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oneunexpected · 8 months

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Here's the Code of Claw playlist! This might be my favorite. When I started this project, I made a long list of songs I thought I might want to use just because they reminded me of the series, and I feel like this playlist is the one that has the most of those songs that I knew right off the bat would fit perfectly.

Because the chapters are longest in this book, you may beat each song to the end of the chapter. Sorry about that.

Listen along here. My explanations for each choice are below the cut.

1 - Bad by U2 - Aw, come on, you knew there would be U2! Since Gregor hasn’t really reacted to his impending doom yet, I chose this song to focus more on the reactions of Vikus and Mareth in this chapter, particularly Vikus beginning to break down and say he’d trade places with Gregor if he could. “If I could, through myself, set your spirit free / I’d lead your heart away / See you break, break away / Into the light / And to the day.”

2 - Hello Earth by Kate Bush - Kate Bush, badass she is, wrote a concept album within a bigger album about a woman who gets shipwrecked, has an out of body experience, and is ultimately rescued (or maybe she dies. I personally interpret it as she lives. That’s neither here nor there though). “Hello Earth” is when she’s closest to death and begins reflecting on her life and how she got herself into the situation in the first place. The release point of the song is her wailing, “Why did I go, why did I go?” before the song abruptly cuts to Gregorian chanting. That reminds me a lot of Gregor’s panic attack in this chapter, where he calms himself down with the thought of the stone knight in the Cloisters, where he says Gregorian chants are always playing softly.

3 - Blue Monday by New Order - The second verse in particular reminds me of Gregor and Solovet. “I can and shall obey / But if it wasn’t for your misfortune / I’d be a heavenly person today,” in particular. It also just sounds cool, which I thought would be fun with this chapter where Gregor’s escaping and riding back to battle.

4 - Orange Crush by R.E.M. - This is R.E.M.’s best-known anti-war song, and I chose it particularly for its interlude, which is this sort of rambling from this soldier (or perhaps officer) who enjoys the war. “This here country, hell, any country, it’s just like heaven here … I knew it all, I knew every back road and truck stop,” the narrator says. Gregor and Ares have their weird little moment of euphoria here, so I chose this song for them.

5 - Dirty Paws by Of Monsters and Men - This song tells of a war between the birds and the bees (don’t ask me if that’s supposed to be a euphemism I really don’t know), as the bees decided “the sky wasn’t big enough for them all” and attacked the birds. But then! “The birds, they got help from below / From Dirty Paws and the creatures of snow.” Bees = rats, birds = mice, Dirty Paws = Luxa, creatures of snow = Regalians, case closed. Mostly I just wanted to put this song somewhere in this playlist.

6 - Urn by Childish Gambino - I also just wanted to put this song in this book. It’s only a minute long, so you might have to repeat it a few times. It’s about staring down death and not being afraid, which fits Luxa pretty well, and the lines, “Don’t ever leave me, my love / Keep holding on” could represent Gregor begging Luxa not to die.

7 - Everybody Wants to Rule the World by Tears for Fears - I thought this song would be perfect for the dungeon sequence, and not just for the line, “There’s a room where the light won’t find you,” but that certainly sealed the deal. It’s a good song for living under Solovet’s shadowy gaze.

8 - Achilles Come Down by Gang of Youths - One of the first lines in this song is, “You’re scaring us, and some of us love you / Achilles, it’s not much but there’s proof” which reminds me of the way this chapter opens: with Gregor enraged and Mareth, Nerissa and Ripred deeply concerned. Even though Gregor sees their actions as an emotional betrayal, they acted out of care for Gregor. “Today, of all days, see / How the most dangerous thing is to love” works really well for how Luxa’s become such a big vulnerability for Gregor, too.

9 - Agnes by Glass Animals - This song was the toughest for me to choose. The song’s subject matter as a whole and the chapter don’t really fit that well, but it works in the sense it’s a narrator trying to calm down a friend with mental health problems, a little like Gregor and Lizzie. More than anything, I like it for the last line before the chorus and the chorus itself: “I want to hold you like you’re mine / You’re gone but you’re on my mind / I’m lost but I don’t know why.” It reminds me of Ripred, the way he must have felt seeing someone so much like his daughter. One thing I really love about this song is that the first chorus is just hummed, like there’s still some sort of restraint, or perhaps it’s because the narrator still can’t admit how much losing their friend hurt. I don’t know. Ultimately, it just felt right for this chapter to me.

10 - Dummy by Portugal. The Man - This song’s a bop, which is good, because that distracts you a little from lines like “My religion is a piano hanging over my head about to break free” and “The light is going out / The light in my life is going out.” The lyrics reminded me of Gregor’s desperate agreement with Ripred to get his family home, since Gregor would presumably be dead, and the tonal dissonance with the lyrics reminded me of how Gregor’s trying to hide his despair from his sisters.

