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#idk i thought it was really good tbh
isot1ne · 6 months
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i like to think goth is a gender in of itself
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daz4i · 1 year
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wait so chuuya has angel imagery about him in stormbringer. and dazai is referred to as a demon on more than one occasion. and. hold on. wait. I'm going insane. hold on.
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labetalol · 2 years
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this scene in s1e3 when the team realizes dale is the most babygirl in the entire county
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vorestarr · 4 months
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thoughts on vampirism as a symbol of trauma
i've been thinking about this in relation to Astarion's story arc for a while and started writing this post a couple times, only to have it become much longer than expected, so for now this post is just going to be about the different paths of ascension vs spawn from the end of his personal quest. (i think there are multiple ways to read his story, and this is just the way i've been reading and thinking about it.)
the basic idea of this post is that Astarion's vampirism is a physical manifestation or symbol of his trauma, and therefore the two different ending paths for him are distinguished by how he addresses his vampirism (and therefore trauma).
it's pretty clear that the vampirism itself is a traumatic experience for Astarion, from how he describes almost dying, then actually dying, and then everything that comes afterwards at Cazador's hands. but i think of this a step further, in that the actual symptoms of vampirism are also part of this. there's an idea that there are physical manifestations of traumatic experiences held in the body, even if the trauma itself was psychological in nature (i.e., the body keeps the score). this is how i read vampirism for Astarion, specifically.
to start, he's turned into a vampire after a traumatic experience (almost being killed by a group of people one night). he's "saved" from this by Cazador turning him into a vampire, but still his body literally dies when he turns into a vampire, which is another separate traumatic event where he feels himself die and then has to climb out of his own grave. (also noted, i believe it's hinted that Cazador orchestrated the attack on Astarion that almost killed him in the first place, so Cazador is the cause of all of this trauma in one event that is Astarion becoming a vampire.)
his body is physically changed by the experience. he loses things because of it, maybe things that were not particularly important to him but now seem incredibly important once they're gone (like walking in the sun) or things that were previously important to him and now he can no longer enjoy (living indulgences and pleasures like food, or his own reflection). also critically, he cannot get those things back. his life is changed (literally ended) and there's no fixing it.
he learns coping strategies during the subsequent 200 years, which i will not get into in this post, but suffice to say that he learned things that he believed would protect him in the moment.
after the tadpole when he experiences freedom from Cazador's influence for the first time, there are some critical shifts that happen to start him on a path to address these things, or not. the recent interview where the devs mention that the ascended path is one of fear, i really agreed with and have said similar things in previous posts, because to me, i think the main difference between how Astarion acts in those paths is that for ascension, he relies on the methods he learned in those 200 years to survive in the moment, while in the spawn path, he learns new ways to cope.
to elaborate on that, i think the ascension path specifically is about avoidance.
in trauma, avoidance is what it sounds like: avoiding any triggers or negative emotions related to the traumatic experience. the avoidance can manifest in different ways, but a key idea is that by avoiding those negative feelings, they are never actually addressed.
i think there are two big ways this manifests in Astarion's story, related to vampirism:
ascended Astarion is avoiding those negative feelings of fear of Cazador (or someone else doing what Cazador did) by focusing on seizing power and control. if he's more powerful, in control of a situation, then nothing bad can happen to him again. the way this ties back to vampirism as a symbol of trauma is that this is literally described to us in the game as the natural course of life for vampires: they live in fear of other vampires, fear of their own spawn seizing their power, etc. this is the story of Vellioth and Cazador, and then later Cazador and Astarion (regardless of the choice he makes to ascend or not). we even get a list of vampires where ALL their life spans/eras of power are timed so that we can infer that each subsequent vampire has killed the previous vampire to dethrone them. so, vampirism itself is trauma and the known course of vampirism is this same cycle we see repeated with multiple vampires and histories in game. by taking a different path and not becoming a full vampire, spawn Astarion has started to learn a new way of dealing with his vampirism/trauma, rather than avoiding it.
