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#i understand if there’s people not satisfied with their writing but there are people who really
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Sleeping Beauty - Why The Moon and the Feminine Debilitate in Vishakha Nakshatra
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For the best understanding of my writing, I recommend that you watch the movie in question, even if you see it after having read my post I’m sure your experience will leave you enriched and with a greater sense of understanding of Vishakha Nakshatra energies.
Vishakha Nakshatra traditionally debilitates the Moon in the 4th pada of Scorpio if you use traditional Lahiri Ayanamsa. I don’t, as anyone who reads me knows about my endorsement of the Mula Galactic Center Ayanamsa, which places the entirety of Vishakha in Scorpio in our times, and I believe I can show you how this theme carries through the entirety of the Moon in this Nakshatra.
It is important to understand, that the struggle described here concerns women in particular. The reason why it’s so prominent in female charts, is that this Nakshatra's ruler is Jupiter and men are naturally more inclined to carry Jupiterian energy more gracefully, while women are fundamentally at odds with it. Men are designed to withstand pressure to protect the feminine, as it increases their Masculine polarity through giving them "a tough hide" over time. Women's Lunar energies however, react to being subjected to this energy with trauma, that they compensate heavily for to survive.
To an extent, the struggles described here can be relatable if you have any of your big 3 in Vishakha Nakshatra, but even with prominent Vishakha energy in your chart, the experience is not quite the same as having your Moon there, and your Sun there can actually become a positive placement over time. The Sun is born in Vishakha Nakshatra and this combo can turn out auspiciously due to the natural synergy of Solar energies in a female chart.
Let’s begin by describing the feminine qualities of planets - Venus and the Moon. The Moon is nurturing, adaptable, giving, caring, receptive, reciprocal. Venus is receptive but discerning, making her also a natural receiver and refiner, a strategic taker, who lays down and relaxes, while taking in only what’s best, ultimately spending oneself on what is worthy of one’s admiration. It is also a conqueror of the finest things, but it is never defensive, as it represents the sentiment of pride.
These feminine principles in theory should represent the apex of female behavior through those qualities. A woman is supposed to be proud, relaxed, discerning and freely respond to her environment. Her garden is supposed to grow and expand, nurture and be nurtured. And those qualities all fail in Vishakha Nakshatra due to its fundamental giving nature and Jupiter rulership, making it the gardener, not the object of worship.
Jupiter is giving and tolerant, Venus is taking and critical. The Moon adapts and attaches to its environment, Jupiter absorbs negativity from others to provide relief. What do we get as a result of this combo? A woman who can’t function in her basic feminine principle without a massive struggle.
Our Moon Nakshatra is what our earliest environment raised us to adapt to through our nurturing female figures. It is what we fundamentally have burned into our psyche and what we emulate as women. When your Moon as a woman is in Vishakha Nakshatra, you fundamentally have adapted to endlessly giving passes to other people as a result of your upbringing. You can see an example of that in the film, where Sleeping Beauty’s Mother calls her to get money out of her, despite her daughter struggling for basic survival financially. You can also see Sleeping Beauty working several jobs to carry that load and to fulfill everyone’s expectations of her, while they don’t treat her well and are never grateful for any of her sacrifices. Sleeping Beauty is willing to sacrifice all of her basic needs, just to satisfy a mother who drains her. As a result of such a conditioning, she grows into a pathological people pleaser, who can’t say no, even to her own detriment, and ends up putting herself in uncomfortable situations over and over, thinking that making a demand or advocating for her own well being is going to result in a punishment from her environment. We see this in the scene where she needs to rent a new apartment and ends up picking the first building on the flier, just to make things easier for the real estate agent, even though she can’t afford it and doesn’t enjoy it.
What is a Woman? A creature of delight and senses. Comfortable, open, giving, splendorous, cherished and protected. It radiates caring to others, because it feels effortlessly cared for. It expands, because it caries within so much comfort and abundance. But when the Moon is in Vishakha Nakshatra it gets none of those things. Instead, the feminine is neglected, spending itself for everyone else.
You can see that throughout the film as everyone, men and women, treats Sleeping Beauty instrumentally, to the point of subjecting her to a horrifying final experience of laying directly with death for the sake of someone else’s relief, someone avoiding responsibility for their own life and using the Vishakha woman for self gratification.
What is the tale of a Sleeping Beauty? A tale of a selective woman, patiently waiting forever if necessary, until the Prince with enough courage proves himself by rescuing her and showing initiative, and then promising to care for her for the rest of her days. Yet in the movie version, no prince is found and instead men use Sleeping Beauty to feel cared for, objectifying her and erasing her identity, which eventually leads her to snap. There is no Jupiterian Prince coming to save the Moon in Vishakha woman.
The Moon in Vishakha Nakshatra promises such a scenario in a woman’s chart, sentencing her to a very difficult fate.
There is a reason this Nakshatra is of an Out Caste. After suffering so much on the hands of so many people, Vishakha doesn’t really want to be part of them, finally embracing one’s freedom and individuality. And for that it is condemned, discarded and casted out the moment people can’t use it as their desired object. They only had any semblance of acceptance in slave roles to begin with, and that cannot be sustained, for the Moon is a Royal planet, of a "Queenly" nature according to Jyotish classics. A Royal planet will not accept a submissive role, Vishakha Nakshatra doesn’t want to offer natural, effortless splendor, so a Vishakha Moon becomes the queen of the wilderness, the queen of the outcasts and the downtrodden.
We don't see a continuation of this scenario in the movie, but if you follow Emily Browning's career she stars in roles, where a fight for her own freedom and agency leads to her own demise, as her feminine energy is oppressed for all attempts at self expression. This Nakshatra is the only one classified as Rakshasa, Demonic, among others of Jupiter rulership due to the struggles one must endure here just for the sake of their basic life. The sister Nakshatra of Punarvasu is of a Deva, Angelic nature, preoccupied with creativity and higher ideas, attracting a certain amount of divine sovereignty and protection. Purva Bhadrapada is of a Manushya, human temperament making them expert social climbers and using status and collective themes to buffer Jupiterian energies, despite that Nakshatra being such a testing point. But it is the Vishakha Nakshatra that is the rawest point of the Jupiterian soul, enduring the most negativity and hardship.
With the Moon in Vishakha, a woman's inner Queen needs to go through literal Hell to earn the right to live.
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man am i over people who've never actually read asoiaf shitting on it lmao
#i had two different posts willfully misinterpreting grrm cross my dash the last couple days#the aragorn tax policy quote isn't shitting on lotr or intended to be taken as a literal 'you must write about kings' tax policies' mandate#it's about how grrm is interested in different themes to tolkein#like the quote goes on to ask if aragorn commits genocide against the orcs after rotk or like what happens there how isthat tension resolve#in lotr it doesn't matter what happens to the orcs after aragorn is crowned because the story is about frodo's journey and not aragorn#and grrm KNOWS that & is literally making the point HIMSELF that asoiaf is more about the politics than lotr is#we see those tensions explored in plots like the wall with jon having to satisfy stannis the watch and the wildlings all at once#it's not an insult - it's just a fucking comparison & explanation. marketing speech more than anything close to anti-lotr hatred. like cmon#and then the second post was talking about how edmure tully is called weak for letting his smallfolk into his castle#and how that proves that george is an idiot who hates kindness and doesn't understand the medieval era#as if the other characters calling edmure weak for that wasn't kind of the entire point of the riverlands destruction arc#and it's not a purposeful contrast between edmure and other lords (specifically robb in his kingly campaign)#anyway it'd be nice if people read and used their brains to think some thoughts about what they read before talking shit.#asoiaf
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katyspersonal · 4 months
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One of the coolest things my friend Kris said, "A good headcanon differs from the canon knowingly, not out of wilfull ignorance".
Like, there is a big difference between being corrected (not always for an indisputable reason, but the intention matters) and being creatively policed! When someone shares a headcanon and you know the canon bit that contradicts it, just say it! Either they could reconsider their idea with the new information or say "yeah cool but I prefer to write my own thing, not to be 100% accurate to the canon" which are both valid. Because, the latter one knowingly differs from the canon!
