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#i tried to make these aroace friendly. there's some that are romance-focused but i tried to leave most of them open
practically-an-x-man · 8 months
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Fanfic Couples*/Relationships Ask Game
*note that when I say "couple", this does not have to indicate a romantic couple, it's just the most concise way to refer to a pair of characters. These can be any two characters, romantic or not.
Of the ones you've written, which romantic relationship has developed the fastest? How fast is it?
Of the ones you've written, what's your slowest slowburn? How slow is it?
Have you ever written a soulmate AU? If you haven't, why would/wouldn't you write one?
What's the fastest you've reached a romantic couple's first kiss (in words/scenes/chapters)? First "I love you"? Other landmarks?
Do you have any works where you refuse to reach a certain relationship landmark, for one reason or another?
Have you ever started to write a relationship and had it develop differently than you expected? How so?
Have you written any romantic couples that you think would be better off as friends? Or even enemies?
Have you ever written any friendships that could've easily become romantic relationships? How did you navigate it?
When you write, do you plan out the stages of a relationship, or just let it flow? Do you have any works where the characters seem to "write themselves"?
[Couple] has just been struck by a magic spell, and now they're mortal enemies! What happens now?
[Couple] has just stumbled into a fairy ring, and they've forgotten they ever knew each other! What happens now?
[Couple] has just found an interdimensional portal, and one of them just walked in! Does the other go after them?
Are there any consistent trends when you write a budding relationship, or does it vary by character? If there are trends, what are they?
Are there any relationship dynamics/tropes you want to write in the future, but haven't yet?
Are there any relationship dynamics/tropes you would never write?
Are there any relationship dynamics/tropes you enjoy reading about, but wouldn't want to write yourself? Vice versa?
Did you base [couple] on any existing relationships that you've seen? This can be anything: TV characters, books, even people you've known in real life.
Pick a few characters you've written for (or, for a fun twist, asker chooses). Tell me about their relationship in three sentences or less.
Pick a work/fandom you've written for. If your couple didn't end up together, who would they get close with with instead?
Has a character ever felt pulled in two directions as you wrote them? How did you resolve this?
Not all relationships are romantic. What's your favorite non-romantic relationship that you've written about?
Have you ever written a break-up scene? How did it go? Was it a permanent split?
Do you think you idealize relationships in fiction, or are your depictions grounded in reality? How often do your characters make mistakes?
When you write, do you focus more on the romantic relationships or the non-romantic ones?
How important to you is the inclusion of sex in writing a romantic couple? Do you have any asexual characters?
Do you have any characters that are arospec or otherwise wouldn't enter a romantic relationship? How do they interact with the story?
Do you have any characters who are hopeless romantics? How do they interact with the story?
Have you ever written a tragic romance? How did it turn out?
What's the most interesting friendship that you've written?
What's the most interesting familial relationship that you've written? Found family counts.
Are there any songs that remind you of [couple]? Are there any songs that remind them of each other?
Do you find it more fun to write soft, domestic romances, or dramatic thrillers?
Are there any canon romantic couples, in any media, that you just can't stand?
Are there any well-known fanon relationships (not canon), that you just can't stand?
Are there any canon non-romantic relationships you can't stand?
Have you ever overwritten a canon romance in favor of a different character/OC? Did you write a full breakup or just ignore the canon relationship?
Who's the Barbie and who's the Ken? Who's the Allan?
Who's the Romeo and who's the Juliet? Who's the Rosaline?
Who's the Prince Charming and who's the Damsel in Distress? Who's the dragon?
Pick a relationship (not necessarily romantic). What tropes apply to this relationship? What tropes does this relationship subvert?
Who's your most repressed/oblivious character? Who's your most aware character? What makes them different?
As an author, are you gentle to your characters?
How do you feel about unhappy endings? Unrequited love? Major character death?
What's your favorite type of relationship to write? What makes it most fun for you?
What type of relationship do you struggle most to write? Why is it difficult for you?
Are there any character dynamics that you've found yourself stepping outside your comfort zone to write? How so?
What's the most self-indulgent relationship you've written? Are there any particular moments/scenes that you wrote just for you?
Are there any relationships you've lost passion for writing? Are there any relationships that started slow but gained momentum over time?
What's your favorite relationship dynamic that you've seen in another work of fiction? Has this influenced your writing at all?