11 - Violet Hill by Coldplay - This song has a good battle-y beat to it, and I also chose it for the line “I don’t wanna be a solider / Who the captain of some sinking ship / Would stow / Far below,” because that reminds me of how Gregor feels when Solovet sidelines him.

12 - As the World Caves In by Matt Maltese - This is one of the more peaceful chapters of this book. Gregor hangs out very briefly with his mom and then admits his feelings to Luxa. I thought it would be fitting to pair those interactions with a song about waiting for the world to end with a loved one.

13 - I Gave You All by Mumford and Sons - An angry song for an angry Gregor. This chapter is long, but he’s kinda mad throughout, so I hope it works well enough. “I gave you all / And you rip it from my hands and swear it’s all gone” represents how he feels towards Solovet — almost everything he’s done in the Underland has been for her ends, and still she takes more from him, in this by moving his mother somewhere he can’t reach.

14 - Losing My Religion by R.E.M. - In the South, to lose one’s religion means to lose one’s temper, basically, but I’m using it a little more literally here — this is where Gregor loses faith in Regalia, loses faith in Sandwich. Learning about the genocide against the diggers is the tipping point.

15 - Hurt by Johnny Cash - Sorry to people who prefer the Nine Inch Nails version, this is just my preference. Gregor’s literally hurt in the aftermath against the diggers, and this song has the sort of desolate tone that matches his state of mind at the time, and I could see Gregor feeling the sentiment of the chorus towards his sisters and Luxa, but but I also chose it for the ending of this chapter, that pivotal scene where we learn about Ripred’s pup and mates. The outro of the song goes, “If I could start again / A million miles away / I would keep myself / I would find a way,” which reminds me so much of him telling Lizzie he decided “it all had to change.”

16 - Heroes by David Bowie - A great song about doomed lovers, perfect for Gregor and Luxa’s first kiss. “Though nothing could keep us together / We could steal time / Just for one day / We could be heroes / Forever and ever” are great lyrics for this pairing, but what I love most is the emotional release point of the song: “I, I can remember / Standing by the wall / And the guns shot above our heads / And we kissed as though nothing could fall.” While I chose it for Gregor and Luxa mostly, I hope it carries you through the battle with the Bane appropriately, too.

17 - You Want It Darker by Leonard Cohen - With this song’s addition, I have included my whole trifecta of Songs Written By Dying Men in these playlists. The first was I Can’t Give Everything Away, which I used for Book 3, and the second was Hurt. This song is the darkest of the three, and not just for the title, and if you give the lyrics a listen you’ll see why. It’s a message from Cohen to God, essentially accusing Him of allowing so much suffering on earth, but at the same time the narrator is acknowledging he’s ready to die. Gregor’s accepting he’s dying and that Sandwich, evil as he was, must have been right. This song is lyrical genius and Cohen is one of my favorite writers of all time, so I encourage you to read it, but I’ll point out a few that led me to choose this song for this playlist. “It’s written in the scriptures / And it’s not some idle claim: / You want it darker / We kill the flame” reminds me of Sandwich’s prophecies, all of the death they call for, suggesting that Sandwich “wants it darker” — and the Underlanders fulfill them, essentially killing the flame at his request. Further, I really like the line “I didn’t know I had permission to murder and to maim,” just from a standpoint from comparing the Gregor who couldn’t own a pocket knife to the Gregor who’s a proficient killer. Also, isn’t it nice that this is the chapter where all the lights go out? Thanks, Suzanne, you made this one easy!

18 - Watching You Without Me by Kate Bush - Remember how I said Kate Bush wrote a concept album about a woman who gets shipwrecked and has an out of body experience? This is the part where she visits her loved ones before they know she’s dead (or in grave danger). It reminded me of the “rehearsal” Gregor walks in on when Lizzie and Boots think he’s dead. I can’t tie it much to the code cracking bit, sorry.

19 - Pyramid Song by Radiohead - In the midst of the code breaking celebration, Luxa gives Gregor a sad look, and he knows it’s because she’s thinking about his death. Then, he finds out Twitchtip’s dead. Well, this is a good death song. I knew this song would go somewhere in this playlist, but it ended up here because of Luxa saying Twitchtip was finally “safe.” That reminded me of “And we all went to heaven in a little rowboat / There was nothing to fear, nothing to doubt.” That’s how it works in the Underland. There’s only nothing to fear when you’re dead.

20 - After the Storm by Mumford and Sons - The verses of this song are pretty sad. There’s debate about whether a line goes “Well, I will die alone and be left there” or “Well, I won’t die alone and be left there,” but I’m choosing to hear the former for Gregor at this time. “Now I cling to what I knew / I saw exactly what was true / But oh, no more” goes well with Gregor sitting surrounded by all these prophecies by a man he no longer wants to believe. Despite the gloomy verses, the chorus is quite hopeful, promising there will be a time when things are better, mirroring the Peacemaker, which has its introduction in this chapter.

