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#i've seen a lot being said about barry and all good of course but from what i gather it's also a pretty dark series
girltomboy · 1 year
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I finished Yellowjackets S2
Boy, the quality difference in these two seasons is unbelievable. I hate the term "prestige TV" but at times Yellowjackets does feel as such, like an insanely good TV show. And other times it borders on CW-levels of bad and strained. At least some of the questions I had after S1 were answered; although I am not impressed overall - everything this season felt rushed and forced.
It seemed to me like everyone was out of character, which is why I keep insisting it felt so forced. Like Natalie staying at Lottie's resort thing and actually getting into all of it instead of planning an escape, or accepting Misty's rescue offer. Misty doing the same, when she only went there to help Natalie (and ended up killing her EYEROLL). Shauna seemed to be the only one who hadn't completely transformed throughout the season, but her whole Randy cheating-set-up arc was so boring and weird. Like WE DON'T CARE!!
Then there was Taissa's family being completely abandoned and forgotten right when they all needed her the most, and then her visions/sleepwalking seemingly completely stopping once she visited Van and went to Lottie's with her. Not to mention her professional victory being just thrown to the side, like nbd just gotta make a quick several-day trip to my friend's cult camp after causing a car accident and putting my wife in a coma and hallucinating my kid in my house. And Van coming up with the idea of canceling the intervention and Taissa agreeing was kind of an ugly setup, even though the surprise intervention wasn't a brilliant one either. Like just don't feed into Lottie's homicidal instincts in the first place. Also, Lottie becoming a cult leader after being released from a mental institution was a choice, considering Natalie's death will most likely fall under her blame. And now she's just gonna go back to being held in a psychiatric institution because all her high school friends decided to visit her bee farm and it all ended up becoming a killing sacrifice.
The cop arc was so fucking insufferable I wanted to skip all the scenes with "Jay" (forgot his real name) and/or Kevin. They even made me hate Callie's parts, and I don't want to hate Callie at all, cause he was the creepy one! The same goes for Jeff, his whole role this season was just painfully pathetic. I hate the whole sidekick syndrome that characters in this show inevitably gradually start suffering from. Even Misty's boyfriend was more interesting than any of the Shauna vs cops chase.
Natalie's death was just completely ridiculous to me. And all of it tracing back to the night Nat was tripping on acid and saw Misty for a split second was just... what? Are you telling me she died a fucking goofy Tom & Jerry ass death at the hands of probably her best friend because she saw her that night and the acid somehow cursed her? Or is there a curse nestled deep inside Misty? Or deep inside Nat, considering all the shit she's been through. Idk but I cringed so hard I had to shelter my eyes a little when I saw how she died.
On the other hand, Kevin dying on the same night and a similar death as Natalie, and both of them completely unaware of what was going on with the other was just tragic. Regardless of the goofy ways they both died. I know Kevin wasn't a huge part of Natalie's life, and that their affair got cut short, but I expected him to be more protective of her. But ACAB even in Yellowjackets so it's not that big of a surprise.
Moreover, coach Ben not being in any of the present-time narratives makes me wonder not if but when and how they will find out that he burned down the cabin, and eat him too. I feel bad for him because I thought he was evil at first (when he was trying to play along with Misty's crush on him) but then we found out he was gay and was just humoring Misty to avoid hurting her feelings. He was also against the whole cannibalism thing from the start, which is ironic because that's probably how he will end up. We'll probably find out more about Javi's secret little cave, and find out who his "friend" is as well.
Also, speaking of Javi, are we going to just forget about Crystal? I mean, I remember how quickly they abandoned even the memory of Javi when he was missing in S1, but at this point they got to taste human flesh and survive thanks to it, I thought they'd be more eager to find her frozen body instead of going through the hassle to pick and chase a whole other person to sacrifice. Digging through the snow would've been easier than all that, but then again, she could have been eaten by something else, and then the trouble of digging for her would have been useless. At least the chase got them something.
AND speaking of Crystal, I kinda thought the new girls they snuck in at the beginning of the season were going to be sacrificed and eaten right away. I like the roles they were given, especially Akilah's and Gia's (I think that's her name?) but I still think it was corny af to just add more girls to the team and pretend they were there the whole time.
Overall I think most of the present-time scenes this season could have been skipped and overlooked because for me personally all they did was interrupt the wilderness parts which were far more interesting and more important. I did LOVE adult Lottie's character but they did her so wrong by taking her back to the institution. Her cult thing was a bit weird but I don't think there was anything sketchy or dangerous about it. I also liked adult Van and can confidently say the criticism I saw about her not being "butch enough" was stupid and weird. I'm willing to bet her cancer will be confirmed to have disappeared next season because of how Lottie looked at her and said "You'll see". In fairness, their lives will probably go back on track now thanks to the sacrifice, and Lottie will end up being right.
I wish they had focused more on the relationships and dynamics of the kids in the wilderness. Like, Nat and Travis for starters, Travis and Javi, Taissa and Van, Shauna and Taissa, Lottie and pretty much everyone else. I felt like this season leaned more into their adult lives which was a complete waste. I don't care about Shauna's fake affair with strawberry lotion in a condom, or her daughter going bowling with a creepy fake cop, I want to see more of how they slip into insanity in the middle of nowhere, especially since Shauna JUST gave birth to the dead child (where is it? When will they eat it?) of her best friend's boyfriend, after she JUST ate her best friend, who froze to death and then got an accidental cremation. Like, are you kidding? Why would they not explore all that instead of putting me through whatever the hell all of that was?
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xtrashmammalstefx · 1 month
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Chaos Monster & Her English Gent (A Callum Turner x Reader Smut)
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Warnings: Smut, language, kiddos under 18 do not interact!
Notes: When I said I've become a total slut for this man and his bf Austin I wasn't fucking around. Lemme know if y'all want an Austin smut/sequel because I totes have some ideas I think you'll like.
Looking back I don’t think any of us expected this to happened. I certainly didn’t and I was the one who had the most to lose if things had gone sour rather than go the way they did.
I’m getting ahead of myself though so I’ll just start where this whole mess began: the first time I visited Austin on the Masters of the Air set. I’d sneaked up behind Austin, my best friend for life and possibly longer, as he was talking to a rather handsome man with the most unimaginably contagious smile. I put my finger to my lips once he’d seen me and jumped onto Austin’s back. “’Sup Elvis!”
“PRISCILLA?! FUCK!” Austin turned and scooped me up. “YOU SCARED THE SHIT OUTTA ME BABE!”
I laughed and squeezed him back. “Well that’s what you get for taking for fucking ever to return my texts you ass!”
“Sorry ‘bout that sweetheart but duty called a hell lot more than I thought it would,” he said once I was back on the ground. “Oh,” he turned back to the smiling man. “By the way, Callum this is my best girl, Y/N, Y/N this is my new best friend Callum.”
“Nice to meet you my handsome replacement,” I said.
Callum smiled nearly bringing out a giggle from deep inside me. Fuck, he is good. “Pleasure’s all mine love, and I am definitely not replacing you. You’re more beautiful than I will ever be.”
Struck dumb by his buttery smooth British accent and killer icebreaker I turned to Austin. “He is a hell of a keeper.”
“Yeah I think so too,” Austin laughed. “So how long are you staying?”
“I’ve taken a week off work so I’m gonna be yours until about Sunday,” I said.
“Oh sweet. Can’t wait to show you off to the rest of the boys, they’re gonna love you,” Austin said as we started towards a couple other guys in period attire.
“Only until they get to know me,” I said. “Let’s see how they react once they see the true chaos monster you know and love.”
