I'm glad nobody's questioned why Sunset's personality is so different in the AU, but I'll explained anyways. AU Sunset basically has Tempest Shadow's personality. I decided not to adapt Tempest because too many redeemed villains, she doesn't play an important role in the overall story, and her broken horn is so cool and unique to her as a unicorn that any adaptation wouldn't do it justice. So I fused the two together. Sunset's backstory and hotheadedness with Tempest's tired, jaded, anti-social disposition and fighting skills.
Anyways, I hope it's not too jarring of a change. The more I develop Sunset, the more you'll probably notice how OOC she seems. I'll probably end up adopting Sunset into an OC once I'm done with the AU, since she's basically a completely different character.
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I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim
Secret origins 80 page giant, ID in alt
(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)
Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:
Robin (1993) #4, ID in alt
Straight up the progression here goes:
The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting
Robin (1993) #4, ID in alt
Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.
Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)
Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)
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Thinking about how Pete promised (his memory of) Uncle Ben that the war he was about to make for himself / get involved in against New York's criminal underground was justified.
Like, Uncle Ben spent ages making sure Pete knew that war isn't a thing that's made on the basis of being just or not. You argue justifications after the fact - to cover up original intentions, glorify the blood. But it's still blood, still spilled, still often out of greed - that's how colonial powers work.
And Pete was clearly listening, enough that he talks about it with Urich with all the fury in his heart, but he's young, and emotional, and a teenager who didn't really get the severity of his actions. He doesn't fully internalize the lessons his Uncle was trying to pass on! He takes his Uncle's gun and calls his battles a just war because he's, well.
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Irks me a little bit whenever Dean torturing in Hell is positioned as his own fault, or even really his choice to do. We get given the solid number, 30 years of torture for him and 10 inflicting it on other people (which was also more torture for him because it’s Hell, the torture evolves, it doesn’t stop), and we get told that wasn’t long enough. That John held out longer. That angels were going to pull Dean out of Hell and if he’d just held on a few years more, the seal wouldn’t have been broken.
But that isn’t true, right? We know Heaven wanted the seal broken, ergo Dean wasn’t getting saved until it was. Until it, and he, we’re thoroughly broken and usable by Heaven to achieve their own ends (ie to make him into a good (obedient) Michael sword.) So, it wouldn’t have mattered how long he held out in Apocalyptic terms because the game (that he didn’t know he was playing) was rigged against him.
But more importantly for Dean, the amount of time he managed not to break literally does not matter. Because it was never going to be long enough. Thirty years, forty, a hundred, a thousand, it does not matter how long he held out because the breaking itself is the unforgivable part to him and the breaking was always inevitable.
Anyway. There’s my Dean meta for the year. Eat up, I guess.
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world's finest (1990) #1
[ID: two in-universe drawings from two different orphan children talking about their heros. The first one is by Ann Gray, who's eight years old. She drew a surprisingly decent photo of Batman in front of a yellow background and wrote, ‘My hero — Batman. He is strong and fierce and he can beat anyone. He is very tall. He wears a cool suit with a bat on. He is not afrade of bullits and he saved my life (true). No one nows his reel name or address. the biggist crinminel in all the world could not make him sorender. Batman keeps gothum city safe for everyone and pets.’
The second drawing is by Zachary Sikes who's 12 and a half years old. He drew a photo of Superman using his heat vision as he flies. He wrote, ‘My Hero — Superman. My hero is Superman. He is able to fly and I have seen him lift up a car (with 2 peeple in it). If you hit him in the face then he will just laff. Every one likes him and he saved my life once. The big S on his shirt is for his name (Superman). He lives in Metroplis (where I used to life also). He keeps everything there in law and order.’ END ID]
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Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.
Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.
But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.
But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.
It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.
So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.
He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?
So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.
Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.
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ur post about queerbaiting and the dismissal of people in fandom to critical analysis is so incredibly true thank you. i feel like marcille's writing in the anime has been super misogynistic a lot of the time and every time i bring this up all anyone wants to say is "well maybe this isn't for you! and you shouldn't watch the show!" like. i don't think this is about taste lmao, i am analyzing the text in front of me and coming to conclusions about the craft of it.
[This is in reference to this post]
YES!!! THANK YOU!!!!!
It is so so frustrating!!!!
It's like being at a restaurant and being served a bunch of delicious appetizers, but then one of the bread appetizers is literally just a plate of crumbs; and then when you're like, "Hey, uhh, why are we being served literal crumbs?", a bunch of the other folks eating at the restaurant are like,
"WELL HOW ABOUT YOU JUST DON'T EAT HERE THEN??!? YOU MUST NOT BE THAT HUNGRY, SO JUST FIND ANOTHER RESTAURANT AND DON'T EAT WITH US!!"
And maybe they say it politely, but "Aw, sorry, maybe this restaurant just isn't for you 💖" is just trading out an aggressive dismissive tone for a patronizing dismissive tone. It's the same message.
And it's like! I was honestly happy to move on from the crumbs once my complaint was acknowledged because the meal overall is still delicious, but then all these folks got SUPER WEIRD AND DEFENSIVE ABOUT IT, so now I find myself double-checking all the other dishes -- and, actually, you know what those eggs DO look a Iittle misogynistic undercooked!!!!
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