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#greys anatomy 20x02
seriesluticons · 1 month
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fav or reblog if you save.
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laureala · 1 month
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AMELIA SHEPHERD
— in Grey's Anatomy 20.02 - Keep the Family Close
A: I got a cat. W: Are you talking to me? A: I miss my family. I miss Meredith, I miss Maggie, I miss Kai. So I got a cat
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babyjapril · 19 days
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♡Happy International Pet Day♡
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hotticuslincoln · 1 month
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That's how we met
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masoncarr2244 · 1 month
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calzona-ga · 2 months
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PRESS RELEASE | Grey’s Anatomy 20x02 - “Keep the Family Close”
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themanycouples19 · 1 month
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Grey's Anatomy monologues 20x02
At the height of the great depression Harvard scientists started tracking students in hopes of discovering the key to a long and happy life, they looked at participants mental and physical health over 75 years it is the longest study of happiness to date 75 years and all it did was confirm what we've known since the beginning of time , the most powerful predictor of health and happiness is the quality of our relationships, strong relationships protect us , loneliness on the other hand can be deadly.
Over the course of our lives our relationships ebb and flow we get together , break up , move away or fall out of touch. It's prolonged periods of loneliness and toxicity that reek havoc on our health , our brain function and our longevity, sometimes being alone can be so terrifying that we trap ourselves in harmful relationships, but in order to really thrive you've got to be willing to cut and run your life just might depend on it.
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newtness532 · 1 month
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since when does amelia have a cat?
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promosbrasil · 2 months
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Grey's Anatomy 20X02 Promo
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Mika Yasuda & Taryn Helm Grey's Anatomy 20x02
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popchoc · 1 month
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Mika Yasuda & Taryn Helm Grey's Anatomy 20x02
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bonobochick · 1 month
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Lucas & Simone in the on-call room in Grey's Anatomy ep 20x02. 💖
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laureala · 1 month
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JO AND AMELIA in Grey's Anatomy 20.02
A: He can be sentimental. J: Well he is a new father. A: I was talking about Link.
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jmflowers · 1 month
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Pls talk abt the diffs between st19 and GA. Would love to read your TV production nerd language!
Well, only took me 10 days to finally find time to get to this… my apologies, anon! I hope you're still interested.
I took notes during episodes 20x02 and 7x02 of Grey's Anatomy and Station 19 respectively to formulate my answer to this, but I should disclose that I have not been an avid watcher of Grey's Anatomy in about a decade. Despite my education in technical film and television production, anything stated here is my own opinion. Art is subjective and I absolutely do not have all the answers.
Let's start with Grey's…
So, from when Grey's first premiered in 2005 until the 10th season, the show was shot on film. That fact lends a lot to the stylistic formula of the show, which is not something you ever really want to change. (Fans arrive for a certain feel, thus a production bible is created that is adhered to for - hopefully - the entirety of a piece of work.)
I think it's most obvious in the coverage of scenes; shots are long and flowing, often moving around subjects as they converse with each other. By shooting this way, they would've protected themselves from needing to reset as frequently and it makes the editing process a lot more seamless. Also, in my experience, it just makes it easier to translate a director’s vision from set into the editing room.
(In film school, a lot of people will take a million different angles of a scene, all in little snippets, because it guarantees you'll have what you need for an interesting edit. However, if you work a bunch of continuous shots of the scene, actors get the opportunity to really immerse themselves in it - resulting in better performance - and the final edit has fewer possible iterations of what it could look like. Why don't students do this? Firstly, it's harder - more risk of having something in the background that will screw things up, more challenging to cut together if you have to remove a singular moment, harder to keep steady if you're not comfortable with stabilizing equipment or don't have any. Secondly, professors don't often encourage it because a lot of people are really terrible at camera operation if they're not trained properly.)