But like, apparently in the eyes of some people, being informed on what was missed equals baiting hostility, policing creativity or whatnot? Like, yet again, if someone gets straight up angry and vindictive at being reminded that they are in the fandom, for something with pre-existing information, then it loops back to the question of why they are in a fandom and not doing their own original project to begin with! I can't find any other reasoning for admitting you do not want to even know canon and only here to take basic surface bits to make your own thing besides the fact that pre-existing fanbase just will engage more willingly even with canon divergent portrayals, stories and just AUs!
But like... you can't be in a fandom while expecting to never have any discussion with other fans about this story and characters! Being told that you are wrong and being told that you are wrong for BEING wrong are two whole different things, and mentality of fans not being allowed to say anything besides agreement, when it is about pre-existing media, is straight up lame and not what fandoms are about. Not everyone who points what is missing a petty redditor that hates headcanons; most of the "well actualies" come from the place of love for both canon and headcanons! This is the case of "before you break the rules you need to know them", but people that tell what rules are are anything but wrong, hostile or immature. People that say "you come into my house and maliciously ruin my fun" when they hear about those rules, however?
Again: a good headcanon differs from the canon knowingly, not out of wilfull ignorance.
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bredforloyalty · 7 months
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i am Miss Romanticizes Abuse And Co-dependency but i also want it to be deliberate and informed by the reality of abuse so you see my life is very hard
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deus-and-the-machina · 2 months
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ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.
the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,
but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.
It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.
#im kind of torn between 'no characters dont need to be 'punished' to be redeemed but also the characters just being so lenient with the#colonizers after we see far too many people being lenient if not supportive of the colonizers irl. well. it really blows afslkjfalkf and#yeah you can argue if they'd gone through with the garlemald expansion they would've had more time to go into this but the fact is that its#absent from what they did do and I especially think the patches when we go to garlemald and the EW role quests going 'hey maybe the#provinces can help us rebuild' as if they'd have any goddamn right to ask that just make me feel like they didnt stick the landing#seeing all the characters who have suffering time and time again bc of the garleans or seen the results of their actions having to clamp#their mouths shut every time someone said something xenophobic in EW isnt satisfying and it leaves so much unsaid!#also some people feel like the narrative didnt blame emet enough but ngl I think thats reductive even with his micromanaging scheming littl#ass and the intention of garlemald turning out a shitshow that doesnt make anyone else less complicit. most governments like this exaggerat#and lie and spread propaganda but I dont think most people here excuse the actions of a bigot because 'they were raised that way'#this is also my issue with gaius' writing. hes primarily upset that ascians were behind what he thought was his good old fashioned natural#conquering ideology :( and doesnt it suck so much he killed people for it. like yeah he seems pretty aware what he did was wrong but his#ideology remains bizarrely intact and unchallenged by the characters around him. no dude it wasnt just the ascians the system is a lot more#complex than that by this point aaaaaugh#final fantasy xiv#ffxiv#siren says#I hope people are nice to me about this I dont think I said anything particularly controversial to the Tumblr crowd (twt maybe but fuck em)#ig my main point with this post is that the game isnt perfect at writing this and also that look. I actually liked the main arc in EW and I#like quite a few garlean characters but I completely understand why others didnt like it or any garleans esp if they have their own persona#experiences with colonialism and I dont get to tell them they're invalid for that. too many people get judgmental about this understandably#upsetting topic and you just gotta accept that this is a big line for many people
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harapeveco · 11 months
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Seeing knk fics get posted only to be deleted soon after damage me in ways no human can even begin to comprehend
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trashlie · 2 years
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FP203/End of Arc Thoughts
I was trying to figure out the best way to handle my end-of-fllashback-arc/203 thoughts and rather than trying to rewrite everything I’ve already written, I’m going to just copy my reddit commentary over into this post, and then try to follow up on things that I want to discuss in more detail or that I think deserves to be focused on lol. So if you read the comments in the episode discussion posts on reddit, there’s nothing new here! 
But for those who don’t go on the reddit, then it’s business as usual below this cut! 
Oh my god, the end of this episode. I wonder how much she actually told Nol - did she name Alyssa? Was everything we saw something she was telling him? The thought of her telling him about falling from the window and embracing that feeling, of laying there on the ground and wishing she could just take flight like a bird, too. I had assumed that this was more like... her reminiscing on her own, but the dialogue at the very end is definitely for Nol - talking about how everything moved on, time continued, and she had to continue to deal with the effects of it. There’s something vaguely optimistic about it, and I know it’s because present Shinae is talking and because this reflection is combined with all the things she has experienced since then, what she’s come to learn. Watching time pass - her father fall into the habits that got her into her current mess, the selective color on the beanie and sweater from Alyssa, the progression of her hair growing out, their middle school graduation. There’s so many things I want to pick out of here and I hope I’ll remember to do that as I gush over this.
I didn’t expect those teachers to be fired at all.* We already know that Shinae has a wariness towards adults, and for the ones who actually helped and respected her, to be fired because of what happened to her is really devastating. The math club teacher was the one who found her and probably saved her life, and she was punished. I mean, on the one hand, I understand? The idea is that as teachers who hear the rumor mill, who know when students are being bullied, they should intervene. But we know and we’ve seen that intervention never does anything, and all it did was create a guilt complex in a girl too young to bear that weight of responsibility and one that continued to grow.
(* a teacher friend of mine says rather than fired, she thinks those teachers were probably traumatized, as well, and quit of their own accord)
There’s something about these little snapshots of Shinae with Maya, Rika, and Minhyuk - even if Shinae had never learned to be truly open friends with Maya and Rika until they were older, it’s clear that the after effects of that fall DID affect their friendship. Had she never fallen, maybe they would have been able to grow into close friends sooner. Shinae put her guarded walls up not only because she didn’t trust others after Alyssa hurt her, but also because of the ramifications of association with her. Teachers were fired, her father’s life became harder, Minhyuk lost all of his friends; she didn’t get close to people so as to not bring them down as much as because she didn’t trust them. She told herself she doesn’t like people to comfort herself both because people can hurt you and to try to stave off how much she, too, wished to win peoples’ favors. But because she closed herself out, because she cut off others and kept her distance, we saw the fall out that occurred with Maya, who was already jealous and felt othered. Something I’ve always thought is that it was never that Maya disliked Shinae - it was that her feelings were at odds with their relationship. When Maya first met Kousuke in the hospital she took his ass down defending Shinae. So many of Maya’s issues with Shinae were because of how Shinae closed her out, how she felt like Shinae didn’t want to be her friend. It’s just. idk it’s something that really gets to me, seeing these little snapshots of the four of them having fun together, despite how the rest of their school was alienating them and pulling away. Despite everything, they had each other. And I’m a mess!!!!!
“We all kept moving forward... because life doesn’t stop for anyone. Keep riding along and see where the road you’re walking takes you... Even if the road needs some maintenance or is being blocked... It’s just a temporary delay... We all eventually reach our destination.”
Who are the words for at the end? The dead end - is it both of them, hers? Hers but applies to them both? Shiane thought this favor from Kousuke would help, at least patch things over and take care of her father’s debt, but now it’s left her stuck in a new situation she cannot get out of. Nol thought he would be able to make his escape, but his detour is leading him to jail time.
There’s something SO optimistic about the concept that we all eventually reach out destination but this... this is just yet another dead end. But maybe there’s room for them to find their ways out of this dead end together, the way Shinae was able to carry on with Maya, Minhyuk, and Rika at her side?
(Sidebar: that moment with that narration and the four walking around together looking like they’re having fun, while Alyssa goes to? from? dance practice? GOD there’s something about that moment that just GETS to me, the juxtaposition of Shinae with her friends against the one who could have been but failed at it in every way.)
I have a LOT of thoughts about the ramifications of Shinae's fall. The way she tried to leave everyone out hurts, but also what else do we expect from her? The thing about that fall is that prior, Shinae still believed she could change things in her life. She believed that she could leave her past (at her first school) in the past and start over, make friends, find somewhere to fit in, but life was far from kind to her. She made so much effort to try to defy everything, to set things right, to do the right thing and defend herself, but it only made things worse. And if she'd told the truth, the teachers would probably have had a fair investigation on their hands. But in that moment, when Shinae sat in the hospital and realized how much harder life was going to become for her father, that's when she concluded she doesn't deserve to fight it, that she can't change anything. Why would she name those girls when the last time she called anyone out, everything blew up in her face? If she'd never gotten the girl who bought their project in trouble, maybe the bullying would have been quieter. Less this than it was. Why would she dare name them again? The fact that they completely declared innocence though, ugh. I mean, do I expect them to fess up? Absolutely not. They are the type of bullies who believed they're allowed to bully a bully - in their minds everything they did was righteous and Shinae got what she deserves.