21 - Ladder Song by Bright Eyes - You know that gif of Goofy floating around a pool facedown? This song makes me feel like that. Starts out with quite a doozy of a verse: “Nobody knows where the ladder goes / You’re gonna lose what you love the most / You’re not alone in anything / You’re not unique in dying.” Well, Gregor is certainly reminded he’s not unique in dying while he’s watching the funeral services. This song in general is a great fit with this whole book. If I had to choose just one song to represent it, that song just might be this one. “Don’t hang around once the promise breaks / Or you’ll be there when the next one’s made / Kiss the feet of a charlatan” reminds me of the Underland’s whole cycle of making useless treaties to end wars only to violate them and go right back to war and then make new useless treaties. The charlatan is Sandwich. Anyways, the lyrics here are great if you love to be sad, give ‘em a read. I thought it fit well with this chapter and all the goodbyes Gregor faces in it.

22 - Motion Picture Soundtrack by Radiohead - The second half of this song fits with Gregor writing his note to Luxa. “Stop sending letters / Letters always get burnt / It’s not like the movies / They sell us on little white lies / I think you’re crazy, maybe / I think you’re crazy, maybe / I will see you in the next life.” Well, Luxa probably wouldn’t burn it, but Gregor’s not totally sure she’d ever want to listen to anything he had to say again. It’s not like the movies because in a classic adventure story, the two lovers would both live and they’d live happily ever after. They both think they’re crazy. And, well, there’s not much left for Gregor to say but “I will see you in the next life” — or the phrase he settles on, “One of us has to live.”

23 - 33 “GOD” by Bon Iver - “I would have walked across any thousand lands / I didn’t need you that night / Not gonna need you any time,” Justin Vernon sings, “Was gonna take it as it goes / I could go forward in the light / Well, I better fold my clothes.” This is the first hopeful chapter in a long, long time. Even though Gregor “would have walked across any thousand lands” for Sandwich, Gregor realizes he doesn’t need him and never has. The only thing remarkable about anything, Gregor says, is that Ares chose to save him. Sorry that the tone of this song doesn’t work with the last couple pages of the chapter. I’ll get back to sad songs soon.

24 - White as Snow by U2 - This is perhaps my most questionable choice, because this is a sad, slow song, not fit for the thick of combat. If you want something more battle-y for the first half, check out Exit by U2 because I briefly considered using it here. But I chose this song because it’s written from the perspective of a soldier dying. The last few verses are about how war makes everyone hostile to one another, leading to the last few lines: “Now the wolves are every passing stranger / Every face, we cannot know / If only a heart could be as white as snow.” I liked the line about a heart being as white as snow for the Bane. If only his life experiences were pure as his pretty fur. But this song, and its reflection on the narrator’s life, reminded me more than anything of dear Ares. I chose it for him.

25 - Mars by Sleeping At Last - A song about young people off at war, and then how hard it is to piece their lives back together in the aftermath. Everything is so terrible for all these poor people involved in this mess. I miss Ares. Temporary RIP to Ripred. (The outro about trying to build a better life goes well with the negotiations beginning, too.)

26 - Death and All His Friends by Coldplay - “No I don’t wanna battle from beginning to end / I don’t want a cycle of recycled revenge / I don’t wanna follow Death and all of his friends” for Gregor, Luxa and Ripred helping each other establish peace. “All summer we just hurried / So come over, just be patient, and don’t worry” for Gregor and Luxa quietly spending their last bit of time together.

27 - Sweetness Follows by R.E.M. - I heard this song for the first time when I was packing for college and the first lines hit me like a bowling ball to the chest. I had to sit down. Anyways, I chose this because it offers a very bittersweet sense of hope. Life is hard, there’s a ton of death, there’s a ton of strife and disconnect. But I love the last verse so dearly: “It’s these little things that can pull you under / Live your life filled with joy and thunder / Yeah, yeah, we were all together / Lost in our little lives / But oh / Sweetness follows.” Sweetness follows. We don’t really know what that means, but that’s what we’re promised. Life’s tough, but at least we get to be together. Sweetness follows.

Wow, thank you for reading this far! These playlists were a ton of fun to make and I really hope you have picked up at least one new song you like. If not, oopsies! Oh well.

