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#i've had this scene in my head for so long
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On simplifying Akechi
My brain was ridden with these ideas people have about Akechi that piss me off a little. Mostly ones that say he is "just crazy" or "just hates Joker." There's countless metaposts countering these arguments (and they are absolutely wonderful) but I often wonder WHY simplifying Akechi down is so appealing, even to people who are fans of his character. I can't say I've never been immune to simplifications of his character either, and I feel like that's important to admit. I don't even think it's necessarily a bad thing, but I was wondering about that why question.
TW: Discussions of mental health and child abuse
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Source: A high schooler's holiday from the P5 Comic Anthology (read it here!)
I do think it's hard for all of the little things Akechi's character builds upon to be conveyed through a single playthrough. If you go in blind or don't finish his confidant, you may only get that surface level exploration of his character. Base Akechi is flashy and still gets the point across that it needs to: he's a foil to Joker and the PTs. However, by missing out on his social links and special events, you miss cultural, relationship, and personal context.
Many words have been said about the translation, particularly in the engine room, being faulty in areas. But some people still don't understand that Akechi's plan isn't to kill Shido, even when the text makes that clear. There's also this scene with Shido, which reads more as an exposition dump in a long section of the game most players will either tune out or skip. Not everything you see will always stick in your head, and Persona is a LONG game. I feel like it's easy to forget people just... forget canon sometimes. It's easier to put these details aside and say Akechi isn't affected by the system he's raised in. But the reality is, you miss what Lavenza says about Akechi's role, you miss that one exposition scene, and you miss the confidant: you believe Akechi had much more autonomy than was actually true. In conversations I've had with people IRL about Persona, 2/3 either skipped or did not finish Akechi's confidant. It isn't improbable, playtimes can range from 100-300 hours, most playthroughs take weeks. People will forget things. It isn't a maybe, it WILL happen.
When the game feeds you so much information, it's also easier to take what the characters say at face value. Doing this with Akechi will bite your ass. Those words in Rank 8 are directly expanded upon in No More What Ifs, the engine room, and 2/2. Maruki and Morgana confirm Akechi doesn't hate Joker, but you never hear Akechi say it himself. To me the game beats you over the head with this information (as the game has a tendency to do for certain situations), but I've also been in the rabbit hole for over a year now.
There's also this idea that recognizing that Akechi was set up by Yaldabaoth, his upbringing, and Shido means that all the venom is taken away from his actions. That isn't true, and Akechi holds to that in third semester. He doesn't give himself any grace for the situation he landed in, wanting to take accountability for it when it is undone without his consent. Akechi is by no means a perfect victim, and he doesn't believe that either. Recognizing that he had no choice, it was either homelessness and neglect or the plan he conjured himself only brings to light the tragedy of his situation, not whether his actions were morally incorrect. He wanted his father to be in his life, and he wanted his father to suffer. He wanted to have someone like Ren in his life, and he couldn't have someone like Ren because his plan would be jeopardized. It's a series of choices, some of which are forced upon him, some of which he chooses himself. That is an important distinction to make.
There's also this idea that Akechi is 'just crazy,' or never suffered from abuse or events that affected him long term. That he doesn't suffer from unspecified mental health conditions or trauma, and chose everything with a clear mind. When someone brings up this argument, it's usually in response to people talking about his life experiences. That somehow, the existence of trauma or a condition is an excuse for whatever he did. There's a double standard here: Akechi is someone who suffers from a condition that makes him 'plain crazy', simplifying his entire motivation and role in the story, while also removing him from the context of his mother, Shido, and his experience with the foster system. Actually interacting with these facets of his character brings to light the challenging things the story asks you to think about when it comes to Akechi: Is he a victim? Is he like the Phantom Thieves? What about his situation informed his choices? Interacting with this requires effort and an actual acknowledgement about what it means to be someone that suffers from trauma. Calling him 'plain crazy' not only is in disservice of textual analysis, but more importantly incorrect (and frankly, it falls straight into ableist tropes about mental health).
