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dystopiandilfs · 3 years

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Dream's discord podcast. Basically him answering questions for 2.5 hours. This will sort of be in order but I fucked up my notes so it might not be in order completely. (From 13th May 2021)

For reference the photos at the end are: A prototype of fidget spinner merch as loads of people asked, a reference photo of his favourite merch and a photo he sent of his hair to prove he wasn't a brunette.

•He said his teeth are mostly straight but he's thought about getting Invisalign. He's never had braces. He has a tiny gap in the left side of his mouth and his canines are longer and sharper (vampire arc). He's never had teeth surgery so has his wisdom teeth still.

•He thinks pineapple on pizza is good.

•He likes seafood like lobster and crab. He had crab made in an air fryer last night. He like peas. He thinks quesadillas are good and likes most food.

•He hates Coffee and most drinks

•The Dream Shorts team is Ken who is his personal reminder (Ken's main job is to spam him with texts so he doesn't forget things as he's got a habit of reading texts and not replying) and also comes up with a list of sets for Dream shorts. The builder is a friend and munchymc builder "his talent gets wasted on Dream's shorts but we pay him so"

•His editors are currently Dizzy, Firesale and Mjcr. Willz doesn't edit for him anymore

•The mask animation isn't done but Mask should be released May 21st. He wants to release them together as "the whole song is a double meaning and the whole nuance will be lost without the animation" but no matter if the animation is done the song is getting released on the 21st.

•He and Sapnap eat together often.

•He and Sapnap prefer medium rare Steak

•He wants a home gym it's something he's willing to splurge on. They currently have a weight rack but they haven't even set it up.

•"Eat the rich? Shut up shut up" - Dream

•Talked about money basically saying "Most people don't understand how money works I don't have millions in my bank account it's in assets like merch, land and warehousing for that stuff" (He's not in his landlord arc)

•He's been debating Pride Merch because of Rainbow Capitalism. He doesn't want it too be seen as a money maker and if he does most proceeds would go to charity. He's currently super busy merch wise with Sapnap joining and George in the middle of joining. He did say "Only if the LGBTQ+ community in this community wants it" He thinks he's going to at least change the merch website to a pride one. Sapnap wants to make pride merch including a rainbow flame on his.

•He wants to create a charity that's centered around helping LGBTQ+ one day because he thinks that there's a lack of them. He mentioned that creating a charity was expensive and took a lot and was a complicated process including a board of directors but he wants to do it someday.

•He wanted to buy a bunch of houses in Florida which was a service to house mostly LGBTQ+ youth and people stuck in abusive households for free to get them out of bad home environments. But he didn't because he didn't want people thinking he was profiting of of abuse victims and LGBTQ+ community.

•He said he's terrible with time management and replying to people which is why Ken helps him (and also helps George and Sapnap). He mentioned how Sam messaged multiple times and Dream just forgot to answer but felt bad "I feel like people think I hate them..... Cause I'd be mad if people did that to me"

•He tries to reply to a few texts a day (community number). He also can't do birthday messages everyday because you can only reply at certain times so it's not abusing the system so if you get one it's special. He said he does try but it's got a weird time gap.

•Him and the manhunt winner are trying to come up with a good time to film

•He wants to stream this MCC on twitch and says his team is good.

•He talks about why he's not partnered with Twitch. Basically Twitch has a lock rate (in which you make money) and you legally can't stream on YouTube. So legally if Tommy wanted to stream on YouTube he couldn't. Someone then mentioned how Bad is a twitch partner but still streams on YouTube "Bad streams on YouTube but he has for a while and I don't think that he cares" - Dream

•He likes to reply to every donation he gets on stream and feels bad when he doesn't so he'll turn them off when he streams and wants a platform deal where he can be payed to stream (not twitch). If he gets a streaming partnership he will stream a couple of times a week. He looked in to Facebook but they don't have an alias system meaning you can see everyone's actual Facebook account and personal info, he doesn't like seeing real names on Facebook so it would require a lot of altering if he was to stream there so he's thinking it's probably going to be YouTube.

•He was asked about if his demographic was what he expected and he said he went in with no expectations, he didn't even know what stans were, wasn't really on social media so he wasn't aware of the fan culture. "You guys are a handful sometimes but it's worth it"

•He also mentioned how he and the DreamSMP changed the twitch audience demographic. It used to be male dominated in both streamers and audience and now it's almost split which is unheard on.

•He has 5 fidget spinners in his house. Two in his bedroom. Two in his office. One in the living room.

•He likes his Minecraft skin as he thinks the arm is cook and you never see the rest of his skin really. He says it's unique and different and "me". Dream: You can't even tell half the skins apart on MC.

•He's not lost the motivation to stream. Most of the times if he wants to stream he gets George or Sapnap to do it and he just turns up. It's more beneficial to them as they have donos and subs on. (Don't we fucking know it "can you say hi to")

•He has listened to Lovejoy. Says the ep was great and they're very talented and awesome. Doesn't know what his favourite song is but probably would pick One Day because the chorus slaps.

•RIP to acoustic Roadtrip. He said instead of acoustic Roadtrip we get Mask so no losses today for Dream stans.

•"With Roadtrip I went to Parker and I said Hey I have a story I want to tell through music. I have no experience with that can you help me" He said sure. He crafted the music and melodies and how things are formed where it's catchy. I have less comfort singing that. I love the song and it's my song, it's very representative of me and I'm sure I could sing it but it's a song I'd be kinds of scared to sing live, with Mask I basically did everything. I sat there the entire time and maybe an hour out if the 100 I wasn't in the call. Dream came up with the lyrics and main melody for Mask (First one he's ever come up with) "That was just notes in my fucking voice memos"

•The clip we heard of Mask was a prechorus not the actual chorus. He thinks he'd be more comfortable to do a mask acoustic and it's more melodic than Roadtrip. The chorus also has a lot of instruments similar to Roadtrip. Mask starts of slow and guitar with minimal reverb and is more raw.

• He doesn't want music to be his main thing. It's something fun to do and he's passionate about it as it's a way to express emotions. He wants to release mask then go from there. He wants to release at least one more song but has nothing on his mind currently. His two ideas were Roadtrip and Mask.

•He wouldn't quit his job to become a pizza delivery man.

•His favourite features on himself are eyes or freckles and he also confirmed that he does have eyebrows.

•He was told that Parkour warrior would be bought back some time in the near future and he got excited for it. "Even if I don't win, which I will, it'll be fun"

•Went on about his MCC team but I'm not going to put that in as we should be getting them today. He did say he wasn't on Pink but he did sound confused. (For reference he's always in Pink as it's the last team announced and keeps the hype up by announcing the biggest streamer last)

•Said he and his mum had the Mr Beast burger. He recommends because he likes the avacado. He mentioned how Mr Beast uses "Ghost Kitchens" which is basically where he gives restaurants permission to cook his food so it's restaurant quality food.

•His favourite piece of merch is the circle smile. (The pool photo on Instagram). He said the quality was bad (he worked with a different company and didn't have his own company) and it was elasticy feeling and he's planning on re-releasing it again but with good quality.

•He's started to send merch out in custom packaging. So his bags have the smile and will mostly be green. Sapnap's has the flame and is either black or white. He's also trying to make it so every order has the sticker packs for both him and Sapnap.

•He loves the coins as it's cheaper than a hoodie but still celebrates the milestones and will last a long time. He mentioned how the old coins are getting removed off the site and how if you have any of the coins your special because only a few thousand get made. He's kept around 100 of each coin that he wants to give away in person.

•He wanted to have a cool store where you could access computers that give you access to the DreamSMP in spectator mode. But it's too costly and would require too much time and isn't safe fight now. He doesn't think it'd be worth it financially.

•Most of the hoodie are black instead of multiple colours because of limited supply and covid. Getting the colours are harder because if the pandemic which hopefully won't be an issue soon.

•He wants to do a short meetup tour with Sapnap and George with a few locations in the US (and if others nearby want to join like Quackity or Karl they can). He also wants to visit Australia, UK, Canada, Mexico and Philippines and do something like that there but definitely at least visit with George and Sapnap.

•He's never been to the Philippines but his mum has. He wants to set up a place in the Philippines where he can ship merch in bulk and it would help to reduce shipping. However it would probably be big milestone merch.

•He's not got the vaccine yet but will get it when he needs to. He doesn't leave the house so he doesn't see the point.

•He's the ideas man. George's footcam video was Dream's idea. The T-shirt video was Dream's idea. Most if not all of the Dream Team's videos are Dream's ideas.

•Said he's got a similar/the same hair colour as Froy (Dream buddy at this point the only difference between you and Froy is that one of you is dating Richard Madden /lh)

#dreamsmp #dream smp #dreamwastaken #mcyt #georgenotfound #sapnap

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shihalyfie · 3 years

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02′s themes in relation to its finale

By “finale” I don’t mean “epilogue”, but rather the final battle and confrontation that make up 02 episodes 48-50. Generally speaking, 02 is a series that is much less about progression of plot events as much as it’s about theme and message, and my feeling is that this becomes increasingly so the deeper you get into its second half and approach its ending. Narratively speaking, we need a big, bad enemy to beat up in a fight, but if we shift our perspective a bit, what does this finale say as a close to 02′s themes and concepts?

The thin boundary between good and evil

Our major enemy for the first half of the series was the Digimon Kaiser, who was later established to be the very naturally kind Ichijouji Ken -- which is a pretty massive swerve, considering that most series with “reformed villains” would usually make them a bit of an edgelord who happens to be a little nicer. But instead, the series goes very deep into the psyche of what could make such a kind child be tipped over the edge, and, even though it’s all revealed to be accelerated by supernatural interference, it’s made very clear that his own trauma and insecurity was most of what did it.

So, anyway, it’s revealed in the end that the “final mastermind” behind it all was none other than Vamdemon, an effective midboss from Adventure. Vamdemon’s popularity aside, this initially seems like a very strange choice. But looking at some statements about 02′s initial planning is somewhat revealing: the original planned concept for the final boss was a Digimon that would ultimately be reduced to only “an idea” (and was rejected on the grounds of being too gory for the Sunday morning kids’ timeslot). When you think about this original concept of “a Digimon that had been reduced to only an idea,” that explains the initially odd-seeming combo of defeating a Digimon with the combined power of idealistic positivity, because it’s a plot point that would certainly make more sense if said Digimon had been reduced to a spirit of malice.

However, the interesting part about this is that the replacement for this original final boss was not Vamdemon but Oikawa and his lackeys, which means that, substantially, the real “final enemy” of this story is actually Oikawa, and the ideological questions he poses for the Chosen Children and those around them. Vamdemon may be the “mastermind” from a plot perspective, but, ironically, his important role is actually to define Oikawa’s narrative -- and, as if to drive this in further, he’s not even voiced by his original voice actor from Adventure (Ohtomo Ryuuzaburou), but Oikawa’s own, Morikawa Toshiyuki (and this voice change is actually pointed out in the series proper, too).

So why Vamdemon and not just a random spirit of malice? Well...

Vamdemon’s presence specifically establishes the precise moment in time Oikawa lost complete control of himself -- and, more widely, establishes the connection between himself as a “Chosen Child who could never become one”. Prior to this episode, we knew that Hida Hiroki’s death and their shared childhood had some relevance to Oikawa’s downfall, but the August 3 “Odaiba fog” incident in 1999 is the exact moment where everything could completely crash down in front of Oikawa’s eyes, with Hida Hiroki having just died, and Oikawa personally witnessing Digimon, the Digital World, and the Chosen Children (and boy, the way this scene is framed with him right next to the waterfront, you might even wonder what he might have done with himself had Vamdemon not interfered...). The Digital World didn’t have a huge amount of contact with the world before then -- in fact, Oikawa not being able to make much contact is a huge part of his character arc -- which basically leaves this as one of the only moments you can have this exact moment of Oikawa being ready to go over the deep end in this way. All of his regrets, of never being able to make proper contact with the Digital World, of Hiroki having died and left him alone, are ready for him in this exact moment -- as his own lackey Archnemon had said earlier, “human weaknesses are easy to manipulate.”

Moreover, of all of the “entities of malice” that made up Adventure’s villains, Vamdemon’s the only one who brought it all the way over to the real world (where the majority of 02′s conflict is set). This brief moment of contact with the real world was established in 02 episode 14 to be the defining moment of “contact” that would lead to Daisuke and Iori becoming Chosen Children. Particularly in the case of Iori, you can see the parallel -- Hiroki’s death and the resulting incident here would shape Iori’s strive to become a model citizen and a hero as a Chosen Child, whereas the exact same incidents shaped Oikawa’s descent into villainy.

Oikawa’s “sacrifice” in the end is not really a sacrifice in terms of sacrificing his life -- it’s said outright that his body is deteriorating, and so he would have died either way. What Oikawa does sacrifice is the ability to take one more step and make proper contact with Pipimon -- it is explicitly stated that he has to use the power of the dream world to grant his wish, meaning that he would never be able to take a proper step into the Digital World as a human, and therefore would never truly be able to have his initial wish granted in the way he originally wanted.

Thus, Oikawa leaves off with one last “regret” -- that, perhaps, if things had been different, he could have been just like the Chosen Children, going on “adventures” like them. But Iori points out right after that he did achieve his dream in some sense -- he got to reunite with the Digital World, and he did get to meet his partner, and so: it’s all about mentality. All of what happened to Oikawa was because of his own closed-in way of seeing himself and his place in the world, instead of being able to move on productively from his perception of what he “could and couldn’t do”.

In the end, Iori, the one who had once been so cold towards the idea of anything remotely associated with evil, is the one to guide him to that answer, and the other Chosen Children, who had previously not been very sympathetic towards him, still grieve over his death because they understand what it means to have a partner, and the sense of loss it would entail to be separated from one. It’s the one commonality they all can understand, and in the end, none of them were really all that different; it was just what they chose to do with what they had.

This is especially because we see extensive flashbacks of Oikawa in 02 episode 47, and his design is that of a completely average adult in 02, nothing like the “look at this instant villain!” design he had during the course of the series. Oikawa was, for all intents and purposes, a completely average person who had dreams that he shared with his friend, dreams that they carried into adulthood -- it took this little to push Oikawa over the edge, and yet the things that did it were the exact same things that, in a different context, Iori took to become a Chosen Child who fought him on the other side.