As for Alyssa, I hope we get to see things from her side one day. What kind of anguish or horror, what she felt, and if she holds any regret for it. I think she does. I think you have to be a truly rotten person to feel no regret, especially since we know she didn't actually mean to push Shinae and even in those last moments she still slipped up and showed concern for her, even if she could never reconcile it.
"I thought it was going to help me get there... but it turned out to be yet another dead end." Ugh, the impact of those words, combined with Nol and Shinae sitting and looking over at each other like that. ;~; It's something so... idk. vulnerable, something they share even though they didn't know it until this moment. I have to hope that Shinae opening up to him will help. Nol needs to understand that he is not the only one who has been dealt an unfair hand by life, that he's not the only one who has been tormented by his own existence, and to see that despite it all, even if it's faint, you eventually come out on the right side. Even now, Shinae may be facing a dead end, but look where she has ended up compared to the Shinae of 3 months earlier. My girl ;~; my heart ;~;
What a very satisfying way to wrap up this arc. Idk there's just. There's something about that passing of time that GETS to me. The selective color and the hair growth and Shinae going through the motions of friendship, the way this was one of the hurdles that hindered her friendship with Maya and Rika who, to their credit, did stay by her side even if it was at the request of Minhyuk. I believe in my heart that though Minhyuk asked that favor of them, Maya still said yes because she wanted to, because she hoped that one day she and Shinae could become the friends she'd become with Minhyuk, that she could open up and trust them. I think that's still one of the most beautiful things about Maya and Shinae fighting and making up - there was so much caught up between them, and it was on both ends. Shinae not trusting Maya and expecting the worst of her, Maya holding things against Shinae she didn't deserve, Shinae keeping everyone at a distance, Maya wanting to be a friend Shinae could rely on and trust. Just... all the ramifications on a whole! Shinae becoming this very independent person so that she could never bring anyone down, because her father was absent, because she HAD to be independent to get by and survive and to protect herself and others ;~; I have SO. MANY. FEELINGS.
Rereading the ending and I think it's very possible this narration is still Shinae to herself, but just based on the way they're sitting hugging their knees, looking over at each other, she has to have told him something significant, and after everything we just went through, even though I previously thought she wouldn't name Alyssa, I'm now of the mind that why would we be shown all of this if she didn't at least say she had a friend who wasn't good to her, and how the fall ultimately happened. In fact, it makes me wonder if this might well be the first time Shinae told ANYONE how the fall happened, that others were involved, the kind of bullying incident that lead to it. Ugh. ;~; I can't imagine that she skimmed over it if he's looking over at her like that. Like, you'd think if she was vague, he'd be like everyone else and want to ask questions, or have an expression that clearly reads he knows she's not telling her the truth, but the use of showing only their partial expressions, something so... idk VULNERABLE, I think she's shared something she's probably never shared before? Aaaahhhhhhhh ;______; Big steps, maybe.
ALSO THE WAY MINHYUK BRAGGED THAT HE COULD HAVE HIS PICK OF ANY SCHOOL. ANY OF THEM and in the end he still chose to stay where he could be near Shinae. Left in the dark about what happened, aware that he's the only person who cares about her, the weight of his guilt for not being there to stop it to help her and how it shaped him into who he is. We all talked about how Minhyuk is so overprotective to the point that it blinded him to important things - like how Maya felt - but in the same way this transformed Shimhan, Shinae, Maya, and yes, probably Alyssa - Minhyuk was inherently altered. I said it on my tumblr, but there's something about how Dieter thinks Minhyuk is overprotective of Shinae because he doesn't trust her to handle her own problems, but really it's that Minhyuk, too, was traumatized by what happened and his inability to be a person who could help her. Knowing that he was the only person who cared about her, the only person who was willing to know her truth, made him grow ever more protective of the small, scrappy girl who just wanted to be peoples' friends and never deserved anything that happened to her. When you think about it, it must have been such a hard decision for him to make, to go to university in Chicago. And when he did, IT HAPPENED AGAIN! Shinae's stalker sister, being stuck at the Hirahara Corporation, knowing she's at work with people who have manipulated and hurt her. You literally cannot blame him for the intense overprotective way he treats her - it's not that he doesn't trust her or doesn't think she has it in her. It's that HE has never gotten over what happened to her and how easily it can (AND DID!!!!) happen again. It's that Minhyuk treasures Shinae and wants to show her the value she has and, in the same way as Shimhan, wants to protect her from things she never deserved to deal with ;~; don't touch me I AM EMOTIONS.
I have been lol thinking a LOT lately about Minhyuk and his entire character, how without the background context, it's so easy to blow his protectiveness out of proportion, but once you have the actual details, it's like... wow how could Minhyuk turn out any other way? It feels like the kind of nightmare that hovers at the edge of your mind - maybe it doesn't pop up anymore but you can't help but worry that maybe it will show up again. Frankly, the love that Minhyuk has for Shinae is so.... ;_______; I still haven't recovered from when he burst in yelling that he's the only damn person who cares about her like ;____; EVERYONE WAS SO HEAVILY AFFECTED BY THAT INCIDENT :( Minhyuk and Shinae talking about how he needs to let her take care of her problems seems even bigger now that we know what we do - how that kind of fear must still cling to him.
#I Love Yoo#ILY FP#ILY Spoilers#ILY Brainrot#Shinae Yoo#Alyssa Cho#Minhyuk Park#Maya Park#Rika#..........what is Rika's last name oh my god#there's so much in this episode that I will be yelling about for days to come and i'm eagerly anticipating this week's episode aaahhhhhhhh#to me this was a really satisfying rather beautiful wrap up of this entire arc and it really brought a lot of important things to light#there's a lot of things that we've known in general via the story that are not given enough credit - like why Minhyuk treats Shinae the way#the complicated relationship between Maya and Shinae and how this incident both tethered Maya to Shinae and inhibited their friendship#the way Shinae has internalized the feeling of being a burden of being someone who ruins things someone who requires punishment#and also much like nol who thought the had Shinae figured out and knew all there was to know about her and what makes her tick#as readers WE thought the same - we thought we knew enough about her life to understand what she's been through but it was nothing compared#to watching it all play out AND the aftermath - the way life went on and a small handful of people affected by this trauma had to try to#move on too except they never got to process it they never got to deal with it and even now it's something that affects them#idk something about that writing is stunning and beautiful to me? thinking moving on is putting something behind you except it just haunts#you. it follows you until you learn to deal with it.#and just how much of this is the same for nol how much of himself he'll see in her after this and what will it mean for him and how he sees#himself. will he have the same fortitude as shinae to look at himself not as what he thinks he is but for what he REALLY is? to see in#himself what she has learned for herself about who does or doesn't deserve what life throws at them - that he does not need to absolve#himself to earn the freedom from himself that Shinae has also earned#GOD i have feelings#SO. MANY. FEELINGS.#there is a whole part i left out of this post that i'm saving for another post so i can go into it a little more lol YELLS#JUST SO MANY THOUGHTS AND FEELINGS god i love this#I Love Yoo is SUCH catnip for me!!!!!!!!!!!!!!!!!!!!!! checking all my boxes!!!!!!!