Free space! Brag on yourself! Advertise your writing! What are you most proud of recently?
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fisherpiers · 2 months
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Hunter coming out to Luz as bi
OKAY here i am like over 6 months later LMAO
like whattt? im not dead?? i know, i know. my deepest apologies
i have already written him coming out in flapjacks with syrup so if you want more go read that too not to self promote agskgjjghh (i will be updating that soon just saying 👀)
but here’s some headcanons!
lemme see, theres so many ways for this to go. lets entertain just a couple tho lol
scenario #1
its july and luz is getting/making pride merch for everyone bc shes trying to make it a thing on the isles. at least a little holiday. perhaps a parade? itll be fun!
and she realizes she has no clue what hunters deal is. is he straight? aroace, maybe. that guy is married to his work.
shes trying to keep this pride thing a surprise so she asks him nonchalantly like “hey broooo i was just wondering. whats your sexuality. a friend wanted to know.”
and he bluescreens
“uh. i— i dont know, actually.”
he never really thought about it. hes always been too busy being attracted to them books lmao
he has to get back to her in two business days at least 😂😂😂
he basically spends those days spacing out and scaring his classmates by intensely staring at them.
hunter discovers that he generally feels the same about any gender. and he didnt really have a preference when imagining his future having a wife, husband, or partner. as long as they made him happy
and everyone was really pretty. hexside had quite a lot of cute witches and demons
but honestly, he still didn’t really find himself wanting to start a relationship with any of them (gee wonder why)
he chalks it up to the fact that he’s focusing on his studies and apprenticeship right now and has no time for romance
besides, if he had a partner, he’d have even less time to spend with luz his friends
he finds luz up in a tree behind the owl house, nose in a book. shes so focused on the story that she doesn’t even hear him approach
“LUZ!”
“WHA—“
she was so startled she fell put of the tree. hunter tried to catch her he really did but they both wound up crashing down to the ground in a heap
oof
luz shoved him off her, laughing “first you give me a heart attack and now you try to crush me? i thought we were friends now, hunter!”
“sorry, sorry,” he wheezed as he rolled over in the soft grass
luz went and retrieved her book from where she accidentally threw it, “so what did you need me for?”
“oh, i just wanted to tell you i think i figured out my sexuality now, like you asked,”
“thats okay. i didnt mean to presure you so you dont have t—”
he sat up, “im bisexual,”
liz gasped “OH SWEET, twinsies!”
she got matching bandanas for them. cowboy vibes lol
luz did successfully get the annual pride parade set up in the isles. hard to say no to her shes a force of nature and also kinda a celebrity now ¯\_(ツ)_/¯
scenario #2
luz has just assumed he’s gay
bc they often talk about guys they think are cute. like if theyre at the mall food court (without the hexsquad) and see any hot guys they are thoroughly checking them out and giggling like school girls
its not something she can do with amity (obviously), vee or willow. plus, she trusts that hunter isnt about to go squealing to her girlfriend about her attraction to men she has no plans on pursuing
its a good bonding activity, okay. if you cant thirst over cute guys with your bestie are they really your bestie
alas, because of this, luz never reads too much into the moments they have together. hunter let a hug linger a little too long? he lets her eat off his fork? puts his arm around her on the couch? just friendly behavior. its not like he likes her or anything. bc hes gay right
anyway. theyre like, at a chinese restaurant picking up takeout for the gang and the cashier is just adorable. miss teen connecticut. the cutest girl ever. they both stutter their words and awkwardly fumble around while picking up this order. hunter almost dropped the food and luz signed her name as Liz Noda on the receipt
they get out of there and start laughing once they reach the car
“guess its bi disaster hour am i right?” hunter joked
luz laughed but then it hit her
“wait. you like girls?”
hunter looked at her confused, “yeah?”
“oh…” she trails off,
and hunter starts the car and drives off, not even giving the conversation a second thought
meanwhile luz is dead silent in the passenger seat like
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she be rethinking everything agsjfjjhh
OKAY SECRET 3RD SCENARIO!
tboy!luz au :3
okay so luz is scared bc he’s finally worked out his gender. he’s a guy.
its what pushes him to break up with amity. its amicable at least
and so as luz moves on with his life, and starts falling for hunter, he’s scared hunter wont like him now bc he’s trans
and once hunter finds out about that, he’s putting a stop to it fast. like:
“dude. im bi. i dont care if youre a boy or a girl. youre luz. and i like luz.”
and they live happily ever after the end agajdjjg
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theradioghost · 4 years
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I don't know if you're still doing podcast recs, but if you are, I really like dramas, horror, sci-fi, honestly anything that gives you the feels (especially if it has lgbtq+ rep). I am not much of a comedy person though unfortunately. The only podcast I finished was tma and I really loved it.