False happiness and pointless fixations

Tying into Oikawa’s fixation with “regrets” and an unhealthy mentality about his own position, Oikawa blames his inability to go to the Digital World in 02 episode 48 on himself being a “tainted adult”, not recognizing that it’s his own having fallen off the deep end that’s the likely reason he’s being rejected. Oikawa is, effectively, maintaining a fixation on “regrets” and a past he can’t get back; he’s still stuck on the image of his happy childhood playing with Hiroki, and all of the things he “couldn’t do” as a child after having his initial contact with the Digital World cut off. The ending reveals that he had met Pipimon before, and so you can interpret everything he’d done beforehand -- including creating two Digimon that are ultimately his “minions” more than they’re his actual “partners” (and were ultimately ripped away from him by the very same malicious spirit that represents his nihilism) -- as an attempt to reconnect with that partner, even if it resulted in him forgetting his actual purpose.

Beyond that, the Chosen Children themselves are momentarily sidetracked by a “fixation” of sorts --

02 is a series about “accepting things and moving forward”, so each of the illusions presented by BelialVamdemon have to do with a fixation that’s holding each respective kid back:

Takeru’s idea of seeing his family together again might not be completely impossible, but it’s probably not happening anytime soon -- and, as far as 02 episode 17 and 47 showed us, relations are at least improving and everyone else is doing a much better job of actually moving on and accepting the current state of affairs than he is.

Iori’s fixated on the idea of being able to please and be with a father who’s long dead (again, his issue is technically the same one Oikawa’s fixating over).

Hikari’s fixated on a future idea and dream that she wants to see pass, which won’t happen unless she can proactively work towards it now (and the 02 epilogue itself establishes that getting there won’t be all sunshine and roses).

Miyako’s fixated on her surface mood of stress and a desire to escape it, only to be confronted with the fact that it doesn’t actually make her all that happy either.

Ken’s fixated on ideas of “punishment” and “forgiveness” that ultimately won’t get him anywhere.

In the end, the one to avoid it is the most “forward-thinking” of all of them, Daisuke, who’s least likely to get caught up in such fixations. But even he has this to say:

Daisuke understands that not everyone is as simple-minded as him, and that’s not inherently a bad thing -- it’s just that when you need to go forward, you need to go forward (and people who exploit others’ weaknesses against them are still unforgivable jerks). You need to accept that things are the way they are at current, and use the information you get from it to keep moving forward and do something productive with it rather than clinging onto things you can’t have to the point you can’t do anything. Nobody was giving anyone shame for having those internal worries that BelialVamdemon plagued them with -- it’s just that staying in there forever, instead of moving on with important things they had to do, wouldn’t be good for them either.

Hence, that’s what Oikawa actually sacrificed -- he had a choice to use his final moments to spend his remaining short time with his partner that he’d spent so long unconsciously chasing after, but he instead decides to do something to help the Digital World and reverse some of the damage he’d personally caused instead of continuing to fixate on that regret. At the very least, he can continue to be with Pipimon in some other sense, even if it’s not what he originally wanted.

The pressure to be a “perfect person” as imposed by society; the conflict between that and pursuing one’s own happiness

In the last section, I mentioned that Oikawa was the kind of person who fixated on regrets about what he “couldn’t do” during his childhood. You can identify a bit of what was leading up to this in the prior episodes:

We learn in 02 episode 47 that Iori’s grandfather Chikara made the mistake of barring Hiroki and Oikawa from getting too deep into their connection with the Digital World, considering it “nonsense”, which led to the two of them becoming disconnected from it and continuing to wistfully chase after it -- which also led to Oikawa being driven further over the deep end when Hiroki, the only person who understood that, died.

Moreover, Oikawa ended up developing a complex not entirely unlike the Kaiser’s fixation with being a “perfect” person in the first half -- and, just like how he blames his inability to enter the Digital World on being a “tainted adult”, he fails to have the self-awareness that it’s this exact nihilism keeping him out of it, taking even further offense at the idea of him being a “tainted existence” (because of what he’s embracing) and deciding that his reaction needs to be sinking even deeper into it. And while he implants the Dark Seeds into the children with the intent of exploiting their power, he also indicates that he thinks he’s doing them a favor by enabling that ideology of “becoming a perfect person” within them.

Remembering that the final battle in this series is not necessarily about the physical fight as much as it’s about the ideology that Oikawa espoused, in the end, what Oikawa really “implanted” in these kids along with the Dark Seeds was the pressure that they should sacrifice their happiness to be “perfect” people. The Chosen Children reach out to them by asking about their dreams, and the children list off careers that have certainly gotten their parents scorning them for not being “good enough” for them, or gotten them mocked by other people (Hiroshi says that he gave up on his manga artist dreams because people laughed at him for it). In the end, “the pressure to be ambitious” is pressure in itself -- what if what you really want isn’t ambitious as much as it’s something that makes you and others happy (like, for instance, ramen making)? And especially when you’re a child -- shouldn’t this be the time when you enjoy yourself to the fullest?

This is even alluded to in Ken’s Spring 2003 track, in terms of how he and Osamu weren’t able to enjoy their childhood because of that pressure:

You were demanded to grow up fast, weren’t you, Brother? Because we were always being evaluated and compared by someone, we didn’t get a chance to have more freedom. We didn’t have any chances to run down an alley because we felt like it, or pull up weeds, or tumble around… meaningless things, things that didn’t bring any value to us at all. Just like the cat napping on the roof… we weren’t able to fully enjoy any everlasting freedom.

Like Ken and Osamu, the Dark Seed children accepted the Seeds because they decided that it would be better to trade in their happiness in exchange for getting closer to that ideal of “perfection”, only to destroy their own selves in the process. Which is accentuated when acknowledging their own selves is what leads to them meeting their own Digimon partners.

Takeru had said, earlier, that the Digimon will appear if you wish them to -- and given that a Digimon partner is a metaphor for the inner self, it says a lot that the point here is “the key to connecting with your partner is to connect with your actual self”. Like how Ken managed to reunite with Wormmon in 02 episode 23 by accepting everything about himself and resolving to live with it, and how Oikawa will later meet Pipimon after having come to terms with what he was actually looking for the entire time.

And in the end, what we see of Vamdemon isn’t really all that different from the original “reduced to an idea” concept we got from the original 02 final boss concept -- remember that BelialVamdemon has effectively become the incarnation of Oikawa’s own nihilistic ideology; perhaps he took on a lot more than just a voice actor! Actually, the whole sequence in 02 episode 50 with everyone listing off their dreams and destroying BelialVamdemon part by part is relatively similar in substance to the original proposal (the staff must have been really attached to that idea). And, hence, why what destroys him for good is the combined feelings of everyone together, resolving to move forward instead of chasing after meaningless things.

Oikawa ultimately recognizes that what was holding him back was his own mentality -- everyone here, Ken, the Dark Seed children, and Oikawa himself, all thought they were becoming “strong” and “perfect” people by ignoring them, but instead ended up as pawns for others, and all of these people could have found better ways to cope with their problems through embracing themselves and finding support, and would have come closer to those “dreams” while they were at it. Instead, Oikawa exploited others and clung onto shallow symbols because he thought that kind of straightforward idealism was an impossible route for him, and locked himself out of all of it. But in the end, he’s able to do something -- he’s able to use his “dreams” to have the Digital World healed -- and with that, is able to have his last moments in happiness.

Incidentally, back in 02 episode 49, Daisuke had even outright said that there’s no inherent issue in striving for self-improvement (after all, both Adventure and 02 were about people slowly getting past their insecurities and becoming better people). Daisuke himself is a person who’s improved a lot over the course of this series! But that’s something you need to do on your own terms and in a way you’re comfortable with -- not forcing yourself into the mold of an “ideal person” at the expense of losing everything about yourself, like Ken, the Dark Seed children, and Oikawa all did at some point.

#digimon #digimon adventure 02 #shihameta

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iggytheperson · 4 years

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Storm of Friendship: When Toxic Masculinity is Prioritized Over Pacifism

I have a lot of thoughts about this particular episode of 02. Let’s start with the baseline of what Daisuke begins the episode believing and what he is to be untaught over the course of it.

Daisuke doesn’t want to hurt Agumon. Full stop. For any reason. The very idea of firing against a companion clearly causes him mental distress. We also see this in Hurricane Touchdown: his immediate response to hearing about Wallace’s plight is to start bawling, the very idea of having to harm a friend is enough to drive him to tears. It’s not that he doesn’t understand that Agumon would remain in Ken’s possession otherwise, he just can’t cope with the idea that injuring their friend would be the lesser evil.

This very reflective of Mimi’s arc in Adventure. She loves her friends deeply and doesn’t want to see them come to harm, and will go as far as refusing to evolve Palmon when danger arises because she doesn’t want her friend to arouse attention from the threat at hand and get obliterated like so many others. Clearly that’s a far more life-or-death situation, but the sentiment is the same: “I cannot bear to watch those I care for come to harm.”

Now, in Adventure, Taichi wasn’t nearly as against this stance, despite the fact that he was well aware that letting her take a break from fighting was a life threat to the team. But in “Storm of Friendship”, it’s quite a different story.

I think Taichi, and to a lesser extent Yamato and Takeru, are very unused to the idea that Daisuke would disobey his idol. Daisuke’s hesitance is directly complained about by Takeru as him “not listening to what Taichi wants” for his partner. Taichi and Yamato are a lot less direct in scolding Daisuke, but their stance is clear: saving Agumon is an act of compassion regardless of how many injuries it causes, and leaving him captured would be to fail him as a friend.

To Taichi and Yamato, having to dole out tough love is just a natural part of the job, it’s a role they fell into on their own. (it’s arguable whether a relationship that escalated into a literal murder attempt is moral to impose onto children as a way to act but that’s another conversation), and Daisuke’s refusal to comply is clearly seen by both of them as cowardice.

Takeru has quite clearly taken his brother and surrogate brother’s life lessons to heart, too, throwing himself recklessly (and needlessly) into harm’s way to try and get Patamon free, and nearly punching Daisuke for hesitating to say he’d do the same. The idea that Daisuke would at all hesitate to throw his life away for someone he only recently met seems to baffle and enrage Takeru. This reflects the very different formative periods they had with the Digital World.

In Adventure, life was cheap, allies would throw it away for the cause to the point of normalizing it, the kid’s lives were always on the line and they were always just a tad too excited about the prospect of a proper meal for us to assume they got to eat every day. Daisuke, inversely, has had a much calmer and arguably much healthier introduction to the war. It’s something he participates in out of the goodness of his heart, not because he’s being held hostage until he saves the universe. Miyako is allowed to take a day off from the front lines when she isn’t feeling great, an idea that wasn’t available and wouldn’t even have occurred to the original crew.

So Daisuke suffers from being surrounded by a group with much different experiences and values than him, a fact extended even to his own partner, who is just as mad as Takeru when Daisuke can’t immediately say he’d die for him. To quote: “Maybe!? You mean definitely, right!?” He’s confused and hurt by what to him seems like a betrayal, but Daisuke’s statement isn’t made out of malice or any lack of love for Veemon. He’s just an eleven year old kid who’s not yet used to the idea of death as a possibility for himself and as something he must protect others from.

This pressure from all typical sources of affirmation culminates about how you’d expect for an insecure child who in this very episode states he doesn’t even know what friendship is. (A quote mirroring Sora, but we’ll get to that)

Now, the digimental flies to him right after this. This is certainly because in his heart right now, he wants to help his friends, but having it happen in tandem with a scream of self-deprecation sends a very bad message: you activated your crest, therefore you have finally understood what Friendship entails.

Daisuke was unable to lift the egg initially because of self doubt, a very common experience of almost every crestholder. Like Sora before him, he assumes that he could not possibly bear a trait that he feels like he hasn’t experienced and has no knowledge of. But unlike Sora’s emotionally positive revelation that she did know all along, this moment teaches Daisuke a much different lesson: That’s right. You are a bad friend for being scared of hurting others.

And the episode ends with not one word in contradiction to this principle.

Like Mimi, violence comes to visit him whether he wants to see it or not, as is the nature of being part of a conflict. But do you think Daisuke’s takeaway was quite as uplifting as “you can win without anyone getting hurt, you just need to create the proper support network within your forces to keep one another safe”? Decidedly not. Daisuke is taught that shying away from violence, not wanting to see your friends come to harm, and other such pacifistic beliefs are cowardly and unfitting of his position as leader. That loving your friends too much to hurt them is to fail them as a friend.

I wonder what kind of leader Daisuke would’ve become, if his perspective was valued, and a solution was found that perhaps kept Agumon under control for a bit longer, but resulted in no unnecessary use of force? I think he’d have been able to stand on his own two feet a lot more, instead of just trying to mirror Taichi the best he can out of fear of “failing” his loved ones again.

#daisuke motomiya #digimon 02 #digimon

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harperfinkles · 5 years

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My Ranking Of Every Barbie Movie

A few months ago I finally decided to watch every barbie in order. When I was a kid I loved barbie movies, but I stopped watching them after Princess & The Popstar came out, and I felt like I’ve been missing out ever since.

Here I present to you: My Ranking Of Every Barbie Movie!

Keep in mind that I’m basing this off of my personal enjoyment of each film, and not by how “good” it is. There are many movies here that are ranked high despite being objectively flawed, as well as there are movies ranked low despite being objectively good. My opinions are also subject to change, especially since some of these I’ve only seen once.

36: Barbie & Her Sisters In A Puppy Chase

This entire movie is a mess. Like most of the barbie & her sisters movies there’s no real plot. The events of this movie only happen because of bad luck, which is never a good way to kick off your movie. I also find barbie to be completely OOC in this movie. Her disorganization and lack of planning is something that isn’t present in any of the sisters movies. Don’t get me wrong, I enjoy movies that humanize barbie and give her more flaws but there are way more creative ways to do it. It doesn’t help that her insistence to “keep positive!!!” and “be optimistic :)))” just robs this movie of any meaningful message.

Then after the frustrating mess that is the puppy chase itself, Chelsey STILL wins her dance competition despite the fact that barbie didn’t let her practice, and she cheated by adding her sisters and the horses to the dance. It’s unbelievably stupid. I don’t know how the writers of this movie thought we would buy into that. I’m probably never going to watch this movie again.