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kennabeth · 8 months
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dustfinger: I love all of my children equally, brianna, farid, and [looks at smudged writing on hands] john
#tcor spoilers#HATE that there was no actual resolution this#i understand fully that it can be difficult when your partner's child (who is not also yours) looks like their other parent#feelings are hard to change! sure!#but: roxane is friends with her husband's affair partner. atp he has no right to show any hurt over her remarrying#and that includes taking it out on jehan#he doesnt say himself that theres any resentment (which is odd bc he loves telling us all his shitty thiughts usually; too stressed out#for self reflection right this second?)#but nyame talks about how obvious and infuriating it is#not to say jehan's making it up (i would never never never doubt my babiest boy) but it's bad enough that people outside the family see it#('outside the family' it's his uncle but outside the home ig)#where was i going with this#having a was-hoping-id-find-the-end-of-this-thought-when-i-came-to-it moment#oh right the lack of self reflection made me wonder if dustfinger knew he was acting like this at all#and i was PRAYING for nyame to chew him out over it#there were so many good spots for that conversation too#when df was practically dead for the third time and jehan stayed with him to make sure he didnt actually die#i expected 'i dreamed about you burning alive every night for ten years' levels of dustfinger being yelled at from jehan#and we literally?? didnt get a single chapter from either of their povs at that time?? what the actual fuck man#okay not to be like 'i could write this better' but a way more satisfying conclusion to everything that started#with nyame saying the two of them are so similar#would have been [jehan rightly makes dustfinger feel bad about continuing to be a terrible father] -> [jehan storms off to orpheus' to#'offer' dustfinger in exchange for the book but the adults dont know where he went] -> [nyame comes back and also yells at df#for letting his kid run off and drive home that he really is failing jehan and points out to him their similarities] ->#[df goes oh shit i also tried trading innocent people for a book] ->#[whatever. resolution]#do u see what i mean#his ~apology~ to meggie in book 2 is so good while being in character#and he cant apologize to his stepson? he barely fking knew meggie lmao#says kenna
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ahalliance · 9 months
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i don’t get how people can complain about the writing “doing Martha dirty” when that same writing gives her an ending that addresses her treatement over the course of the season, allows her to finally put her to foot down, to establish her self-worth as an individual and to air out her grievances, and gives her the most respectful and satisfying exit from the TARDIS we’d yet seen in the show . like it’s one thing to dislike the direction the writing team took with her arc and to criticise it (perfectly fine) and another to somehow miss it entirely lmao . the ‘martha feels out of place, second best, and like a rebound’ is an intentional piece of writing that gets resolved by the end of the season . like that wasn’t smth they threw in for shits and giggles, it had in-story repercussions
#and if u don’t think those repercussions were Enough then that’s totally cool and smth to start a discussion over#but . don’t act as if they didn’t happen lmao??#i just . yells#like i have my own criticisms about the writing (giving the ‘i feel second best to this dude’s past love interest’ to the first POC#companion was . probably not the best of choices let’s be real#though there’s some leeway there as im assuming the character was written before audtions . but still . could have been reconsidered#idk i totally understand why people aren’t fans of the storyline itself (outside of how coherent the writing is) but i think it’s a shame#that many others just kinda seem to miss the point because it’s such a unique and interesting arc to give to a companion#i like fresh ideas!! i like the doctor Actually being portrayed at someone who is clumsy with relationships and emotional intimacy!!#i like it when his trauma spills over in ugly and complex ways like we see in season 3 in regards to his friendship with martha#and i like it even better when his accidentally cruel actions and mistakes get brought up and criticised by the narrative!! like it does in#the end of s3!! it’s so good!!#i enjoy 10 because he’s my favourite wet cat but also because he is allowed to fill up room like a real traumatised individual would#it’s like . okay i enjoy ‘ooo the doctor is the oncoming storm ooo he’s hurt and killed so many people ooo’#but it’s also good to See the actual ramifications of that shit you know . hearing about his legend status is always fun but damn man#is it satisfying from a character analysis POV to see him hurt the people around him . to see him treat his friends poorly on accident#because of his own character flaws . like that’s GOOD#and it just sorta irks me sometimes bc people will have this smug attitude of ‘well MY blorbo isn’t a rude piece of shit and is actually a#paragon of morality’ and like girl i don’t give a shit . that’s fine in small doses but it’s not what’s compelling#people tend to like interacting with ‘angsty traumatised edgy characters’ if their edginess is contained in a nice little box that doesn’t#overspill . fuck no give me the characters that are loud and ugly and unpleasant about their trauma THAT’S THE REAL SHIT#jay rambles#dw.txt#10.txt#marthaj.txt#sometimes u wanna treat the blorbo from your show like a real person sure but sometimes it is better to remember that they are fictional#and there to be considered as part of a bigger story and as an item to analyse . case in poiny#point#maybe i shouldn’t be surprised by this though since people still get hung up over rose quartz
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starryjoy · 9 months
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GMing is difficult and anxiety inducing what if my friends hate me. but god. god its also so satisfying when you actually start and your friends have fun with the little people you have decided to make. anyways i love you all friends if you see this <3
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kefalion · 2 years
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Thoughts on Kenobi Episode 5
I adored episode 5 to tiny pieces. It started so strong. I paused to cry for 2 minutes at the sight of Anakin's nerf tail hair cut, like "WE'RE GETTING A FLASHBACK!!! AT LONG LAST!!! I'M SO HAPPY!"
Then I saw their faces and cringed ever so slightly, but got over myself because it doesn't matter that they didn’t use seating technology on Hayden and Ewan’s wig was questionable. It was them! Pre Attack of the clones! So innocent. And you betcha I watched that first flashback bit three times before proceeding to watch the rest. Did you notice how freaking beautiful the little room in the Temple that they sparred in was? The shiny stone with patterns in different colours and that incredible view of Coruscant? Whenever I watch the prequels I am always surprised by how incredibly beautiful it is inside the Jedi Temple. The halls are huge and richly decorated in contrast to the austere clothes the Jedi wear.
I loved how they balanced getting into the psychology of the characters with the action. They actually lingered on the characters, showing their thoughts and motivations before delving into the action. And the action scenes were sweet. The hallway battle was intense and scary and you felt the stakes. Tala's death scene was well done too. I felt Obi-Wan's despair over losing yet another good person he's begun to care about and how they set it up by her explaining her regrets and how she wished to atone. Yeah, it couldn’t have been handled much better.
And then Vader in action again. The amount of power he has is staggering. Watching him own Reva was an incredible treat. It was the comics brought to life. Like he went so long without a light saber while she did everything she could. It didn’t phase him in the least. It was studied cruelty, something I felt he revelled in since he was angry Obi-Wan got away. With the flashbacks to the temple during order 66 we see that he knows exactly where she started out, what drives her and how he can both use it for his own purposes and use it to destroy her. She hates being weak. He makes sure she sees how weak she is.
Also that Obi-Wan predicted he'd go for the first ship. JKJLJDLSKF. So good. This episode with the flashbacks showed so well how intimately Obi-Wan understands Vader, but Vader doesn't really understand Obi-Wan. Or rather, he always resented the patience that was Obi-Wan's strength. He knew Obi-Wan would put others before himself and thought it a weakness, thought it meant his victory was secure, but he underestimates what people working together can achieve. Nor does he understand that rushing ahead and relying on aggression blinds him. 13 years later and the lesson we saw Obi-Wan try to teach him hasn’t been learned.
Finally, I was so tense wondering who'd pick up the communicator with the message from Bail. Makes sense that it was Reva. The OT could never happen if Vader had found it. It would be game over for the Rebels and the Jedi.
I feel like they can manage to end the series well. Not sure how exactly. For the climax to be satisfying, Vader and Obi-Wan have to meet again, but it can't happen on Tatooine. That would mean game over too. Reva will need to go there and face her destiny, whether that will be her death or something else, and Vader and Obi-Wan need to meet elsewhere. Alderaan perhaps. Leia needs to go there. If Vader looses to Obi-Wan on Alderaan it would add a reason for him to be more okay with the planet’s distraction in A New Hope. He’d be petty like that.
