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#her family
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1x6 | 3x11
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zoennes · 6 months
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“Such a Disney couple. Every time I see them I think birds will start flying around them.”
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lesmisscraper · 1 year
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Cosette and Valjean Leaving Montfermeil
Clips from <Il cuore di Cosette>.
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goodmorrowing · 9 months
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Lol tell Kate to rest!
oh believe me, i did 😭 she's done listening to me i think i'm gonna need to call in reinforcements
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angelcasendgame · 1 year
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She wants to call Cas or Alex bc she's upset 🥺
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arcadechan · 10 months
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I say! Is that knife handle antler? I would ever do much like to know more about her knife!
Oh, good eye!! Yes it is!! It was a gift from her family, when she moved away from home to do a dangerous, important job. It's fairly basic, heavily used. Sturdy and well taken care of, she uses it for anything you would use a knife for. Saved from her first hunt when she was growing up on the plains, and handmade as a going-away/coming-of-age gift from and by her family!! Father made the blade, mother shaped the antler, grandmother assembled it, and brother sharpened it.
She thinks it's lucky. She carries around a literally Blessed Item, and she would bet her life on that knife.
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starqueen87 · 3 months
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Coretta Scott was the third of four children born to Obadiah "Obie" Scott (1899–1998) and Bernice McMurry Scott (1904–1996) in Marion, Alabama.
She was born in her parents' home with her paternal great-grandmother Delia Scott, a former slave, presiding as midwife.
Coretta's mother became known for her musical talent and singing voice. As a child Bernice attended the local Crossroads School and only had a fourth grade education. Bernice's older siblings, however, attended boarding school at the Booker T. Washington founded Tuskegee Institute. The senior Mrs. Scott worked as a school bus driver, a church pianist, and for her husband in his business ventures. She served as Worthy Matron for her Eastern Star chapter and was a member of the local Literacy Federated Club.
Obie, Coretta's father, was the first black person in their neighborhood to own a truck. Before starting his own businesses he worked as a fireman. Along with his wife, he ran a barber shop from their home and later opened a general store. He also owned a lumber mill, which was burned down by white neighbors after Scott refused to sell his mill to a white logger.
Her maternal grandparents were Mollie (née Smith; 1868 - d.) and Martin van Buren McMurry (1863 - 1950) - both were of African-American and Irish descent. Mollie was born a slave to plantation owner Jim Blackburn and Adeline (Blackburn) Smith.
Coretta's maternal grandfather, Martin, was born to a slave of Black Native American ancestry, and her white master who never acknowledged Martin as his son. He eventually owned a 280-acre farm.
Because of his diverse origins, Martin appeared to be White; however, he displayed contempt for the notion of passing. As a self-taught reader with little formal education, he is noted for having inspired Coretta's passion for education.
Coretta's paternal grandparents were Cora (née McLaughlin; 1876 - 1920) and Jefferson F. Scott (1873 - 1941). Cora passed away before Coretta's birth. Jeff Scott was a farmer and a prominent figure in the rural black religious community; he was born to former slaves Willis and Delia.
Coretta Scott's parents intended for all of their children to be educated. Coretta quoted her mother as having said, "My children are going to college, even if it means I only have but one dress to put on."
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kimikoscloset · 1 year
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Do not mess with Kimiko Tohomiko’s hair. This has been a Public Service Announcement.
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girl4music · 4 months
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WAVERLY: “We’re really worried about you. You’re hunting all the time. You’re not really sleeping.”
WYNONNA: “I’m totally sleeping.”
NICOLE: “No, you’re passing out. That’s not the same thing.”
WAVERLY: “You’re isolating yourself.”
WYNONNA: “No. I’m hunting alone. So until a new Chosen One rolls into town,
*directed at Rachel who’s watching from the stairs*
who’s old enough to drink…”
WAVERLY: “Wynonna! You’re… so… you seem so-“
WYNONNA: “Dedicated to keeping my friends and family safe?”
WAVERLY: “Really sad. And lonely.”
WYNONNA: “Well, we don’t all have the luxury of happily ever after.”
WAVERLY: “Doc loves you.”
WYNONNA: “Shut up.”
*moves to grab Peacemaker but Waverly covers her hands over it*
WAVERLY: “And so do we.”
WYNONNA: “Just keep the stupid gun.”
*walks off out of the house and Waverly runs after her*
NICOLE:
*tries to get her attention*
“Hey, babe.”
WAVERLY:
*outside the house*
“Wynonna, stop! Please!”