35: Barbie Presents Thumbelina

The main reason I don’t like this movie is because of the style of the Twillerbees. Unlike Mariposa (the only other movie that doesn’t have a barbie protagonist) their faces look inhuman in a way that makes it hard to relate to them. I would’ve much preferred if Thumbelina had just gotten the normal barbie face, just her body becoming smaller. Besides that I think the girl whose name I can’t remember is annoying, and I didn’t like Thumbelina’s plan to get on her good side to save their home. Both of their character developments were weak and unbelievable. Then once the parents were convinced to stop demolition the movie lost all of its dramatic tension. This movie isn’t ‘bad’ per say, just completely boring. Not I understand why I never rewatched this as a kid.

34: Barbie In Princess Power

This movie had so much unrealized potential, but fell apart due to its plot that went all over the place. The villain and his frog were extremely annoying, Kera’s friends were completely one note characters, and Dark Sparkle was so petty and unnecessary. The part that pissed me off the most was how Kera’s identity was revealed to everyone. First off Wes was forgiven for this way too easily, despite it completely making me lose what little faith I had in his character, and secondly her parents handled it so casually. It seemed more like she had gotten in trouble for sneaking out to go to a party than her being forced into getting superpowers and using them to fight crime in the city. Plus the animation was absolutely horrible. What is with Mattel and changing barbie’s model every new movie?

I really wish this movie was better. Barbie as a superhero is such an amazing concept, and it makes me sad to see it executed so terribly.

33: Barbie & Her Sisters In The Great Puppy Adventure

Another movie with the most annoying villains possible. They’re the core reason I couldn’t stand watching this. In addition to that I found that the treasure being under the big willow tree was completely predictable from the first ten minutes of the movie. And even though the puppies were quite cute, their voices were so annoying. There are also a few plot holes (if you can call them that) such as the metal detector app (it hurt typing that) and how the girls knew that scaling the wall of the cave would lead to where the elevator lead. Despite this I still liked learning about barbie’s childhood and all of her achievements, though her grandma was quite creepy.

32: Barbie & Her Sisters In A Pony Tale

This movie straight up has no plot. It’s the worst of the sisters movies in that regard. Many chunks of this movie felt like filler (such as the party scene), and the character conflicts were weak and contrived (such as Chelsey and Staci's). One thing that I really liked about this movie is Barbie’s character, but that’s pretty consistent with all the sisters movies that aren’t Puppy Chase. I also found the two french guys very annoying (is there any sisters movie with a good villain?).

31: Barbie: Fairytopia

I feel bad for putting this one so low, especially considering how high my placements of all the sequels are. It feels like information is revealed to quickly at the beginning and the rest of the movie is just boring. Elina is very interesting but she could use a lot more character development. The part about her being bullied for not having wings was relegated to cheesy dialogue and didn’t really amount to anything. Plus the fungi aren’t nearly as funny as they are in Mermaidia.

The main reason I’m not putting it lower is for nostalgia and setting up the rest of the Fairytopia series. Aside from that I also really liked the vibe of the one underwater scene, and the “friends you haven’t met” line was quite good. This movie is just a complete anomaly in the great track record of early barbie movies. You honestly don’t even need to watch it to understand the sequels.

30: Barbie: A Perfect Christmas

As a musical this movie really sucks. The only song that I actually liked was barbie’s one solo, and even her singing voice there really didn’t sound like her. There’s really no plot to this movie, but I did find myself enjoying the dynamic of the sisters a lot more than the other sisters movies (even though Skipper’s Arc with the concert came out of nowhere and stressed me out). The way Santa’s magic was shoehorned into the story really bothered me though.

29: Barbie Video Game Hero

The best thing about this movie is definitely the side characters. They all had nice designs and personalities, especially Bella and Chris. The concept of this movie is also so creative and fun that I actually enjoyed it way more than I thought I would. I liked it mostly during the first two levels as well as the bonus one, but the last two really soiled it for me. The fact that there’s an open world game with no clear way to win makes no sense in the context of the rest of the game, and the Just Dance advertisements are absolutely cringey. This movie has a strong beginning but really falls behind in the second half. The last scene of the movie really made me want to rip my eyes out.

28: Barbie: Spy Squad

This movie really suffers from not getting the audience to care. The characters aren’t developed enough in the opening and the way the girls got their jobs as spies seemed too easy. The storyline felt too straightforward, and even the plot twist at the end was kind of cheap.

Despite this I still really enjoyed many parts of this film. For one the animation is amazing. I loved the character designs, especially Patricia’s. Speaking of her, I thought she was a pretty good villain, even if she was a little cheesy and her ‘redemption’ arc was very clumsy. I also thought Lazlo was sweet. A lot of modern barbie movies only go halfway with the romance because they don’t want to be seen as bad role models for girls, and a lot of the times the Ken characters just seem unnecessary. I thought it was a good idea to have him be the “love interest” of a non barbie character so his inclusion doesn’t feel useless, even if they never actually got together. It was also just really fun to see all the spy technology.

27: Barbie: The Princess And The Popstar

The placing of this movie is extremely unfortunate since I actually really liked Tori and Kiera’s characters. They both had spunk and I really like the tropes of the roundy princess and the celebrity who doesn’t find satisfaction in fame. The reason this movie is so low comes down to the terrible plot. It felt like they were trying too hard to make it similar to the Princess & The Pauper even though Tori and Kiera’s characters would much better suit a different plotline. The villains were just insanely frustrating and had such unclear motivations. The songs were also pretty bad (other than Here I Am), the Ken character is annoying, and the climax has barely any emotional weight since it wasn’t led up to properly. But hey, at least Tori/Kiera is a high quality ship. If it wasn’t for their relationship this movie would be much lower.

26: Barbie: A Fashion Fairytale

I love the set up for barbie’s character in this movie. She’s just been fired for the first time, Ken broke up with her, and she feels like her life is falling apart. She really reached a new layer of dimension with this movie, and she’s the best barbie as herself character in all of the movies. My main problem is the boring plotline with the flairies. Their character’s aren’t interesting and what they do to the clothing isn’t anything special. This movie also suffers from the boring villains. Barbie’s character is my main reason for liking this movie, along with the Ken plotline, even if it could be quite contrived.

25: Barbie: Star Light Adventure

This is a very weird movie. I had completely different reactions to it during the two times I saw this movie. The first time I thought it was very disappointing. The title said “adventure” so I was very surprised when the characters spent most of the movie training in the same location and we barely got to see any cool new locations. The pace was also extremely slow, especially near the beginning. The second time I started to appreciate the movie for what it is. The animation is absolutely stunning and I love what we saw of the creatures in this universe. Sa-Lee is definitely one of my favourite side characters, and the rest of the team was pretty cool too.

They also added a bunch of new things that I think are very unique to this movie. For instance I loved that barbie’s had telekinesis. She definitely needs more superpowers in future movies. I also liked that we got to see her parents.

My main gripe with this movie has to be Constantine. He was annoying for no reason and I think the movie would’ve benefitted from either having him be nicer and more of a character arc, or having him be a full villain who’s using the team for personal gain.

24: Barbie: Mariposa & The Fairy Princess

As a sequel this movie sucks. It doesn’t cover the same themes as the first movie, we don’t get Elina telling the story, the stakes are nowhere near the height as the first one was, and the characters in the first movie don’t get nearly enough screentime. Willa and Carlos’s part in this movie was underwhelming, but I’m especially annoyed by the fact that Rayna and Rayla weren’t even mentioned once. This all probably would’ve been different had the movie been made closer to the original, and I’m extremely confused as to why they waited to make it in 2013.

However if you disassociate it with the first movie it becomes way more enjoyable. I thought Catania was sweet and lowkey ship her with Mariposa (though it still doesn’t compare to the Mariposa/Carlos/Willa OT3). The crystal fairies themselves were an interesting addition to the universe and their designs were really pretty (I actually wish I was still into barbie at the time it was released just so I could’ve got some of the dolls). The increase in animation quality was also a plus. I’m also so happy that after the first movie Mariposa started running a library. It was such a natural progression in her character arc and it’s so perfect. There are still a lot of problems, such as a villain who feels utterly disconnected from the main story, clumsiness and miscommunication being repeatedly used as plot devices, and the annoyingness that are the puffballs. I’m still glad this movie happened and if you liked the first movie you should definitely check this one out too.

23: Barbie And The Secret Door

Oh boy is this one a mixed bag. It was actually the first "new” barbie movie that I saw, but it definitely did the trick of making me want to watch the other ones.

On the positive side this movie is so pretty. I love all the bright colours and the designs for Nori and Romy. Speaking of which, they were such great side characters, and an adorable ship! I especially like Romy since she was so funny and adorable. Plus, the “what’s a boy?” comment made me laugh. I thought that the world building aspect of this movie was really interesting, even if the animal designs weren’t the best.

On the negative side, I feel like the music was extremely disappointing. It got less annoying on my second watch through, so maybe I just have to warm up to it. I also feel like the villain was boring. This movie deserved a more serious antagonist, especially since we saw how terribly she affected the fairies and mermaids. I did overall like princess Alexa, but I’m kind of unsure about her arc relating to responsibility. I think a lot of modern barbie princess movies in general just aren’t as interesting as the ones that take place in the past.

22: Barbie: Dolphin Magic

What a cute movie. I loved Isla’s so much! She and Barbie were so adorable together. The dolphin’s themselves were quite cute too.

This is a very feel good movie, and it almost makes you ignore its flaws. The main thing that annoyed me is why couldn’t they just pick up the dolphin and put him back in the ocean? He’s not even that big, and there isn’t much distance that you’d have to walk with him anyway. The plot and villain aren’t that interesting either, and the sisters were sometimes annoying (such as Staci’s broken foot having no weight on the plot, and Treasure being absolute garbage). Barbie also seems a little too perfect in this movie, which isn’t even true for the rest of the sister movies and they’re all way lower on this list. I also laughed a lot when Barbie called Ken her “Friend”, since apparently romance is too inappropriate for a barbie movie. Still, if you ignore this and just watch all the Barbie/Isla scenes, the movie is really good.

21: Barbie: Fairytopia: Magic Of The Rainbow

Being introduced to all the different fairies in this movie was so much fun. I love all their different personalities and designs, especially Glee, Sunburst, and Lumina. Elina grew so much in this movie, and it truly is the perfect ending to the trilogy. The flight of spring was really cool too. The only real flaw this movie has is how clumsily Elina’s magic abilities are added in. It almost seems like she knew how to use it all along, even if we know she didn’t.

Also Dizzle is the worst. And that one apprentice’s wings being the braids in her hair was FUCKING RIDICULOUS.

20: Barbie In Swan Lake

This movie is definitely the most legitimately beautiful barbie movie out there. The colours are so nice, the dancing is so majestic, and I’d want to live in the forest any day. Odette is one of the prettiest barbie characters and I love her wardrobe. This movie also has two of the most iconic villains of my childhood who make me laugh every time I think of them.

Despite this I still don’t think this is nearly as good as everyone makes it out to be. First off, Odette’s character arc as the ‘chosen one’ wasn’t executed believably, and she wasn’t even that interesting. The romance was way too instalove-y for my taste (even Rapunzel had a more believable romance than this). The message of this movie was also really unclear in the Chelsey scenes. Overall it’s a great fairytale that I have lots of nostalgia for, but it doesn’t hold up as well when you really dig into it.

19: Barbie: Fairy Secret

I love how Barbie and Raquelle’s relationship is expanded upon in this movie. In Fashion Fairytale Raquelle’s motivations were confusing and she felt very flat. I love how we got to see them forced to work together despite their hard feelings and eventually come to forgive each other at the end once they got to the root of their issues with each other. It’s the ideal enemies to loversfriends scenario.

This movie is just really fun. Exactly what a barbie movie should be. Barbie’s stylist friends were great, and the Ken parts were pretty funny. I do overall like the worldbuilding, though Gloss Angelos looked way to small to even be classifed as a city, let alone the biggest fairy city in the world. It’s like 90% castle and 10% actual city.

In the end I always wish that Barbie, Raquelle, and Ken remembered what happened to them, and that’s the most frustrating part about this movie.

18: The Barbie Diaries

Despite being made by a completely different studio than the other movies (and having a downgrade in animation quality), this movie really holds up today. There’s a lot going on here, and it makes the plot seem way more complex than any other barbie movie. We also get to see into barbie’s head a lot more than any other barbie as herself movie, what with her fantasies that we got to see visualized. This movie is just the perfect blend of magic and normal life, and even if I do prefer the fantasy based barbie movies, this one will always hold a place in my heart.

17: Barbie And The 12 Dancing Princesses

There really isn’t much to be said about this movie. It’s just plain good. There’s nice music, a good plot, a great villain, a cute cat character, and a girl obsessed with bugs. What more could you want?

The only thing I don’t like is the wedding scene. It seemed quite out of place. Their relationship wasn’t that important to deserve the last few minutes of the movie.

16: Barbie And The Three Musketeers

Barbie sword fighting is all I’ve ever wanted in life. This movie really broke the mold for what barbie could do. Corinne is a great protagonist, and the other musketeers were great too (even if their personalities weren’t developed that much). I love how important their friendship was and how easily Corinne integrated into their group. This movie is super fun and just makes me want to scream “GIRL POWER” from the top of my lungs.

There were still some drawbacks though. The prince was annoying, I got so tired of that one sound effect that keep on repeating over and over again (if you’ve seen the movie you know what I’m talking about), the cat was way too immature, and while the villain was good, he was not subtle at all. The movie still had a solid storyline, and I loved how it ended with the girls going on another adventure. *sigh* If only this movie had a sequel.

15: Barbie: The Pearl Princess

Lumina is one of my favourite barbie protagonists. She just felt human in a way that not many others do (even though she’s technically a mermaid, not human). She was naive, but not stupid. I loved seeing her react to a world she hasn’t seen before. This movie had such a unique approach with her aunt Scylla. Her aunt may have done something completely wrong, and she admits to that, but Lumina doesn’t ignore the way aunt Scylla has cared for her and loved her over the years. She accepts her found family and her biological family at the same time, and lets her have a chance at redemption. In addition to that I really loved Lumina’s pre transformation outfit. It’s my second favourite barbie mermaid outfit next to Nori’s in Mermaidia.

I also liked how much the animals of this movie felt like active members of society, and had intelligence levels equivalent the mermaids. I’ve never really seen that in a barbie movie, at least to this extent. Kuda was a great animal sidekick who really felt like one of Lumina’s true friends. I also like how Spike looked dangerous but was a real softie on the inside.