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hecksupremechips · 21 days
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The way akishinji and ashbella both have dramatic coma scenes and dramatic shot through the heart scenes like we’ve gotta stop meeting like this 😩
#the klock keeps ticking#theres actually so many similarities between these two pairings which is. probably why theyre my favorite pairings ever#like theres shinji and ashton they are guys with long hair/crabby/trying to be cool but theyre lame/emo/fingerless gloves/repressed#care so so deeply about their friends and break their fucking backs trying to protect them but are terrible with expressing their affection#with words so they come off as uncaring and rude/associates with shady people/buried beneath lies they tell to their friends/hate themselves#plans to die alone because they think they dont matter/bad at sincerity/has it bad like really bad for aki/bella#they love aki/bella for their kindness and sincerity and they feel theyre unworthy of it and that theyre a burden#gets [REDACTED] and held by aki/bella#then the aki isabella similarities are like older sibling who works too hard/stubborn/bad at reading social cues#too good for this world/will punch their friends if needed/bad at self care/emotionally repressed/kinda clumsy and silly#when they find out about shinji/ash trying to get themselves killed they get very angry and emotional and have a big confrontation#lose an important family member despite all their efforts to keep them safe/have trouble understanding their own feelings#especially if those feelings are romantic#and like both couples love to argue and bicker but care for each other so deeply its annoying lol and theres lots of miscommunication#cuz god theyre bad at having feelings and expressing them to each other and theyre long term friends#the coma scenes and the shot through the heart scenes are waaaaay better on the ashbella end though thats a given#since the letter has significantly better writing good god lol#like the emotions are very real and they fuck me up so bad then p3 its like. aki cries for 3 seconds and thats all you get cuz god forbid#a character in this series get to like. be written in a satisfying way lol#the letter just works so much better like akishinji would benefit from those scenes but ashbella needs like no work aksjks#plus ‘this is how it should be’ is a line that i fucking hate cuz of how its treated afterwards meanwhile fucking#‘you are going to die ashton frey. and you are going to die alone’ ‘she got one thing wrong though. i did not die alone’#that shit gets me so bad every single time ITS SO GOOD and such a slap to the face#realizing that youve made a grave error and youre actually loved deeply and matter a lot right as youre dying and feeling relieved#cuz you may be dying. BUT YOU DIDNT DIE ALONE YOU DIED BEING LOVED AND CARED FOR#like idk at least his death is able to mean something for him as a character its still a moment of growth#shinji doesnt learn anything he fully dies believing he deserves it and that everyone will benefit from it#god awful writing right there boooo
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ladymortimer · 3 months
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Finished my Bojack rewatch and everything is worse now
#literally 💀💀💀💀💀💀💀💀‼️‼️‼️‼️‼️‼️‼️‼️#the way i immediately turned off my tv and sobbed so loud by god this show....#like it is so satisfying but its also just incredibly sad that its over.... like this is it.#i love these characters soooooooo much ngllllll#worst thing is literally i have none of my friends who watched the show so now im sitting here like 😭#like only my bf watched the show 🤔 that's why hes my bf#my one friend asked me if it was pretentious and like i couldnt answer decent at the time but i just said no#bc its just so hoooonest and like it puts these hard emotions into words into smth tangible#like the show hits so hard when it needs to its literally one of the most depressing shows i watched#but also very hopeful#like im glad its not bleak like i rmr watching the view from halfway down for the first time and i was shocked thinking it was the actual#end but no haha they got me#i just grrrr hghhg love how every character got what they needed and became the best version of themself#and having clear defined borders and knowing how to properly take distance from someone who actively hurt u#and also i just wonder how tf they even began to write this like there's such a clear understanding and definition of these characters#yet the story progresses organically... like it just feels right when certain things are happening and hnmngh#i cant put in words how much i love this show i think its just a masterpiece#but its deffo not for everyone i have a hard time recommending this to people i think they get put off by the show#but by god... if u can take the emotional damage u oughta watch it
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vivicendium · 7 months
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i think something that elevates the hunger games franchise is not just the quality of writing but the integrity of it. tbosas isn’t just a cash-grab by suzanne collins in the age of sequels and reboots (though i won’t pretend that didn’t play a part), it’s a character study of the main antagonist with a different structure than the main trilogy. and importantly, it doesn’t just re-hash the same old themes and beats the main trilogy had, it expands on not just the world of the hunger games but the themes as well, it actually has something new to say about the trilogy’s themes about class, capitalism, power, and control, in a way that couldn’t be explored with the main story because the protagonist of that story simply did not have access to the world that’s being explored in tbosas.
i understand the people who call for books/movies to be made about haymitch, finnick, johanna, different years of the games — we love those characters and want to see more of them! i’d kill for a novella on finnick’s days mentoring tributes, or katniss’s parents falling in love. but at the end of the day we probably wouldn’t be very satisfied with those stories being fleshed out if they had absolutely nothing new to say about the world, they’d be enjoyable, but not as interesting and engaging as tbosas has been.
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earthtooz · 8 months
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Wrio the slay calling reading clingy so reader sleeps on couch …😊 thx
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x : DISTANCE :*+゚
in which: you overhear wriothesley calling your affection too much, so you respect his wishes and give him some space. yet, why does he not seem like it?
warnings: 5.6k words (why did it get so long), hurt/comfort, gn!reader and wriothesley are married, pet names, no spoilers but set in canon, misunderstandings and miscommunication af, slowburn??, you might tug your hair out at some parts lol sorry, fluff with angst but happy ending, it gets emotional.
a/n: okay this was definitely not my favourite piece, i was experimenting with writing styles and writing in an omnipresent pov... so sorry if it feels clunky at some bits. overall, i'm pretty happy! also sorry for not sticking to the original prompt
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Perhaps today was a bad time, you think as you leave the Fortress of Meropide, anxiety churning in your stomach and doubt weighing on your mind. Despite Fontaine’s sunrays shining brightly upon you, you feel anything but warm.  
What started as a visit to your husband with kind, wholesome intentions of delivering some lunch to him on your day off ended with a visit that left you riddled with questions. Coming at a time when he was in a meeting nearing its end, you didn’t even get the chance to speak to him, yet his words rattled around your head, replaying like a broken disc. 
“How are you and your spouse?” A rich voice echoes from his office, door slightly ajar signifying that whatever discussion was happening within was coming to an end.
“Y/n and I? We’re amazing, thank you,” Wriothesley answers. “I’m always happiest whenever I’m with Y/n.” 
The company, who you have realised is Monsieur Neuvillette, responds. “That’s good to hear.”
“Although, Y/n has been quite… affectionate recently, to the point that it’s borderlining too much-”
The conversation is drowned out by a ring of an alarm on Wriothesley’s desk and the atmosphere from his office suddenly grows in tension. The voice of the two men turn from relaxed to alarmed in a matter of seconds, and that is when you decide it is probably time to take your leave, lest you intrude on whatever emergency has happened.
Dropping the lunch you brought for Wriothesley at reception, even the receptionist was confused by how quick your visit was since they typically lasted for an hour- even longer since Wriothesley likes to push the amount of time he gets with you. They don’t question it, though, merely nodding in understanding when you tell them to drop it off for him on your behalf.
Has Wriothesley always thought of your affection as too much? If it was overwhelming him, why didn’t he tell you? And why Neuvillette, the Chief Justice of Fontaine, of all people? You understood the nature of their relationship- how they both tend to confine in each other with whatever they are troubled by, but why couldn’t your husband come to you about this directly? You made an oath on your wedding day to be fully honest with each other and to never hide anything. Where did that promise go?
Arriving home with a heavy heart, you immediately flop onto the couch, arm covering your eyes as tears sting the corners of your eyes. Perhaps it’s time you lessen your displays of physical affection before you drive the love of your life away.
Wriothesley, looking down at the contents of your boxed lunch, feels his heart warm in his chest at your display of care. How fortunate he is to have someone like you, he thinks before eating, satisfying his hungry stomach that has been aching for food since half an hour ago. He wonders why you didn’t see him personally and dropped it off instead, he would have liked to eat with you beside him.  
Whatever the reason, he’ll make sure to drop by your favourite bakery to purchase some conch madeleines as a thank you. 
When he returns home later in the evening, you’re asleep on the couch, curled up with only a book on your chest to protect you from the chilly air seeping into the house. Wriothesley quickly lays his coat over you, bookmarking the page you were at before retreating to change into more relaxing clothes. You still have not roused when he returns and as much as it pains him to disturb you, he doesn’t want you napping too late lest it disturbs your sleep schedule.
“Y/n?” He gently shakes you. Slowly, you come to wakefulness, eyes fluttering open as you gaze up at your husband.
“Wriothesley? You’re home?” You murmur, rubbing your eyes whilst slowly sitting up. “What time is it?”
“Nearing six in the evening.”
“Oh my! I didn’t mean to sleep that long! I’ll go get dinner ready, you should rest, you must have had a long day-”
Silencing you with a warm kiss to your forehead, you don’t melt into it like you usually would, his words from earlier slamming back into you like a brick. He doesn’t notice the way you tense, merely brushing your hair away from your forehead.
