
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they describe Breakdown as “an opportunist beyond any redemption” like he wasn’t going to let Bulkhead go before Starscream turned up (iirc; i swear he was thinking abt it). Like a redemption is going to be an easy about-face and not something he would have to struggle with and inevitably butt heads with both his allies and his enemies about. Like they didn’t let Knock Out have a bit of a redemption >:(
they should have done it together! Let Breakdown realize that the Decepticons are wasting away and being needlessly violent and cruel and let him join the Autobots! Let Bulkhead struggle with coming to terms with his enemy now being on his team; let Optimus welcome Breakdown with open arms like he never got to welcome any other Cons (i dont think he ever got to acknowledge knock out). Let Knock Out then struggle with the choice to stay or go, let Breakdown try to convince him and let Knock Out be conflicted.
Let ‘Cons be redeemed! Let them learn to be better people! And also I think Breakdown would be friends with Miko and it’d be funny
(idk what the page is from, nabbed it from this forum thread: https://www.tfw2005.com/boards/threads/does-anyone-feel-sorry-for-prime-breakdown-he-deserved-better.1236414/)
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