Sometimes internet debates/discourse lead to simplification, even just random headcanons may lead to simplification. That isn't always bad. There are many ways to say what I said here in fewer words. I, unfortunately, am not skilled enough to do that. But some of these simplifications lead to entirely incorrect judgements about a character, or even about mental health issues. When that happens, I wish people would learn to reflect about what that means when they interact with a piece of media. Or even with other people.
tldr: people should learn to say they just don't like things instead of coming up with excuses that make no sense. basically
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whoiwanttoday · 2 days
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I've been through a lot of breakups in my life. This isn't shocking given I am innately unloveable and quite frankly a lot to deal with. Probably the closest I ever got to warm feelings post break up was, "I love you but I am exhausted". Totally fair, I can barely handle me most days and I don't have a choice in the matter, so I get how it's too much for someone else. I remember a fight with that ex and at some point me uttering the phrase, "Oh, like it's my fault your friends suck". Guys, I am here to tell you that did not de-escalate the situation like you might expect. No one likes it when you're absolutely right in an argument. Anyway, I think about these things sometimes because I think we all often try to look for meaning in things that don't necessarily inherently have it. That's because we kind of need major events to be about us because the other option is soul crushing. Like, if my heart is ripped out and torn in two I sure would like to think it's about me rather than not actually about me at all and instead I am just an incidental casualty because not only is life cruel and random I am not that important. I mean, look, Hamlet was miserable but at least they named the play after him, we'd all rather be the star than the attending lord who exists to swell the progress of a scene or two. Those guys got their heads cut off and didn't get their own play for centuries.
My therapist says dwelling on this stuff isn't great for me but I always feel like she's being kind of smug, like she's so fucking smart. You're not the only analyst in the room, lady, I went to college too but I don't sit in an office analyzing poetry at people to show off that fact, even though I once wrote about the Love Song of J. Alfred Prufrock and my teacher not only told me how good it was but that I had a real 'knack' for analyzing poetry and she would really like to help me explore that more if I wanted. And while I am at it an insecure person would read the knack in quotes and think the whole thing was sarcastic but I know it was because she didn't believe in knacks but through hard work and didn't want to diminish that. Tricks on her, I wrote that paper in one sitting the night before because I do have a knack for using a lot of words to get to something. It really can pull the wool over someone's eyes for a few semesters but at the end of the day eventually runs thin and people tire of your charm, thus the many break ups. Which brings us full circle and that's how you do this nonsense, you fill up a lot of space sort of talking about nothing but if you can turn a phrase with a little skill people will be distracted long enough and I am bringing that up today because I don't actually have anything new to say about Sydney Sweeney but that's the whole point, do I ever really? No, not really but this is how you drag all that out and fill a page and she has me thinking about all this because I am thinking about someone who doesn't like her very much but used to like me and now probably has forgotten I existed. Which is vague but that's how it works sometimes, but I promise you that's a second full circle. They're not concentric, the both intersect at the start. Today I want to fuck Sydney Sweeney.
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magnuspirate · 9 months
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yuriyuruandyuraart · 1 year
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FNK WEEK: day 1- song inspiration
"And when you smile, the whole world stops and stares for a while..."
fnk week is hosted by @help-im-a-gay-fish
studio au is made by @zu-is-here
fem designs belong to me
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wario-speedwagon · 4 months
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Dave and Old Sport Adopt a Kid: Chapter 12
Hello! Greetings! I hope you're ready for an angsty one >:] Full chapter below the cut <3
Chapter 1 Chapter 11
Chapter 12
The two uncostumed employees were disgruntled that their friendly competition was cut so prematurely, as they'd only just gotten out of their suits fifteen minutes ago after a couple hours of dicking around—er, performing in them. And now they were already heading back to those smelly things again.
