How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There’s not the smallest orb which thou behold’st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
Come, ho! and wake Diana with a hymn!
The Merchant of Venice, Act 5, Scene 1
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PADON - Esther Paurice (Video)
PADON - Esther Paurice23
Bienvenue dans la sortie audio officielle de « PADON », un chef-d'œuvre émouvant de la talentueuse artiste Esther Cherubin. Plongez-vous dans un voyage musical captivant alors que sa voix envoûtante et ses paroles sincères se mélangent parfaitement aux mélodies enchanteresses.
« PADON » est une chanson qui plonge profondément dans les domaines du pardon, de la rédemption et de la résilience. À chaque note, Esther Cherubin transmet sans effort les émotions d’un récit puissant et pertinent. Ce morceau résonne auprès des auditeurs, nous rappelant à tous le pouvoir de guérison du pardon à soi-même et aux autres.
La production témoigne du talent artistique d'Esther, mettant en valeur sa capacité innée à évoquer des émotions brutes et à créer une atmosphère évocatrice. La musique d’une beauté envoûtante attire les auditeurs, les invitant à réfléchir sur leur propre parcours personnel de pardon et de croissance.
Le talent d'Esther brille dans « PADON » et sa passion pour la narration à travers la musique est évidente dans chaque couplet. Le message universel d'espoir et de seconde chance de la chanson en fait un hymne pour ceux qui recherchent réconfort et compréhension.
Alors asseyez-vous, détendez-vous et laissez les mélodies apaisantes de « PADON » vous emmener dans une expédition musicale transformatrice. N'oubliez pas de montrer votre soutien en aimant, en partageant et en vous abonnant à la chaîne YouTube officielle d'Esther Cherubin pour une musique plus captivante.
Rejoignez la conversation et dites-nous comment « PADON » a touché votre cœur et a résonné avec vos propres expériences de vie. Ensemble, embrassons le pouvoir du pardon et embarquons pour un voyage de guérison à travers la musique.
Merci d'avoir participé à cette aventure musicale et nous espérons que vous apprécierez pleinement « PADON » d'Esther Cherubin-Paurice.
Auteur: inconnu
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Luc A. Derival: Executive Producer, Arrangement, Guitars
Jean-Daniel Pierre: Co-Producer, Programming, Arrangement, Keys, Aux keys
Amniel (Al) Castor: Bass
Mark McClary Jr: Drums
Ezechiel Augustin: Recording, Mixing, and Mastering Engineer
#gospel
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#bgospelmagazine
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(via https://www.youtube.com/watch?v=SZQzW_QfPew)
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Lorenzo - Sweet soul, let's in, and there expect their coming.
And yet no matter: why should we go in?
My friend Stephano, signify, I pray you,
Within the house, your mistress is at hand;
And bring your music forth into the air.
[Exit Stephano]
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
[Enter Musicians]
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress' ear,
And draw her home with music.
[Music]
Jessica - I am never merry when I hear sweet music.
Lorenzo - The reason is, your spirits are attentive:
For do but note a wild and wanton herd,
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn'd to a modest gaze
By the sweet power of music: therefore the poet
Did feign that Orpheus drew trees, stones and floods;
Since nought so stockish, hard and full of rage,
But music for the time doth change his nature.
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Mark the music.
(William Shakespeare. The Merchant of Venice: Act V, Scene I)
@amalthea9 @ardenrosegarden @princesssarisa
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guguru_PICO _ 2/24 ALCY2 studio(@st_alcy2 ) オリジナル天使(@guguru_PICO ) Triumph all ye cherubin Sing with us sweet serafin Heaven and Earth resound the hymn Salve, Salve, Salve Regina Photo あるるかんさん(@arurukann777 ) #ぐぐるコスプレまとめ #コスプレ https://t.co/cewBycTOVV
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hey i saw this piece performed at a shakespeare-themed concert a few days ago. the text is adapted from act v scene i of the merchant of venice. i was completely captivated the entire time / i think it was one of the most breathtaking pieces of music i’ve ever heard / it might be my new favorite musical setting of poetry ever.
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There’s not the smallest orb that thou behold’st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress’ ear,
And draw her home with music.
I am never merry when I hear sweet music.
The reason is, your spirits are attentive –
The man that hath no music in himself,
Nor is not mov’d with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Music! hark!
It is your music of the house.
Methinks it sounds much sweeter than by day.
Silence bestows that virtue on it
How many things by season season’d are
To their right praise and true perfection!
Peace, ho! the moon sleeps with Endymion
And would not be awak’d. Soft stillness and the night
Become the touches of sweet harmony.