“Don’t worry about dinner, I’ll cook,” Wriothesley offers, grabbing something he left on the table behind him. “Have some madeleines I bought for you whilst you wait.”
He places a bag of the baked goods in your hands and you smile at him, lips chapped and eyes still drowsy, yet Wriothesley thinks you’re the most beautiful being to ever exist. 
“Thank you,” you murmur.
“I’ll call you when dinner’s ready.” The dark-haired leaves you with another kiss to your temple before turning around to go into the kitchen. However, you stop him with a tug on his wrist which you drop almost immediately when he turns around, acting as if his skin was an open flame that licked you. 
“Darling, you have a sticker on your arm.” You reach up to grab the piece of adhesive, ripping it off him in one smooth motion. 
“Those melusines,” he murmurs, rolling his eyes with a hint of a smile tugging at his lips. For how much Wriothesley scolds them, he cannot bring himself to actually get mad at them, letting the little creatures play pranks instead of reprimanding them. 
“I’m surprised they keep getting by you. Maybe you need to sharpen your instincts.”
“Quiet, you,” there’s no bite to his words.
“They put a little crab on you,” you giggle. “Must be going through an ocean-themed sticker book. You had a little shell on you yesterday.”
“I did? Why didn’t you tell me?”
“I find it funny.” 
He sits down beside you, dinner momentarily forgotten. “Do you now?” The dark-haired murmurs. “Turns out my own spouse is against me also.”
“If it brings me amusement, why not let the melusines play their pranks a little longer?”
“You are an awful influence,” Wriothesley winds his arms around your torso, pushing you down into the pillows of the couch. There, you almost sink into him, lured by the warmth of his embrace, but the memory of what you overheard sinks into your gut like an icicle, and your smile fades.
You pat his shoulders in surrender. “Shouldn’t you be working on dinner, dear? It’s already quite late.” You pray he doesn’t notice the way you have suddenly altered the mood, drying the playful atmosphere.
If he does notice, he doesn’t comment on it, getting up with a groan before retreating into the kitchen. 
── ⋆⋅☆⋅⋆ ──
There’s a whistle from the doorway to your bedroom, low and appreciative, and the culprit is no one other than Wriothesley. He walks towards you, draping himself over your figure sat in front of the mirror. “Where are you going tonight?”
“Clorinde and I are going to dinner together,” you tell him nonchalantly, as if all of his weight wasn’t on your shoulders right now. 
He pouts. “When will you be home?”
“Not too late, that’s for sure. We’re meeting at the other side of the Court of Fontaine, though.”
“An evening without my love, whatever shall I do?”
“You’ll live,” you smile before raising a necklace up to him. “Help me put this on?”
With a huff, he raises himself off your back and gently takes the jewellery from your hands, careful with the jewels that adorn it. His cold touch grazes against your exposed skin, sending shivers down your spine as he successfully clasps it together. When you meet his gaze in the mirror, it’s full of adoration and admiration, and you have to busy yourself with your hair lest it flusters you too much. 
Standing up, you swiftly walk out of the bedroom and towards the front door. Wriothesley trails behind you without much thought. “I’ll get going now before I’m too late.”
“Do you need me to accompany you there?” 
“It’s alright, thank you for offering.” Disappointment floods him like an ocean as he watches you put on your shoes. With one final fidget of your clothes, you deem yourself presentable and turn to him. “See you tonight, darling-”
“-Aren’t you forgetting something?”
“What?” Your eyes widen in alarm as you begin frantically patting yourself down. “I brought my wallet, keys? They’re here, what am I forgetting?”
Wriothesley pretends like your cluelessness doesn’t hurt more than it actually does. He taps his cheek. “A kiss.”
“Oh, of course. How could I be so careless?” you laugh, the corners of your eyes scrunching with delight. Wriothesley has a remark resting on the tip of his tongue but it quickly dies when you step forward, anchoring your hand on his chin before you press a kiss to his cheek; to both cheeks for good measure. 
“Love you,” you murmur when parting. 
The desire to keep you home is a burning one, and pleads of ‘stay’ threaten to spill from his mouth. There is nothing more he wants than to be in your arms, to cling to you until the weekend is over in the blink of an eye, but you are your own person, and no matter how needy he is, Wriothesley should not stand in the way of your fun. 
“I love you more,” he sighs, holding open the front door for you. “Be back soon.”
“I’ll try. Bye dear!” You blow him a kiss before walking out of your garden.  
He watches you leave with a heart heavy with longing, closing the front door once you’re out of sight and tries to sigh the feeling of emptiness away. 
Later that night, Wriothesley greets you the second he hears the front door being unlocked, urgent strides allowing him to turn the corner just as you open the door, looking as pristine as you did when you left. There’s a small, tired smile on your face, but you look happy, blissful expression brightening when you see him. 
“Hello, love,” you say, slipping your shoes off.
“Welcome back,” he says, embracing you with one, muscular arm whilst pulling you in for a kiss. Your hands unusually fly up to hold his shoulders and Wriothesley thinks he’s imagining the way you push him slightly, as if trying to get him out of your personal space. Yet your grasp on him was so tight, creating temporary divots in his skin that he doesn’t really know what you’re trying to do.
Why are you trying to push him away in the first place? The thought of you not wanting him near is upsetting enough to make him unknowingly tighten his grip around you, causing you to stumble into him from the momentum. 
You look up at him, shocked whilst he gazes down at you with a storm of terror gathering in his eyes. For the first time since the two of you got married all those years ago, a rift forms.
── ⋆⋅☆⋅⋆ ──
Whatever occurred that night isn’t a topic of conversation, ever. The two of you retreated to bed after a quick conversation of how your evenings were before devolving into other topics, like what the week ahead had in store, restaurants you two should visit sometime, new boutiques and bakeries you’ve been hoping to explore- little chats that hold more meaning as the days roll by.
During it all, there was an undeniable heaviness to the conversation that made it slightly uncomfortable. Wriothesley cannot remove the memory of how you tried to push him away and you cannot forget the shocked look in his eyes. The more you picture it, the guiltier you feel, heart sinking in your chest.
You thought that it was what Wriothesley wanted: more space from you, an opportunity to breathe without you overwhelming his space.
So why do you feel so bad about respecting his wishes?
“What a lovely view!” You exclaim excitedly, running toward a patch on the grass that sits a few metres away from a nearby beach, the sound of waves meeting shore a soothing lullaby and a testament to how calm the day is. The sun is shining, the birds are chirping, and you’re out on a picnic with the love of your life.
“Here’s a nice spot to set up, what do you think, Wriothesley?” You ask.
“Sounds amazing, darling,” he responds, setting down the picnic basket when you’ve laid out the blanket. You sit down with an unglamorous huff, leaning back onto your hands to let the morning sun soak into your features.
Morning picnics were one of yours and Wriothesley’s favourite date ideas. The best time to be together was before the sun would rise to its highest peak, bearing hot sunrays that make everything uncomfortable for everyone. Fontaine’s sun is never merciful either, which is why the nation is perfect for diving and all other water-related activities, but when you are simply walking around, it becomes rather suffocating.
The Fortress of Meropide’s administrator takes a seat beside you and you indulge by resting your head on his shoulder, hoping that he isn’t uncomfortable under your touch. The dark-haired hasn’t shaken you off yet, so you keep resting against him.
“How did you discover this place?” You ask.
“Siora told me of it, said that a passenger on the aquabus was talking to her about it. She thought that it sounded like a delightful place to take you to,” he answers and you can’t help but smile, fiddling with your fingers.
Melusines and their wholesome ways. You’ll find a way to thank Siora later. “How kind of her and how fortunate for us.”
“I take it you like it here then?”
“I love it,” you tuck your legs closer to your chest and Wriothesley leans back on his arms as well, letting your hands rest beside each other as the sea continues to crash on the shore before you. There are seals resting nearby too, ships pass by here and there, and seagulls stop near the two of you before flying away, but the only thing that matters to Wriothesley is you leaning on his shoulder.
Sharing with him the breakfast sandwiches you packed, no words are exchanged, merely the sound of waves crashing against the shore occupy the tranquil silence. It’s not until a few minutes later that Wriothesley speaks. 
“Will you be visiting me at the office today?” He asks.
You tear your gaze away from the horizon. “Perhaps. Do you want me to?”