“Well, this is gonna be a right interesting week,” Callum said walking on the other side of me.
Of course he wasn’t wrong about that. The next few days were filled with me and Austin being a chaotic duo in front of his cast mates who were also quite chaotic themselves. I’m not sure how or when it started happening but whenever Austin was away either in costume or make-up, Callum and I started to talk. Barry would sometimes be there but most of the time it was just us.
“I’m really gonna miss having you around,” Callum said two days before I was due to leave. We were in his trailer. Austin was busy talking with his manager so I figured I’d bug Callum for a bit. He was changing out of his costume and into civilian wear while I hung out in his make up chair.
“You act as if you don’t have my number and social medias,” I said. “I’m heading home, not dying.”
“Well, talking with you on a phone or in DM’s isn’t exactly the same as having you here,” Callum continued.
“What can you possibly say that can’t be said over the phone?”
“It’s not what I wish to say but rather what I wish to do that can’t be done over a phone call,” he said starting towards me wearing nothing but his boxer briefs which left little to nothing to the imagination.
“And what exactly is it that you wish to do good sir?”
He smirked and started leaning down. “This,” his lips connected with mine. His plump lips were soft and warm as he kissed me. It wasn’t enough to send me off the edge and before I knew it I had my arms around him letting him carry me to the small couch. Once there he pulled back and brought his lips down to my neck. As he left what I was sure was gonna be a massive hickey I reached down and started palming him through his underwear. He groaned at the feeling, his body trembling on top of mine.
“I’m a bit overdressed don’t you think?” I breathed. He smiled and sat up. I reached down and lifted my shirt over my head. He took it from me and tossed it to the side before reaching for the zipper and button on my pants. Not even a minute later I was fully bare in front of him.
“God you’re so beautiful,” he whispered pecking me on the mouth. “So. Fucking. Beautiful.” As he started to kiss me again I nudged at his briefs, doing my best to get them off. Callum got the hint though and pulled them off tossing them with my clothes. I think he could see how big my eyes got at the sight of him for he chuckled softly and said, “Like what you see, darling?”
I had no idea how to answer. If I’d though he was big when flaccid it was nothing compared to how endowed he was when he was hard.
I looked from his crotch up to his face as he continued to look at me quizzically with that smile that didn’t seem to go away. “C’mere,” I said moving from the couch to the floor beside it. He laid himself on top of me sending a shiver through me as his dick brushed my folds, ghosting my entrance. He reached down, gave himself a tug and placed himself there.
“Okay, love?” he asked. I nodded and just like that he was inside me. I clung to him as my body got use to the stretch. Callum cussed a rainbow of curse words in my ear as I enveloped him. His thrusting began soon after.
Turns out Callum is a gentleman in every sense of the word. He kept his movements slow at first, not daring to go faster or harder without my say so. Once the stinging subsided I brought my mouth to his, kissing him harder before telling him, “Harder… I need you to go harder.” With that he picked up the pace, almost slamming completely into me. “FUCK!”
“You’re taking me so well darling, fuck!!” He took me into his arms and slowly lifted me up, still thrusting into me. I held onto him moving up and down as he sat back. I rode him like that for a while until he lied completely back, putting me in charge for a bit.
As I moved my body conscious of the fact that I could see a small bump pulsating in my lower stomach, Callum reached down and started rubbing me with his long fingers. I bit back a scream at the feeling but let him keep playing with clit. It made me feel alive in a way I couldn’t put into words and before I knew it I was riding him like my life depended on it.
We continued like that until I began to feel the pressure build up inside me. “Oh fuck I’m gonna cum!”
“It’s alright, darling, just...just let go on my cock,” he said grabbing my ass and slamming me harder on his length. The pressure continued to grow more intense, until finally I was screaming and tightening around him. As I remained clamped down on his length Callum wrapped his arms around me and flipped us back over so that he was on top.
He continued to thrust as I came down from the most mind boggling orgasm of my life. I was still seeing stars when Callum’s thrusts became sloppy. Suddenly the gentle boy I’d been falling for became beastly, almost roaring as he twitched inside me, filling me up until there wasn’t a single drop left in him.
My body was still shaking, my cunt throbbing, as he pulled out and collapsed beside me.
“That was… incredible...magical even…”
“It was the best damn shag of my life,” Callum said breathless making me giggle. I turned my body to face him and cringed at the soreness between my legs. “You alright love?”
“Mentally and emotionally speaking I’m fucking great,” I said. “Physically speaking...fuck… Callum, I love you with every fiber of my being and will gladly do this again and again with you but god damn I think you just about broke me in half.”
He laughed at that and kissed my now swollen lips. “So, you agree then? To be my girlfriend I mean.”
I looked up at him and smiled. “I’m pretty sure I’m more than that. I mean, I did just say I love you, and lord knows those are words I don’t say to just anybody.”
“Just to the lad who shags your brains out?” I slapped him playfully on his chest. “Only joking darling. I love you too, and I don’t say those words to just anybody either.”
“Just to the girl that rode you and milked you for every last drop of cum in your body?”
“Actually, I believe I just said them to the girl I want to marry.”
“Quite the fast one aren’t you?”
“Only when I know deep down in my bloody heart and bones that I don’t want to do this with anyone else,” he said.
“Alright, but there’s something we gotta do first… Something pretty damn risky.” He looked at me questioningly.
“And that is?”
I looked up and smiled nervously. “We gotta tell Austin.”
“OH FUCK!”
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cheryls-blossomed · 1 year
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Hi there, I know that you don’t engage with the flash fandom or watch the show anymore but I just wanted to bring up some observations that have been discussed on your blog in previous years which was right. The first is the chemistry between Grant and Candice I remember that it was frustrating for us when people would say they don’t have chemistry anymore simply because the writers didn’t give them scenes to show it off and blame it on the actors. I mean as per the usual pattern, season 9 has given them more opportunity to show it off and now the same people who said they didn’t have it anymore have changed their tune even though it’s simply just the writing being better.
Secondly, the issue of fandom never being satisfied don’t get me wrong it’s absolutely valid for people to have advocated more westallen especially with how the last 3 seasons went, but now we’re getting it *finally* it’s like some part of fandom are never satisfied. It reminds me of some of fandom’s reaction in season 3/4 when we had it good. if it’s a hug why wasn’t it longer if it’s a kiss why wasn’t it more intense…etc. now in season 9 it’s ‘oh they should’ve had a sex scene in episode 1’ which is just unrealistic. Valid criticisms are always allowed of course it’s just the nitpicking that annoys me, ha.
All that being said, it’s nice to see Barry & Iris working together and spending more time together it’s what we deserve for the last season of the show. You were one of the few level-headed fans in the fandom and I really do miss your well-rounded commentary on the show but I completely understand you stepping away as the show isn’t what it used to be. I hope you do one for the series finale. Take care ❤️
Aw, thank you for dropping by again, nonnie! I may have stepped away from the fandom/show in the last year, but I really loved the conversations and discourse about the show and Westallen. It's really what I miss most from fandom: all the amazing conversations. I'd like to do something more to celebrate Iris and Westallen: maybe a retrospective-type meta after the finale airs. I definitely plan to give my thoughts about the series finale and reflect about Barry and Iris's story, so there's definitely going to be more to come from me on this blog! I am really humbled by your kind words. 💛
Yeah, I like to think a lot of what was discussed previously on this blog is from experience of watching this show and having seen the high-points and low-points in material. I've never believed that Candice and Grant's chemistry just disappeared: the material just was not there for their chemistry to shine the way their chemistry did in seasons 1-4. Episodes like 5x05 and 6x11 and 6x17 and 7x18 really allowed us glimpses into how great their chemistry remained, but overall the writing did not invest in material that showed off that chemistry. I think in many ways having such a Westallen-centric episode right off the bat in season 9 showcased what could have been if the writing had invested in the right material for the last like four seasons. Because their chemistry was per usual fantastic in 9x01.
