Writing an AU where you make a female character a trans man or nonbinary, isn't misogynistic. This should be obvious.
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I have one for an RR team. They would have been signed up for the show by a third person, who is currently dating one of the members. The second member would either be a sibling or a really close friend who is the closest thing said thing person has to a sibling. And they were put on the show by the third person to become closer to each other. Over the competition they become friends.
I think it may be better to explain using Noah, Emma and Kitty as stand ins (even though i don’t think it would fit their characters). Emma signs up Noah and Kitty because she wants them to get to know each other.
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here is a friendly and gentle reminder that we all have our own interpretations of characters and that is okay. if we disagree on what is and isn't a correct interpretation.. that is okay. there's no reason to get hostile over this.. ever.
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Fun thing to think about it regards to replacement ingo . Considering how bad Emmet is at lying/acting in general he'd probably have fucked up all his social relationships by like month 6. From one day to the next he's just?? Inexplicably adverse to his brother all the sudden. Doesn't really talk to him makes up an excuse to leave whenever he enters a room. Everyone assumes that they just had a big fight but as Emmet gets progressively more paranoid and withdrawn, probably starts being really loose with the coverup thing out of desperation to have any sort of healthy outlet for grieving and starts telling people that he [sugar] is NOT ingo. Which is true but probably makes everyone else assume he's insane
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For years, I've been trying to put into words Why I give a single iota about Bendy & the Ink Machine, but it's such a tangled mess that no thread can be seperated -- they're all interwoven in a way that makes it hard to pick them out. The game, overall, makes me miserable, because I can see that there was love put into it, but a lot of it is thrown to the wayside in favor of a story that I think was retroactively improved by the sequel's recontextualizing of it, but is ultimately not worth the price of admission & majorly drops the ball.
It's easy to list things I don't like about it -- the gameplay is sparse, the combat is uninteresting, none of the chapters feel connected, the bugs that assault all my playthroughs & kill my saves are consistent & fill me with dread every time I open the game, the lack of thought in the contents of a chapter (chapter 3's wheel ""puzzle"" & the animatronic Bendy from chapter 4, in specifc, really grind my gears), which speaks to the amateurish & rushed way that the game was crafted -- there's a lot to hate, & it's easy to hate it. But I don't. Despite all that, I am compelled by this game, by what it's trying & failing & trying again to say.
It's really easy to understand why you dislike something. I couldn't have told you much about what I did like, in Ink Machine.
& then, I played Dark Revival. I didn't realize I liked the story of Ink Machine, until I played Dark Revival. It's a better made game, it's just not fucking interesting, to me, because it doesn't have a story worth tuning in to.
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Nancy not wanting to be heckled and blatantly treated like less than a person, full on dealing with misogynistic bullshit: always described as fake woke and white feminism.
Steve breaking Jonathan's camera as an act of dominance and assertion of power vs actually being something he did to protect Nancy: seen as ultimate heroism.
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🕸️
sometimes i want to ask my mom why she stayed with the man who hit and screamed at her, the one she knew hit and hated her kids
i want to know so bad what she saw and why she was so ready to stay for life. but even if i listen to what she has to say- i'm never going to actually get it, or have it make sense to me. and i hate that.
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