WYNONNA: “You want me to admit I have a problem?! Okay, well, here’s my problem, it’s a big one. Uh, if I stop killing demons, everyone I love, like you, gets eaten.”
WAVERLY: “Or maybe that’s what you’ve been telling yourself, Wynonna. Because you like it! A little too much.”
WYNONNA: “I don’t hear anyone else complaining about being too not dead because I’ve taken out too many demons.”
WAVERLY: “What about Holt? He was human.”
WYNONNA: “Why is it that when you kill a Clanton, it’s the right thing to do, but when I do it, it’s a problem?”
WAVERLY: “You know, I really thought we’d have a couple more years before your transition from fun drunk to mean alcoholic.”
WYNONNA: “Have fun planning your wedding, you sanctimonious asshole.”
WAVERLY:
*walks back into the house crying and into Nicole’s arms*
NICOLE: “Hey. Once she’s done being defensive, she’s gonna realize you’re right.”
WAVERLY: “Am I? I’m not judging her. I’m just trying not to lose her.”
NICOLE: “Hey.
*hugs her tight and kisses her head*
You want me to stay?”
WAVERLY: “No. You gotta go.”
Finally! We’re dealing with Wynonna’s inner conflict with believing that she needs to shut off the world and kill everything that threatens it. This episode must be her breaking point. This was what I was waiting for after the whole killing Holt situation and Doc left her.
Let’s see them try to make this one into a comedy. Something like this should only be dealt with in drama. I hope they handle this narrative seriously. It looks like they will from the intervention opening but you just never know. There may be some tonal shifts.
This is the narrative I wanted for Buffy Summers. They touched on it but they never went all out with it. They never made it clear how much of a demon she was becoming from having to constantly kill the demons. What that was doing to her mind, body and soul. How much of a price that she was paying to be The Hand.
I wanted a proper narrative undertaking for Buffy like Wynonna seems to be getting in this episode that showed that being a hero doesn’t always require being a killer. Whether it’s of the evil supernatural or not. And in the last season they should have done this since they made it canon that she was made from a demon and therefore her instincts were just the same. But they didn’t do that. They didn’t play morally grey. And it’s part of the reason why I just lost all interest.
See it’s been bubbling under the surface all throughout the show but Wynonna’s inner conflict was that she was afraid that she was a killer - a murderer for killing demons or human bad guys. In this season especially, she’s resigned herself to that objective because she doesn’t have a partner in crime with it anymore. There’s no Clyde to her Bonnie basically. And it’s tearing her apart that she cannot connect with someone that literally sold his soul to a demon because he is not okay with what she’s become from having such a defensive attitude towards the problem.
And everybody’s worried about her because she doesn’t communicate how she’s really feeling. What she’s really struggling with inside that’s eating her up. And something like that is one hell of a narrative to not only explore thoroughly, but also conclude and close.
And I am SO HERE FOR IT! I’m more here for this narrative than WayHaught’s because I already know I’m going to get that anyway. More focus on the lead main character at this point in the show is imperative. And I know Season 4 has been more comedy than drama. But there’s always time to change that around. You know it’s not always an equal amount of either in genre shows. Sometimes it’s just on a spectrum depending on what story it is that they’re telling. Which means the vibe and tone always serves the narrative and characters. Not the other way around.
It’s the reason I cannot watch either pure drama or pure comedy. I have to have that balance when it comes to TV art/enterainment. The grey area. And genre shows - particularly supernatural/fantasy - always have that balance. Even if it’s not equal.
But yeah, Buffy would have certainly been a much more interesting character to me than she was if they had went all the way with the “am I a killer?” subject. Like I said - they touched on it. Quite a few times actually. But they don’t make it into a proper arc where she had a breakdown and her team have to come in to help to save her from destroying herself.
Being a hero is fucking hard. Especially when chosen. When you never wanted to be the world’s protector in the first place but you find it’s who you are anyway. You’re eventually going to face up to the price of it. The loss and the grief. But most of all the evolution. And an evolution includes all the highs and lows. The downfalls, the sacrifices, the depression, the loneliness. All of it. You can’t have a true character development without it all. And the thing is Buffy has all of that. Sometimes more than I bear to watch. But the one thing they skip out of truly exploring is - to me - the most important subject that there is to address.
Which is if you’re a fighter - if you have protect and defend through violence - does it make you a killer?