#gregor the overlander #underland chronicles #tuc20 #code of claw #tuc20: coc

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goodbysunball · 7 months

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Parched & parcel

Things are getting noticeably heavier and weirder, and we're the better for it. Some metal, finally, paired with some fine Aussie experimental noise and a band that'll make you believe in the dream of NYC again. It's the best season for this kind of stuff, so dive in.

dprk, Shitville Tourist LP (Studio Fabrik)

May I introduce to you Shitville Tourist (title of the year) by dprk, apparently a duo of Nick Dan (xNoBBQx) and Richard Fielding (Severed Heads) with support from a few mates. It feels like a journey in time back to where Twisted Village and Kye once roamed, where the journey largely justified the end product and the listener could take it or end up spending big later. While there is no question this record took me a few listens to unravel, what didn't take much to pique my interest was the gentle loop on "Crazy Little Corkscrew," something that sounds like a lullaby played with a steel drum, being poked and prodded by various electronics over its seven minutes. The track, like all four tracks on here, doesn't really go anywhere over its duration, but floats, writhes, twists and soaks in the sounds being made: pure joy in the noise made by machines. The title track and "Blumen Schmerz" are darker, more cavernous, where synths bleep and blot and drum machines whirr and exhale steam, creating the illusion of life where there is none. The latter has some creepy guitar parts splayed out on the pulsing synth backbone, but the investigation leads to no further conclusions; there is no categorization here. The finale, "Gulag In Space," provides not only another great title but a track nearly worthy of dancing, especially after the mind-fuck of the first three tracks. The beat bounces off all surfaces, as slippery as the rest of the record, but there is a sparkle on "Gulag" that winks at the listener as Shitville Tourist winds down. Something magnetic, or just plain alien, about the whole affair, but whatever it is, the sheer number of times I've played this have more than justified the hefty price tag. Great debut; let's hope for more from these true underground freaks.

Excarnated Entity, Mass Grave Horizon LP (Nuclear Winter)

Greece's Nuclear Winter puts out a ton of releases, so much that I've seemingly looked them over in the last few years. But taking stock, they've been responsible for the physical releases of a number of near-and-dear U.S.-based death metal acts like Blasphematory, the mighty Anhedonist, and now, Excarnated Entity. Excarnated Entity features a former member of Anhedonist, and there's definitely a similar approach to death metal with the two acts: mournful, grandiose but without the heavy-handed use of keyboards or Gregorian chant-like vocals. Excarnated Entity is also singularly focused on the horrors of war - not to be confused with the glorification of such in war metal - and provides ample heft to the incalculable loss of life. The band's demo, also reissued by Nuclear Winter in 2020, was a good primer for their debut LP, but the LP is devastating. The instrumental opener "Abjection" runs an elegant Mournful Congregation-style guitar line into the ground, simultaneously distraught and triumphant, and sets the stage for the rest. For anyone paying attention to the recent death-doom resurgence, Mass Grave Horizon fits right in and sets itself up near the top of that heap. While I think that there's a bit of momentum wasted in the middle section of "Corridor of Flame," that's really the only complaint I can level at the record. Everything else is properly filthy: gurgling vocals over blastbeats slam headfirst into downtuned chugging riffs, and a elegiac solo rises from the cracks in the pointlessly blood-stained soil. It's between "Irradiated Shadows" (the part before the solo, yeesh) and the punishing title track for my favorites here, but there's not a dud in the bunch. It's worth noting that the band does four-minute sprints as well as they can stretch tracks out to twice that length - a versatility that elevates Excarnated Entity above the one-note lifers rehashing the same formula on every track. Bleak, miserable and, given the state of the world, timely death-doom is what you get on Mass Grave Horizon, and if you think you've heard it before, it's worth hearing again in this singularly focused and dimming light.

VoidCeremony, Threads of Unknowing LP (20 Buck Spin)

I've got to give Nic at Repressed Records credit for pushing this one, as anything combining descriptors like "jazz" and "prog" with "metal" usually makes me run for the hills. But, this new VoidCeremony LP is checking all the boxes while flirting with all of the above, while (as Nic notes) throwing in a fretless bass solo on nearly every song to boot. The band plays death metal, firstly, and while there are some space-y outros and instrumentals, everything feels of a piece rather than forcing together disparate parts. The label press mentions that the band plays "with the gliding, controlled chaos and smooth fluidity of a jazz quartet," and that checks out, but I don't smell anything particularly jazzy about the record. Rather, I get a big whiff of Gorguts when listening to this record, another band that seamlessly combined progressive, thrash and death metal with grooves, resulting in something impressively complex without making it feel like a homework assignment. "Writhing in the Facade of Time" probably best displays all of these aspects, from the fading-in tech-death opener, to the sky-scraping guitar solos, to the crushing close of the track before the group's whisked away on a mystical Moog coda. The band shifts from strength to strength without any bloat, and just as importantly, without any clean vocals. Threads of Unknowing is my go-to workout record this year, the fluidity of the drumming providing blastbeat stress and necessary space in equal measure. Strap in, take a trip; whether you buy into the lyrics or overarching theme is up to you, but either way it's one of the most thrilling death metal records of the year.