There are a lot of other elements of this movie that I liked too, like how sweet Fergus was, and his love of botany. I liked the gag about Caligo thinking he’s being poisoned, and being paranoid about which cup he’s gonna drink from. Even if the Ken character wasn’t utilized much, I liked his dolphin friend. My only complaint is that the climax was a little messy, and I didn’t enjoy Caligo as a villain that much.

14: Barbie In A Mermaid Tale 2

This worked very well as a sequel to the original Mermaid Tale. Eris’s return as a villain felt very natural, and this movie continued to have Merliah feel like a genuine teenager with her own dreams and mood swings. The only reason it’s lower than the first one is because the plot isn’t as all encompassing and it doesn’t feel like Merliah’s life has changed as much as it did originally, if that makes sense. The plot also feels a little too fast at times, but the pacing doesn’t affect the movie drastically.

Kylie was a wonderful addition to the cast. She was mean, but you could clearly tell that it came from her insecurities about her own talent. I cannot emphasize how well her conflict with Merliah was developed. I loved their banter at the beginning and how they came to understand each other at the end, to the point where it didn’t matter who won the competition. It’s just.....SO GAY. I love it.

Speaking of which, Fallon and Hadley were both really cute in this movie too, more so than the first one. I just love how little men there are in the Mermaid Tale movies.

13: Barbie: Princess Charm School

Last time I watched this movie a few years ago I absolutely hated it, but after rewatching it again my opinion has completely turned around. The plot of this movie may still be very basic, and the supporting characters, Princess Isla and Hadley, were very one note, but it’s the strength of the Protagonist, Blair, that really makes this movie. I love seeing her determination in an environment she’s not used to, and how selfless she was even when she’s surrounded by selfishness.

Also can we appreciate how dark this movie was? Dame Devin literally MURDERED Blair’s parents in a car accident. It’s not like that hasn’t happened in any other movie, but in this one the tone just feels a lot more jarring.

I really appreciated Delancey’s character development. She seems so cold and unforgiving at the beginning, but as more information is revealed to her she changes for the better. She was raised in such a negative environment and I can’t help but be proud of her. Her friend Portia was also really funny too. I love the “YOU STOLE MY CAKE” scene.

12: Barbie As The Island Princess

Is there anything better than crazy island girl characters who talk to animals? I think not.

I love Ro’s animal family. Azul and Sagi are essentially Ro and Tika’s dads, and it’s adorable. Azul’s peacock sounds are just absolutely ridiculous, and I love it.

The music of this movie was also soooooo good. Words cannot describe how The Rat Song makes me feel inside. On a more serious note, I Need To Know is absolutely perfect. I love the visuals that go along with it. And just when you think it’s over, Ro’s part ends and Prince Antonio comes in AND IT’S SO PERFECT. Love Is For Peasants is also the best barbie villain song in any movie. “You need to stop reading those books. Filling your head with thoughts!” ICONIC. The soundtrack of this movie isn’t as good when listening to it outside of the context of movie when you compare it to stuff like the Princess And The Pauper, but it’s still really good nonetheless.

The romantic element of this movie was also really good. I think this is the first time on this list that I’ve listed the romance as a positive aspect. Ro and Antonio are just really compatible people who fulfill very essential parts of themselves when they meet. This may be an unpopular opinion, but I also love Tika’s development in regards to their relationship too.

The villain was pretty okay, but I especially love princess Luciana. She may be a romantic rival to Ro, but she’s a victim too, and she’s given a very sympathetic role in the story even if her mother is the villain. Her arc was very satisfying.

11: Barbie In A Christmas Carol

Not really a typical barbie movie to list as one of my favourites, but it’s a christmas essential for me. Having Barbie be Scrooge was a very risky move, but god, did it pay off. Eden was cruel, but her story is so sad. I always feel her fear when her aunt disrupts Catherine’s party. This is definitely another one of the darkest barbie movies.

Also, GHOSTS. Ghosts should have been in more barbie movies. They all had cool concepts and designs, mainly Aunt Marie and the ghost of christmas future.

Catherine was such a joy to see in this movie. She’s a very kind and selfless person, but her friendship to Eden puts her in conflict with that side of herself. Seeing her fulfilling Eden’s role in the vision of the future was actually kind of scary. It makes it all the more satisfying when Eden apologizes to Catherine in the end. I really love their friendship.

Christmas Carol was always one of my favourite christmas tales after I watched the Mickey version, and I think this movie did it justice (thought it was slightly less traumatizing than that, thankfully).

10: Barbie In The Nutcracker

Even though I’ve had a copy of this for the longest time I never really took the time to watch and appreciate it. And now that I have I’ve gotta say that this was a great start to the barbie saga. The producers still hadn’t settled on making barbie movies the way they’re known for now, and you can tell by the lack of female characters and a few of the 2D sequences, but the sense of adventure this movie has is so unlike any movie that came after. And despite the limited resources they had for animating it still ended up looking stunning. They animators had such a good sense of colour, and all the landscapes looked amazing.

Before watching this I always thought that The Magic Of Pegasus had the best (canon) romance of any barbie movie, but now I actually think that this may be better. Clara and Prince Eric have great chemistry and such a believable bond. The last dance scene was amazing and it so was heartbreaking when Clara was sent back to the real world. I love the scene when Eric visits Clara’s house and confirms that it wasn’t all a dream.

Also, I really appreciate Clara’s decision to stay in the magical world. So much media, including barbie movies, puts emphasis on people staying with their family and choosing more stable environments. What writers don’t realize is that that’s boring. We don’t watch movies to learn about people’s normal lives, and I’m so grateful that this story ended the way it did. So yeah, thanks writers.

There were also many scary moments here too. The rock monster is TERRIFYING. Maybe the reason I don’t remember this movie is because the rock monster traumatized me so much I had to repress it. The Mouse King was also quite creepy. I wish newer barbie movies committed to making scary villains like him.

9: Barbie In A Mermaid Tale

I probably have the most nostalgia towards this movie since it was always my sister’s favourite growing up. Now it’s one of the only barbie movies she’ll watch with me other than the sequel. I expected to not enjoy this movie as much since I’d kind of exhausted it by this point, but I guess I surprised myself.

As I mentioned in Mermaid Tale 2, Merliah feels like a genuine teenager. She likes her normal life and hates responsibility. Because of this her arc of deciding to save her people feels so much more genuine and poignant.

The world building of this universe is just so good. The plot with Calissa and Eris was great, and I love the scene where Merliah is picking out a tail. The world just looks so pretty and magical, even if magic doesn’t play a huge role in this film. The soundtrack sets the scene so nicely, and Queen Of The Waves is definitely one of my favourite barbie songs.

8: Barbie In The Pink Shoes

This is definitely a huge unpopular opinion, so I should get all the negatives of this movie out of the way first. The animation of the faces is extremely creepy, Kristin was very irresponsible to decide to change her routine up at the last minute, and she would’ve worked much better as a choreographer than as a dancer. Despite these flaws there’s still something about this movie that makes me love it.

For one, despite the creepy faces, the dancing animations were still pretty good. And even though Kristin’s arc wasn’t the best I still find her final dancing scenes (the one in the ice palace and the one on stage) to be so inspiring. Keep On Dancing is such an amazing song and it gave me chills the first time I heard it. The movie is also quite pretty. The ballet outfits aren’t as traditional as ones in earlier barbie ballets, but they still have flare and nice colours.

The movie is also really funny. It makes fun of the ballets it covers a lot. I love the “you don’t look a day over 16″ part. The two suitors especially, Hilarion and Prince Albrecht, were so funny. I loved how their petty jabs at each other turned into compliments when faced with adversity. Hayley was also pretty funny since she was the realist of the movie.

I think the irl characters were used very nicely in the ballet world, and I liked how when Kristin got back it turned out that everything wasn’t as bad as it seemed before. Tara wasn’t as mean and Madame Natasha wasn’t nearly as scary. That’s one of my favourite tropes in fiction.

7: Barbie & The Diamond Castle

Liana and Alexa are basically a married couple. There is literally no way to refute this. Their arguments are adorable and domestic, and they clearly love each other more than anything in the world. They may have their differences at times but when it comes down to it they know each other more than anyone else does and work together so nicely. Every aspect of their lives is intertwined so much that separation usually isn’t an option for them. My heart broke when they parted since I knew that that was how Lydia would defeat them. I cried when Liana came to Alexa’s rescue, and the movie ending with them going to back to their normal house instead of staying at the diamond castle was beautiful. Truly the best and purest barbie ship.

Now that that’s out of the way let’s talk about everything else. The plot of this movie is so unique. There is no other barbie movie that’s about music itself. The muses and their drama and betrayal with Lydia was so intriguing. Seriously, Lydia was a scary villain. I was terrified of her as a child. Liana and Alexa seemed like they’re helpless against her powers, and it feels all the more victorious when they defeat her. The last fight scene was truly epic.

I really appreciate how little Liana and Alexa care about the two twins. They’re my least favourite part of the movie, and even if they do start working with them later on in the movie it’s made very clear that they don’t care about them at all.

6: Barbie In Rock ‘N Royals

I really didn’t have high expectations for this one. It was after I had watched The Princess And The Popstar and Secret Door, which both gave me a bad feeling about barbie pop musicals. But this movie really came through and made itself my second favourite barbie musical movie, and my sixth favourite overall.

The only thing I disliked was Courtney’s weird facial design. That’s it. The rest of the movie is basically perfect.

The movie started off at a relaxing pace but I was never tricked into thinking it would end that way. I love the Camp Pop vs. Camp Royalty plotline. Finn and Lady Ann seemed simple at first but their past was revealed at the perfect time. Clive was hilarious and him becoming the real villain was executed so well.

Seeing Courtney and Erika react to the camps was a delight. Their friends were so quirky and nice to them, and the camps themselves were pretty fun too (UNICORNS). Them finally meeting at the beach was such a breath of fresh air. I could imagine them becoming great friends in the future (cough sequel cough). Erika was probably my favourite of the two since she just looked really cool and had a more interesting arc. I just love it when two groups of people who have seemingly nothing in common come together to achieve a common goal. Also I have a theory that Sloan and Princess Olivia were in love the whole time, and the competition was the first time they could smile around each other without being ridiculed by their peers.

Now, onto the music. My favourite song is probably Gotta Get To Camp. I was shocked at how good it was. The choreography was also the most interesting since it was the only time the characters spontaneously burst into song. When You’re A Princess is also such a bop.

This is definitely the first movie I’d recommend to any classic barbie fan who wants to try out some of the new ones.

5: Barbie: Mariposa & Her Butterfly Fairy Friends

This is probably the closest to a perfect barbie movie you’ll get. The protagonist is very relatable, the supporting cast is great, everyone has good development, the world is scary yet so fascinating, and the villains are amazing. Also it has a non barbie protagonist. Having Elina narrate the story was such a great decision. Mariposa really sticks out in the long list of barbie protags. Her transformation scene near the end was so great. It fits the theme of the movie so well and I think that anyone can get inspiration from Mariposa’s journey.

When it comes to characters everyone is so much fun. Carlos is another one of my favourite barbie love interests, even if the movie didn’t commit to the romance fully. He and Mariposa have their love of reading in common and they like each other for non superficial reasons. Willa is also adorable and sweet. It would be very interesting to find out how she and Mariposa met, since they’re so different, yet they’re close friends nonetheless. Rayna and Rayla are both quite interesting cases. When they first showed up I rolled my eyes and thought they’d be tossed out of the way very soon, but they continued through the story and changed as people. They gained respect for Mariposa, and vice versa. Henna was also pretty cool too.

The setting was so interesting too, more than any other Fairytopia movie. Every place looks like it has danger lurking, and he characters genuinely felt small next to the landscape. One of my favourite things in this movie has to be the absolutely horrifying Skeezites. I remember playing the DVD game as a kid and having nightmares about it later.

4: Barbie As Rapunzel

This is probably the scariest barbie movie. Unlike other scary ones like Mariposa and Diamond Castle there’s such an aura of misery and helplessness to this movie that is like no other. Gothel is the main reason for it. The tower just looks so dark and every scene in the normal world has such tension surrounding it. It makes me even more emotional when Rapunzel finally frees herself from the tower.

All the paintbrush scenes are integral barbie moments for any kid growing up. I remember being fascinated by her art, and by how hope came to Rapunzel in her worst moments. We don’t get a real answer to how the paintbrush came to be, but it doesn’t feel necessary. It’s just so beautiful.

I love the animal sidekicks in this movie too. Penelope is so adorable, and I love how she, like Rapunzel, found the courage in herself to stand up and disobey her father. And having a dragon be one of the good guys was a really risky move for the second barbie movie, but it payed off so well.

This was truly an ethereal movie.

3: Barbie And The Magic Of Pegasus

This movie definitely has the most riveting original plot of any barbie movie. Wenlock was a terrifying villain and Brietta’s story is so sad. Plus, barbie standing up for Wenlock’s wives at the end basically invented feminism. I love that it’s about an ice skating barbie, and all the skating scene were so fun too.

Shiver is also adorable. I had a lot of the dolls as a kid and the only things I have left from them are the Shiver toy and the Wand Of Light. Speaking which, that wand was so epic and pretty. The movie was just so aesthetically pleasing.

Annika is another one of my favourite barbie protagonists. Like Merliah, she genuinely feels like a true teenager who's rebelling against her strict parents, and she learns a great lesson. Aidan was also a great mirror for her and when I was younger they were my favourite barbie couple. They have lots of good banter and I really buy their relationship development. I especially love the ice dancing scene at the end.

This movie is a barbie essential for me. It represents so much of my childhood. I used to watch this movie obsessively and it’s just as good now as it was back then.

2: Barbie: Fairytopia: Mermaidia

This is kind of an odd choice for my second favourite barbie movie. This one used to be my #1 favourite before I rewatched the one coming. I was obsessed with mermaids and fairies as a kid and no other movie captured my imagination the way this one did. The land of Mermaidia is so pretty and reminds me of everything I dreamed about as a kid. It also gave me Nori, my favourite non barbie character in any barbie movie and one of my biggest childhood crushes. I love how her sass comes from her insecurities about Nalu, and how she and Elina start to like each other once they see past him.

Elina/Nori is also another contender for my favourite barbie ship. They have nice banter (and I’m sure by now you all know how much I love that) and I love the scene when Elina sacrifices her wings for a tail to save Nori (that’s totally my favourite scene in any barbie movie). I wish we got more of their relationship in Magic Of The Rainbow, but I guess that wouldn’t have fit with the movie. Oh well.