And if you’re a hero - are you okay with not being one and letting somebody else take the reins - including all the pitfalls and burdens you’ve had to bear and overcome. Can you allow yourself to give up heroism?
All of that needed to be addressed with Buffy in the final season. And the way they choose to do it. To wrap up the sap up - is the most insane, nonsensical, confusing, frustrating extremely lazy way ever by her entire team throwing her out of the fucking house and then letting her back in when they realize they’re wrong and they need her and some other character has to be the one to make them face their mistake.
Exploring the extremely strong and substantial subject I’m talking about here is what would have avoided all that ridiculous mess because the take-away from it would have been that there is a necessity to heroism but it comes at the price of being a killer or at least fearing that you are or will become a killer.
So I hope - I fucking hope - that they will do this with Wynonna. Have her face up to her actions and choices because her humanity will not let her just ignore them. Only a demon that feels absolutely nothing would. And that’s not Wynonna. She is such an emotional person when she lets herself be. When she doesn’t block it out. She’s like Faith. The need to shield vulnerability because she fears that letting love in will destroy her. When love and all that love entails is what she needs.
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lararutherford · 1 year
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@Rutherfords. [text]
Lara: Where are you guys?
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i get that she wants to spend time with cole and i don't think it has to do with gg or vince either but i think she doesn't have a life in la anymore maybe? if you know what i mean like i think she will live in arizona when they get married and etc so she maybe doesn't care for la anymore
I mean I slightly disagree. Even if she moves out of state, she always have a life in LA — even if it’s slightly. That’s just how things are.
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heich0e · 2 years
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besties help i'm thinking about marie antoinette and louis xvi
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magwriterus · 2 years
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pirateprincessjess · 18 days
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When I was a kid my family pretended to get raptured so I would think I was left behind on earth while they all went to heaven.
I was like 8 years old and my sister and mom had gotten really into the Left Behind novels (bible fan fic about the rapture). In the books when the rapture happened the clothes that people were wearing when they got raptured were left behind in neatly folded piles.
One day when I was getting home from school my family decided that they would leave piles of neatly folded clothes around the house, and then hide in the basement.
The intended effect was that I would get home and see the clothes then, think that my family had been raptured and that I wasn’t good enough to get into heaven… or something?
The problem was that I had never read these books, and didn’t really think about the rapture very often. There was no reason that I would see some laundry on the floor and think “The rapture happened and I’ve been abandoned by God! I’ll never see my family again!! Oh nooo!!!!”
I just sat down and watched cartoons and eventually my family got bored and revealed that they were all hiding in the basement.
It’s a good thing I didn’t understand the joke, otherwise that shit would have been traumatic.
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nymph1e · 5 months
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On Discomfort and Morality
My father finds gay men uncomfortable.
He's told me before that it's like a knee-jerk for him. Something he doesn't consciously control. He sees two men behaving romantically, and his body reacts with mild discomfort.
In the 1960s, when he was in high school, most of the boys in his form thought he was gay on the simple fact that he wasn't homophobic. He wouldn't participate in insulting queer people, he didn't care if someone was gay, he wouldn't have a problem hanging out with gay people. So people thought he was gay. That's how prevalent homophobia was in his formative years.
When I was 10, my dad told me very seriously that Holmes and Watson were gay. That it was obvious from the literature and the time period that they were meant to be a gay couple. When I was 14 and I came out to my parents as bi, when my mum was upset my dad ripped into her for it. Told her that she was being stupid, that it was my life to live how I wanted to and that she needed to get over herself.
My dad formed my views on censorship: that being that it was completely ridiculous and thoroughly evil. He didn't believe in censorship of any kind. If I asked him a question about sex, he answered it honestly. When I was 12 and I asked him about homosexuality, still young and uncertain, he told me that there was nothing wrong with it. That it was just how some people were. That there was likely an evolutionary reason for it. And that for some people it was uncomfortable on an instinctual level.
He taught me that just because you're uncomfortable with something, doesn't make it wrong. He also taught me that most people don't understand this.
I see a lot of this on the internet as of the last few years. The anti shipping movement, the terf movement, the anti ace movement. It all stems from discomfort that people have crossed wires into believing means wrong. Really every -ism and -phobia out there stems from this same fundamental aspect of humanity.
The next time you see something and you automatically think it's disgusting, or wrong, or immoral, I invite you to ask yourself: is this actually wrong or does this just make me uncomfortable?
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chillxsimmer · 4 months
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You want to meet Desiree's family right? I know I do. ~ Desiree 💙
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