The recommendations are always on tap here, whenever my askbox is open! You might wanna check out:
Archive 81, for a found-footage horror about mysterious archives of tapes full of encounters with otherworldly horror, dark rituals, cults, and a long-suffering archivist with the same name as the show creator who plays him, which despite all that could not possibly be more different from TMA and yet easily matches it as one of the best horror stories I have ever enjoyed. The sound design on this show is basically unparalleled – where TMA has fairly minimalist sound design, A81 goes all out. Quite a few lgbtqa+ folk also.
I Am In Eskew, for a surreal, Lynchian horror about the city of Eskew, where it’s always raining and the streets are never the same twice, as narrated by a man who is trapped there and the woman hired to find him. Take the most viscerally disturbing episodes of TMA as a baseline for how intense this show is, then imagine the Spiral built a city and invited all the other fears over for a party. Also right up there as one of my favorite horror things ever, and recently ended, so you can listen to the whole thing right now.
Within The Wires, for a found-footage scifi dystopia, telling stories from an alternate-history world. Three of the four seasons focus on lgbtqa+ leads, and the first season, a set of instructional meditation tapes provided to a prisoner in a shadowy government institution, is still some of my absolute favorite creative use of medium and framing device ever.
Kane and Feels, for a surreal noir-flavored urban fantasy/horror hybrid, about a magically-inclined academic (and sarcastic little bastard man) named Lucifer Kane and his demon-punching partner with a heart of gold, Brutus Feels. They share a flat in London, they bicker like an old married couple, and they fight supernatural evil. This show WILL confuse the hell out of you and you will enjoy every second of it.
Alice Isn’t Dead, for a weird Americana horror story about a long-distance truck driver, criss-crossing the US in search of her missing wife. Along the way she discovers that both of them have been drawn into a dangerous secret war that seethes in the empty and abandoned expanses of America, and that inhuman hunters have begun to follow her. Also finished! And as the title kind of gives away, the lesbians do not die!
Janus Descending, for a sci-fi horror miniseries about two scientists sent to survey the remains of a dead alien civilization on a distant planet, only to learn all too well why the original inhabitants have disappeared. You hear one character’s story in chronological order and the other in reverse, with their perspectives alternating, which is done in an incredibly clever way so that even technically knowing what will happen it still holds you in suspense right to the end. Also, it made me cry, a lot.
SAYER, for a sci-fi horror with a touch of dark comedy, and probably the single best use of the “evil AI” trope I have ever seen. Tells the story of employees of tech corporation Aerolith Dynamics living on Earth’s artificial second moon, Typhon, in the form of messages from their AI overseer SAYER. The first season is great, the second season is okay, and the third and fourth seasons are fucking amazing.
Tides, for a really interesting sci-fi about a lone biologist trapped on an alien world shaped by deadly tidal forces. It’s different from just about any other sci-fi I know, focusing more on the main character’s interactions with and observations of this strange new world, where she’s very aware that she is the alien invader. (Also I don’t think any of the characters are straight.)
Station to Station, for a thrilling sci-fi mystery where a group of scientists and spies on a research ship (the ocean kind) discover that the time-warping anomaly they’re studying might be causing people to vanish from existence. Corporate espionage and high-stakes heartbreak abound. (And once again I’m not sure anyone is straight.)
The Strange Case of Starship Iris, for Being Gay And Doing Crime IN SPACE! Or, decades after a war with an alien species leaves humanity decimated and under the control of totalitarian leaders, the lone survivor of a research mission joins up with a ragtag crew of rebels and smugglers to figure out why the very government she worked for tried to kill her, and to stop them from inciting a second war. 100% lgbtqa+ found family in space heist action and it’s glorious in every way.