And for sure: some fans are never satisfied, and that's going to always be the case. But the things so many of us did hope for: more intimacy, WA outside of STAR Labs, more romance, more best friends in love-type content, more scenes in their bedroom... we got that in 9x01, which was really nice. There was really good Westallen content in the episode: a lot of which I know I had been hoping for for several seasons now.
Overall, I thought 9x01 was really promising and was a pleasant surprise. The Westallen content was great, and I would hope that this through-line of Westallen in story arcs together carries throughout the season.
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raineydaywrites · 2 years
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"Looks good on you." and blupjeans ??
Sorry for how terribly late this response is but here you go!!
Lup found herself staring at her own reflection in the mirror again. She'd been doing that an awful lot lately, and she couldn't- or wouldn't- quite articulate why.
"Hey," Barry said, gruffly, coming back from the bathroom to stand beside her and wrap his arms around her. Lup watched his reflection nuzzle into her neck in the mirror until she squirmed, ticklish, away from his kisses. "It looks good on you."
"What, a ratty old t-shirt and sweatpants?" Lup laughed. "I mean, you're not wrong, I'm hot as hell in anything, but this isn't exactly my Most Look Ever, ya know?"
Barry chuckled and nuzzled his nose into her neck again. "Ridiculous. Untrue. You're the hottest t-shirt and sweatpants wearer I've ever seen. You could wear pajamas for the rest of your life and make it work."
Lup turned in his arms to face him now, gazing up at him with soft, affectionate eyes.
"Yeah, babe, I know! I'm not doubting my sexiness, just asking what brought this on," she said lightly.
Barry's face turned more serious suddenly, and Lup regretted asking, knowing that she'd just shot her own attempt at changing the subject before Barry could bring Feelings into their discussion.
"I wasn't really talking about the outfit," he murmured.
"I know," Lup whispered, leaning into his chest.
Her hands moved down her own body, softly caressing the bump at her middle where her stomach was steadily growing rounder and firmer, giving their baby a place to live. Ever since she'd started showing, her reflection kept catching her gaze oddly. It wasn't a bad odd, exactly, but her mind couldn't stop sending error messages saying this wasn't what she looked like and something was off.
"I wanted this. I always wanted this. Why does it feel so weird?" Lup asked, desperate.
"I think pregnancy just feels weird for a lot of people. Your body is different than you're used to. That's not a bad thing, it just takes some getting used to," Barry shrugged. "And for us? I mean, think about it, Loopy. We were basically exactly the same for 100 years. Never aging, never changing all that much. We all got used to being a certain way. 'Course it's gonna feel weird to be different."
Lup shrugged, but the corners of her lips twitched slightly upward.
“You always know what to say,” she sighed, leaning her head affectionately into Barry’s chest.
“Uh, sorry, have you met me?” Barry chucked, and Lup could feel the rumble of it in his chest. “I’m not exactly Mr. Eloquent, hon.”
“To me,” Lup clarified. “You always know what to say to me.”
“Oh.” It was a whisper, accompanied by a gentle kiss to the top of her head. “I mean, uh, pretty sure that took a bit of practice too.”
“Nah. You got me, from day one. I wouldn’t’a said anything back then, but it’s true.”
“You got me from the start too.”
They held each other a moment longer, okay with the silence.
“Oh!” Barry burst, pulling back. “Almost forgot. Taako finished those clothes you wanted him to modify.”
“Hell yeah!” Lup cheered. Taako had been working on transmuting her regular clothes to maternity clothes, but it was fiddly work and she hadn’t realized how soon she’d need it.
“He said they were back in the closet if you wanna check it out,” Barry said, and Lup was already moving to do so.
She pulled out the first thing she saw, a little purple dress, and slipped it on, breath hitching slightly in concern over how it would fit. It wasn’t like Taako had known what her measurements were going to be ahead of time, after all.
But the dress settled nicely over her bump, fitting close but not too tight, and she beamed over at her husband.
“How do I look?” she asked, twirling slightly, completely pleased with herself for the first time in a little while.
“Amazing,” Barry breathed it with the same awe he always did, and Lup couldn’t help but move to kiss him.
“Right back atcha, babe.”
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quacka-quacka · 2 years
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PAUL: Then he [Richard Hamilton] had the idea to number each album [White Album], which I thought was brilliant for collectors. You'd have 000001,000002, 000003, and so on. If you got, for example, 000200 then that would be an early copy it was a great idea for sales. EMI werent easy to persuade and they said they couldnt do it. I said: Look, if a milometer can turn over, you must be able to do that with every record that goes out. And they found a way. I think they stopped at some point, so not all White albums have the numbers on them. But it was a good idea and we got the first four. John, I think, got the first one. He shouted loudest!
RINGO: I got number one because I'm lovely! John was actually the kindest and most loving overall, when he could be. And he wasn't quite as cynical as everyone expects. I got number one here and number four in America.
— The Beatles Anthology
I'm not sure if Paul and Ringo were talking about this particular topic together [both seperate interviews and joint interviews can be seen in the Anthology, and this two quotes come from the book not the TV documentary], but what Ringo said does sound like the direct response to Paul - he stressed John being "the kindest and most loving overall" as well as clarifying that he was the one who got the first copy.
More interestingly, Paul repeated that in Many Years From Now in a more certain tone.
PAUL: I think EMI only did this on a few thousand, then just immediately gave up. They have very very strict instructions that every single album that came out, even to this day, should still be numbered. That's the whole idea: 'I've got number 1,000,000!' What a great number to have! We got the first four. I don't know where mine is, of course. Everything got lost. It's all coming up in Sotheby's I imagine. John got 00001 because he shouted loudest.
According to Barry Miles, Many Years From Now based on 35 taped interviews with Paul held between 1991 and 1996. In the Anthology project, Paul, George and Ringo were giving interviews between 1992 and 1993 and appeared on four special features filmed in 1994 and 1995. Those two projects were going on almost simultaneously so we don't know which interview Paul gave first.
I won't say Paul repeated this deliberately because whether he actually knew Ringo's clarification is uncertain. But it can be seen that Paul has a tendency to make the deduction on what John did based on his own view, which somewhat reflects the way he thinks about John and how he portrays John to others.
I don't like being the careful one. I'd rather be immediate like John. He was all action. John was always the loudest in any crowd. He had the loudest voice. He was the cock who crowed the loudest.
— Paul McCartney, off the record conversation with Hunter Davies, 1981
"He shouted the loudest" isn't the only thought Paul has on John, of course. Actually he quite likes contending John being "the soft-edged one", when he wants to show that he himself is "a tough guy" who actually "boss John around" (and unlike John, he *has* good manner on the surface).
PAUL: People always assume that John was the hard-edged one and I was the soft-edged one, so much so that over the years I've come to accept that. But Linda said, 'You've got a hard edge, it's just not on the surface. I know, living with you all this time.' It's true, I can bite, I certainly have a hard side, and she said, 'And John had a very soft side too.’ I think that's a much better analysis of it than most people have. John, because of his upbringing and his unstable family life, had to be hard, witty, always ready for the cover-up, ready for the riposte, ready with the sharp little witticism. Whereas with my rather comfortable upbringing, a lot of family, lot of people, very northern, 'Cup of tea, love?', my surface grew to be easy-going. Put people at their ease. Chat to people, be nice, it's nice to be nice. Which is the common philosophy for most people. But we wouldn't have put up with each other had we each only had that surface. I often used to boss him round, and he must have appreciated the hard side in me or it wouldn't have worked; conversely, I very much appreciated the soft side in him.