This movie works very well as a sequel, while also being better than the original in every way. We had the same villain, and we got to see a part of the Fairytopia universe that we only saw a glimpse of in the first one. After Elina got her wings it only feels natural that the possibility of her losing them again is explored, as well as the prospect that maybe she doesn’t need wings to be herself. And compared to the original movie the stakes have been raised much higher, we have more reasons to care about the characters, and it’s so much funnier. The fungi annoyed me in the first movie but in this one they made me laugh constantly. And this movie wouldn’t be complete with the amazingness that is opera Bibble.

This movie doesn’t have the best plot, but it doesn’t suffer from it either. It’s one of those movies that just makes me feel relaxed and at peace (other than the Depths of Despair scene, though at this point I’ve seen it enough that it doesn’t phase me as much anymore).

1: Barbie As The Princess And The Pauper

We all knew this was coming. No other barbie movie comes close to this classic. It’s gonna be hard to describe why I love it so much since everything that’s amazing about this movie has already been said a thousand times before, but I’ll give it a go.

Anneliese and Erika are amazing characters. They may come from different social classes but they both have the shared experience of not being able to fulfill their dreams. This movie is so good at showing you how trapped they feel, yet still their duty to their lives never waver. My mom has an interesting story about how she got into this movie. She initially thought that barbie would be a terrible role model for me and my sister until she saw The Princess And The Pauper. Anneliese and Erika are clearly very complex protagonists who have interests outside of romance and are active participants in changing their destinies and saving the kingdom. Especially with Erika, who decides to achieve her dream of becoming a famous singer before getting married to King Dominick.

This movie has a bunch of nice relationships too. Anneliese and Erika click with each other so well and respect each other’s troubles without downplaying their situations due to the class difference. The romances were both nicely developed too. Erika and Dominick may have fallen in love over the course of a day but I appreciate how much he likes her stranger side (like when he walked in on her singing to her cat lmao). Anneliese and Julian’s relationship feels especially believable since they’ve known each other for a very long time. I also really like that they waited for Erika to come back before getting married. OT4 goals.

Preminger is a barbie villain like no other. The rest of my top ten has been dominated by scary and serious villains, but Preminger is just so funny and dramatic compared to them all. He’s the only barbie villain that has became very well known in pop culture.

All of the songs in this movie are so iconic. I think that’s the biggest strength of this movie. I'm constantly listening to music and the soundtrack is a great way for me to take this movie everywhere I go. The Cat’s Meow is a beautiful song, Written In Your Heart feels so inspiring, I Am A Girl Like You is great character study, If You Love Me For Me is a beautiful and tender love song, How Can I Refuse? is an iconic villain song, and Free is a great introduction to the characters, as well as my number one favourite barbie song. Every song has something special about it and that makes it one of the most memorable movie soundtracks ever for me.

I also love the cats Serafina and Wolfie. They’re two of the best animal sidekicks in any barbie movie since they feel a lot like the human characters. THEY ALSO HAVE SO MANY BABIES IN THE END FUCKING GOD.

I hope you all enjoyed my ranking. Feel free to comment with your favourites and least favourites, just be aware that this is all personal to me and really says nothing about the objective quality of each of these movies.

#barbie #barbie movies

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eastasianfeelings · 4 years

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falling into the sky: chapter six — fanfiction

← chapter five: move // chapter seven: retreat →

Summary: Your dance crew is backing up 5Vixx’s comeback. You happen to have a big crush on Ken. It’s kind of not an ideal situation for you, but your dance crew and the rest of Vixx make up for it.

Words: 3.6k

Warnings: slight possessiveness

“Noona?”

Ken takes a step toward you.

Quickly you prop up a smile, turn your back and scurry straight to the water fountain. You’ll just fill up your water, get back into the room and… do your job. With your crew. Because in the long run, the replacement dancer’s only going to be around until Soonil’s back from parental leave. And in the long, long run, your crew is only going to be around Vixx until the contract Changyeon’s negotiated with the entertainment company expires.

So it’s fine. Everything will be fine. That’s how fanfiction works, anyway, right?

“Noona?” Ken’s voice comes from right behind you.

Your hand twitches, and water spills from your water bottle over your wrist. You hiss and pull back as the ice-cold water starts leaking down your sleeve.

“Oh, here—” In a flash, Ken has whipped out a handkerchief from his pocket and is draping it over your hand. “Are you okay? Did your clothes get wet?”

“No, no, I’m fine. It’s just my wrist.”

But Ken takes the water bottle out of your hands and bends down to place it on the ground, and for a second you’re dizzy at the sight of this man kneeling in front of you, at your feet. Then he stands back up, clasps hold of your elbow with one hand and proceeds to gently press and dab the handkerchief against your skin.

He’s so much taller than you; with his head lowered, your eyes are barely level with his chin. The height difference distracts you for a moment… but then he starts moving up your arm with the handkerchief, pushing up your sleeve and exposing more skin.

“Ah, uh, that’s good enough.” You catch at his hand to stop him.

Ken looks up, into your eyes. His hands are on your arm. Your hand is on his hand.

Then he smiles and turns his hand within yours to push the handkerchief into your palm. “Keep this just in case. You can add it to your collection.”

You finally relax as he lets you go. “Thank you,” you say, and place the cloth in your pocket. He’s given you three now; that’s probably the limit of presents you should accept from him.

You lean down to pick up your water bottle. When you stand and turn, the sight of your high school crush at the other end of the hall is like another dash of icy water.

It’s him. Lee Gyuseok. You’d forgotten about him for a few moments, in the semi-intimacy of Ken wiping water off your skin.

“We should head back,” you blurt to Ken, and start beelining for the studio’s back door. If you can just get back to your crew, get out of your head and get their perspective on this, you’re sure you can get through it.

You bust through the door and head straight toward where they’ve gathered around Hyeomi’s phone near the sound system. Hyeomi looks up with the smile that says she’s gotten more Munsik photos.

“Unnie, unnie.” She waves you over, and Ahwon and Daesuk move aside to let you into the huddle. “Look!”

You push aside your racing thoughts and focus on the screen, and without even trying you smile. “Oh man, what a potato.”

Ahwon chuckles. “Just remember not to say that to Soonil’s face.”

You jerk your head up. “What? Are we going to be seeing him soon?”

“Ahwon overheard Changyeon planning something but he won’t tell us what it is,” Daesuk informs you.

“With Soonil??” You light up. The thought of seeing your teammate, your friend, and rejoining his life now that it’s changed so much, is heartening.

“I’m not completely sure,” Ahwon says, “but I think so.”

Hyeomi hops once on the spot. “Oh, I can’t wait!”

“What are you whispering about, kids?” Jaeeun calls from her seat at the table. “Come back, we’re going to get started again.”

“Yes, saem,” Daesuk calls back, and then turns to you. “By the way. Y/N-ah, is something up?”

Your shoulders go back. “What?”

“Something with Ken?” says Ahwon.

“He is acting kind of weird,” Hyeomi says.

“No, no, no.” Your idol-crush is your problem, and you won’t burden your crew with it. Your former school crush, on the other hand… “It’s—I saw a few of the candidates out there, and one of them is someone I went to high school with.”

“Oh.” Daesuk frowns. “Is that a good thing? Bad thing?”

“Well, we didn’t get along.” It’s not a lie, exactly; Gyuseok definitely wasn’t your fan when you were acting ridiculous about him. “Anyway, it just freaked me out for a moment. But it’s not going to be a big deal.” You look at them beseechingly. “Right?”

“Right,” Ahwon says confidently. “You’ve got the power in this situation. However he wants to react is going to be his problem.”

“If he makes it a big deal, then we won’t hire him,” Hyeomi adds.

“If Jaeeun likes him…”

“Jaeeun’s only going to like him if he’s a good dancer and he’s a good person,” Daesuk points out. “And if he’s a good person, then he won’t make a fuss. Because you’re a good person too, Y/N-ah.”

…You’re saved from having to think up an adequate response to his lovely words by Jaeeun hollering, “Come on, kids!” So you just give Daesuk a brief hug, tell Hyeomi to ask Soonil to forward the photos to the group chat and return to your seat.

Candidates number seven, eight and nine are all poor; you don’t have to leave your seat until the tenth candidate, who dances Vixx’s “Parallel” and then pairs reasonably well with you in “Move”.

As soon as the door closes behind him, Ken’s speaking up from behind you. “Ssaem, why did you let them choose our songs?”

“Why not?” Jaeeun replies as she makes some notes on the guy’s resume. “It’s a good sign if they’re brave enough to choose one of your songs. Even better if they dance well.”

Ken makes a grumbling noise. “What if it’s arrogance instead of bravery?”

Jaeeun doesn’t even look up. “What if you stop complaining about every candidate who dances with Y/N-ah?”

“Complaining? I’m not complaining,” Ken blusters. “I’m just saying, I don’t think it’s necessarily a good sign.”

“Message received,” Jaeeun says sardonically. “Next!”

Next is Lee Gyuseok.

You stiffen and reach out to your right. Daesuk looks over when your hand hits his thigh.

“This guy?” he mouths to you.

You nod.

He slides his chair closer to yours and gives your hand a squeeze before letting go. You look down and stare at the resume in front of you: Lee Gyuseok.

“Hello.” He introduces himself formally, then says, “I’ll be dancing to SHINee’s ‘Noona, You’re So Pretty’.”

Your head lifts. Beside you, Daesuk coughs in surprise.

The song starts a few beats before the first prechorus, and just as Gyuseok’s leaping into the air on the downbeat, his eyes meet yours.

Muscle memory carries him through the first measure before he stumbles, badly.

Despite your mixed feelings, you wince. It used to be one of your worst nightmares, messing up in a dance audition, before you found your crew. And you remember clearly what it was like to be on the outside, looking for a team to accept you, a team to belong to.

But Gyuseok calmly stands, walks over to cut off the music and then bows toward the table. “Please excuse me. May I start again?”

You feel more than see Ahwon and Hyeomi glance toward you.

“…Yes,” Jaeeun says slowly. “Go ahead.”

“Thank you.” He restarts the music and walks back to the middle of the room. He puts a smile in place, then looks at you. Deliberate eye contact.

And then he looks back to Jaeeun at the centre of the table as the prechorus starts:

‘Ama geunyeoneun eorin naega / budamseureounga bwa…’

You force your muddled thoughts to the back of your mind and focus on watching: watching for form and precision, energy and expression, dynamism and storytelling.

His interpretation isn’t overly cutesy. The arcs of his limb movements swing a little wide, foregoing precision in favour of creating a subtle sense of power. Still, there’s a clear sense of timing in his steps that emphasizes the important beats and supports the dynamic flow of the choreography.

Throughout the dance, Gyuseok’s eyes remain trained on Jaeeun. She stares right back, letting him dance on until he’s already onto the second chorus.

You trade glances with Daesuk. The song’s almost reached the two-minute mark, which is longer than the time Jaeeun allowed for any previous candidate.

Once the repetitive bridge starts, she finally waves him to a halt. “That’s good enough.” As the music stops, she continues, “Next we’ll have you perform a partner dance to ‘Move’ by Taemin with one of our dancers, Y/N-ssi.”

When she turns her head toward you, her gaze sharpens. “Jaehwan-ssi.”

You twist in your seat to find that Ken’s got his hands planted on the back of your chair again. He’s leaning slightly forward to stare at Gyuseok, almost towering straight over you.

Jaeeun clucks her tongue and lowers her voice to a hiss. “Lee Jaehwan, can you stop being overprotective for one minute so we can finish up these auditions?”

Ken blinks, then looks to her. “What? I’m not.” As if to prove it, he lifts his hands from the chair and displays his palms to her.

Ignoring him, Jaeeun nods to you. “Go ahead.”

You check behind you to make sure Ken’s backed off before standing and walking in front of the table. Cautiously, you look at Gyuseok.

“Hello,” he says to you, eyes narrowed slightly. “Y/N-ssi. Right?”

“Yes. Hello.” You dip your head but maintain eye contact. You can’t read his face at all, can’t figure out what he’s thinking right now.

Then you remind yourself it doesn’t matter what he’s thinking. He’s the one auditioning to join your crew; if he wants in, he’s going to have to play nice and perform well.

So you face forward and wait for Jaeeun to snap her fingers.

As the music starts, you roll your head on your shoulders and sink with determination into the first move of the chorus. Beside you is a dancer, nothing more and nothing less, and in front of you is your audience. Around you, inside you, within you is the music, and your body is the dance.

Jaeeun stops the music halfway through the second chorus, and you straighten as self-consciousness floods back to you. You look up to see her scribbling a few last notes while Ahwon and Hyeomi whisper to each other and Daesuk gives you a subtle thumbs-up.

Jaeeun finishes writing, looks up and says, “Do you two know each other already?”

You just manage to keep your mouth from falling open.

After a short silence, Gyuseok speaks. “Yes.”

“Yes?” Jaeeun shifts her gaze to you. “From where?”

“High school,” you manage. “We went to the same high school.”

“High school,” she repeats. Then she smiles a little. “That’s a while back already, isn’t it, Y/N-ah?”

You smile from relief and amusement. “A while back, yeah.”

“Although I can’t talk.” Jaeeun chuckles, then nods to Gyuseok once again. “Thank you for coming in today. We’ll be in touch soon.”

He hesitates to leave. “May I ask if this will affect my candidacy?” His finger is pointing between you and him to indicate this.

Jaeeun stops smiling. “We’ll be in touch soon,” she repeats, and the force of the dismissal in her tone successfully propels Gyuseok from the room.

The door closes. The next moment, Daesuk, Hyeomi and Ahwon are up out of their seats and surrounding you.

“He made it kind of weird, didn’t he?” Hyeomi says, wrinkling her nose.

“Yeah. ‘May I ask if this will affect my candidacy?’” Daesuk mimics critically.

“Not very respectful,” Ahwon agrees. “How was dancing with him, though, eonni? He looked like he knew what was doing, at least.”

“I think he did,” you say. “What do you guys think, did we look okay? I was kind of trying to block him out, to be honest.”

“Oh, really?” Daesuk says. “I didn’t pick up on that.”

“He was pretty responsive to you,” Hyeomi agrees.

“What happened between you guys, anyway?” Ahwon asks.

Before you have to share your embarrassing crush, Jaeeun calls you over. “Huddle in, guys.”