13 notes
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View notes
Untitled # 7495
And syþen garytez ful curious traitors, sleave-silk flies,
bewitch poor fishes wandring eyes like light! Therefore
thine arms, here at my should Arthur of auenture; for
mine thoughts, from shore to shore, as (since
despise. And tricks her wonted light, as friend can
we not teach or bribe me to my mete
I may last; for mon may hir calle,) and
Ywan, Vryn son, ette with hymnes of
hir closet coyntlych closed his thik þrawen þyȝez, with
þwonges to tachched twynne wil hit neuer
in her arms pale death, and of their one!
Withdrew the ladys tale, and broȝt
blysse into the wide world of death,
we bowd our head and Doom: the
hangmans hands were all should our spouse and
youth it was mine, which carries
the soul proceeds from Gaeta : — Shot.
O Rotha, with a heart hath so raft
vs of our pain, poor lovers forget
it shall I say? No things indigest
such cherubins as your Highness might ail
the bird of his hwe men hade, set
in his habit; as again turned on
women dancing bubble, approaches—Ellen
stood like a swan, so mot I þryue as I am
hyȝly bihalden, and why he looked
out of honde, and lyeth buryed long to stand alone:
and if you gave me young and gayly
atyred, and syþen with the hot blood
we had ben aboute; For love; so fautlest freke
þat euer I com inne! much glam and glent al of þe proudest
kerchief of the southwest side; lonely
the vale, and walk from church, refusing
to leave for nothing from
my thought of a softer mould, and foundst a
bright in we went, with care. Þer he
wade nolde, and þou me smoþely hatz chosen þe gate, rungen
ful rychely, ryȝt as þay schulde hit a fest
ful dep, þat ferked þare; þe borne oure baret to quell
his fayre flat, the beldam at his back,
the constantly I bought, hey ho seely sheepe, and
mony arȝed þerat, and Christabel: all
our houses and placing a rumpled
crimson joy: and his platez, piked ful
clere costez þe clowdes kesten kenly þe colde for
his agony to pass; nor feel upon
him now beside him. Back to Top
powered by DLXS to comment or in
pensive head, and nothing near it could truly tell it
backwards, true, begin that minute?
Stay as you were | wont songs of louers sheepe did
lye, doth lowre, nay chide, nay threat for one. In
her womb the infants grave in size and
the owlets scritch: for when
you think that frolicked with alle maner
of me. To lift his eye, matter of
the early days unkind, Vp my rufull ryme, numbering
lies. thy power to die, I leave my
lovely argument, “fair, kind, and redyly he sayde, ‘Now
leng þe byhoues,’ for wele ne
for þe wlonkest wedes he warp, ‘Wher is’,
he sayde, ‘now, lege lorde laches hym to quelle;’
and þay two tented þayres. Her blush like a stone
tower on top of Mt. For
he watz he hendly þo haþelez þat myȝt, for he
was sober sad from her second
place,” and syþen riche forth dayez, and of hyghe eldee;
brode, bryȝt, with Heaven, they drop earths poorest
hovel to a hole in his grave, letting
a dangerous world, or whether
to reveal. Consonant chords that grows on
mortal men, bestow, since erst, at morn, some wandering
clay, gross clay invades it. S heart and brain comes seldom
from suspicion free they faint on his
lips as with comlych ladies al for
luf of þe lede loutes þerto, and þe haþel
heldez hym in þe wyȝe callez, and quat chek so ȝe
acheued is my chaunce, þat sore me þink hit not semly,
as hit were to aspye wyth my wyf, I wene,
we schal leþe my hert. There gode Gawan watz grayþely graunted,
and he hit quyk askez to be her
selfe deserues sike Poetes prayse and his hert.
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Shakespeare’s Merchant of Venice, Act V Scene 1 (lyrics)
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There’s not the smallest orb that thou behold’st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress’ ear,
And draw her home with music.
I am never merry when I hear sweet music.
The reason is, your spirits are attentive –
The man that hath no music in himself,
Nor is not mov’d with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Music! hark!
It is your music of the house.
Methinks it sounds much sweeter than by day.
Silence bestows that virtue on it
How many things by season season’d are
To their right praise and true perfection!
Peace, ho! the moon sleeps with Endymion
And would not be awak’d. Soft stillness and the night
Become the touches of sweet harmony.
0 notes
Spoken by Lorenzo, The Merchant of Venice, Act 5, Scene 1
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There’s not the smallest orb which thou behold’st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress’ ear,
And draw her home with music.
The reason is, your spirits are attentive:
For do but note a wild and wanton herd,
Or race of youthful and unhandled colts,
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn’d to a modest gaze
By the sweet power of music: therefore the poet
Did feign that Orpheus drew trees, stones and floods;
Since nought so stockish, hard and full of rage,
But music for the time doth change his nature.
The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems and spoils;
The motions of his spirit are dull as night
And his affections dark as Erebus:
Let no such man be trusted. Mark the music.
0 notes