the OTHER major way i see this manifest in the game is how ascension and spawn paths deal with the literal symptoms of vampirism: walking in the sun, Astarion's reflection, food versus drinking blood, the vampiric state of undeath, etc. these are all things that changed about Astarion when he became a vampire, and things that (in the normal course of events) cannot be changed back. he died, he's dead, there's no curing his vampirism. in other words, there's no going back to who he was before the traumatic experiences. that by itself is a neutral statement, the same way that there's no going back to who a person is before any major event (be it meeting someone important, choosing to take a certain job, etc etc), because we are all constantly changing and growing. HOWEVER, i think the places with Astarion where this stops being neutral is how he addresses that fact: with acceptance or avoidance.
to elaborate on the second point, which is my main reason for making this post:
on the spawn path, Astarion learns new ways to be and to live with his vampirism. in his epilogue, he can mention that he's not bothered by losing the sun again, he can describe finding a sense of belonging with others who share his vampirism, and he can define himself in new ways that he's picked for himself rather than stay in the definition of vampire that Cazador held.
in the ascension path, Astarion avoids all of those difficult realizations and choices. he falls back on the same strategies that helped him survive in the moment for those 200 years, but which can and do hurt him after escaping that environment. he's working hard to keep from addressing those negative feelings -- and on the surface, this works! he can walk in the sun without the tadpole! he has new vampire powers and he can do all the things he lost when he died! he can see his own reflection again! but, he's still a vampire, still has his fangs, still has his red eyes.
this is why i think the route is characterized by fear and why i found that interview with the devs interesting: by focusing on all those avoidance behaviors, Astarion ends up being stuck in a state of mind that's all about fear because it's all about avoiding that feeling. he feels great in the moment because he has been able to claim back some of what was taken from him, but this is not a solution because he's still a vampire.
personally, i do not read the ascension path as continuing a cycle of abuse, but as the continuation of avoiding the painful process of healing from trauma.
ascended Astarion is elated after killing Cazador because he feels the power flowing through him and it makes him feel safe in the moment, and because he is avoiding addressing any lingering feelings of pain or negativity, including avoiding addressing that he just killed 7000 people.
spawn Astarion meanwhile looks absolutely miserable immediately after killing Cazador when he cries and breaks down, and then he feels numb later because he's so overwhelmed. this i think resembles something that can happen in trauma therapy, where a person feels worse when they initially start addressing and working through their trauma, because it means actually feeling all of those negative emotions they've been avoiding.
in the end, ascended Astarion has not changed how he addresses his trauma or vampirism, and the ascension has actually given him more tools to continue avoidance. spawn Astarion meanwhile is exploring other ways of living with his vampirism, and can be experiencing success with that by the time the epilogue rolls around (even if there are some bumps and regressions along the way, like losing his ability to walk in the sun again).
because this is my main reading, i also don't think this makes ascended Astarion evil or irredeemable -- i think he shows that he does still have all the emotions that he's displayed through the game and therefore he still has the potential to follow the same path that spawn Astarion did in healing. but, the critical thing with the ascension path is that he does not have the clear motivation or triggering event to start him down that path. he's further away from that, and it will take more work to get there. everything he did after all comes back to the ways he learned to survive under Cazador, so those behaviors helped him at one point. the issue is that he's past the point of those things helping him, but he can't let them go.
tl;dr: i like looking at vampirism itself as a physical symbol of trauma and as a way to read Astarion's potential storylines, because it provides a context for me to view how the ascension and spawn paths treat his vampiric symptoms -- avoiding them in the ascension path by giving him an "out" of sorts to avoid addressing how those symptoms impact his life because of the extra abilities granted to him by the ritual, versus being forced to grapple with them and figure out a way to life with them and even enjoy them on his own terms in the spawn ending.
if you read this whole post, thanks for sticking with me and feel free to share your thoughts too. :)
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catboyidia · 7 months
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well… out of rufus and the turks we definitely know who squares favorites are… because tseng and rude look fine! and surprisingly cute!
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… and then there’s reno and rufus… what did they ever do to square enix?! what’s their grudge against these two 😭 renos isn’t THAT bad but… rufus… rufus my love… what did they do to you… they massacred my boy
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sonknuxadow · 12 days
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hey guys look what i found in my drafts. from a few days ago .