But Jack wasn't quite as bitter as Dave was, considering that regardless of Dave's cheating scandal, he'd left off with the higher score.
“Maybe we can at least spend some time looking for Pruny while we're costumed again.”
Oh, he was still hung up on that?
“You sure are a worrywart. She'll be fine, she's a big kid who's fine on her own.”
“Yeah, but you never know if someone'll snag her while we're not watching or something…”
Jack just shot him a judgemental look in the eyes that said ‘are you serious?’
Dave had always had a glaring blind spot for his own hypocrisy. Jack had come to notice this over time: that instead of maliciously unfair and double-standarded, Dave was just more often horrendously self-unaware.
Case in point was him having the gall to adopt a kid he was just about to murder with zero sense of irony.
While it sometimes made it a little bit easier to forgive some sleights of his, it was far from a source of comfort.
The two had marched down the shabby maintenance hallway, and at the end of it, Dave casually pushed open the hidden Saferoom door.
The puppet reacted immediately by standing itself squarely between them and Pruny in the latter's defense. Though Pruny was visibly excited by the new visitors. At least for a moment.
“Oh not you again.”
“Dave Miller. This child and I were just on our way out.”
“You were on your way out. Leave the kid alone, comprende?”
Pruny’s excitement immediately dissipated upon seeing how the two were reacting to this puppet with such stern demeanors. And as she “listened” to what Dave said, she realized that this was a two way conversation they were having with it.
“No, you ‘comprende,’ Miller: you and your loser friend will give up on claiming your fifth victim. If you do it nicely, I might even let you both live to see another day!”
“I'm telling you, creep-ass, the girl stays with us—”
“And you, Jack.”
Empty eyes filled with a child’s soul were suddenly piercing through Jack’s own racing thoughts. Jack had not said a single word, and it was because he was busy sorting out how to feel after this unexpected and sudden reunion. He’d not faced her personally since he’d…
“... Yeah?” he feigned nonchalantly.
“What do you have to say for yourself?”
“...I have nothing to say to you.”
“Because the last time I saw you, you and I were in agreement about Dave.”
Jack was silent for a good few seconds, carefully measuring his next words.
“…From now on, this won't be happening again,” he cautiously negotiated.
“Ha! Is that right!? Now that’s not what you would lead me to believe after your actions yesterday!”
“A lot has happened since then.” His voice continued to carry an uncanny calm, but—
“…But is that a promise, Kennedy?”—the only thing Pruny could see was how tense Jack’s composure was and how tightly he clinged to his own wrist.
“I’ve since sworn off making promises.”
“Then your word is only as good as your soul.”
“I have no soul, Dee.”
“Is that a confession or an excuse?”
“—Sorry, but I’m lost,” Dave interrupted, looking to Old Sport. “What's up with you and this thing? You two got history?”
“I'll, uh, fill you in later…”
“No, Jack Kennedy, there won't BE any more ‘later.’ Not anymore.”
“Watch it, pal. I may not’ve designed you, but I sure as hell know how to disassemble you…the right way, and the fun way.”
Pruny finally gathered the courage to dash toward them, but a dark, clawed arm held her back.
The Puppet slowly creaked its head back to face Dave.
“I don't fear you anymore, William. Not after all you've done to me, and not after all you’ve done to everyone after me. And certainly not after what you've done to Jack.”
“Mind jogging my memory who Jack is again? One of yer kid friends I took or something?”
But the nausea in Jack’s stomach was only growing worse, and he could feel his face growing pale.
“You don't even remember what you did to Jack Kennedy. And apparently neither does he.”
“‘Kennedy’ huh? I'll sleep on the name tonight, alright?”
“Oh, there’ll be plenty of ‘sleeping’ for you after I'm finished with the both of you.”
Pruny had carefully snuck her way over to her protectors' sides after seeing how threateningly tense the situation had gotten, and she huddled up between both their sides, one hand on each shirt.