— Paul McCartney: Many Years From Now
But outside this situation John was no longer like that from Paul's perception, even the inappreciable thing like who got the first White Album. We all love to believe that Paul loves John wholeheartedly and Paul himself, too, wants to convince himself that they got their relationship back before John died, but the thing is, the resentment is still there.
Readers might detect duelling emotions in my recollections of John; that’s because my relationship with him was very mixed. Sometimes it was filled with great love and admiration, but other times not.
— Paul McCartney, The Lyrics
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So, the "Justice League" finally got its own movie, eh? Oh, that thing from 2017 was just trash. It's gone. We don't need to look at it anymore.
But in all seriousness, it's great people called out for the Zack Snyder cut of the movie and actually got it! And, yes, it is a vast improvement over the Joss Whedon cut.
Now, my feelings about the DCEU have been pretty divided:
I actually did enjoy "Man of Steel" and found Superman to be relatable and likable for once (I'm not a Superman fan and don't come for me)
"Wonder Woman" was very entertaining and easily the best entry for me in the movie series so far.
"Batman v Superman: Dawn of Justice" was a hot mess. Lots of good ideas but it was executed poorly. It felt kind of cheesy at times, especially that whole "Save Martha" thing. Jesse Eisenburg is not a convincing Lex Luthor. Ben Affleck is not a good actor and is a terrible Batman/Bruce Wayne. He's not as bad as George Clooney, but he's not much better either.
"Wonder Woman 1984" was a massive glow-down. Poor quality writing, Maxwell Lord was a weak villain, Cheetah was laughable, and the ending was so goddamn corny! Not to mention, it took ages for anything interesting to happen, and what was the deal with Steve Trevor possessing another dude's body? I mean...what?
Haven't seen "Suicide Squad" in its entirety but I do know and have seen enough to decide that it's a huge misstep. Haven't seen "Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)" either but I have some interest in it so perhaps someday.
Haven't watched "Aquaman" but probably will eventually but I'm just not very motivated to see it. I like Jason Mamoa as Aquaman/Arthur Curry, but...I don't know. The trailers didn't really grab my attention.
The 2017 Joss Whedon version of "Justice League" was terrible -- worse than "Batman v Superman," worse than "Wonder Woman 1984." I thought the movie moved too quickly, lacked proper character development, and had some bad CGI (I mean, Mustache Gate, am I right?)
Onto the Synder Cut for "Justice League!" Spoilers ahead, of course:
These are really a collection of thoughts, opinions, and observations I had while watching the movie. I have only seen the 2017 film once and honestly don't want to watch it ever again, not even to "refresh my memory" of some details.
Steppenwolf
Steppenwolf was such a pitiful villain in the Whedon Cut. The CGI for him was terrible, and he looked like some weird dude in armor. His personality and motives were paper thin as well. He was a throw-away, token villain, and the only things memorable about him was his name and voice.
In the Snyder Cut, not only was Steppenwolf's CGI much more refined, his character design was imposing. His armor seemed to be alive, too, always shifting slightly, this way and that, which was an impressive sight. His motives, while nothing too deep or extraordinary, gave him a little more depth: he pissed off Darkseid and had to make up for it, and was clearly afraid of what could happen to him if he failed.
The name and voice obviously were still memorable but combined with the other improvements to his character, they were icing on the cake.
That being said, I don't think Steppenwolf is as intriguing or even remotely sympathetic as Loki and Thanos in the MCU.
Darkseid
Was Darkseid even mentioned in the Whedon cut? I can't remember and I don't want to watch that shitty movie again just to find out. However, I don't recall Darkseid making an appearance or even being spoken of in the 2017 version. Now, I haven't read DC (or Marvel) comics, so I don't know a lot about the guy, but he is supposedly one of the more iconic villains.
His motives are pretty simple, though: command and conquer. There isn't a lot of depth so far in the movies but he does pose a much larger threat than Steppenwolf did. You could tell Steppenwolf was intimidated by Darkseid, who was about as cold and menacing as they come. He's a complete villain in that regard, having no emotions and only seeking power for himself.
He looked great in the Snyder Cut. He was actually really fucking scary-looking. He made the beefcake Steppenwolf look like a puppy.
I'm glad that Darkseid made an appearance, even if he didn't fight the Justice League. It alludes to a much broader story, as well as foreshadows an epic boss fight down the line -- assuming the Snyder Cut is popular enough to convince the studios to make a direct sequel and not just abandon things in favor of some sort of soft reboot.
Superman/Clark Kent/Henry Cavill/Mustache Gate
Let's get this out of the way: Henry Cavill is hot af.
Ok, now that we got that out of the way, hooray for Snyder for getting rid of those nasty reshoot scenes involving Henry's CGI'd mouth! Can't say I missed them, you know? I mean, in the 2017 Whedon Cut, you could always spot reshoot scenes based on whether or not Henry's mouth looked normal and totally strange.
I think the 2017 movie had Superman grab Batman by the neck and ask, "Tell me: Do you bleed?" I'm relieved that was removed from the Synder Cut because it added too much of an evil tone to Superman, and we could clearly tell he was most upset with Batman upon being revived.
One massive problem with the 2017 movie was that it made every member of the Justice League look like bumbling idiots without Superman's help. It was downright embarrassing and unrealistic. I mean, you're telling me that Wonder Woman, a goddess, can't take on Steppenwolf? Or Victor Stone, a cyborg with incredible abilities? Making Superman key to winning isn't the problem, it's how it was done in the 2017 movie. He's already OP but that shouldn't mean his comrades have to be useless in comparison.
Superman was allowed to be OP in the Snyder Cut without making his team look incompetent. Like in the Avengers movies, everyone in the Justice League had a purpose and all of them worked together to defeat Steppenwolf. Superman obviously was key to winning, but, again, it wasn't like he was the only capable one during the battle.
I did like the black suit. It's kind of ominous but also very cool at the same time. But is it also foreshadowing something? I don't know...I haven't read the comics so I really don't have any idea lol.
Batman/Bruce Wayne/Batfleck
One glaring issue I still have is Ben Affleck is a mediocre actor at best and he's a terrible Bruce Wayne/Batman. I mean, they couldn't have found anyone else? Someone with, like, good acting abilities?
Martian Manhunter
This whole time -- THIS WHOLE GOTDAMM TIME -- Martian Manhunter was hiding in plain sight! General Swanwick, who I remember from "Man of Steel," IS Martian Manhunter. I didn't see that coming. I mean, I knew Martian Manhunter would appear in the Snyder Cut but I didn't know he'd have an alternate identity, let alone that of an existing character in the DCEU.
As much as I did like seeing him, I am glad he didn't play a big part because the movie already has plenty of characters as is, and introducing yet another one could have slowed things down and taken away from developing the plot.
The Runtime/Pacing
I mentioned already that the Whedon Cut felt rushed and needed much more time to develop its characters and plot. While I had doubts about whether or not making "Justice League" four hours long would be a good idea, it turns out that it was just what the story needed.
Character development was actually existent, and Cyborg/Victor Stone received a detailed backstory, and Flash/Barry Allen got some extra tidbits added to his character's story/background as well.