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akkivee · 24 days
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I MADE IT INTO THE SWEETS PARADISE COLLAB!!!!!❤️💜❤️💜
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sunderberry · 2 months
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i like drawing these two. their designs are fun. i think it's the fluff, the heart motifs, and the stupid hats. and also their size difference
the bottom two are sort of like "what if valentino owned husk" ideas
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thegreatyin · 2 months
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Extremely Sketchy™ fallen london OC mockup page because i had to share my vision. behold. the scoundrel. left being normal design notes and right being future design notes in which they are decidedly more furry about it all. any questions
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when u really really desperately ship a ship bc projection juice (aka using said ship as a means to work through your own internalized shit about being aroace) vs your desire to respect characters canon identity and not erase what limited representation people have
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lesbianjodie · 4 days
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Ok folks here's a game:
The black organization is having a secret santa... what little gifts are our dear codenamed agents getting, and from whom?
Send me an ask and in some time (depends on like how many I'm getting at once) I will pick the best ones for each character and draw them with it!! Then a poll may be made for people to guess which agent made the gift 👀
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tennessoui · 1 year
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kit’s foray into another star wars ship (dinluke)
is kit a) expanding her horizons, b) running from her responsibilities, or c) inspired by that fan art of force ghost anakin hugging r2d2 (linked when found) and me thinking ok what if luke is trying to do run-of-the-mill maintenance on artoo but force ghost anakin won’t stop trying to suggest what needs fixing so they’re just bickering back and forth over droid engineering and din walks in to visit his kid and just sees luke arguing with thin air and starts thinking maybe he left grogu in the care of a madman
(so far just 1k, but here’s the first 800)
Din lives his life by one very important creed.
Alright, two very important creeds.
The first is the one that he grew up with, mantra stamped across the back of his eyelids, words imprinted in his brain. The Way of the Mandalore is a way of honor, and it serves as pillar, foundation, and guiding stone of his life.
The second creed Din obeys is not ingrained into his mind by anyone but himself, and he’s fucking shit at following it.
It’s the Do Not Get Involved Unless You’re Dragged Into The Fight Kicking and Screaming creed, and it goes hand in hand with the principles of Do Not Start Fights You Cannot End Within Twenty Seconds and For the Love of the Stars, Djarin, Don’t Go Around Poking Sleeping Krayt Dragons.
Alright. If he’s being honest, this is less of a creed and more of an aspiration, but he tries to abide by its tenets, and, it has to be said, for a good portion of his life, he does. 
And then he finds the kid.
And then the kid becomes his kid, which is an adjustment he’s dragged into kicking and screaming, and it definitely involves a lot of fights that last a whole lot longer than twenty seconds.
And trying to find a Jedi in a galaxy as big and strange as this one? Apparently it involves a lot more sleeping Krayt Dragons than Din’s second creed accounted for.
But finding one—or, one finding them as it may be—well. No creed Din knows prepared him for how it felt to watch his kid be taken away from him. It’d been the optimal future, the end result he’d been gunning for for months: return the kid to his people.
There. Done. Returned. Package received.
Din’s been around long enough that successful bounties and completed contracts don’t tend to fill him with a warm rush of satisfaction anymore.
But this is the first that’s ever left him feeling hollow.
—-------------
“What’s been eating at you, Mando?” Karga asks. 
Din scowls and resists the urge to shift his weight. “Nothing.”
Karga raises an eyebrow and takes a sip from the cooling purple drink in front of him.
“You wanted the Imp,” Din says when the silence stretches from pointed into weighted. “Here’s the Imp.”
He nudges the head further across the table.
“I wanted the Imp for questioning,” Karga says very slowly. “Ideally with his vocal cords attached.”
Oh. Din glances down at the bloody bag. “Oh.”
He doesn’t try to sound very apologetic, which only seems to make Karga’s exasperation grow.
“So I ask again. What’s eating you, Mando?”
“Right now, bounties with unclear parameters.”
“Right now, you’ve only earned half the bounty, and that’s because I’m a generous man who considers you a friend. Now I can see ourselves coming to agreement on what you’re owed—if you tell me what’s on your mind.”
Behind the safety of his helmet, Din scowls harder. “Friend.”
Greef kicks the chair across from him out and tilts his cup towards it. “Friend.”