Anyways, all that to stay is Grey’s has this really fluid style to how they shoot. Nearly every shot is moving in some way, whether it’s a dolly, a pan, a tilt, etc. Let it be said that they are really, really good at this formula.
Another component of this is wider angle shots so that the characters can be continuously moving – think of those classic hallway walking scenes as a prime example. Allowing the actors to really move in a space helps to build tension without needing a bunch of little cuts and camera angles. This means there are some scenes in the show that only have one camera angle present before it moves onto the next scene, which isn’t super common in my experience.
Not to say that they don’t utilize closeups – Grey’s is a drama so it’d be kind of weird to not make use of closeup shots for the showing of emotion. However, the closeups seem to predominantly occur in the OR. My guess as to why that is would be in helping the audience differentiate who is who (as well as what they’re feeling), since part of their faces have to be covered during operations, but that’s pure speculation on my part.
And beyond all of that, Grey’s is visually still a drama. A lot of moments occur at night. Scenes are often darker, with more focus on backlighting than clear illumination of character faces. I find their blacks a lot stronger, which is probably something to do with their colouring.
There’s also just fewer action-packed moments, since the story often takes place with people just talking, so there doesn’t appear to be as much of an editing technique called “cutting on the action”. Which, honestly, makes sense if they’re filming longer takes. (Shoutout to my prof who constantly gave triple-take homework and made me completely ridiculous about cutting. on. action. You broke me, my dude.)
Conversely, Station 19 has a very different formula…
As an action drama, that was never shot on film, S19 adheres to a completely different bible. One that they rewrote after season 2 (I think? When did the voiceover intros stop?), you’ll probably notice, when they decided to veer a little further away from their identity as a Grey’s Anatomy spinoff.
The first thing I always notice is that a lot more of S19 scenes happen during the day, since the unspoken law of most episodes is that they begin as the team is coming onto their shift first thing in the morning and then stretches through their 24-hour. Scenes are just brighter and more illuminated – more of the sunlight streaming in windows and less of the visible nighttime cityscape you’ll notice in Grey’s. I also really love that they usually begin this time period with the characters at home, whereas Grey’s seems to have episodes finish with that.
Light is also obvious in how things are coloured on S19. Their blacks don’t seem as dark in the final colouring, which may have something to do with the navy blue of their uniforms. It also just feels like there’s more white present on their sets? But that can’t possibly be true because Grey’s literally takes place in a hospital.
Anyways, S19 fully subscribes to the shooting and editing style of an action production. Scenes have lots of coverage (they utilize over-the-shoulder shots which don’t happen as often in Grey’s), there are lots of quick cuts in the edit, and their shots are overall steadier or static with less of the flowy movement that Grey’s has. They also use a lot more closeup and tighter framing, focusing on cowboy and up – unlike the Grey’s formula of a full-body shot. (A cowboy shot covers from the middle of the thigh to the top of the head, ie. you would be able to see the cowboy’s gun in its holster… anything above that is a tighter framing.)
And S19 loves a montage. I can’t say for certain whether Grey’s still uses those, or if they ever really did, but S19 leans into a zero-dialogue montage edit for storytelling. Which I don’t find super common, as I think some people believe it’s a little too artsy or stylistic, but I think is a really effective way to get a plot point across sometimes. Do we really need to know exactly what they said or is it enough to see that they were smiling when it happened? Film and television are visual medias and fanfic writers everywhere are grateful for the gaps in the story that they get to fill in with their own headcanons. (I said what I said.)
I’m sure there’s lots more things I could probably point out on why Grey’s Anatomy and Station 19 complement each other while looking like they could be from completely different universes, but that’s all I wrote down while watching them both live. Hopefully my film theory professor and my screenwriting professor are proud of me for this analysis.
Thanks for the question, anon! Always here to answer and talk nerdy if anyone ever has any more.
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hotticuslincoln · 2 months
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Grey's Anatomy 20x02 "Keep the Family Close" Promotional Photos
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masoncarr2244 · 1 month
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