one of my favorite things about zhongli is that he doesn’t shut up like i know we like to compare him to neuvillette and alhaitham but zhongli is like inverse of their signature traits. social awkwardness? quiet and reserved? zhongli does not care he will talk like he understands liyue’s social customs very well he just does what he wants. like yeah he’s calm and reserved but he’s not quiet and he enjoys socializing with humans like it’s one of his favorite things to do. the people of liyue describe as someone who is a little odd but very helpful and knowledgeable so he understands people and he seems pretty good at reading their intentions and behaviors so yeah he’s weird but he’s very popular cause he’s always doing shit
tldr zhongli is a yapper he will talk about anything and everything if you give him a chance he does not care if it’s weird or socially unconventional
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Danny is just a kid ya know? Like he is just a little guy. A baby really. 14? Tiny child! Look at him, he needs to be protected. Someone has to help this poor little dude. I mean he forgets to use his own powers to avoid attacks all the time.
Anyway cut to Batfam not knowing all of Dannys power set cause the lil dingus keeps forgetting he can do that stuff in the heat of battle.
Danny uses his invisibility all the time… to avoid being followed. But in a fight? Oopsies hes too busy thinking of funny one liners to realise he could do that.
Intangibility? Give the guy a break. I mean who calls themselves condiment king. Even he was stunned.
He so rarely actually uses his biggest advantage powers that the League doubt he actually has them. He, like any naive child, trusts them and reported fully on his power set. Instead of just asking him to demonstrate his powers they instead start watching him and try to find evidence of his powers.
At least they know duplication was true since they watched him make a copy of himself to go to the bathroom and not miss any of his fav tv show.
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I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.
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me when the little baby empanada who already protected her slightly younger siblings on purgatory island gets to quesadilla island full of new dangers & gets very close to her older sister pomme, who is a living breathing example of the developing mindset that “you must be a soldier always prepared for danger in order to protect the happiness of you and your family” is necessary. they relate over anxiety, pomme gives her a protection helmet for her birthday and shares tips of survival. they are children.
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I think it’s fascinating that katara says “then you didn’t love her the way i did.” there’s a double meaning there. there’s “you didn’t love her as much as i did,” which is a hurtful thing to say, regardless of whether or not it’s true. but then there’s also, “we don’t love her the same way.” which is true. they clearly love their mother differently. it’s not a matter of more, it’s a matter of how. kya birthed them, literally, but her death was also a rebirth for both of them. her sacrifice shaped their respective identities.
katara loves her mother as the site of her creation myth. she wears the memory of what kya did for her around her neck, desperate to prove herself and be the hero she needs to see in the world. sokka sees that in katara, her drive to create change out of this formative injustice, but he also sees the price of it, and shapes himself into the new sacrifice necessary for katara’s hero’s journey. if katara sees kya as her legacy, as her creator who she must honor and avenge, sokka sees kya as his fate, as his inevitable future born of an inexorable past.
who can say which child loved their mother more. but how they loved her, and how they grieve her… well. their modes of mourning differ based on the roles they see fit to inhabit and the narratives created by their formative traumas. katara’s duty is to remember: kya’s absence is physical, she wears it around her neck, her mourning is an act of creation. sokka’s duty is to repress: he forgets his [mother’s] face as he neglects and sublimates his own. consider how frustrating it must be for katara that sokka refuses to speak of her defining, mythmaking event, that he copes with own fate by attempting to ignore it. so there certainly is a difference there, in how they choose to honor kya’s memory. what katara said may have been hurtful, but it wasn’t entirely wrong.
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I think something that bothers me about how the writers handled Rebecca’s actions was that,,, not only were there no mentions of it afterwards save for like two jokes…but nobody was upset with her after she apologized. everyone moved on? The people who knew, anyways. There weren’t any consequences for her, really. higgins, julie, ted, keeley, they all moved on and acted like it wasn’t a big deal. whereas Jamie’s entire three season arc is consumed by his s1 actions. he had to fight tooth and nail to get back into the team’s good graces, to prove himself to the coaches and keeley and everyone. Even in s3, the coaches are shown to not value his growth and keep thinking of jamie “prick” tartt instead of seeing him as someone capable of being better and different. idk. It just bothers me that in a show about forgiveness and being better, rebecca only had to apologize and everything was forgiven, while Jamie literally could not Not be defined by how he was
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Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.
Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.
So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.
In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.
Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.
It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.
Unfortunately, levity alone does not alter reality.
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“Mike wheeler’s armpit of a basement”
“I’ve seen Mike’s room look worse than this”
“I was being a total self pitying idiot”
“Why am I the bad guy”
“One day she’s going to realize that I’m just some random nerd”
“At least Lois Lane is an ace reporter for the Daily Planet”
“I’ve been bullied my whole life”
“Mike’s always whining about it”
“And yet you still have a C in Spanish”
“You can’t even write it Mike”
“You made it super clear that you’re not interested in anything I have to say”
“-and if I said that thing then maybe she’d want me there with her, wherever she is”
“The bad government dudes are after your super-girlfriend right? Right?! Okay, so, maybe the cops can help us find out where she is because they’re gonna kill her, man. And if they kill her, there gonna kill us!”
“Oh, no, no, no, no- it’s a shitty knock off, yeah”
“Who’s that twig with her?”
“That doesn’t mean he’s wrong. I mean, if that guy would’ve lived one more second- one more second- th- we could know where she is. Wh-why didn’t he just say the number? I-I should’ve explained myself, cuz then maybe, Eleven would’ve taken me with her and things would be different but I-I didn’t know what to say”
“And I feel like maybe I-I was worrying too much about El, and I don’t know, maybe I feel like I lost you or something”
“Y’know the last few days, I’ve had to think about the last talk we had. You know, before the cops and the whole word went to shit and everything? I- I guess- I just- I- I dunno- I guess I just wanted to- to say-”
“But… but what if after all of this is over… sh-she doesn’t need me anymore?”
“No I… it’s so stupid, given everything that’s going on. It’s just… I… I don’t know. I just”
“I, love you.”
Mike’s flopping on the floor like a miserable and suffocating fish out of water season. His friends make fun of him. Eddie made fun of his clothes. Karen told Dustin he’s welcome at the Wheeler’s anytime which implies that Mike isn’t really talking to his friends outside of school. Dustin and Mike didn’t know when Lucas’ basketball game was, which implies that they haven’t really been talking to Lucas a lot. Mike did call the Byers but wasn’t able to get through. El and Will are have been in Lenora for months and Mike hasn’t really been able to talk to either of them. El’s been lying to him in her letters and writing and signing letters is a reminder that he’s avoiding writing the word love. Everyone’s telling him that he’s doing something wrong. This kids going through it.
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