Weak Signal, War&War LP (12XU)

Cool "reissue" of an album digitally released in 2022, hopefully given a wider reach with the push of 12XU. War&War is Weak Signal's third LP, and it sounds like a band comfortable with themselves, their capabilities and their sound: they can rip off a garage-punk track like "Don't Think About It" and slow things to a simmer on "Consolation" with ease. That the band sounds so self-assured did make this record feel a little too easy the first few times; but, like label mates Lewsberg, the complexity of the tracks shines through on iterative spins. Seemingly small choices like the backing vocal melody on "Names" or the sparkling Cass McCombs guitar on "Spooky Feeling" begin to feel like bold, powerful moves amidst the background of resignation/resilience across the album. The mostly spoken, barely sung vocals paired with the often bluesy guitar lines give the record a rough, workingman feel - which, for me, means that things ain't going your way but what are you gonna do about it - but there's no glory in it, just a general disdain for how things are. It's definitely a bit of a downer, though I think the band would prefer "realist," and two lyrics from the middle of the record seem illustrative of the this approach: "I'm no weirdo/I'm no freak/but things keep happening to me" from "Songworld," and "If you think I care/that's where you're wrong" from "Yr Deal." I don't find that the lyrics convey apathy, rather an infinite patience or aplomb in the face of everything spinning uncontrollably off-axis. War&War feels similar in spirit to what True Widow was doing on the heavy sigh of As High as the Highest Heavens..., though without the depressive bent of that record. A bit of despair creeps in on the cover of Johnny Thunders' "It's Not Enough," which bleeds into the gray, abstract noise of the title track, but the band puts their dukes up again on closer "Who the Hell Are U?," a fitting end to the record to reinforce the group's street savvy instincts. Weak Signal's delivered a doozy, and one of my favorite new-to-me discoveries of the year so far.

#dprk #Excarnated Entity #Nuclear Winter #VoidCeremony #20 Buck Spin #Weak Signal #12XU Records

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xtruss · 1 month

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The Bloody End of Julius Caesar Forever Darkened the Ides of March. Photograph By James L. Stanfield, National Geographic

Ides of March: What Is It? Why Do We Still Observe It?

Once Simply a Time to Settle Accounts, March 15—the Ides of March—is Linked to Prophecies of Misfortune, Thanks to Caesar and Shakespeare.

— By Brian Handwerk | Published: March 15, 2011 | Thursday March 14, 2024

Caesar: The Ides of March Are Come.

Soothsayer: Aye, Caesar, But Not Gone.

—Julius Caesar, Act III, Scene 1

Thanks to Shakespeare's indelible dramatization, March 15—also called the Ides of March—is forever linked with the 44 B.C. assassination of Julius Caesar, and with prophecies of doom.

"That line of the soothsayer, 'Beware the ides of March,' is a pithy line, and people remember it, even if they don't know why," said Georgianna Ziegler, head of reference at Washington, D.C.'s Folger Shakespeare Library.

Until that day Julius Caesar ruled Rome. The traditional Republican government had been supplanted by a temporary dictatorship, one that Caesar very much wished to make permanent.

But Caesar's quest for power spawned a conspiracy to have him killed, and on the Ides of March, a group of prominent Romans brought him to an untimely end in the Senate House.

It Wasn't Just Caesar Who Paid the Price on Ides of March

Aside from its historical connection, the concept of the Ides of March would have resonated with English citizens in 1599, the year Shakespeare's play Julius Caesar was probably performed, Ziegler said.

"This whole business of the Ides of March and timekeeping in the play would have had a strong impact on audiences," she said.

"They were really struck by the differences between their Julian calendar [a revision of the Roman calendar created by Caesar] and the Gregorian calendar kept in Catholic countries on the continent."

Because the two calendars featured years of slightly different lengths, they had diverged significantly by the late 16th century and were several days apart.

In Roman times the Ides of March was mostly notable as a deadline for settling debts.

That calendar featured ides on the 15th in March, May, July, and October or on the 13th in the other months. The word's Latin roots mean "divide," and the date sought to split the month, originally at the rise of the full moon.

But because calendar months and the lunar cycle are slightly out of sync, this connection was soon lost.

A later artist's conception of the funeral of Julius Caesar, who was killed on the Ides of March in 44 B.C. Illustration By C. Vottrier, Mary EvansPicture Library/Alamy

Ides of March Assassins: Heroes or Murderers?

The Ides of March took on special significance after Caesar's assassination—but observance of the anniversary at the time varied among Roman citizens.

"How they felt depended on their political position," said Philip Freeman, a classicist at Luther College in Decorah, Iowa, and the author of Julius Caesar.

"Some were thrilled that Caesar had died, and some were horrified," he said.

The debate about Caesar's fate has extended through the ages and was taken up by some major literary figures. In Dante's Inferno, for example, Caesar is in Limbo, a relatively pleasant place in hell reserved for virtuous non-Christians.