—-----------
Two hours later, Din is thoroughly convinced he used his glowing new Darksaber to sever the wrong person’s head.
Greef hasn’t stopped laughing in the last ten minutes. The man’s red in the face, alternating between pounding his fist on the table and leaning against his new marshal. Dune, for her part, is expressing the highest amount of mirth Din’s ever seen as she hiccups with glee into her third drink. 
He’s really starting to calculate the probability of successfully taking Karga’s coin purse off him now that he’s distracted, when the man finally chokes out whole words.
“Worried the Jedi’s too violent to raise the little green guy!”
Din crosses his arms over his chest.
Dune roars with laughter. 
Din doesn’t think it’s very funny. The Jedi sliced through the ranks of Dark troopers within mere seconds, as if they were no threat at all. It’d been impressive. The man—the Jedi—had been impressive. Din was impressed by his skill when he had the space to feel anything outside the devastation of losing the kid.
But a man that versed in violence doesn’t learn those sorts of skills without being surrounded by death and destruction for years.
And Din just gave his kid over to be raised in that kind of environment? 
Was Grogu even safe? Was he alive? Was the Jedi even lookin—
“The bounty hunter thinks the kid’s new home is too violent,” Karga cackles. “The guy—the guy who just brought me a man’s head in a pouch is worried about the little green guy’s new—-”
Dune snorts out her drink, she’s laughing so hard, and Din stands to leave.
If he knicks Karga’s coin purse on his way out the cantina, then hey. 
What are friends for?
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red-eft · 2 months
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i think love is like catching fireflies. you have to get out there and wander in the dark until find what you were looking for. you have to be gentle with it. if you try to keep it bottled up or force it to stay in your hands, it dies or flees in fear. but you can guide it and hold it close without hurting it. it might not always be there but it does always come back. and it glows
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fluentisonus · 11 months
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I had a dream last night about one of the first groups of people who set out on a long term space journey from earth, and about them realizing when they're too far out to go back to earth that ghosts can't form in space (I guess they usually do on earth), because there wasn't anything there to root them there (physically but also I got the sense in terms of cultural memories etc etc), and the rest of the dream was this sense of dawning horror that everyone who died out there would be completely gone forever & never leave an impression, and how by doing this they'd essentially doomed themselves to disappear, with no way back
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todayisafridaynight · 18 days
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What do you think Mine’s reaction to Masato / Aoki be like?
tbh they'd probably be. amicable. at the very least.
#snap chats#like they have similar values its just that mine's more openly depressed about his belief system and doesn't take pride in it like aoki#i talked about this before omg thats so funny... but yeah no aoki's more proud of 'how the world is'. prob cause he's 'on top' of it#mine begrudges the fact he needs material goods to be useful to people#meanwhile aoki's happy to exploit others if it means he advances. for the most part anyway#he only really starts to show some regret when confronted by ichi. and get the shit kicked out of him for twenty minutes#wait i was rewatching the cutscene and started to throw up cause i got reminded of me in high school again aoki you're 42 stop this#Back On Track Though. mine and aoki had similar pursuits: attain power to be loved thats the core of it in simple terms#they went about it differently ofc: for mine money was power and for aoki popularity was power. Both Very True TBH but anyway#mine realized that even with money his person wasnt valued#and aoki realized that even with recognition people didn't value his character. sins the arakawas. fcukin dummy#i mean aokis a jackass so no wonder but thats not the point of this. fuckfest of tags#they wouldnt be friends. aoki's incapable of friendship and mine would probably quickly recognize aoki as being power hungry#i think mine's been in enough business meetings And Knows Enough About Politics to recognize Professional Fakerism when he sees it#actually do you think mine'd be swindled by any 'kindness' aoki expressed like when kanda left him and he thought he just went to get help.#that shit was wack LMAO BUT REGARDLESS idk i have to go to class soon so im not gonna spend too much time thinking of this#if they needed to they'd just use each other for whatever purpose they needed the other for. idk why mine would need aoki tho#TLDR mine probably wouldnt think too differently of aoki compared to any other power-hungry freak#we can revisit this topic when. im not learning about JP history vjERJALKJ
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indigodawns · 18 days
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