I actually thought Victor was a fascinating (if a bit tragic) character in the Whedon cut and was disappointed that he just sort of, like, popped up and fought alongside the other Justice League members with the tiniest amount of depth.
Despite an epic 4-hour runtime, it didn't feel slow, nor did it feel like any scenes were "filler." Every scene had a purpose and kept the story moving at a steady, comprehensible pace. It felt more like a 2.5-3 hour movie, honestly, which is a feat since pacing can often be one of a film's biggest issues ("Avengers: Endgame" also accomplished this feat with its 3-hour runtime feeling more like 2-2.5 hours but with no negative side effects of that). Breaking the movie into chapters, including an epilogue was a tad strange because it's not a very common thing, but I think it helped break up the epic 4 hours into separate, manageable but still cohesive pieces. Also, they helped easily transition from one portion to the next smoothly without any awkward cuts.
The Flash/Barry Allen/Ezra Miller
Barry still amused me in the Whedon Cut. He brought some good-natured humor and charm to the movie, preventing it from being too brooding and intense.
I think Ezra is a talented actor and does well in the Barry Allen role but he is, unfortunately, a problematic person. I mean, if he gets recast, he gets recast but hopefully, they pick someone else who has some acting abilities worth noting (i.e. Not a Ben Affleck type of actor)
The Final Battle
It was a huge improvement over the 2017 cut, as everyone was key to winning the final battle, not just Superman. It is meant to be a team of costumed heroes defeating a villain, not just one OP member of the team outdoing everyone else.
That being said, I felt that the final battle was a little bit anti-climatic. I don't know what it was but I just thought that it would be longer? I expected more to happen? More fighting? Not sure how to describe it, but I do feel like it wasn't as impressive as it could have been.
The Epilogue
A dystopian future involving an evil Superman and Joker somehow working WITH Batman was just...crazy. I mean, evil Superman, I can believe, but Joker and Batman working together (even reluctantly) is quite a sight.
Based on what I've been reading, this nightmare Bruce has could be setting up not one but two sequels for "Justice League." I would like to see how things will play out even if things get kind of dark. I'm getting the impression that Darkseid will kill Lois Lane, thus breaking Superman emotionally and making him compliant. That is unless Bruce intervenes in this timeline and prevents that from happening...but at the expense of his own life. Oh dear...
I definitely enjoyed the Zack Snyder version of "Justice League," and would definitely watch it again and again and again. I already have forgotten the majority of the Whedon Cut, and after seeing Synder's version, I think the 2017 movie will be rendered null and void. I hope it is just expelled from the DCEU canon entirely. That, and we get the "Justice League" sequels, preferably from Zack Snyder (Say what you want but I think he is a pretty good director for the most part and seems to really care about this work).
I honestly want to see a fight between the Justice League and Darkseid because I think that's what we're trying to build up to, and seeing as how Darkseid is one of the legendary villains in the DC comics, I would be extremely disappointed if this doesn't come to pass.
Also, as much as I like Batman/Bruce Wayne, seeing him sacrifice himself to save the team, including Lois and thus Superman's sanity, would be something else. It would bring everyone even closer together, for one, and I think that the negativity shared between Batman and Superman in the past would be completely forgiven. I'm not saying there isn't forgiveness now, but dying to save Superman's wife would change everything....if that makes sense? Does it make sense? I'm terrible at explaining my thoughts sometimes.
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coldtomyflash · 4 years
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I feel like the most obvious path to Coldwestallen has been to have Barry and Iris get together first, although I've seen a couple fics where Len and Iris do, but I don't think I've ever seen a Coldflash turn into Coldwestallen. Do you think there's a scenario where that could happen ?
 Oh that’s true isn’t it. Probably because it’s easiest, since westallen is established, or since Iris/Len is a bit easier to add Barry to in a natural way. I’ll be honest and say that all the coldwestallen story conceits I have are either westallen that adds cold, or coldwest that adds barry, or westallen and coldwest that gets messy (there’s a double amnesia AU I may still one day write).
That being said - of course there’s a scenario where it could happen.
There’s always a scenario where something could happen :D
I guess you’d have to start with - how did Barry and Len get together and why weren’t Barry and Iris together to start?
I’d honestly say it works best if you go with mid to late S2 for establishing coldflash. That was you don’t have established WA in canon yet to write your way around, and you can ignore Legends and Len leaving town in S2. Just branch from 2x09 where Len warns Barry about the Trickster and Weather Wizard and go from there.
Starting from that - I would say it makes sense to establish coldflash in whatever manner makes sense to you, whether it starts as a frenemies with benefits, blowing off steam kind of thing (my preference), or whether it is them working a case and getting closer until sparks fly (also fun) or something else. But establish coldflash and their dynamic - but don’t yet make it into a super serious and super committed thing.
Len isn’t foolish and he is perceptive - he knows Barry is and always has been holding a candle for Iris. This doesn’t bother him because he doesn’t expect this thing with Barry to get ‘real’. It is what it is, it’s fun, there’s mutual respect and everyone is having a good time, with a bit of spice and danger. If he finds himself a little over-invested, well, that’s on him, and he’ll deal with it when it needs dealing with.
Enter Iris, tentatively opening herself to Barry, finally - feeling ready for something with him (post Eddie’s death, sometime in S2, much like canon). Barry, then, is inexplicably torn - surprising himself, Len, and Iris. This is Unforeseen. Barry’s been in love with Iris for half his life, he’s not supposed to experience any conflict about finally having the opportunity to be with her now that she’s in a place where she’s emotionally open to that.
But, well, he is. Conflicted, that is. Because yeah, he feels for Iris, that hasn’t gone away. But now he’s guilty because, he’s kind of with Len? And really, to his own surprise a bit, really likes being with Len. He’s funny and charming and strong and sometimes mean and okay Barry actually kind of likes that mean-streak if he’s being fully honest, it’s refreshing and makes him feel more safe to be himself, more humble and down to earth, not like he has to constantly be the perfect golden boy on a pedestal but is allowed to be human.
Being with Len is good for him, and Barry doesn’t want to give that up. Which is a startling revelation to him when Iris kisses him and he kisses her back then immediately goes into a weird spiral because - are he and Len even exclusive? They never talked about it. What is he even doing? He can’t build a life with Len - can he? Holy crap he wants to build a life with Len. But Iris - what about Iris? He still wants to build a life with her. He and Len have never talked about Iris, not really, except skirting the topic, and Barry knows he’s never been subtle about his feelings for her but -
Iris is. Confused. Barry never fully confided what’s going on with Len to her. He hinted at some scandalous liasons, maybe, but she had no clue Barry was in any sort of situation that she might be interrupting. Barry is terrible at divulging his secrets or telling his friends and family anything, we know this. 
Barry is an idiot (love him to death) and decides that Len is somehow the right person to confide in with his struggles. Len is. Shaking his head. Barry wtf. Go be with Iris. You love her, I’m not an idiot, I knew this would end. Barry like - screw you, aren’t you supposed to be a greedy thief and demand to keep me? Len like - wait you want me to... steal you? Like a brick of gold? Barry throwing his arms in the air like I don’t know I just don’t want to lose you!
Len suddenly confronted by the fact that Barry has real, grown-up feelings for him and not just a bit of puppy love, that he’s actually considering staying with Len and losing out on his chance to be with Iris. Which is a bit arresting because - that’s a lot of love and depth, and it’s suddenly there on display with all the despair etched into Barry’s face at the prospect of giving up Len and since when did Barry fall in love with him holy shit holy shit holy shit -
And like - Len is a greedy thief, okay. And he’s mean. He wants to keep Barry. He gets to keep Barry? He’s going to keep Barry. He doesn’t expect it to last because it’s Barry and Barry is Good and Right and Deserves to Be with Iris. But Len is Mean and Greedy and Fights Dirty. (len’s perception, obvy). So he tells Barry he won’t make him choose, but also gets all sexy-possessive (it’s one of my favourite things, okay, just allow it) and makes sure to remind Barry of all the enjoyment he gets from being with Len.