Unwell, for the horror-ish Midwestern gothic story of a young woman who returns to her hometown to help her estranged mother after an injury, and discovers that there is something just a little bit wrong, not just with her mother, but with her mother’s house, and with the whole town. Subtle and creepy. The protagonist is a biracial lesbian, one of the other major characters is nonbinary, the cast in general is super diverse.
The Blood Crow Stories, for an lgbtqa+ focused horror anthology! The four seasons so far have been the stories of an ancient evil stalking the passengers of a WWI-era utopian cruise ship, a dark Western mystery about a group of allies trying to stop the mysterious killer known only as the Savior, a 911 operator in a cyberpunk dystopia who starts getting terrifying phone calls from demons, and strange and deadly goings-on at a film studio in the golden age of Hollywood. Everyone is Very Gay and anyone can die, especially in season 1.
The Tower, for a melancholy experimental miniseries about a young woman who decides she’s going to climb the mysterious Tower, from which no one has ever returned. Quite short and very, very good.
Palimpsest, for a creepy, heartbreakingly sad and yet incredibly beautiful anthology series. Season one is the story of a woman who suspects her new home is haunted, season two is a turn-of-the-century urban fantasy about a girl who falls in love with the imprisoned fae princess she’s been hired to care for, and season three is about a WWII codebreaker who begins seeing ghosts on the streets of London during the Blitz.
Mabel, for a part-horror, part-love story, the kind of faerie tale where you feel obliged to spell it with an E because these are the kind of faeries that are utterly inhuman, and beautiful, and dangerous. Anna, the new caretaker for an elderly woman, leaves messages for her client’s mysteriously absent granddaughter Mabel. An old house in Ireland has a life and desires of its own, few of them friendly. Two women fall in love and set out for vengeance against the King Under The Hill. Creepy, strange, and gorgeously poetic.
Ars Paradoxica, for a sci-fi time travel Cold War espionage thriller. Physicist Dr. Sally Grissom accidentally invents time travel, landing herself – and her invention – in the middle of a classified government experiment during WWII. As the course of history utterly changes around them, she and what friends she can find in this new time must struggle with the ethics of what they’ve done, and the choices they’ll have to make. An aroace protagonist, Black secret agents, time-traveling Latina assassins, Jewish lesbian mathematicians, two men of color whose love changes the course of time itself, this show says a big fuck you to the idea that there’s anything hard about having a diverse cast in a period piece and it will break your heart, multiple times. Also finished!
The Far Meridian, for a genre-bending, poetic, at-times-heartwarming-at-times-heartbreaking story about an agoraphobic woman named Peri who decides to begin a search for her long-missing brother Ace after the lighthouse in which she lives begins mysteriously transporting to different places every day. I can never forget an early review that described this show as “the audio equivalent of a Van Gogh painting.” Suffice to say it is beautiful, and fantastically written and put together.
What’s the Frequency?, for a Surrealist noir horror mystery set in mid-20th-century LA. I’ll be honest, I’m not sure I can really explain what goes on in this show, but it features a detective named Walter “Troubles” Mix and his partner Whitney searching for a missing writer. Meanwhile, the only thing that seems to be playing on the radio is that writer’s show Love, Honor, and Decay, which also seems to be driving people to murder. Fantastically weird, deliciously creepy.
Directive, for a short sci-fi miniseries about a man hired to spend a very, very long trip through space alone, which doesn’t seem all that sad until suddenly it hits you with Every Feel You’ve Ever Had, seriously I don’t want to spoil it so I won’t say anything more but listen to this and then never feel the same way about Tuesdays again.
Wolf 359, for honestly one of the best podcasts out there, containing all of the drama and feels, seriously this show ended over two years ago and I still cry literal tears thinking about it sometimes. It has definite comedic leanings, especially in the first season which reads a bit more like a wacky office comedy set in space, but it takes a sharp turn towards high stakes, action, and feelings and that roller coaster never stops. Take four clashing personalities alone on a constantly-malfunctioning space station eight light years from earth, add some mysterious transmissions from the depths of space, toss in some seriously Jonah-Magnus-level manipulative evil bosses, and get ready to cry.
or, may I suggest Midnight Radio? It’s a lesbian-romance-slash-ghost-story completed miniseries about a late-night 1950s radio host in a small town who begins receiving mysterious letters from one of her listeners, and I have been assured by many people and occasionally their all-caps tweets that it provides ample Feelings! (also I wrote it.)
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