7 Techniques to Enhance Your Focus | HT Lifestyle
Do you struggle with staying focused on tasks in a world full of distractions? In this video, we'll share six techniques to help improve your concentration and stay on track, ultimately leading to increased productivity and goal achievement. From the popular Pomodoro Technique to eliminating distractions and practicing mindfulness, these tips will help you stay focused and achieve your goals. Watch the video to learn more and find the technique that works best for you!
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Hey, if you have speech impediments, you are so amazing.
If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.
Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.
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something that kind of bothers me about modern feelings toward the epic of gilgamesh is how it's been COMPLETELY watered down to being "gay". Bear with me as I explain.
this is more of an extreme example, but I see this take all the time (not the yaoi part. the gay lover part). it's boiled down to the fact that it's gay over literally anything else in the epic. Gilgamesh's lament to Urshanabi about Enkidu's loss is overshadowed by the fact that Gilgamesh is mourning his gay lover. Gilgamesh is on a journey because he lost his gay lover. Gilgamesh and Enkidu were gay.
Now I understand that with a modern lens, people tend to lock on to how unabashedly Gilgamesh mourns Enkidu, because it's gay and because it's the oldest written epic in human history. People feel deeply connected to the idea that people like them have been around since the dawn of literature. But placing exclusive focus on the nature of the relationship as gay, rather than why the relationship or its loss was important, erases the story the epic is trying to tell.
The Epic of Gilgamesh is a story about love, yes, but it is not a love story. It's about the fear of death, coping with loss, and desperation to stave off the inevitable. It's about the bonds of friendship, about hardship, coming to terms personal change and losing pieces of yourself as you learn and grow. It is about consequences, arrogance, death, second chances, mourning, yearning, loving and LIVING. The Epic of Gilgamesh is about the entire human experience and one man's struggle to accept it. What does it mean to have lived? What does it mean to have loved, and lost? What does it mean to die, and to be remembered? What does it mean to be human?
It is perfectly okay to find appreciation for the Epic because of Gilgamesh and Enkidu's relationship. But also understand that the world's oldest story is not about two gay men who loved each other. It is a story about being alive.
TLDR;
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actually i do have something to say about this chapter and it's quite critical of it but also i'm tired tonight and i've been talking about it long and hard on discord already and putting it all together in a coherent post feels like too much of a task tonight. all i'm gonna say is that part 2 was very obviously going in a certain direction from the start, and i loved that direction, and to an extent it is still going in that direction but now very obviously missing a huge chunk of what stirred it in that direction. and i'm hesitant to simply say it's fujimoto that's dropped the ball on this (though it might the idealization, who's to say) because from the actual shape of the writing + slump in paneling/art + recent bitter interview by fujimoto + japanese audience is apparently vocally not a fan of asa + my own cursed knowledge of shounen jump and shueisha editors and how they react to a fall in sales = i think the lack of focus on asa has really hurt the themes of part 2 when she was an integral part of it + i think this wasn't entirely fujimoto's doing and it's very likely because she is apparently strongly disliked in japan and there's good reason to believe that fujimoto was told to not focus on her nearly as much bc sales slump and people complain as soon as she shows up. which sucks. becaue what made part 2 work as well as it did was the synergy and parallel between the two protagonists' paths, and the absence of asa's path in the past few months (both in universe and by real time in the comic) feels like a genuine writing and thematic and emotional hole in the comic that to me shows that she WAS supposed to be there. fujimoto had fully intended to write her in there bc there's a hole in the shape of her where she is very obviously supposed to fit. it isn't simply a question of "author forgets his female character" it's a question of "this crucial part of the manga is missing and the author is painfully aware of it and bitter about it too"
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I think it’s so interesting how we as a community really like exploring this soft, beautifully poetic quality of vore, but only ever seem to do so in writing. I’ve seen so many lovely poems and short stories waxing on in beautiful prose about the beautiful inner workings of the human body and the intimacy and trust that comes with having another person literally inside you, but when it comes to art you almost never see that. Sure art often focuses on those same qualities as well but...they’re never emphasized as beautiful in quite the same way I think. And maybe that’s why my art is so soft and almost like...classical feeling? Because every time I draw I want to capture that poetic beauty in a visual format. Something that, while painting a visual picture, also evokes a very special sense of awe. Even in the silly little scenarios I draw or the spookier pieces I post every once in a while I find myself trying to integrate older styles of poetry and artistry I don’t see much now. And maybe...maybe that’s why my art feels so nostalgic...
Who knows
Perhaps I’m just a hopeless romantic
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I understand that the problem Linda would have in the hypothetical scenario where she catches Phineas and Ferb building some crazy shit is that its very dangerous for two kids to be caught up in something like that and it’s also just kinda an inconvenience like oh great now there’s this big ass roller coaster in the yard how the hell are we gonna clean this mess, I get it. But I just find it hard to believe that she wouldn’t be super impressed like my girl Linda loses her shit over the most mundane things so having her sons be these super geniuses capable of all this crazy shit would be awesome as hell she’d be proud
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I know I’m posting from the middle of the night again but I’m proud of myself for getting over the hump and finally starting mitten # 2!!!! It might actually get finished this year which….would be nice.
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Find you someone who imbues the very concept of Destruction onto armament or limb, all in the name to atmoize the forces before you.
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question: who is your favourite scooby doo character and why?
in a similar vein to my how did you get into scooby doo post from last month, i'm now interested in hearing who your favourite character from the franchise is! are they a member of the core gang or a side character? which iteration/version of theirs do you like best? do you have any specific memories associated with them? do they mean a lot to you personally, or do you just think they're neat? it's time to gush about them in the tags/replies!!
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