"But Brutus [one of the leaders of the assassination] is down in the very center of hell with Judas, being munched on by Satan—it's about as bad as you can get," Freeman said.

The Folger library's Ziegler thinks the Bard had a more balanced view.

"I think Shakespeare shows both of them as being humans with their own weaknesses and strong points," she said.

Whether they were heroes or murderers, the real-life Ides of March assassins were subjected to less than pleasant outcomes.

"Within a couple of years Brutus and [fellow assassin] Cassius were dead," Freeman noted.

"They were not able to bring back the Republic, and really what they did was usher in more of a permanent dictatorship under the future Roman emperors—the opposite of what they intended."

#Time #Ides of March #Prophecies | Misfortune #Caesar | Shakespeare #Brian Handwerk

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kaijuno · 2 years

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Axel- what music do you like

My two favorite bands are Kyuss and Tool. As far as other rock/metal bands go, Clutch, Deftones, and King Crimson are some favorites of mine. I really dig Gregorian chant, Orthodox basso profundo, steppe folk music, various Hindu kirtan type dealies, a smattering of black, sludge, doom (especially!), stoner, and progressive metal.

Also bit of a hip hop head. Big L, Big Pun, Eminem, Nas, old Jedi Mind Tricks, Immortal Technique, et cetera. I actually had a bit of a rapping phase and I'm gonna take this opportunity to plug my mixtape.

-A

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learning-islam-together · 9 months

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بسم الله الرحمن الرحيم

Bismillah-ir-Rahman-ir-Rahim

Tahfeem about Muharram

Muharram is the month that marks the beginning of the Hijrah calendar. It is one of the four sanctified months about which the Holy Qur’an says, “The number of the months according to Allah is 12 (mentioned) in the Book of Allah on the day in which He created heavens and the earth. Among these (12 months) there are four sanctified.”

Ayah at-Taubah (Repentance) 9:36.

The specific mention of these four months does not mean that any other month has no sanctity, because the month of Ramadan is admittedly the most sanctified month in the year. But these four months were specifically termed as sanctified months for the simple reason that their sanctity was accepted even by the pagans of Makkah. It’s sanctity is upheld by the Qur’aan as the sanctified month. Allah the Mighty chose Muharram for His special blessings.

The Holy Prophet ﷺ has said: “The most excellent fast after Ramadan is Allah's month, Muharram” ~

https://hadeethenc.com/en/browse/hadith/11261

The Prophet (ﷺ) said, "There is a gate in Paradise called Ar-Raiyan, and those who observe fasts will enter through it on the Day of Resurrection and none except them will enter through it ~ : Sahih al-Bukhari 1896

He encouraged us to take up a fast during Muharram, on the 9th and 10th (or 10thand 11th) days of the month. This would be Ashura. At the end of Gregorian calendar July.

Below are some misconceptions with regard to Ashurah. Learning Islam Together couldn’t find any support of authentic Islamic sources.

• This is the day in which Adam was created.

• This is the day in which Ibrahim was born.

• This is the day on which the Qiyamah (dooms-day) will take place.

• Whoever takes bath in the day of Ashurah will never get ill.

All these are totally baseless and the traditions referred to in this respect are not authentic.

Some people take it as Sunnah to prepare a particular type of meal on the day of Ashurah. This practice, too, has no basis in Islamic.

Some other people attribute the sanctity of Ashurah to the martyrdom of Sayyidina Husain (رَحْمَةُ الله عليه). No doubt, the martyrdom of Sayyidina Husain is one of the most tragic episodes of our history. Yet, the sanctity of Ashurah cannot be ascribed to this event for the simple reason that the sanctity of Ashurah was established during the days of the Prophet ﷺ even before the birth of Husain.

Another misconception about Muharram is that it is an unlucky month because Husain (رَحْمَةُ الله عليه) was martyred in this month. It is for this misconception that people avoid holding marriage ceremonies in Muharram. This is again a baseless concept which is contrary to the teachings of the Holy Qur’an and the Sunnah.

Another wrong practice related to this month is to hold the lamentation and mourning ceremonies in the memory of martyrdom of Sayyidna Husain.

#learningislamtogether #muslim #hadith #islam #quran #hijab #muslimah #qur’an #allahisone #mashallah #dawah #rasulullah

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anarco-misantropo · 8 months

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aerikvon · 9 months

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youtube

#aerikvon #aerik #von #aerik von #lucifer jones #doom generation #doom metal #gregorian chant #music #Youtube

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doomedandstoned · 11 months

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Dublin Bass & Drum Duo TRUE HOME Drop Meditative Doom Record ‘Black Lotus’

~Doomed and Stoned~

By Billy Goate

There aren't a whole lot of bass and drum acts out there. Bell Witch, Big Business, Bardo, and Behoover come to mind (strangely, the majority of bass-led bands also choose names that begin with the letter "B"). What may not be as tough to pull off when tempos are swift, becomes a challenge when everything slows down to a doom's pace. And you want to strip the band of its (arguably) most popular instrument?