That helped to ground Jack back down from a rising panic.
“Prune,” he voiced silently, his usual comforting tone failing to come out. “Get out of here.”
The Puppet returned her attention to Jack, but said nothing.
Meanwhile, Pruny's nerves had turned to fear, and to that she responded by gripping both of their shirt-tails closer to her.
Jack immediately moved to shove Pruny out of the Saferoom door, only to feel claws bore into his shoulders with enough force that he himself was pushed against the wall next to the door. The claws didn’t release, and in his ear:
“I won’t let you hurt another child.”
But before he could think to respond—
“You asked for it.” And before they knew it, the Puppet itself had been shoved onto the floor by Dave who was now standing over her.
She quickly moved back to her feet, but a forceful aubergine arm immediately pushed her back down and kept her pinned her to the floor.
“I’m gonna enjoy this, you right pain in the ass! Here's to years of gettin' in my way!” And with his other free hand, he whipped out a crowbar, arm raised and poised for a strike—
—and forcefully hugged back by Old Sport…?
“Don’t, please—...”
“Wha…?”
The Puppet took this brief window as an opportunity to retreat.
And the aubergine and tangerine just traded bewildered and bewildering looks, raised arm still trapped by the other’s desperate embrace.
But a set of claws flashed across Dave’s face, followed by his shout in pain and the loud clattering of a dropped crowbar.
“Shit—!!!”
Dave staggered back a few steps, giant hand pressed tightly against the side of his face, and without thinking, Jack ran to intercept the Puppet’s next lunge toward him—
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Where is he where is he—
“Hey youngster, don’t run so fast!”
Please, where is he—
She felt someone running behind her, and to her relief, it was exactly who she needed!
And…
And then…
Then it started to sink in…
She froze up in panic.
“Are you okay, miss?”
He was staring at her, probably waiting for her to say something, she needed to say something—!
“He—H-He…”
It wouldn’t come out, it never does, why not!?
“Plea— the— I—” She couldn’t decide what sound to start with, so her wasted voice turned into panicked gasp for air.
“Kiddo, slow down, one word at a time.”
The Phone Man lowered himself to one knee down to her level. That was good, it meant she still had his attention despite saying nothing yet.
So she really needed to—!
She grabbed his arm and tried to pull him along, and thankfully he got the message right away to follow so she ran for the Saferoom.
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He’d done the right thing, but he’d done a horribly wrong thing.
It was only one strike. That’s all it took for the gravity of his impulse to crash over him.
That he’d attacked her.
The loud clatter at his feet startled him. The crowbar had apparently slipped from his shaking hands.
“Jack, why do you defend him?” said the now-malfunctioning Puppet with an open gash to its newly-cracked mask revealing damaged circuitry inside. “Do you not care what he did to us?”
He didn’t have an answer. He’d hoped up to this point that he’d never need to come up with one. Getting to see her again was the one wish of his he never wanted granted after all this.
“Why…? Why would you join him?”
Jack still stared back in short supply of an adequate response.
“Did my death really mean so little to you that you'd befriend my murderer?”
He couldn’t take this anymore, this was too much—
“Dee, I’m sorry…”
The Puppet remained silent, as if waiting for Jack to continue.
But that was the only thing he could find in himself to say.
“That’s it? That’s all you have to say about it?”
“I’m sorry.”
“You’re a coward.”
“...Sportsy, don’t go apologizin’ to that thing.”
Dave had gotten to his feet, hand still pressed against half his bleeding face but otherwise not at all deterred.
“I dunno who she is to you, but I don’t care. Anyone who threatens to hurt my partner can die before they get the chance.
Congrats, kid; you’re finally done with that freaky body.”
“No, Dave, don’t.”
Dave was careful not to turn his gaze away from the puppet this time when asking, “Why?”
“Disable her all you like, but don’t you dare do anything to hurt her.”
“I’d like to see you try,” she challenged bitterly.