But being the instigating little shit that he is, he also encourages Barry to talk to Iris, to even take her on a date, to see if he can get from her what he gets from him. why? why play with fire? because len plays to win and he’s not going to be satisfied if barry regrets his choice and leaves him in a year over iris. he wants all of barry now that he’s got the option, dammit.
So a very conflicted Barry takes Iris out. Kisses her. Gets all heart-beating confused and delighted and everything. Things get a bit hot and heavy and then he stops and has to talk because this is great but he feels guilty as hell and part of that guilt is because yes okay Len said this is fine but is it really and what does Barry want and okay Iris totally has a right to know where his head is at.
So Barry opens up to Iris about the situation and she’s like “relationship? huh? but - he’s a thief, I don’t - you’re the flash - how does - huh?” quite understandably I would say, because last time she met Len, he was threatening to blow her up in her own livingroom. It wasn’t a great first impression. sure barry hinted at some ~liasons~ with someone and maybe she suspected it was cold but this is so much beyond that.
So she takes it on herself to at least make sure this guy has good intentions for Barry because whatever the situation, she still loves and cares for Barry and if he’s in over his head with this antagonist and is being taken advantage of, it’s her duty as his friend to help make sure he’s okay. (And also - Barry wants to be with her. he said as much. he isn’t shy about being in love with her. so why the hell is he still hung up on this guy?)
And Len is... weird. Okay. He’s weird. She goes to talk to him and he’s speaking in riddles and double-speak and innuendo. So much innuendo. Why? Puns all the way up, all the way down. And they argue and it’s... electric. Like shockingly electric. It gets to like them standing chest to chest breathing heavy and hissing invective at one another before they realize - oh. Oh this is tension, this is chemistry. This is dangerous.
Nothing happens. They back off as one. Recalibrate. Try to sort their heads around ‘what the hell was that’. Len tells Barry that Iris visited him. Barry confronts Iris. Iris tells him she was legit worried, and Barry decides they all need to sit down together so he can more legitimately smooth over Iris’s actually-quite-reasonable fears and maybe like... sort out what he wants.
but obviously what he wants is to have his cake and eat it too. because he’s always been in love with her but now he’s also in love with him, and either way he wins and he loses and that is a very painful and difficult situation to be in and maybe len never should have encouraged him to pursue this because what a goddamn mess his heart is now.
and from there, naturally the next thing to do is to conclude the narrative in a satisfying way and get the three of them together. both len and iris comforting a distraught barry on instinct, looking at each other and pausing, then continuing because “this is my job” “no it’s mine”. like a game of chicken comforting him and challenging each other, raised eyebrows and “your move” looks until they’re kind of very tenderly seducing barry and it’s delightfully overwhelming to him. it’s soft (softer than how i’d usually write smut tbh) because the focus is on these very intense and overpowering emotions and this deep (healthy!) possessiveness born out of love from all three of them. 
and because i’m a sucker for it there’s got to be this pivotal moment where len and iris kiss. like len and iris are peppering barry with kisses, stealing his lips, taking turns doing that as they undress him (they work so well in tandem, gee what a surprise), and then he leans back a bit as they move to trade his mouth off again and his eyes are half-lidded but the desire is plain as day so iris and len have a moment of silent negotiation and then they kiss and -
oh. oh, that is more than just electric. it’s something special. deep, powerful, undeniable.
so of course really fantastic sex is had by all, because this is fanfiction and sex is never awkward and no one accidentally falls off the bed (except that would be super funny and i’d probably write it that way just because). and barry is delighted and blissed out af. and iris and len’s fingers intertwine over barry’s stomach as they lay on either side of him, and it’s beautiful and offers a promise of what’s to come.
i’d keep that end short rather than do the whole relationship negotiation but honestly knowing me, i’d actually end up incidentally dragging it out more and adding in more of that relationship negotiation dynamic before they got to the end because i can’t help it.
But uhm. To answer your question: Yes. Yes I do think the scenario is possible.
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freddieslater · 4 years
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Rowing the Rarepair Rowboat: Joe West x Martin Stein (The Flash)
Requested by @light-miracles
Hearing the name was the first thing that tipped Joe off. When Barry said it while talking about Firestorm, he thought surely not.
Surely it's a different Martin Stein, somehow. He can't quite tell if he was hoping he was right or not, but he convinced himself he was, that it's all just a big coincidence.
But here he is, and there's Martin. Standing across from him in the Cortex of S.T.A.R. Labs. Despite it being well over a decade or so, he knows immediately that it's him.
Martin shifts slightly, eyes down, focused on nothing particularly interesting as the team talks away, unaware that neither of them are in their little bubble.
He saw him, Joe knows. They looked right at each other the second he walked into the room. He watched Martin's eyes widen behind those same glasses, the look of utter bewilderment on his face. And in came Barry and Iris and the rest of the team, going straight into introductions and figuring out a game plan.
Joe thinks it's a good thing; it gives him time to wrap his head around this properly, think through what to say when he gets the chance. But no matter what runs through his mind, nothing feels right. Nothing eases the twisting, churning mixture of feelings he's got going on inside of him right now.
"Joe?" Barry asks at last, snapping him out of his daze, dragging his eyes over to meet his slightly concerned gaze. "Does that sound okay?"
In all truth, Joe has no idea what the hell Barry just said. His eyes dart off to the left.
"Uh, what? Sorry, didn't catch that last part."
Martin's eyes flick to him for the second time since he walked in.
"I asked if you could stay here with Stein, make sure everything's okay here while we head out to catch the Meta," Barry repeats gently, and Joe's aware that he's gonna get a few questions about this later.
For now, he nods. "Yeah, yeah, of course. Just be back soon, alright? There's only so long I can stay away before Singh comes back to revoke captain from me."
Barry laughs at that. He promises, and he, Cisco, and Ralph head out while Caitlin and Iris relocate to the lab in the back of the room to go over what they have so far on one of their other cases.
Leaving just him and Martin. Alone again.
Martin clears his throat and Joe lifts an eyebrow an inch, watching him, waiting with this annoying little flutter in his chest.
"So..." Martin starts uncertaintly, but he's looking at him, right in his eyes. "It's been quite a long time, hasn't it?"
Joe makes a quiet noise at that, half a snort, half a chuckle. "I guess forty-six years is a long time, yeah, you could say that."
Martin falters, as if he thought maybe he wouldn't remember. Or at least wouldn't know how long in exact numbers.
He draws in a deep breath, then nods.
"Things have certainly..." he lifts a hand to gesture at him, letting it fall back to his side a second later, "...changed. I hear you're a detective now."
"Well, I was majoring in law when we met, that shouldn't be all that surprising," Joe points out.
Martin smiles. It almost feels forced. Sad.
"It's not. I'm happy for you," he says, sincere. "And rather proud. Working part-time out of a lab? I thought you once said that science just 'wasn't your thing'."
"Oh, it's still not." Joe shakes his head, making a face as he glances around. "I'm just here to help out with the arrests and legal side of things, and because of Iris."
He stops after he says it. It hadn't really processed in his mind before it left his mouth. Martin's still wearing that smile, nodding now. He's got that look in his eyes; he always used to get it before, when he was trying to hide something.