That's at least how the heavy underground felt until OM came along and blew our minds with the advent of Meditative Doom, sans guitar. Other bands have followed in those footsteps, including Zaum from New Brunswick and Breath from Oregon. Now from Dublin, Ireland comes bass & drum duo TRUE HOME with their own take on meditative doom in 'Black Lotus' (2023).

True Home's most accessible song is placed first on the album, "The Cry of the Mountain Hawk," featuring a slithering stoner-doom riff that sounds like a royalty fuzzified Tool. Vocals are droning and clean, not too distantly removed from Reverend Bizarre, and share a kinship with Sleep frontman Al Cisneros. This one's got a chorus that I'll probably find myself singing whilst making breakfast or taking out the trash. It's just something I do.

Beneath each song is the lulling sitaresque tone produced by programmed synth. It grounds us to the experience and becomes more and more comforting with eath encounter. "The Great Journey" takes a bluesy, jazzy, off-beat approach to Gregorian Chant, at least until things get electrified to work out all that nervous energy -- with irradiated noodling that rivals Swamp Ritual.

The intensity ramps up even more for "Sailing The Sand Dunes," in which the bass moves with big, sweeping gestures and stays busy as hell trying to keep the barge moving over barren Saharan hills and flats. This is the one, I'm sure, that'll get people headbanging at concerts.

The last two songs on the album usher us deeper into a realm of tranced-out introspection, with the mysterious, hazy, and hypnotic "Buddham Sagnahram Gachami" and the near 20-minute transcendental colossus, "Ascension Of The Astralnaut," featuring spoken word passages that serve perhaps to guide the listener into a state of general meditativeness.

The record is ideal for Cursed Monk Records, who specialize in dark musical esoterica. "The darker, weirder, and heavier the better," their motto goes. True Home's Black Lotus will be released on May 26th on compact disc and digital formats (pre-order here).

After suffering a dreadful bout with COVID (the Delta strain) in 2021, psychedelic, meditative doom was key to my mental, physical, and spiritual recovery. I'm pleased to have another band enter the fold. Stick True Home on a playlist with OM, Bong, Zaum, Breath, Saturnalia Temple, and Megalith Levitation.

Give ear...

Black Lotus by True Home

SOME BUZZ

Photographs by Shane J. Horan

True Home is a Dublin Based Psychedelic Meditative Doom Metal two piece. Featuring Declan Beare on Bass/Vocals, and Charlie Appleby on Drums and percussion.

The Bass and Drum combo balance between transcendent meditations and earth shattering heavy riffs.

For two people they move a serious amount of air at bone crushing volumes, helped by the droning modular synth providing a continuous atmosphere to get lost in.

Their 3rd studio album "Black Lotus" comes out on CD and Digital Download May 23rd via Cursed Monk Records.

Follow The Band

Get Their Music

#D&S Debuts #True Home #Dublin #Ireland #doom metal #bass & drum #Cursed Monk Records #D&S Reviews #Doomed and Stoned

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ratatatang · 2 years

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I'm facilitating dodgeball for 3rd and 4th graders and a fellow councillor asked me to put on music

Something about watching small children desperately playing dodgeball to the Gregorian chanting of the song damnation from doom eternal makes me laugh very very hard

#doom #doom eternal #one of the kids keeps thanking me saying it really sets the mood

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hadeschan · 2 years

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item # N14E20

RARE Pra Buddha Kwak Um Baat, Nua Pong Namman, Luang Phu Thoop, Wat Khae Nang Loeng. A holy powder blended with tung oil Buddha amulet with figure of Buddha raising his right arm in a beckoning gesture to bring good luck to the amulet owner, and his left hand faces outward or lies palm up in the lap holding an alms bowl. With an imprint of a Yant Baipat in the back. Made by Luang Phu Thoop of Wat Khae Nang Loeng (Wat Sunthon Thammathan), Bangkok in BE 2504 (CE 1961).

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Alms Bowl

An alms bowl symbolizes a wish of having endless food with wealth and prosperity.

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Yant Baipat

Yant Baipat, the turbine-liked yantra in the back of this amulet is believed to have magic power of turning bad luck to the good one!

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BEST FOR: Pra Buddha Kwak attracts wealth, abundance, prosperity, good luck, good fortune, happiness, purity and positive things to come, success in career, in love, and in relationships. Being away from cycle of poverty, and having multiple streams of income while building wealth. Changing your luck from bad to good. It has a tendency to draw positive energy. Metta Maha Niyom (it makes people around you love you, be nice to you, and willing to support you for anything), Kaa Kaai Dee (it helps tempt your customers to buy whatever you are selling, and it helps attract new customers and then keep them coming back, Klawklad Plodpai (it pushes you away from all danger), Maha-ut (it helps stop gun from shooting at you), and warning of danger. Ponggan Poot-pee pee-saat Kunsai Mondam Sa-niat jan-rai Sat Meepit (it helps ward off evil spirit, demon, bad ghost, bad omen, bad spell, curse, accursedness, black magic, misfortune, doom, and poisonous animals). And this amulet helps protect you from manipulators, backstabbers, and toxic people.