“Challenge accepted—” but Dave’s threat didn’t land as the puppet immediately scrambled to swipe at his feet and tripped him onto his butt.
“Stop it, both of you!”
That ended up being far more effective than Jack expected as both combatants quickly paused their violent scrambling to give him their attention.
“Dave, I’m dead serious. If you lay another hand on her, I’ll make sure you never walk again.”
Dave was stunned to complete silence by the seriousness behind that threat.
“And you, Dee. I know you have no reason to believe me ever again—”
“Save it, Jack. I’m not interested in what you have to say anymore.”
“Dee, just listen to me—”
“You listen to ME, Jack Kennedy! If I see you or Dave with that girl or any other child ever again—”
But her threat, too, fell flat when Pruny ran up out of nowhere to hug Jack’s legs.
“Prune, what’re—!?”
“What on earth is going on in here?”
All faces turned to the Phone Guy in the doorway. Well, all except for Pruny’s teared up face that was pressed against Jack’s thigh.
No one said anything in answer, so Scott spoke up again. “I see the ‘Puppet’ is out and actively trying to kill you. I warned you you’d regret it if you let its music box run out.”
Again, no one had a response to give.
“Alright; Dave, go ahead and do your thing and disable it, we all know how much you love to do it.”
“You think we haven’t tried!?”
“Then dismantle it the messy way, whatever it takes!”
But Dave nervously glanced toward Jack whose hard stare back was not permitting. Yet before Dave could utter a word in response, the puppet had already made a sudden dash for the Saferoom entrance, pushing aside the Phone Guy in her path.
“Dee, wait—!”
“‘Dee’?” But Jack ignored him to walk after her—but remembering he still had an aubergine child clinging to him, he stopped his pursuit.
“You two have a lot to explain in the office.”
Although what Scott secretly wanted to know most was why the names ‘Dee’ and ‘Kennedy’ were being thrown around.
(Chapter 13)->
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summersofsalt · 1 year
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Now when Nona waited for Camilla’s eyes to clear, and she lifted up Camilla’s hand to press her mouth to it, all Camilla said was, “Thanks.” And she almost didn’t flinch. 
(from Nona the Ninth, by Tamsyn Muir)
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redrobin-detective · 3 months
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I was looking at my AO3 trying, once more to finish my AT mini series when I realized its been a year to the day I published where is it now, The glory and the dream? nicknamed Glory. Its a story I loved writing and have reread it multiple times and I got a bit emo thinking about that story - about that world.
I wrote a DGM fic in college over the course of a year that started as a speculative fic on past events and became an all out AU once more details came out in the manga. But I became so much more attached to my version of the characters and the story that it became hard to connect with the canon version. I feel something similar with BNHA and Road Not Taken verse. I love those characters who I took from early canon and molded and aged into essentially my own characters. I still get weepy reading rise up and writing glory kind of helped me deal with a bit of anxiety of turning 30.
This whole verse means a lot to me even though it was far from popular even when BNHA was dominating AO3 and is now so far out of vogue people aren't really reading stories much less wild AUs. But it lives close to my heart and is one of the things I think of when BNHA in any context is brought up. I will write the finale fic, it's lived in my brain fully formed since the last few chapters of TLWA. I will write it and it will hurt and I will sob and it will be one of the most satisfying stories because it will finally exit my brain and enter the page. And it will be utterly meaningless to 99.99% of the population and I will not give a damn because as much as I love sharing my stories and getting feedback, these stories are Mine. TLWA and it's sequels more than most.
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eyes1nthewoods · 9 months
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everyone look at my handsome goodboy. he collects permanent status effects like pokemon cards.
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universe of constant spinning, every end a new beginning
“So, do you have an umbrella? That was like, your thing, right? At Claw?”
Ah—not again! He can’t keep zoning out while talking to people—especially his boss.