“Would I really be asking if I didn’t?”
“Please, forego the sass, your grace,” you snort and he rolls his eyes, an affectionate smile pulling on his lips. 
“Seriously though, I would like you to. You know how dreary and boring weekends at the prison get, would be much better having you there.”
“Are you trying to butter me up?”
“Is it working?” 
“Maybe,” you mutter, grinning. “Would you like me to bring lunch with me or shall we go find a place to eat?”
“How about takeout? Hey wait, now that I think about it, why didn’t you stay the other day when you brought lunch for me? I would have much rather seen your pretty face than the receptionist’s.”
You ignore the butterflies blooming in your stomach because of his compliment. “An emergency happened just as I reached there. I didn’t want to be caught in the middle of it, so I left.”
Confusion shines in his eyes, his expression giving away the cogwork ticking in his brain as he tries to pinpoint what emergency you could be referring to. When the pieces click, his eyes widen a little. “I see. You did the right thing, my love,” he presses a kiss to your cheek. 
“I’ll visit you today,” you whisper, toying with the hem of your clothes as you wait for his response. 
“Amazing. I’m looking forward to it, then”
You stay true to your word, walking down the path you recognise like the back of your hand. The guards need not think twice about welcoming you in, guiding you straight in the direction of Wriothesley’s office. 
Since being with him, you’ve grown less and less afraid of how daunting the Fortress can feel, adapting to the chill knowing that there is someone in there who will set himself ablaze to keep you warm. Yet, today you walk in with apprehension clasped around your ankles, threatening to pull you under with each step. 
It’s ridiculous, you know Wriothesley would never turn you away or shun you, but the mind is the worst enemy and yours can’t stop replaying the conversation you overheard weeks ago. You know Wriothesley could open those heavy doors of his and greet you with something more grim than loving and cast you aside, and you have to hold your breath when the guards knock on your behalf.
Your heart skips a beat when they push open the doors, revealing your husband crouched over his desk, hands mussed in his hair to keep them out of his eyes. He looks up at you and the way a smile manifests on his features is akin to that of fire melting ice, fatigue dissipating as you step inside his office.  
“Hello, dear,” you greet, tone soft and controlled, unlike the thrashing of your gut.
“Hi,” he stands up and takes great strides towards you. Naturally, you open your arms for him; unnaturally, you merely hug him instead of greeting him with a kiss. Wriothesley keeps you locked in his arms as he digs his nose into your neck and you feel the way his eyes flutter close against your skin.
“Long day?”
“Draining too,” he murmurs. 
“Oh dear, we cannot have your grace tired, whatever shall we do!” You gasp overdramatically, clearly poking fun at him because you are perhaps one of the only people who could do so in this entire building. 
The dark-haired accepts it and doesn’t bother to correct your use of formalities. Instead, he retracts his head out of your neck to look at you with hopeful eyes instead. “You could give me a kiss.” 
“Did you do anything today to earn it?”
“I need to earn my kisses now?”
“You should shut up sometimes,” you murmur before placing your hands along his jaw, pulling him in for a gentle kiss. He smiles against you, biting back a quip when his hand comes to the base of your neck, holding you against him. You can tell he needed the proximity, judging by his little exhale and the way his shoulders slouch, so you let him take his time and ignore the nagging in your heart.
── ⋆⋅☆⋅⋆ ──
Wriothesley is losing his mind. He has been since you left the Fortress of Meropide, and was left to freeze in the ache of your lack of affection. A goodbye kiss is customary between you two and when you didn’t give him one before leaving, it felt like a slap to the face. He would have much rather you just slapped him, actually, so what gives? 
You’re not rejecting his advances, but you’re not explicitly initiating anything either. Does that mean he should back off, too? Did he do something to upset you, and if so, when? All this thinking and speculating is making him feel like a pathetic headless chicken who can’t even talk to his spouse-
“-Wait!” You exclaim, just as he was about to grab the knob to the front entrance and step out. Instead, Wriothesley turns around to be greeted by the sigh of you frantically scrambling to him, and his heart can’t help but come alive, silencing his thoughts.
Stopping to a slide before him, he can’t hold back a soft grin. Despite just wrangling out of the claws of sleep, you’re so breathtaking, delicate in the mornings when no one else is around but him. The dark-haired is grateful that only he is able to witness you like this, that you trust him with this vulnerable side of you.
You don’t meet his gaze, eyes pinned to his chest instead. “Your tie is crooked,” you murmur hands reaching out before he even gets a chance to look down. “Let me help you.”
How can he deny such a kind request of yours? You’re gentle with him, undoing his knot and weaving it together until it looks proper, but Wriothesley couldn’t care what his tie looks like. You could be making a total fool of him and he wouldn’t care, too entranced by your glow to tear his eyes away from you. There’s a little scrunch in your forehead as you concentrate, mouth slightly parted and you’re not oblivious to his gaze either, too familiar with the intensity of it to get shy. 
Finally satisfied with your work, you let go, patting his shoulders and smoothing out any wrinkles in his garment. “There. All done.” 
“Thank you, dear,” he murmurs. 
Wriothesley is expecting a kiss from you, waits for the moment that you’ll rise onto your toes and place a peck on his lips to fill him with some energy for the day. He waits for the familiar feeling of your lips pressing against his, and waits for the rush of adrenaline that your touch always manages to ignite.
Except it never comes, and it hurts most to confess that some part of him preempted this. You step away from him without another word, or kiss, and his heart burns at your retraction, unease fluttering the lining of his stomach when you turn around to retreat into the living room. Wriothesley moves without thinking, a hand coming up to your waist to stop your steps as he forcefully pulls you back to him, capturing your lips in a searing kiss, one far more intense than the ones you usually give this early in the morning. 
You notice the desperation that bleeds from him; a certain fervour uncharacteristic in situations of morning domesticity. 
There’s a bright glimmer of surprise in your eyes when he pulls away, as if he had kissed away all your fatigue and shocked wakefulness into you. 
“Have a good day at work,” you murmur, barely able to choke the words out. 
“I will,” he replies, opening the door. You stay and watch him go, still trying to recover your breath over his passionate display of affection. 
── ⋆⋅☆⋅⋆ ──
The day his racing thoughts get to him is the eighth day of this strange treatment of yours. At this point, he’s become insatiable, barely able to hold it together as you remain in the centre of his world. He wants your affection again, he wants your displays of love, he wants you near him so badly that it’s driving him up the walls of the Fortress. 
It’s irrational for him, a grown man, to skirt around his problems as if he was a teenager. For some reason, Wriothesley has no issue locking up and containing some of Fontaine’s most dangerous criminals, yet when it comes to you, he becomes a lovesick fool who craves everything his partner can give. 
You still are not initiating any displays of affection, keeping to yourself unless it is him acting first. 
But after being locked in his own study for hours, unable to distract himself from you when he was really meant to be reading some new court documents from Neuvillette, he snaps. Pushing his chair out with more force than necessary, he searches for you in the living room, where you are curled up in the corner, reading.
“Is everything alright?” Wriothesley’s interruption shocks you, and you jolt your head up to meet his gaze. 
You are met with the sight of him leaned against the wall, muscular arms crossed over his chest. “Why wouldn’t they be?” You ask, not letting your gaze linger for too long on his arms before sitting up just a little straighter.
“Dunno. Just double checking.”
“Okay,” you hum softly, nodding. “Are you alright?”
“Me?” How could you switch this up on him so quickly?
“Yeah.”
“Fine, amazing, just dandy.” 
You raise an eyebrow at your husband, not truly believing him but you decide it’s best not to press on. “Alright… but if anything is wrong, don’t be afraid to tell me.” You go back to your book and your hair falls perfectly in front of your face to hide it from him.
Wriothesley shifts his weight from one leg to the other, trying to find the words to speak up and ask why you were acting so weird. It’d been two hours and twenty-four minutes (and counting) since you last saw him when he disappeared into his study, were you not concerned for him in the slightest? Sure you dropped off a plate of fruit and refilled his teapot with hot water, but normally your check-ins would be a little more frequent, and a little more encouraging than just a morale boost through food. 
Where was the cheek kiss you always gave him before you left?
Deciding not to press on any further, your husband sighs before leaving, his arms and heart feeling emptier than usual. You are only in the next room, but why do you feel like you’re on the other side of Teyvat?