"Yes. Iris. Your daughter. She's rather lovely. And a lot like you, from what I've seen."
"Well..." Joe shrugs. "I did raise her alone from the age of eleven. Guess some things just sort of stuck."
There's a flicker of surprise in Martin's expression. He doesn't comment on it, doesn't ask. Joe's admittedly a little relieved. Telling him about Francine just isn't a conversation they need to be having right now.
"I imagine you're incredibly proud of her," Martin says. "You should be. She's been nothing but kind to me since I got here. Very intelligent. Would make an excellent detective as well."
"Yeah, that's what she said when she wanted to sign up. I talked her out of it."
Martin nods, as if that makes complete sense to him. There's a glint in his eyes.
"You did say you'd never let your child go through the same tedious process as you did," he says. "It's good to see not everything is different now."
Joe hums in the back of his throat. He swallows and waves a hand vaguely at him.
"And--hey, I heard you have a kid, too. A daughter? Caitlin talks a lot about her. They went to some college together, I think?"
Martin nods again, though looks a little thrown. "Yes. They did. Lily is rather fond of her."
"And... her mother sounds lovely."
Caitlin's mentioned her a couple times as well from what he can remember of the snippets of casual conversation. Just little things about going with Lily for family dinners.
The comment definitely catches Martin by surprise. Joe doesn't really know what he's expecting, but he hates that a little part of him is waiting with so much anticipation and dread, already regretting saying it at all.
"Yes," Martin says again, then shakes his head, clearing his throat. "Yes, she is rather extraordinary. A brilliant mother, too."
That same part of Joe sinks. It's just a little stab in his chest, nothing too painful, but still enough.
He presses his lips into what he can muster of a smile. "That's good. I'm happy for the two of you."
Something seems to register. Martin rubs at his jaw with his left hand. It's an old habit, a nervous tick he used to have and apparently still does, and that's why it takes Joe a moment to notice the lack of a ring.
His eyes widen a touch in realization before Martin even speaks. He wasn't going to say anything about it himself; like he said, things have changed since they knew each other. For all he knew, feelings and a whole lot more could have as well.
"Clarissa and I are no longer together," Martin tells him. He pauses, lifts his eyes to meet his. "We divorced a few years back. After I told her the truth."
The truth. "Oh," Joe says slowly.
"It was for the best," Martin says, shrugging. "I loved her more than anything, but..."
"But you weren't being honest with yourself," Joe fills in the blanks.
Martin stares at him. "Precisely."
They both know, the unspoken thing between them, desperately calling out for one of them to just acknowledge it.
Rehearsing possible lines in his head hasn't done him any good. It's like there's this giant elephant just sitting in the corner of the room and they're both supposed to pretend it's not there. But Joe's never really been all that great at ignoring things.
"I feel like I should be apologizing," he says, chuckling nervously.
Martin's brow furrows. "For what?"
Joe tilts his head and softens his voice. "You know what. All of it. I just..." He sighs, shaking his head now, trying to find the right words to explain.
"You weren't the one who ended things between us, Joe," Martin says quietly. "If anything, I should be the sorry one."
"No, I shouldn't have pushed you like I did," he says. "I got too caught up in it all. I thought that everything would magically be perfect after college."
"You can't blame yourself for liking the idea of a perfect world or wanting to get a little lost in a romance."
Joe just shakes his head again, pressing his lips together, a knot pulling tight in his stomach.
"I was the one who pushed you away, remember?" Martin points out, stepping closer. His hands are moving as he talks, palms up, like he always used to do. "I shouldn't have, I know that now, but I got scared."
"Of course you were scared," Joe scoffs, gesturing around them. "The world was terrifying back then--still is! Our entire relationship was against the law and every second day there was some news story about people like us dying."
Even just remembering it makes him sick to his stomach. The fear that was instilled in him. In Martin. They always tried to push it away, focus on the good between them. But it was harder, and the secrecy didn't help.
Martin stops in front of him. The look on his face is so familiar, it reminds him that not everything has changed. The way he's looking at him. A small comfort settles in his chest.
"That's why I had thought that what I was doing for the best. Ending things for both our sakes before it even really started. But--"
Martin shakes his head, his mouth stretching up into that smile. His shoulder sink and he sighs.
"I still regret it," he says. "To this very day. I thought that that day was the last I would ever see you, and I've spent forty-six years since wishing it had gone differently. I never wanted to lose you from my life."
Joe's biting his cheek so hard he worries it might bleed. He breathes slowly, his eyes stinging, and he blinks, glancing away from him.
"Yeah, that was the part I hated the most," he says, his voice tight and straining to his own ears. The pain is finally sinking back in after being ignored for all those years, and it's a lot heavier than he thought it would be.
"I really did love you, you know," Martin says softly.
Joe nods, biting harder. He meets his gaze again, and it's taking everything in him.
"I know," he tells him, sincere. He never doubted it, not really. "I loved you, too."
Neither of them knows what to say now. It's like they've torn the barely healed skin off of an old wound, ripping it open to bleed out all over again. The elephant is gone.
"Hey, dad?"
Joe's eyes widen and he quickly blinks, looking over at Caitlin's makeshift lab to see Iris peering out out of the doorway. It was easy to forget they were only separated by two panes of glass with no actual door.
"Yeah, baby?" he asks, hoping that she didn't notice.
"Would you be able to do a coffee run for us?" she asks, and smiles widely. "Please?"
Relief sinks in. She seems blissfully unaware of anything that just happened, her attention clearly caught up in the work.
He chuckles, and nods. "Yeah, sure. But, uh..."
He glances at Martin, uncertain. Martin smiles back at him and shrugs.
"I'll come with you. I doubt anyone's going to attack me in the middle of a coffee shop."
"I wouldn't be too sure about that, we've seen stranger," Joe says, and Iris agreez.
Martin's smile widens. "I'll have to take my chances then. Believe me, I need some fresh air, as lovely as this place is."
"Great!" Iris says. "Oh, and could you maybe throw in a croissant or something? Cait's hungry and threatened to eat me."
"Hey! You're the one who said that!"
Joe shakes his head at them, rolling his eyes. He gestures to the entrance and starts walking, Martin going with him.
"Be back soon!" Iris calls to them.
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chaosstar290 · 4 years
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Reasons try out Tokyo Mirage Sessions #FE Encore.
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Nintendo's been pretty casual with porting Wii U games over to the Switch, and for good reasons. Normally, I'm not all into porting games that I've already played, but my personal favorite games on the system that lack good marketing and advertising are now getting the attention and love they deserve.
Take Donkey Kong Country: Tropical Freeze for example, one of my favorite 2D platfomers. The game originally sold 1.72 million copies worldwide on the Wii U. Not very good numbers, huh? However, the Switch port managed to beat those sales numbers with 2.25 million units sold worldwide by the end of March 2019.
So while this could be seen as a way for Big N to earn more $$$, this is also a way for those who never owned a Wii U and missed out on some of the system's best titles to give these games a shot. Now we just need a port of Xenoblade Chronicles X and The Wonderful 101...and Star Fox Zero, I guess.
But that's a topic for another time. This post is specifically for my favorite JRPG on the Wii U only to be tied with Xenoblade Chronicles X....Tokyo Mirage Sessions #FE.
This'll be a long one, so here's hoping you'll stick with it until the end.
Development
Before I get into the reasons, lemme educate you guys a bit. Back in January 2013, both Atlus and Intelligent Systems made a teaser trailer for a potential Shin Megami Tensei x Fire Emblem crossover for the Wii U.