But… why was Reigen still here? It was late and he always got to work early. It wasn’t his job to stay and coddle his employees. “I—uh—no,” he stuttered, fingers twisting anxiously. “Mine was, uh, "is” broken, sir.”
‘Broken’ was a mild way to put it. More like it got destroyed.
[or, reigen gives serizawa an umbrella]
☔️2,651 words | serirei☔️
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bejeweledmp3 · 3 months
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tell me why i'm considering opening the doc and writing fanfiction during my lunch break. ON MY PHONE
#talking tag;#totp tag;#i've been meaning to make a tag for the fic so. there#ok if anyone is curious (probably not but like. i like talking about these things) i split the fic in sections in my head#so every ''kimberly finds her father in blah blah'' is a section and that's how i keep track of them#so chapter 1 had sections 1-3 and chapter 2 had sections 4-5#and chapter 3 will have sections 6-7. it has to. for structure reasons#but section 6 is a very important one and she's at like. 8.5k words at the moment???? and i still haven't gotten to the last scene#OF THE SECTION. THEN THERE'S ANOTHER SECTION#which should hopefully be shorter (around 5k or less is my guess) because fewer things happen but. god#we're looking at a 15+k word chapter. if you're reading the fic hopefully you like long chapters cause!!! it'll be a long one!!!!!#also i am once again pointing out that if you're reading the fic and have absolutely anything to say about it PLEASE tell me#i love talking about this fic she's my child that i created. she's like a clay sculpture to me#i do mean to reply to ao3 comments but i'm shy 😭😭😭😭 but i reread them all a billion times and cry about them every time#i'm still thinking about the lengend that dropped that page long comment on chapter one. king (gn) if you see this i love you#when i reply to comments yours will be first. know that you have me and nat's infinite love forever and always.#truly i hope you like it and cand find peace in it. lord knows we all need it#well. anyways! i think i might edit the doc i'll see
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amtrak12 · 4 months
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My spouse read the next chapter of my Lucifer fic (aka the time travel/future daughter reveal) and he says it's hitting all the emotions I want it to and just needs that final spit and polish to clean it up. So if it actually ends up sucking when you read it in 2 weeks, blame him. :P
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eggmeralda · 8 months
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kind of wish my way of coping with morbid things wasn't to expose myself to them until I become desensitised lol
#saw an iceberg for deaths caught on camera and was like. wow there is a LOT of information to look into and take in and none of it#is going to be nice. maybe i should leave and forget I've ever seen this#but no like obviously now i have no choice but to read in depth about every single death on there#bc i know if i ignore it i'll be thinking about it for longer#this was like with threads bc when i first heard a bit about it i was like. that sounds horrible. and i have a dissertation due in a few#weeks so like. i do Not need this on my mind right now#but that didn't do anything so in the end i had to watch it to get it out of my system#and then i guess it sort of worked bc?? now me and threads are besties#fav comfort film of all time. would recommend to everyone#okay not that. but genuinely i forget how bad i felt when i first read about it and now i think about scenes from it like 😐#is that healthy. probably not. anyway#also at the start of this year i was obsessed with kaylea titford's death and then not long after that shafilea ahmed's as well#that era feels so far away even though it was only like 8 months ago#but like e.g. with the shafilea ahmed thing i'm at the stage now where if it comes into my head i can easily push it away#but i could not do that back in february i literally wouldn't be able to sleep until i'd found out every single bit of information#oh god it's nearly the 20th anniversary of that isn't it#but yeah anyway it's like once you show me something morbid. even just a glimpse of it. that's it there's no going back#i will Not Stop until i know everything there is to know about it. and then it'll be on my mind for weeks until i stop feeling anything#and then i'll forget about it#i remember as kids me and my sister would sometimes see An Image on the unfiltered 2000s internet#like that one pic of the chupacabra that's obviously not real but like as a kid it's terrifying#and my sister's response would've been to close it and never look at it or think about it again#and i remember my parents wouldn't allow me to talk about chupacabras in front of my sister#which waS SO HARD bc my response to it was to hyperfixate#and the image creeped me out so to get rid of it i would look at it like everyday until i didn't feel anything anymore#and then me and the chupacabra image were besties <3 and I'd make jokes about it#idk what the point of this post is I've basically just told the same story three times#and there will soon be a fourth. once i watch this video going through the deaths caught on camera iceberg#which i am not going to do now bc it's 00:35 and if i don't sleep now i never will#ramble