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Luang Phu Thoop, the Abbot of Wat Khae Nang Loeng (Wat Sunthon Thammathan), Bangkok, living between BE 2441 to BE 2533

Luang Phu Thoop was a disciple of Luang Phor Khan of Wat Nok Krajap, Luang Phor Parn of Wat Bang Nom Kho, Luang Phor Jong of Wat Na Tang Nok, Luang Phor Cham of Wat Takong, and an alliance of Luang Phor Ngern of Wat Don Yai Hom.

Bangkok’s mafia in the late 1950s

Dang Bireley's and Young Gangsters. The true story about young Thai gangsters in 1950s Thailand. Luang Phu Thoop was highly respect by Dang Bireley, and Pu Bottle Bomb . They both were Looksit (disciples / followers /adherents/ worshippers / devotees) of Luang Phu Thoop of Wat Khae Nang Loeng (Wat Sunthon Thammathan), Bangkok. Dang Bireley, and Pu Bottle Bomb wore amulets made by Luang Phu Thoop at all time for Klawklad Plodpai (bringing safety, and pushing them away from all danger), Kongkraphan Chatrie (making them invulnerable to all weapon attacks), Maha-ut (stoping gun from shooting at them or guns miss the aiming target).

The movie Song-si-gao-gao Antapan Krong Muang was based on true story, Dang Bireley's and Young Gangsters (Thai: 2499 อันธพาลครองเมือง or 2499 Antapan Krong Muang) is a 1997 crime drama film about young Thai gangsters in 1950s Thailand. Featuring John Woo-style heroic bloodshed, it was the debut film from director Nonzee Nimibutr and was the first screenplay by director and screenwriter Wisit Sasanatieng.

The 2499 in the Thai title refers to the year in the Buddhist calendar when the story starts, corresponding to the Gregorian year 1956.

Plot

Dang, the son of a prostitute, growing up in 1950s Thailand, compensates for his inferiority complex by boosting up his ego. At the age of 13, he killed a man who was beating his mother. By age 16, he had dropped out of school and started his own protection racket. With his right-hand man Lam Sing, Dang is highly protective of Piak, and is also friends with Pu Bottle Bomb and Pu's sidekick Dum.

Dang attracts the attention of a young night club singer named Wallapa, who pressures Dang to stop being a gangster and live a normal life. Dang's mother also wishes that he would stop being gangster and ordain as a Buddhist monk.

Dang carves out more territory by killing the local crime boss Mad Dog. Meanwhile, Piak is caught up in a fight between rival school gangs, instigated by Pu and Dum. The fight leads to a falling out between Dang and Pu the beginning of a feud between the two. Following a military coup all the gangsters must leave Bangkok for the countryside, Dang, Lam Sing and Piak go to work for Sergeant Chien, a former policeman turned gangster, at Chien's bar and gambling den next to an American military base. Chien needs more muscle to go against a rival operator, Headman Tek, and brings in Pu and Dum against Dang's wishes. Pu and Dum stir up trouble in the gambling den and reignite their feud with Dang's gang although Sergeant Chein tries to calm them. However Sergeant Chien is killed by a motorcyclist gunman and Pu and Dum go to work with his rival Headman Tek forcing Dang's gang out of the town.

Dang returns to Bangkok, where he plans on fulfilling his mother's wishes and taking his oath as a monk. However Pu and Dum show up during the ceremony and gun battle ensues. Lam Sing is killed, and Dang and Piak are wounded, but Pu and Dum are killed.

In an epilogue, narrated by an older Piak, it turns out Dang survived his wounds, but continued as a gangster seemingly unable to become a monk, and then died in a car accident at age 24, just like his idol James Dean.

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DIMENSION: 3.80 cm long / 2.60 cm wide / 0.80 cm thick

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item # N14E20

Price: price upon request, pls PM and/or email us [email protected]

100% GENUINE WITH 365 DAYS FULL REFUND WARRANTY

Item location: Hong Kong, SAR

Ships to: Worldwide

Delivery: Estimated 7 days handling time after receipt of cleared payment. Please allow additional time if international delivery is subject to customs processing.

Shipping: FREE Thailandpost International registered mail. International items may be subject to customs processing and additional charges.

Payments: PayPal / Western Union / MoneyGram /maybank2u.com / DBS iBanking / Wechat Pay / Alipay / INSTAREM / PromptPay International

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