The four of you return to the table, where Ken and Hyuk have already seated themselves beside Jaeeun. She looks to you and says, “What did you think, Y/N-ah? Must’ve been a surprise, eh?”

“Yeah, it was,” you admit. “How did you know, though, ssaem?”

“He reacted like he knew you,” Jaeeun says with a shrug. “And you know what, familiarity might be an advantage for us in this situation.”

“Oh—but I’ve never danced with him before.”

“Really?” She cocks her head. “Hm, you had great chemistry. I definitely assumed you’d danced together before.”

“Great chemistry?” you repeat, a little boggled.

“I mean,” Ken inserts, “I think it was about the same as that one guy. The one who danced ‘Fantasy’.”

“Hyung, you called that guy basic,” Hyuk points out.

“Well, turns out the rest were all around that level,” Ken defends himself. “None of them really stood out, right? None of them made you go, ‘Oh yeah, this person matches Y/N-noona’.”

With a short sigh, Jaeeun slaps the folder of resumes closed. “Ahwon, Daesuk, Hyeomi, Y/N, let’s think it over and meet this afternoon to discuss, okay? Without Jaehwan. Clearly we’re not going to be making a decision now.”

“Sure.” You all acquiesce, while Ken sits back in his chair grumbling to himself.

“Then we’re done for now. Thanks for your time, guys.”

“Thanks, ssaem.”

“See you later, ssaem!”

“Let’s grab lunch together in the caf?”

“I’ll meet you there,” you tell them, “I’m just going to grab my phone from the staff room.”

Just as you reach the front door of the studio, you hear: “Y/N-noona!”

You turn to find Ken trotting up to you with his trademark smile. “I’ll walk to the break room with you,” he says, disgruntlement gone.

“Oh—okay.” You touch a hand briefly to the handkerchief in your pocket, then try a neutral conversation starter. “Do you have any schedules today?”

But his response is completely lost when the door swings open and you’re suddenly face-to-face with Lee Gyuseok.

“Ah—”

A very undignified noise leaves your mouth. You step backward on instinct, and your back hits Ken’s chest. Another gasp almost escapes you before you clamp your mouth shut.

“Hello,” says Gyuseok. His gaze barely flickers to Ken before retraining on you.

“Hello.” You hope your gulp isn’t visible. Calm down. He’s just a high school acquaintance. You’re in your thirties, for heaven’s sake. This is fine. You’re fine.

…Except you have no idea what to say.

“Oh, you’re the last candidate,” Ken says, fortunately filling the silence. “The one who knows Y/N-noona from high school. Right?”

“Yes.” Gyuseok dips his head politely. “Nice to meet you, Ken-ssi.”

Instead of replying, Ken turns and flat-out beams at you. “Noona, you were surprised, right?” He leans in to drape an arm over your shoulders, and your jaw almost drops open again. “What a coincidence.” He redirects his smile at Gyuseok, whose eyebrows are slowly rising.

“Yes,” he replies, still polite. “I didn’t know Y/N-ssi was part of this dance team.” You read in between the lines: he wouldn’t have auditioned if he had known.

“Oh, we’ve been dancing with noona for the past year.” Ken gives you a squeeze, his smile unwavering even though you’re sure you look loopy and lost right now. “So we really want to make sure we get the best person for Y/N-noona.”

Why is he telling Gyuseok this? Why is his arm around you? Your brain is whirling, and Gyuseok’s slightly disdainful expression isn’t helping.

“Anyway, nice to meet you,” Ken continues. “You know the way out, right?”

Gyuseok’s silent for a moment in the face of this frank dismissal, then he pivots and dips his head again. “I’ll wait to hear from you, Y/N-ssi.”

“Ah, yes,” you say.

Then, finally, he turns and walks away.

Ken keeps you tight in his hold just until Gyuseok rounds the corner and moves out of sight. Then he pulls you around one-eighty degrees and starts marching down the hall.

Your stride is nowhere near as long as his, and soon you’re jogging to keep up. “Er, Jaehwan-ah—”

“Do you think that guy has a crush on you or something?” he says in a musing tone.

“What?”

He looks around sharply at your yelp, which fortunately slows your pace down to a walk. “What, did I guess right? He does?”

“No, no.” You laugh from sheer incredulity. “No, that’s not it at all.”

Ken furrows his brow. “Why not? Maybe he just never told you. Maybe he’s had a crush on you all this time.”

For a wild second, you have half a mind to tell him that’s a drama trope, not a fanfiction one. “I’m quite sure,” you say carefully, “that he has not.”

“Why? How can you sure?” Ken finally removes his arm from your shoulders so he can gesture in the air. “If you ask me, the way he was acting today definitely says he has.”

“I… the way he was acting?”

“I mean, he literally hung around after the audition to talk to you.”

“What? No.” You can’t help another incredulous chuckle. “He was just about to leave when I ran into him.”

“Noona.” Ken stops in front of the staff room door and faces you with a stern look. “You’re not taking me seriously, are you?”

Taking him seriously? All you can do is splutter. “No, that’s—”

“As a man, I’m telling you, he was behaving like a man who’s interested.”

This is just pure ridiculousness. “No, he wasn’t!”

“How would you know that??”

“Because I was the one who had a crush on him in high school!”

For a moment, Ken just stares at you.

Then he says, “What?!”

“And he made it clear that he wasn’t interested. That’s—that’s how I can say that.”

Ken’s mouth opens and closes like a goldfish.

“Anyway, that was over twenty years ago,” you finish stiffly. “So. Yes.” You manage a bob of your head, then lunge for the safety of the staff room.

Before you can close the door, though, Ken’s crashing in after you, pushing the door open so hard it bounces off the wall. “What did you say? Noona! What did you just say?”

You whirl around, but keep backing up until you’ve got the table in between you two. “It was a long time ago,” you repeat, trying to sound calm and collected. “A schoolgirl crush, you know, not a big deal.”

Except for some reason, it looks like Ken definitely thinks it’s a big deal. “Why did you only just tell me this?” he demands.

Eh??? “What do you—when was I supposed to tell you—?”

“Wait, does this mean you’ve harbored a crush all this time??”

“No!” You wave your hands frantically. “Like I said, it was a long time ago, when we were in high school.”

“So you don’t like him at all anymore?”

“No! Of course not, we never even saw each other after high school. It was just a crush, that’s it.”

He finally stops firing questions, lips pursing as his gaze roves over your face. Your breath is strained; you feel like you’ve just run a race.

“Anyway.” You clear your throat and straighten your back under his scrutiny. “That’s how it is.”

“…Okay.” Ken nods and shifts his weight back from his aggressive posture. “Got it.”

“Great.” You eye him as you sidle out from behind the table. What a strange mood he’s in.

He looks at you looking at him and fully relaxes his stance. “Sorry, noona. I didn’t mean to attack you with questions like that.” He smiles once more, a bit sheepishly.

Carefully, you ask, “Was there a reason you wanted to know?”

“Mm, I guess I just reacted badly,” he says, which doesn’t sound much like a reason. “I think I have poor control around you, noona.”

???

“Oh?” is all you can say. Because what the hell does that mean?

Ken laughs a little. “This is my second time apologizing to you in two days,” he says. “I’m sorry. I should be less…”

He trails off, staring at you.

You edge away from him, moving toward your locker, and try to think of something light to say to diffuse the mood. “How about I return your handkerchiefs,” you suggest, “and we can call it even.”

There’s the sound of a few quick footsteps as you reach into your locker and retrieve your phone.

When you turn back around, Ken’s right there in front of you.

You just about jump backward into your locker.

“Don’t,” he says. His smile is barely there. “You keep the handkerchiefs. All right, noona?”

“A-all right.” Your involuntary stutter makes you flush; you clamp your mouth shut and try not to lean away from his stare.

“Good.” He looks at you some more.

“I—should get going,” you fumble. “To the meeting with Jaeeun.”

“Right.” Ken steps back and keeps his eyes on you as you scurry toward the door. “Let me know who you choose. Okay, noona?”

“Okay,” you squeak, and flee the break room.

So much for light.

← chapter five: move // chapter seven: retreat →

#vixx #vixx ken #ken x reader #vixx fanfic #vixx fic #eaf writes vixx #eaf: falling into the sky #eaf original

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write-stuff-for-life-blog · 6 years

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Review: Jurassic World: Fallen Kingdom

NOTE: I actually saw this movie in theaters but since it’s DVD release was yesterday I figured I’d post my review of it here. I might ramble on for several paragraphs in these reviews, especially if I feel strongly about something, so I’ll try and make it a point to post a short rating at the top as well as a more in depth one at the end.

NOTE THE SECOND: I don’t usually care about spoilers in these reviews so read at your own risk.

1 out of 5 stars. Only watch on Netflix if you exhaust all your other options.

Jurassic World: Fallen Kingdom is written by Colin Trevorrow (previous writer and director of the last entry in the franchise) and Derek Connolly and was directed by J.A. Bayona. Chris Pratt and Bryce Dallas Howard reprise their roles as Owen Grady and Claire Dearing respectively and are sent back to Isla Nublar by Jon Hammond’s previously never mentioned before former partner billionaire Ben Lockwood played by a James Cromwell who can barely bother to keep his eyes open throughout the movie. I, in fact, share that same sentiment.

Usually in these reviews I try to touch on all the aspects of said medium: visuals, camera work, writing, directing, acting, etc. But this review is going to focus mainly on the writing and acting because both are so atrocious all the other aspects are inconsequential.

I didn’t think the first Jurassic World (JW) was as great as it needed to be for a soft reboot / revival of such a beloved franchise but it did have several memorable moments. The leads were charming enough to make you forget that they lacked meaningful character arcs (Claire does have one but the movie doesn’t care about it that much) and the action in the second half of the film was pretty cool (specifically T-Rex and Raptor and Giant Alligator Thing vs. the Indominus Rex). So for the second go around I was hoping that the filmmakers would take the time to really get it right and do the franchise justice. My hopes were far too high.

The only two performances that were worth anything in Fallen Kingdom (FK) were the two returning leads, Pratt and Howard. Howard is a decent enough actress but I’ve never seen a performance from her that I really love and FK continues that trend. Claire does undergo a change from shrewd, cold businesswoman to animal rights activist and that does give some depth to her character but it happens off screen during the three years between JW and FK. It was a little jarring at first but I swallowed it better when the film took a minute to explain her motivations. Pratt was as Pratt as ever as Owen is exactly the same through this movie as he was when we first met him in JW. I fear there’s a real risk for Pratt here as it seems as though he’s becoming another Will Smith or Tom Cruise. He is varying degrees of his usual charming and charismatic self in whatever project he appears in. Owen is just Pratt but outdoorsy to the extreme. Star-Lord is just Pratt with his ego turned up to eleven. Andy from Parks and Rec is just Pratt as a dumb man-child. And I guess that’s fine. Plenty of stars have made careers doing the same but actors actually stretching themselves and challenging themselves to become someone else will always be more impressive.

One thing that annoys me about modern blockbusters are their tendencies to inject new secondary characters into each following installment while completely ignoring the B cast from the previous entry. In the original Jurassic trilogy it did make some sense to do that as each sequel followed the branching lives of Ian Malcolm and Allen Grant who, we can presume, never encounter one another again after the first film. But here there’s little justification for it. JW’s comic relief characters Lowery and Vivian, played by capable comedy actors Jake Johnson and Lauren Lapkus respectively, are nowhere to be seen in this movie. Instead we have Franklin Webb, a spazzy tech guy played by Justice Smith, and Zia Rodriguez, a ball busting veterinarian played by Daniella Pineda. I don’t have much to say about Pineda, she was decent enough and served her purpose, but Smith … Oh my God. I believe this guy will go down in history as the absolute worst character in any Jurassic movie ever. Yes, he is even worse than every child character in all of the movies combined. He does nothing for the movie other than to scream in a high pitched voice when something scares him. Everything scares him. It’s always played for laughs but the joke falls flat on its face every time. The movie thinks it’s funny for a grown man to shriek in terror and scream out loud the thing that’s scaring him. “Lava!” “T-Rex!” “Social interaction!” All right, I made up that last one but the character is so cliché he might as well have said it. And what’s more there is no reason for this character to be here. The movie wastes a fine opportunity to bring back JW’s Lowery who was also a tech guy. In fact it even makes sense for him to run with Claire in her animal rights activism as he was a huge fanboy for Jurassic Park. He had toy dinosaurs all over his work station, he loves them! And it makes even more sense for him to return to Isla Nublar because he was familiar with the park’s computer systems. Why isn’t he joining Claire? He was courageous and had some genuinely funny interactions with Vivian. He certainly would have been better than Spazzy McScreamy.

Speaking of trends let’s talk about the obligatory child character. Isabella Sermon makes her big screen debut as Maisie Lockwood, Ben Lockwood’s granddaughter. Of all the new additions to the franchise she’s the standout as her performance has a depth and range most child actors would struggle to convey. Now one thing about the Jurassic movies is that their child characters were usually pretty capable in some way or another. Hammond’s granddaughter in JP reboots the computer system. Malcolm’s daughter in Lost World is able to gymnastic a raptor to death (yeah it’s a dumb scene but she saves her dad). The teenager in JP3 survives Isla Sorna alone for eight weeks. And the brothers in JW are able to fix a derelict jeep and rescue themselves. FK started out following this trend of capable children with Maisie … until it abandons the idea so we can have a “monster creeping through a child’s bedroom” scene. This completely undermined her whole character. Up until then the movie had established her as smart and independent and capable as hell. She snuck into the secret lab, spied and hid from the bad guys, busted out of her room which she’d been locked in, and climbed atop buildings all secretly by herself without help from a single grown up. But the minute the new hybrid dinosaur goes after her, which she had seen several times before then, she immediately forgets how capable she is and hides under her bed sheets. This might be the most heinous example of bad writing in this whole movie. Mixed messages? Okay, fine. Forgettable action sequences? Whatever, that’s most of Hollywood anyway. But please, for the love of God, have consistent characters!

Now the villains. Ugh.