── ⋆⋅☆⋅⋆ ──
The day Wriothesley snaps is the day Sigewinne asks him to be nicer to the guards of the Fortress because his foul mood is darkening the already glum prison. His subordinates must have sent her knowing that he couldn’t possibly lash out at her, and they were right, but she really didn’t need to comment on the way his veins have been more prominent recently, or how creases are forming on his forehead from how hard he’s been scowling. To top it off, she said that he should delay the appearance of wrinkles for as long as necessary, because there’s a good chance they’ll come earlier than he wants.
He’s not even a day over thirty, and yet, he is being reprimanded for ‘ageing’. But he knows the problem, and he’ll be damned if he lets it drag out for another day. 
“Welcome home, baby-” your greeting is cut off unceremoniously by your husband, who practically drags you into his embrace, closing you in with no space for you to breathe or move. Your cries of alarm are muffled against his chest, and he easily picks you up before striding the path to your shared bedroom. There, he all but throws you onto the bed, your neck resting on the pillows as he climbs on after you. “Wriothesley?”
He shushes you.
“What-”
“-I need this,” he wraps around you like a vine and breathes you in with the fervour of a man starved. 
When you try to shuffle away from under him, or at the very least sit up, Wriothesley groans, borderlining a growl as he tightens his arms around your middle. You don’t question or disobey his wants, merely sinking your head into the pillows in understanding that he must have had a particularly rough day. 
So instead of repelling his touch, you give in and let a hand snake up to his hair, playing with it as you let Wriothesley lay atop you. Slowly, the tension in his shoulders melts away, and the way you’re scratching his scalp is enticing him to rest, except there is a barrier keeping him from reaching a haven of dreams and he won’t rest peacefully until he’s broken through it.
“Why have you been so distant lately?” He garbles, voice a lot shakier from the usual stoic Wriothesley that you are used to.
You heard him loud and clear, but a pathetic ‘pardon?’ slips past your lips.
“I said, why have you been so distant lately?” This time, he’s firm, determination seeping into his tone as a hand of his sneaks out from underneath you to search for your hand. After patting around, he finds it and holds it gently, raising it to press a long kiss to your knuckles. 
It’s silent. You don’t have anything to say in response and it’s past the grace period where you can give an excuse and make it sound like the truth, and Wriothesley looks up at you with expectant eyes. There’s hurt in them but as much as you’d like to mend the heartbroken expression of his, admitting the truth is difficult, because it has eaten you alive, gnawing at your heart for days on end. 
“I…I don’t have it in me to tell you,” you murmur quietly, looking away and slipping your hand out of his, but Wriothesley is tired of this dance of yours and chases after your touch, this time roughly grasping your wrists. Not enough to hurt, but enough to keep you rooted. 
“I didn’t do anything, did I?” He asks, raising your hand to his cheek. 
Your voice is quiet when you confess. “If I said you didn’t, I’d be lying.” 
The dark-haired stiffens. “What?” 
“Nothing,” you cough.
“No, Y/n, be honest with me here.”
“You’re going to laugh at me, or find me ridiculous.” Wriothesley’s heart clenches at your admittance, frowning at the fractures of insecurity piercing you like glass, but most of all, he hates that he can’t stop you from feeling this way. “I thought what I did was what you wanted.”  
“Which was?” 
“Some distance, just- not me crowding your personal space all the time.”
“Why would I ever want that?”
“I can get overbearing sometimes, and I don’t know, just assumed that would annoy you.”
“You’re not telling me everything, I can tell something happened to make you feel this way. Please, darling, just tell me the truth. I promise you I won’t judge or think differently of you.” 
You sigh. “I… I overheard you and Monsieur Neuvillette the other day- when I dropped off lunch. You said that my affection was sometimes too much, and that I was making you uncomfortable, so I thought that you wouldn’t want me to be around you anymore. I didn’t want to drive you away so I, y’know…”
Confusion fills him stomach like water and it takes a few moments before it hits him, the memory coming back to him. You heard his conversation out of context- he wasn’t complaining about you, no, quite the opposite, but it just seems that you weren’t there for the parts that mattered most, and now you can’t even bear to look him in the eye. 
“Honey, please look at me,” his voice thins into a vulnerable whisper that pleads for you to glance his way so you can see how he is head over heels in love with you. 
When your gaze finally meets his, he almost cracks under the weight of your sadness, and it dawns upon him that you can’t feel the adoration he holds for you, dripping from his heart into your hands. You can’t see the mountains he’d overcome just to end the day resting in your arms. You don’t know the extent he would go just to win your love.
It’s a fact that kicks at his knees, shuns him down and bruises his heart. If the Fortress of Meropide has taught him anything, it’s that there is no point holding your feelings back from living fully. There is no point to contain the human heart that has every desire to live with others, he has seen the sorrow of prisoners saying goodbye to loved ones, and how they dwell over words they should have said. Even his own time as a prisoner taught him so, because everytime he sat behind those bars, the faces of people he should have been more open to kept him awake at night. 
Wriothesley would rather drown in primordial water than see you, the most important person in his life, hurting over his own negligence. You have been feeling half-loved because of him and he doesn’t know how he can make it up to you.
“You misunderstand. I wasn’t talking about you negatively, I was talking to Neuvillette about how loved you made me feel that way, and how grateful I am to have someone like you as my partner,” he confesses earnestly, eyes pleading for you to believe him.
You blink at him, comprehending his words carefully. “Really?” You ask.
“I would never think otherwise,” he whispers.
As if a weight was lifted from your shoulders, a smile pulls at your lips and suddenly, a laugh spills from them, causing your expression to scrunch up with joy, looking the most lively Wriothesley has seen you in a while. He laughs with you too, just a little. 
“I’m sorry,” you confess through dying fits of laughter. “I shouldn’t have assumed like that, how stupid.”
He shakes his head, “you have nothing to apologise for, you’re not at fault. But I beg you, never hide things like this from me again and tell me whenever something bothers you.”
You nod, “I will.”
“Promise.”
“I promise.”
“Never ever think that I want to be away from you,” Wriothesley grumbles, hiding himself in the crook of your neck. “That was the worst week of my life.” 
“Sorry for putting you through all that.”
“Stop apologising.” He demands. “Just, no more secrets.” 
“I love you, Wriothesley.” 
He sighs shakily, relief tangible in his tone. “I love you more.”
A damp patch forms on your collar bone right where his tears would fall, and you place a kiss on his forehead for each drop you feel on your skin. There is still much to discuss, much to mend between the two of you, but his hands run along your skin like he’s trying to memorise and mark you, so you never doubt his devotion again. 
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*sighs and puts hands on hips* i don't really like that ending either so don't judge lol
© EARTHTOOZ 2023, do not steal, translate, repost my fics and do not recommend my fics onto any other site.
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ao3commentoftheday · 3 months
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things you can say instead of "I'm bad at writing" or "my writing sucks"
What's wrong with saying those things? First of all, you're insulting yourself and you don't deserve that ❤️ Second of all, those statements aren't going to get you any kind of reassurance in response. The only thing anyone can really say is "no, you're/it's not" - and that will almost certainly just sound patronizing to you when you're in a funk.
Focus in on your actual feelings and thoughts instead of dumping it all under the umbrella of "bad." Even if you're only talking to yourself, you'll get a better understanding of what's actually happening and a more realistic impression of yourself and your work.
I'm not satisfied with how this story turned out.
I feel like the ending is kind of weak on this one.
I'm feeling really uncertain about my characterization in this story
Is this plot too simple? I'm worried no one will bother reading it.
Is this plot too complex? I'm worried it's meandering and that my readers will get lost or bored.
Reading my own story doesn't give me the same sense of awe that I feel when I read [another author]'s story.
I don't think I achieved what I was aiming for with this story.
I'm worried no one will like this story, so I want to tear it down preemptively before anyone else can do so.
I'm worried I'm going to disappoint the people who liked [another story I wrote]
This story is really difficult to write. It's so much harder than I thought it would be / than my last story was!
I don't seem to write stories in the same way or with the same speed or length as other writers.
I feel like no one pays attention to my writing.
Feel free to add more examples in the notes. And please remember that you don't suck at writing and your writing isn't bad. You're just being your own harshest critic. ❤️
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