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silver-rosetta · 8 months
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Fanfic is such a joy to me. I used to write all the time as a kid, but somewhere along the way I either ran out of time, or ran out of the creative juices, to work on the stories that brought me joy. Now that I'm an adult I'm very slowly recovering those skills. I have a couple stories I've been dying to put to paper for the last five years; a few scatterings of short stories, and a big concept that keeps bouncing between a written or graphic novel. But I simply don't have the same writer's endurance that I used to have when I wrote all the time. Writing fanfic lets me set those big ambitions to the side, for now. The characters already exist, there's reference material if I can't figure out what they would say. The world has already been created, I can put less weight on the exposition because I can trust the reader will understand what's going on. I don't have to write the beginning, middle, and end of an overarching plot. If anything, all I need is a little slice of the narrative. A moment's respite, where two people can sit down after the worst night of their young lives and talk about what happens next.
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keii · 1 year
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Is there an explanation on why I was able to draw faster back then compared to now? Was it because I had to draw a lot for uni and then in my spare time I also drew, so it was just out of habit? Is it because I'm more critical of my work now than before where I just drew for the sake of drawing something? So now that I've been out of uni, I want to draw things outside of my comfort zone? I think I just answered my own question LOL I think it's because I don't want to just limit myself to character portraits and I've been working more on experimenting on different styles... Whereas back then I think I drew faster because I didn't really go outside of what I already knew. Not only that, but I would draw for the sake of posting on social media! Not because I enjoyed what I was posting. Now that I distanced myself from posting consistently from social media, I don't have that mentality of wanting to place my self worth as an artist based on how it's received online. I just draw what I think is fun! And tbh I have a healthier relationship with my art ever since. I think that's it... With that being said... I can't wait to get my own space so I can draw without any interruption.
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irlwakko · 1 year
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🌹(if you're still doing them!!)
okay I have NOT been ignoring this ask, it's just that it made me simultaneously realize two things:
aw fuck, i haven't written anything for tmbs despite being obsessed with it since childhood, and
aw fuck, i haven't written anything for anything in forever because long covid destroyed my life and now it is in shambles (but getting better)
so here please take this, the only two full paragraphs I have written for a Luca fic I'm writing about Massimo learning what Alberto needs from him as a parent (pre- and post-Ciao Alberto) and Alberto learning to accept familial love because I have daddy issues
You’re in the kitchen. Alberto’s hunched over his latest letter to Luca, tongue poking out of the side of his mouth, deep in concentration as he scrawls away. Machiavelli is curled up on the tabletop, feigning total disinterest in the boy and sneaking nibbles from a forgotten plate of trenette when he thinks Alberto isn’t looking. (Alberto is looking, and nudges the plate closer to Machiavelli with the end of his pencil when the cat’s head is turned.)
You remember Giulia sitting in his place, she and Machia growing up in your mind’s eye as she colors pictures, writes fantastical stories and back-to-school essays, and studies her textbooks to create maps of the stars over Portorosso that night so that she still remembers them in Genoa. And you remember how every time you'd pass by her, whether you were waiting for pasta water to boil or simply passing through on your way to the boat, you'd lift up her hat and ruffle her hair, earning you a squeal of 'Papa!' and one of those bright, lopsided smiles that got you through long days at sea.
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vicsuragi · 2 years
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just had such a massive epiphany about myself over naked con in a sauna.
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