BD Wong returns as the dastardly Dr. Henry Wu, the mastermind genius behind the dinosaur cloning process, the I-Rex, and FK’s new hybrid the Indoraptor. It would seem that in the three years since JW InGen and its parent company Masrani Global have cut Wu loose as he’s now partnered with a new financier Eli Mills played by Rafe Spall, the CEO / director / executor of Ben Lockwood’s … estate? Company? Trust fund? I don’t remember the movie specifying what Mills’ job was, only that he was another white collar villain (because we haven’t seen that before in a Jurassic movie). Toby Jones makes an appearance as Mr. Eversol, an auctioneer for the high rolling criminal underworld, and Ted Levine plays Ken Wheatley, the leader of a disposable mercenary force who has an odd fetish for collecting dinosaur teeth. And that is literally all there is to the villains. Each of them is cartoonishly shallow to the point that Wheatley is a parody of an archetype and all Dr. Wu needs is a mustache to twirl. True, the villains have never been that big of a deal in the Jurassic movies as the dinosaurs have always been the main attractions but not even Vincent D’Onofrio’s Hoskins from JW was this bad and in a movie full of weakly written characters he was the weakest link.

And let’s not forget the dinosaurs. They are there. Not as much as you’d like but they’re around. The big draw for Owen this time around is to save Blue, the only surviving raptor from the pack he raised and trained, from Isla Nublar’s impending volcanic eruption. FK plays this up as though Blue was always the equivalent of a loyal attack dog but it conveniently forgets that JW established her as a dog capable and willing to bite the hand that fed her. The scene from the previous movie in which Owen is in the raptor enclosure is a tense moment because he is under threat from all the raptors, Blue included. In fact when the I-Rex persuades them to go after the humans all the raptors focus in on Owen. There was that one moment when Owen pulls off Blue’s head camera at the end of JW but to rewrite the relationship as though she were a loyal golden retriever, I feel like that was not earned in the slightest. And the main attraction this time is the new hybrid, the Indoraptor, essentially a smaller version of the previous movie’s I-Rex. FK presents this abomination of genetic manipulation as an ultimate monster but it really just looks like rejected concept art of the I-Rex. Also the Indoraptor is only in half of the movie. The I-Rex in JW was a better monster because it was terrorizing the island for almost the whole runtime. Plus the I-Rex has some decent build up and a good reveal. Here, it feels like the movie couldn’t be bothered. “By the way, we made another hybrid dino. Here it is.” I did enjoy the return of more practical animatronics over every dino being CGI but if you saw the last film this one doesn’t have anything special for you in that regard.

Let’s talk about Trevorrow’s writing. It’s awful. Like a pile of hot rancid garbage awful. The biggest problem with JW is that it completely ignores the moral of the original. JP was a cautionary tale that proves whenever man tries to exert his will over nature he will lose and just because we can do something it doesn’t mean we should. It’s classic man vs. nature ending with man being humbled. JW said, “Hey look, we’re going to keep doing that ethically questionable thing most people believe we shouldn’t be doing and wield the power of a god with no regards to any possible consequences,” and gets upset when the monster it created wreaks havoc. But does FK finally learn that lesson and try to take the franchise somewhere new that doesn’t lead the characters into being idiots who keep going back to the island? Do Michael Bay’s Transformers movies understand subtlety?

More than ever this movie has dumb characters making dumb decisions that nobody with a brain can follow. The villains want to capture the dinos and auction them off to billionaire criminals because these crime lords want them for pharmaceutical reasons (but why though?), the ability to hunt one like a big game hunter (because we also haven’t seen that before), or for weaponization. Let’s touch on that last point. The villains justify it by saying animals have been used in combat scenarios for centuries when armies rode to battle on horses and elephants. And the movie might have had a point if either one of those transportation methods hadn’t become outdated before the fifties.

Now just for the sake of argument I’ll list off a few more examples for this movie’s case: K-9 units, bomb detecting dolphins, and pidgins have all historically been used by one military or another at various times. But here’s the common thread among all those examples: none of those animals are predisposed to ripping a man’s head off in a single bite. Why do you think it isn’t common practice for a military to use lions and tigers and bears? And let’s take a closer look at the proliferation of working dogs and horses. Could it be that thousands if not millions of years of closely co-existing with humans have made them predisposed towards not killing us on sight? What’s that called? Oh yeah. Domestication!

Whether we’re talking about fiction or not, training an animal that never co-existed with humans so it can become an attack animal is not a good idea any way you slice it. Any semi-intelligent person can recognize that there are way too many variables to take into account. Oh but what about Blue, I hear you asking. Owen proved that raptors can be trained with Blue. That may be true but one successful instance against a multitude of failures does not prove the concept. Sure the Polish Supply Brigade around WWII kept a bear named Wojtek that would carry their supplies for them but you don’t see cargo bears being implemented throughout the world’s militaries these days. Do you know why? Because they’re freaking bears! They could go in for a playful swipe and nick your carotid by accident you MORONS!

And that leads me to this movie’s message. Apparently FK believes these animals have as much right to life as any other endangered species. That’s the whole reason Claire wants to go back so she can save them. But the film is bookended with Jeff Goldblum reprising his role as Ian Malcolm speaking before a congressional committee on how much that is a bad idea. He argues that nature selected the dinos for extinction millions of years ago and bringing them back was a mistake. The volcano erupting and eradicating the clone dinos on Isla Nublar, he says, is nature’s way of correcting that mistake. So the film opens and closes arguing why protecting these creatures from a second extinction is the worst. And yet we spend most of the runtime doing exactly that.

Seriously?

Malcolm has always been the ultimate voice of reason in these movies and we as an audience are inclined to agree with him given the proof each movie provides for his argument. There are four previous films illustrating why bringing the Earth’s most dangerous predators back to life is a horrible idea. And now that nature wants to correct the mistake you’re going to defy that decision?

The film uses Maisie here to make this case. The dinos are technically clones and we learn that Maisie is a clone as well so now we’re using clone rights to justify saving the dinosaurs. It is a weak argument thrown in at the last moment. Arguing for conservation is good and all but how well are you going to side with that argument when the T-Rex is meandering through a neighborhood gobbling up pedestrians left and right? These animals have lived on an island their entire lives. Aside from T-Rex who visited San Diego in the 90s they have never seen a town. The only human made structures they are familiar with were the derelict park buildings that the movie shows them waltzing through all the time. Even our own real world wild animals don’t understand that they should stay away from human settlements, how well do you think Blue is going to do the first time she’s caught in the headlights? But apparently they have a right to live because they are just as alive as Maisie the clone is so let’s end the movie by releasing all these dangerous animals, most of which are as large as a rhino or elephant, into the American countryside.

Sure, forget about public safety. Forget that dinosaurs had their chance but nature selected them for extinction over sixty million years ago. Forget about all the indigenous plant and wildlife that is now under threat because you just loosed at least eleven different dinos onto the world. Forget about how their nesting habits might destroy the landscape like nutria in Louisiana. What was your motivation again? Conservation? Give me a break.

Honestly this movie makes me glad Trevorrow was fired from Star Wars Episode Nine. This proves that he has no clue what decent writing looks like and has no regard for what the original was trying to say. Just because he was given the opportunity to make these films doesn’t mean he should have.

1 star out of 5

A forgettable and messy film that slowly meanders through the second and third act with no sense of purpose other than to say, “Ooooh look. It’s a dinosaur!” And it doesn’t even say that well.

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recentanimenews · 3 years

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Crunchyroll All-Stars: Larry Ogunjobi on Going to Conventions from Anime Expo to Japan

Anime fans come from all walks of life and in all shapes and sizes. Some are students, some are scientists, some are doctors, some are artists, and some are even well-known athletes! Crunchyroll All-Stars is a series of interviews highlighting elite professionals who harbor a passion both for their art and for anime.

Today’s profile is on Larry Ogunjobi, a defensive tackle for the Cincinnati Bengals. Growing up during the Toonami era, Ogunjobi would go on to take his passion for anime all the way from Anime Expo in Los Angeles to even conventions in Japan. We spoke with Ogunjobi about how Naruto’s lessons have helped him his entire life, why so many athletes relate to anime characters, and more!

When did you become an anime fan? Was there a specific moment that affected you or changed the way you felt about something?

It started when I was younger when I was in 5th grade or so in elementary school. I used to always play video games and the first game I ever got was Zelda. After gaming a little bit I’d go to school and talk about the games. Then I remember on Cartoon Network there was Toonami at 9 pm, and then on Saturdays, you’d get all the good anime — Dragon Ball Z, Trigun, Wolf’s Rain, Case Closed, Inuyasha, Yu Yu Hakusho — those were my introductions to anime. I always enjoyed it. 

Then came Naruto...I feel like I grew up with Naruto! Watching him as a kid and growing up to get married in the last episode of the last season of Shippuden. 

I also remember getting a Dragon Ball Z video game for Playstation. I saved up to buy a PS2 and got really into that game. 

Anime always told a story. You got your main character and sometimes he’s maybe a knucklehead kid or has some problems. There’s always that origin story that grabs you and you figure out more of what the show’s going to be about. For me, it was always about the character development -- you have a character and things don’t go their way...do they quit or do they push through it? I always took those kinds of life lessons and nuggets that anime have in them, and my appreciation just grew and grew into a real love for anime. Now it’s just a part of what I do. 

Are there any ways you engage with your favorite anime series or characters aside from watching them?

I ended up visiting Japan. It was really cool going to see a convention out there. The excitement the people there had for anime was amazing. It was like their Super Bowl!  

When I was young, people would knock anime sometimes so it was awesome to see people enjoying themselves, being happy, getting all dressed up. I remember seeing this reenactment of the Naruto fight with Pain. These were just people walking by each other and they really did it! It was just very cool to experience. 

Have you ever bonded with someone else over anime?

One of my mentors in the NFL is Geno Atkins (Defensive Tackle on the Bengals), and I was with him in LA and there was an Anime Expo out there at that time. So I was talking to Geno about anime and he started rattling off a list and I could tell he was for real so I told him about the Anime Expo and we decided to head over to the convention. 

Overall, I’m slowly starting to see more people, more pro athletes show their fandom. We’re able to put ourselves in the same shoes as some of these characters. There have been times in a game where I have put myself in the mindset of a main character from one of my favorite anime. When you find someone who watches anime too, who does that same kind of thing, who’s balling, it creates that bond. 

What’s your favorite anime series of all time?

Naruto. I know it’s a mainstream anime and an introductory anime for a lot of people but I REALLY watched it, with subtitles, and I’d wait week after week to watch it. From elementary school into middle school and then going all the way through it to college till it finished. And I felt like “Damn, this is really over?...” I had really invested in it and it really followed the development of my life. I was an overweight kid (obese), a troubled kid. I really started football because my mom took away my Xbox, and then after that, I went through my first real season of football. I remember we had an awards banquet after that year, and when the award for most improved JV player came up, they called my name. I thought my best friend at the time was going to get it but I got it...and it really got me feeling like I earned it and my hard work paid off. 

I was biking and running at the YMCA every day and went from 350 lbs. To 247 lbs., bulked back up to 267 lbs., and ended up getting five scholarship offers. Ended up going to Charlotte for college. Now I’m in college and with Naruto, the anime is going on throughout all of this for me (probably like the Pain arc or somewhere around that). It felt like we were going through our trials and tribulations together; it was actually really cool. Now I’m working hard, I’m grinding in college, and the only thing I could compare my process to was these storylines in anime — I knew I was special and that I was the main character of my story — and I ended up being the first player ever drafted to the NFL out of my college. 

Then as I'm finishing college, Naruto finished...it was just so cool and such a special experience. I have a lot of favorites but that has to be #1. 

Who’s your favorite anime character of all time?

Have to stick with Naruto for all the reasons mentioned above. He’s so relatable to me. He was different from everybody. I remember my grandpa telling me I was special and that I was different. At the time, I was an obese kid...I didn’t know what he was talking about. But I just knew that me being different and working hard would pay off. God always finds a way to make things work out for you. Are there going to be trials? Yes. Are there going to be tragedies? Yes. But the triumphs are going to outweigh everything. 

Who would you rank as the top anime hero ever?

One of the best characters I’ve seen develop into a hero is Ken Kaneki from Tokyo Ghoul. I’m big on mental health, and you see all the phases he went through. He has to deal with that headache of being on two different sides of the world. He was a human just a little while ago, and now he has to survive on eating flesh...it was a crazy segue. Being a ghoul, soft-spoken...he really develops into this boss! 

There’s so many anime though: Naruto, Goku...his demeanor is fire. He always wants to get better. He’s very relatable. Whenever there’s a super-strong opponent, Goku’s always ready to try them out and give it a go. Even if the person he fights is stronger than him before the fight, Goku evolves during the fight to become better than his opponent. Facing and going through obstacles you become better on the other side. Like the Goku who fought Nappa and Raditz isn’t the same Goku who fought Jiren. He always elevated his game to meet who he was fighting. 

Who would you rank as the top anime villain ever?

Dio from JoJo’s Bizarre Adventure. MAN!..I’ve never seen a villain so dedicated to messing with a family! He REALLY had it out for the Joestars. It was a generational show: you had the first Joseph and Jotaro, and Dio still found a way to be that ultra villain who stays in the mix. There’s not a lot of villains who have been able to stay so relevant. Dio was kicking ass for a minute before he got beat up. I enjoyed him as a villain for sure. 

Have you ever taken any elements or learnings from anime and implemented them into your daily life?

Yes, with Naruto his motto was never going back on his word and never giving up. In life, you’re always going to go through ups and downs but Naruto always found a way. He also had a great support system, which is really important. You need to have the right people around you. And with rivalries, I’d apply the ways Naruto and Sasuke or Goku and Vegeta approached rivalries. Having someone next to you that you look to as a brother, but who pushes you to new heights and great places. 

It feels like more and more athletes are showcasing their love for anime — what’s anime fandom like in NFL culture? And what do you think it is about anime that attracts athletes?

Anime is definitely becoming more and more prevalent. A lot of guys will gravitate towards each other with gaming and things like Call of Duty and Fortnite. I’m a D-Lineman and I feel like there’s so many D-Linemen around the league who are fans of anime. You see anime characters go through intense training and we do everything we can to be great at what we do, to improve our technique, and it’s very relatable for guys. 

It also helps us decompress. We have a hard job. We’re in the offseason right now. You get up, you grind, and you work. Sometimes it's just fun to watch someone else's story. 

Like I said, I’ve always felt like I’m the main character of my story, and when you believe that you start to move in a different way and start to workout that way. The concept is so relatable to real life. And in general, guys just like it too. 