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The trailer was mostly just a slideshow with various character artwork. Despite this, there was a decent amount of hype surrounding it. But development around the game was pretty silent. That is, until we fast forward to the Nintendo Direct in April 1, 2015. We got a trailer of the ambitious SMT x FE crossover that fans were waiting for...but this was the final product.
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Needless to say...neither SMT nor FE fans were happy about this. The fandoms were incredibly salty and foaming at the mouths, basically calling it a Person 4 Lite with a hint of FE. Heck, they're probably still posts on this site from 5 years ago that'll show that.
Fast forward to the games initial release, and you'll see quite a few positive reviews and thoughts about TMS. Unfortunately, the sale numbers were not all that great for the game. Obvious reasons being that it was a Wii U game, and many fans of both SMT x FE were not happy with how it turned out.
And to be honest, I wasn't feeling the game myself at first. It seemed too lighthearted and upbeat, and the J-Pop, anime-ish aesthetics were very off-putting. However, the more I saw about the game, the more I was drawn into it. Somehow all that disappointment I had about TMS originally just washed away. And considering it was a new IP, I decided to give it a chance. And hoo boy...I was generally pleased.
With that outta the way, let's get into why I'm excited for the Switch port of game, and hoping people will give it a fairer chance.
The Setting
The plot of Tokyo Mirage Sessions #FE is mostly simple. You start out as high schooler Itsuki Aoi, the main character of the game encountering his childhood friend Tsubasa Oribe at an audition event to become a idol. It isn't until moments later in the game that the area gets overruned by shadowy creatures known as Mirages that suck out the creative energy known as Perso-- ah I mean Performa from the other idols and audience.
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Poor girl doesn't know what's gonna happen next.
Despite our main characters seeming unharmed by the effect, the Mirages drag Tsubasa into their world known as the Idolsphere. And of course, courageous Itsuki takes action to follow and rescue her.
After trying to make a daring rescue, Itsuki gets bombarded by a Mirage, but somehow manages to awaken it. Taking the form of Fire Emblem Awakening's protagonist Chrom. Itsuki does the same with the Mirage that captured Tsubasa that takes the form of Cedea from Fire Emblem Shadow Dragon. The two awakaned Mirages, however, suffer from a bit of amnesia and can't quite remember who and what they are.
From there on, Itsuki and Tsubasa form a partnership with Chrom and Cedea, encountering various characters trying to reach their way to stardom while trying to draw back the opposing forces from taking over Tokyo and the world. Typical RPG stuff, am I right?
It's a fairly standard and slightly cliche plot with some common anime tropes, but for this game...it works. It's a plot that's incredibly silly, upbeat, and over-the-top, but again...it works for this game. And I love it. It may not be original, deep, or complex, but the story does its best to not take itself too seriously, and it doesn't fail to keep a smile in my face.
Aside from the vanilla cookie-cutter MC Itsuki, the various casts that you meet are incredibly charming, and go through their own personal growth as celebrities. Though you mileage may vary on this.
The Gameplay
The combat is the real star of Tokyo Mirage Sessions. Basically, it's your standard turn-based combat system...but with a few twists. If you've ever played a SMT or Persona game, then don't be surprised that elemental weaknesses make an appearance here. Along with that, the Triangle Weapon system from Fire Emblem also makes an appearance in the game.
But if you're not familiar with either franchise then give you a basic example how this works. Say that you've encountered an armored Mirage wielding an axe. The weaknesses on that enemy are both lightning and swords, and Itsuki just so happens to have both the necessary element and weapon equipped.
In case you're wondering...how the Triangle Weapon mechanic works in FE is that Swords beat Axes, Axes beat Lances, and Lances beat Swords.
The interesting thing about this is that once you exploit an enemy's weakness, other characters will jump in and combo extra attacks. These are called Sessions, and their not only powerful...but also flashy as all hell and it's glorious. Not only that, but there's also Duo Arts where two certain characters will sometimes perform a song that unleashes a powerful attack...which also strings up more Sessions. As broken as this sounds, it actually is pretty strategic for taking down harder enemies, and they can also form Sessions...so be careful.
There's more to the gameplay like roaming Tokyo, exploring dungeons, and upgrading your characters and Mirages by Tiki from Fire Emblem Shadow Dragon as well.
There's mixed opinions on the dungeon aspects of Tokyo Mirage Sessions, but...I personally enjoyed them. Aside from the first one. Once you get past the first dungeon, they get better as the game progresses. From exploring a darker version of Shibuya where you have to avoid giant cameras from sending you back to the entrance of the of the room you currently entered, to venturing through a maze-like TV studio.
There's also side-missions that you can do with your main cast that'll help them grow and develop even further. You'll be rewarded with either a special cutscene or a special attack. Or maybe both.
The Visuals
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Go go...Persona Rangers?
If it wasn't obvious from the amount of images I'm posting, Tokyo Mirage Sessions is a very colorful game. Fitting with it's lighthearted theme, the amount of colors the game throws at you makes visuals aesthetically pleasing. Heck, you could make these your personal wallpaper on your phone or something.
Sure, Tokyo Mirage Sessions isn't nearly as strong as Persona 5 graphically or even artistically, but like most Nintendo games...what their games lack in terms of detailed ultra-hyper graphics, they make up for it with giving their games gorgeous artstyles.
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Also, this game has some reeeeeally good artwork.
The Music
J-Pop plays a pretty big role in Tokyo Mirage Sessions, so expect a lot of vocal tracks. If you're not into this kind of genre of music, then you might wanna stray away from this game. If you are (or if it doesn't bother you), then you're in for a treat. As someone who really isn't into J-Pop myself, the songs in this game are incredible and catchy followed by some beautiful cutscenes. Reincarnation from Kiria Kurono and Feel from Tsubasa Oribe are some of my personal favorites.
The music from outside the vocal tracks are pretty good too. The normal battle theme and the Illusion Shibuya dungeon theme are just to name a couple.
What's New?
Like I said before, Tokyo Mirage Sessions #FE Encore is a port of the Wii U version, but with added content. Any DLC that was added in the original game will part of the base game in the Switch version. But let's talk about the new stuff.
EX Story and Songs
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The EX Story is basically a dungeon that you explore in short bursts. Here you'll find new costumes such as a Joker outfit from Persona 5 for Itsuki, or an Annette outfit from Fire Emblem Three Houses for Mamori Minamoto. Or you can have a much easier time grinding for EXP. Also, much like the side-stories, this dungeon will also explore the main casts' issues and help them grow.
New songs will also be added in this port. A duo song called "She is..." sung by Tsubasa and Kiria is one of them.
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Sessions
By making Sessions even more powerful and ridiculous, unplayable characters like Tiki, Maiko Shimazaki, and Barry Goodman will also join in Sessions.
In addition, a Quick Session option will be added. Which is a major upgrade in my book. One of the big issues the Wii U version had was while the Sessions were fun to watch, they took forever to get through with the more characters that joined your party. There are also smaller improvements like the Switch version having faster loading times.
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Conclusion
Hopefully, this long as hell post will spark some interest into those who'll give the game a shot. I know there's small nitpicks like the lack of English voice acting and censorship, but the latter is a topic I'd rather not delve deep into.
Regardless, these small cons are greatly outweighed by the large pros this charming game has. If you're an Atlus fan, a lover of JRPGs, or wanting to play something that'll ease the wait for Persona 5 Royal, I highly recommend you give Tokyo Mirage Sessions #FE encore a shot.
If you're also waiting for Persona 5 to actually come to the Switch like me, this game is next best thing we've got for the time being.
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This is one of the most stylish menu screens ever.
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