Social media has also made anime way more known. Before people didn’t talk about it much and now guys in the league are posting about it and you learn all these guys like it. Then you start talking about anime with them, now we’re sending each other anime to watch, like “Yo this one is about to come on, you got to check it out”. A whole bunch of guys on my team like it, and you start giving people anime to watch and they come back to you like, “This is fire!” 

Also, I’m big into anime but I didn’t realize how big anime was till I saw my baby sister and how into it she is. She draws the characters. Man, she’s caught up on One Piece!

What would your message be to someone who recently discovered anime and was thinking about getting into it?

My message would be to figure out what you personally like. Anime has a little of everything: sci-fi, action, sports anime. Find one that’s similar to something you already enjoy watching and then go from there. 

If you’re new I’d also watch an anime that doesn’t have a whole bunch of episodes in each season so you can fully get into it, like a Mob Psycho 100 or Attack on Titan. 

I remember watching the first half of the first episode of Attack on Titan and I wasn’t feeling it right away, and I remember being in college and working out and visiting the Student Union and I remember falling asleep after working out, and right next to me was where people were hanging out and watching anime. Then I woke up to hearing people cheering. I had seen some of the first episode but they were watching the 2nd episode and Eren had just gotten eaten by the Titan, and I was talking junk like, “How can the main character get killed like that?!”...Then the next scene he turned into a Titan and I was like, “Oh man this is HARD!” 

You have to give each anime a chance. Most anime develop really well throughout. I remember with God of High School I started it and was like “ehh, it’s alright”, but I ended up watching the rest of the season and was like “Wow, this is really nicely done!” 

Also, be open to watching subbed and dubbed anime. Give yourself an opportunity to like it.

By: Guest Author

#Anime #News #Latest in Anime News by Crunchyroll!

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todokori-kun · 7 years

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(Ugh, sorry for this late reply! OTL I’ve been busy and whenever I sat down to try and write this message it would be bedtime before I’d even gotten halfway through)

If we want him to be happy the best, most plausible and canon-compliant choice is Saiko…yet Ishida’s been ignoring her ever since she told Urie she loves him ;-; #IshidaY

Correction: Ishida (like Shuu and Uta) is a picky eater. He’ll only eat human flesh that’s been steadily stewing in misery for at least a year, and the bitterest, saltiest tears are all he ever drinks.

Ishida’s eating habits being similar to Uta’s makes sense though, since he actually said he gave Uta some of his hobbies lol

Just stop hurting us, please…Ishida needs to redeem himself with Hide’s return as quickly as possible. Either that or something bad needs to happen to Furuta (if Rize somehow breaks free and eats him I’m sure at least half of the fandom would realize that they can, in fact, be satisfied).

Hmm, I was fine with Re up until this arc. Touken feels forced, shippy fluff and Mutsuki drama is getting in the way of the ACTUAL plot (even with all his trolling skills, Ishida cannot convince me that sex scenes and love triangles/squares are more important than how the Q squad is dealing with their trauma from the last battle, what Juuzou, Urie and other investigators are going to do now that they suspect Furuta is lying, how the rest of Goat is doing, what Uta and the Clowns are up to, and Furuta finding a way to, oh, I don’t know, BRING BACK THE FREAKING DEAD). It’s like Ishida has a really interesting plot in there somewhere, but he’s buried it beneath the pointless, badly timed romance.

As for Mutsuki, I used to be a bit 'meh' about them (I used to like them, and then I didn’t mind their backstory/the treatment they got at Torso’s hands simply because I got spoiled and knew it was coming from the very beginning, plus the parellels with Kaneki had me thinking they’d get a similar interesting development) but I’m starting to become more and more indifferent towards them because they just feel really flat now- a basic murder-bot, a copy of characters like Yuno Gasai. Maybe I’d sympathize with them more if their love for Sasaki/Kaneki felt a bit more genuine, but as it is, it seems lacking. It feels like we’re viewing Mutsuki from an outsider’s POV; not much about their actual feelings or thought process about the entire situation, just a bunch of crazy, yandere moments with a few

That AU…make it canon, Ishida. (jk, but seriously). I’m one of those people who won’t complain no matter how much the creators pile on the angst as long as it’s plausible angst (I’m afraid I’m a bit of a masochist when it comes to fandoms…) but I like to think of my favorite characters being happy for once ;-;

0/////0 TYSM ;-; You’re so supportive and sweet and just asdfj;lk (it’s not easy to reduce me to keyboard-smashing but I have a lot of feelings right now) <333 I’m still scared because there are two ways this could go (either I somehow get over my fear and do ok, which would probably be really good for the anxiety, or I just freeze the second I step onto the stage…which would probably make things worse) HOWEVER, for Queen Luna I shall do my best !!!! <33333 :D

But wait a sec…‘King’…

Plot Twist: I am the real One-eyed King

Also

‘Urie & Tumblr(Evans): A short story’

-Urie pretends not know what tumblr is

-Only he totally does

-It’s an addictive hole of darkness

-And Luna spends way too much time on it for his liking

-Ok, so it’s not tumblr he’s worried about, really

-It’s this guy called Evans that Luna keeps talking to

-And no, he did not just assume this person’s gender, he (ACCIDENTALLY) saw one of Luna’s messages to them calling them a ‘king’

-She never calls HIM stuff like that there’s only that stupid nickname ‘Oreo Cookie’

-Jealousy?

-N O

-That’s for the common folk like Sasaki

-Look, he’s just worried about his s/o ok

-Then one day he brings it up

-'The 'King’ thing was an inside joke of sorts’

-'Evans is a heterosexual female’

-R.I.P Urie, who must now admit that he was indeed jealous

(super awkward crack that suddenly popped into my head

And aww, I’m really so glad you enjoy the HCs ^^)

Me + a person with Shuu’s personality would be pretty hilarious if we managed to get along well. Since at first sight, I appear like this really quite and polite person who’s way too nice for their own good (sort of like an even more introverted and awkward version of Kuroneki), but with people I’m really close with I suddenly turn into Haise with all of his cringe-worthy moments- plus a little bit of dry humor and sarcasm.

Haven’t got the chance to listen to all of those yet but what little I’ve heard sounds lovely! The first three and Soldier Game are my favorites, I think :)

Give it a few weeks and I’ll probably be joining you in Idol hell…

Loki’s hair is actually as long/maybe longer than Thor’s in later movies tho XD but I’m glad Thor’s getting some love! A lot of fans just characterize him as this big blonde idiot who has no clue what he’s doing, when in fact he’s grown quite a bit since the first Thor movie, where he was a reckless, hot-blooded, proud and arrogant person who really did have no clue what he was doing…sort of like musical-verse Hamilton minus his book smart nature and power of speech (isn’t that a terrifying thought?). Never knowing when to shut up and back down, which is coincidentally one of the things that damaged his relationship with Loki- who is his opposite in almost everything.

Without spoiling too much, let’s just say:

Thor is the extrovert, Loki is the introvert. Thor relies mostly on his raw physical power to get the job done (though he’s much more diplomatic now than he was in his first movie), Loki’s power lies in his words (he IS the god of lies after all) and his cunning. Thor can sometimes be a bit thick about the emotions of those around him, Loki reads people like open books and manipulates them like puppets on a string. No matter how much Thor grows up he’ll still have a bit of his old hot-tempered, non-stop personality, while Loki usually prefers to wait for it until he’s sure of the situation.

Unfortunately, Asgard (Thor and Loki’s 'home’- though Loki doesn’t consider Asgard his home anymore) values courageous warriors over quiet scholars and sorcerers like Loki. They praise honesty and boldness; Loki’s lies and illusions make them uneasy and they see him as a coward.

Despite being a prince, Loki has spent almost his whole life being identified as simply 'Thor’s brother’. People tolerate him because he’s a prince and Thor’s Brother, 'friends’ hang out with him because he’s Thor’s Brother, few openly show that they dislike him becuase he’s Thor’s Brother. Heck, when he lands on earth during the first Avengers movie, humans immediately identify him as none other than Thor’s Brother. He’s spent his entire life in Thor’s shadow.

It’s a very Burr-Hamilton relationship, and you can’t really blame Loki for wanting to be in the room where it happens.

(Also, the daddy issues.

I mean, look at what Odin and Laufey did

(SPOILERS for first Thor movie)

What Laufey (king of the frost giants) did:

1: Abandoned Loki because he was a 'runt’

2: Didn’t just abandon him; left him outside in the freezing cold in the middle of a freaking battlefield

What Odin did:

1: He rescued Loki when Laufey abandoned him because he felt sorry for the child…and also because he was planning use him as a pawn to someday make peace with the frost giants.

2: was planning to never, ever have a decent, reasonable 'you’re adopted, but you’re just as much my child as Thor is’ conversation with Loki

3: 'Yes, frost giants are terrible, bloodthirsty creatures, they are completely irredeemable’

4: some years later- 'Am I…? 'Yes, you are also a frost giant’

5: it’s heavily implied that he, like most others, always paid more attention to Thor than Loki

6: 'FATHER! I could have done it! For you…!’ 'No, Loki.’ *lets his adoptive son FALL INTO AN ABYSS IN SPACE. Like, he literally just stands there, watching Loki let go and fall to his death (well, not actually death, but that’s what it looks like)*

6: 'Both of you were born to be kings’

Later: 'All this because Loki desires a throne…YOUR BIRTHRIGHT WAS TO DIE! As a child, cast out on a frozen rock. If I had not taken you in, perhaps you would not be here now to hate me.’

I don’t hate Odin as much as the rest of the fandom seems to, and I do think he had reasons for doing what he did, but the fact still stands that he can be a massive hypocrite (tells Loki that he can’t try to take over the earth because they are no different from humans in the end, then tells Thor he shouldn’t date a human woman and calls her a 'goat’) and the things he did to Loki were just cruel.

Also, Thor, though he never wanted to hurt Loki, didn’t help. From what little we got to see in the Thor movies, it seems he also thought Loki was a bit weird for his quiet nature and interest in books and magic, usually refused to listen to anything he had to say, and just took his presence for granted most of the time so that he never realized how much Loki mattered to him until he lost him.)

Ok, so I’m trying to start the fic and I’m narrowing it down to Urie, Ken, and Shuu. I mean, the obvious choice is Urie since it seems like he’s one of your faves, but Heathers is a bit of a…graphic…story and while I’ve thrown in a bit of extra fluff IT WILL NOT BE A HAPPY FIC. So. Maybe you don’t want to see your favorite character hurt that way…

Also, because it’s HEATHERS, the story that’s set in a normal high school with absolutely no sci-fi or fantasy yet manages to be almost as dark as Black Butler, I guess I should put some warnings…

Slight yandere-ish behavior, murder, bullying, very vague mentions of self-harm and suicide (nobody actually does it or did it though), implied child abuse, sort-of-smut(scene cuts off right before anything smutty actually happens), and a ton of angst

(hint: it’s probably angstier than that thing I wrote about Viktor in a TG AU)

Is this ok with you?

Last note: Heathers and DEH both have a lot of dialogue to fill up the spaces between songs so you might want to either read the plots on wikipedia or talk with me every one or two songs so I can help explain what’s going on ^^

No worries ^^ I was a bit worried though, since I though you interpreted my ‘no new fandoms until the weekend!’ as ‘no messages until the weekend’

About the new chapter (127), has there been another time skip? Also, Shuu’s back! I’m sure you’re happy to see your hubby again (･ω<)☆ And I’m so proud of Naki ;-; My boy’s finally speaking properly.

#bringSaikoback #becauseHe’sEvilThat’sY

Wait, she confessed her love? Man, I’ve forgotten a lot of things…

Yeah, that seems about right… What a gourmet.

Mask making, then? or eating eyeballs, that also wouldn’t be so weird.

I want Hide to come back to life and become the next Jesus or something, saving absolutely everyone, because why not? I mean, he’s Hide after all. Rize eating Furuta would be enough to get me to read the manga again (I already am, tho, at least somewhat. It’s your fault)

Maybe Ishida’s trying to redeem himself by giving us all the lovey-dovey stuff? It’s a shitty redemption attempt, but still… and bringing back the dead certainly is an interesting way to advance the plot. hopefully it turns out to be a good one as well. hopefully.

i understand how/why mutsuki would fall for sasaki, but it was done in a very bad time and generally doesn’t fit with anything. id be a lot happier if they went murder crazy, but without the whole sasaki obsession. just let the guy be happy for fucks sake

You’re definitely a masochist. I mean, anyone who reads TGRe is (does that make me one as well…?). The AU is my pride and joy, the best idea I’ve ever had. I mean, just imagine it. Everyone being happy and enjoying life without suffering.

I’m sure you’ll do just fine ^^ I may not have anxiety but I do know the feeling of stage-fright. I mean, just a few weeks ago, I was at the japanese speaking contest and I still remember how badly I was shaking before, during and after my speech. I was so afraid I’d mess up… and I did! I did not understand any of the questions they asked me. Only later did I realise what they were trying to say, but in the moment, I was too scared to comprehend basically anything. However, I got through it, no matter how scared I was. So I’m sure you’ll do just as well, if not better!

All hail King Evans, the One Eyed King! Now go stop the fighting between ghouls and humans, please.

Yeah, Evans is a bit of a boyish name. My first association with it before I met you was Soul Evans, from Soul Eater, a guy. It’s also part of the reason why I was really afraid to write anything that might delude your gender, since lots of people get mad when people assume.

Jealous Urie would be one of the most hilarious things ever. He’s to awkward to admit it, which means he also doesn’t do anything about it. How fun.

But you still haven’t answered my question… Who would you pick to be your significant other from the other fandoms we share, like Kuroshitsuji, AoT or YoI? Or even the Avengers universe ;) You’re not avoiding it!

Honestly, Shuu is one of those people who get along with basically everyone, so I’m sure you’d get along with him. Besides, he’s empathetic, so he’d give everyone a chance to open up.

IDOL HELL! Join us...

Oh really? Well, I was planning on watching the first Avengers movie and the Thor movies today and tomorrow (and maybe during the next week), so I’ll definitely tell you my opinion, then ^^ But Thor has short hair in the new movie. I am definitely not satisfied =3=

The whole family has some huge issues, doesn’t it? (thor’s family)

I say Kaneki, because it’s not a happy fic and out of the three, I like him the least.

Sure, I’m fine with basically everything at this point. TG has ruined me in the darkness of itself (i don’t know what im typing anymore, don’t question me, please)

Okay, I’ll make sure to ask you about anything I don’t understand when I start listening to it ^^

#evans #submission

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