I have one strange villains ship-Scarecrow x Ragdoll.
YOU CANT JUST SEND ME THAT WHEN I HAVE A HISTORY OF GETTING OVERLY ATTACHED TO RAREPAIRS‼️
God this is all you sent and my brain already took this and started RUNNING:
Scarecrow absolutely adores Ragdoll’s contortion. It’s such a beautiful mixture of grotesque, chilling, and impressive that he can’t help but stare whenever Ragdoll shows off.
Ragdoll teaching Jon exercises to get his body more flexible, since Jonathan wants to make himself scarier in every way possible
Jonathan introducing Peter to the crows one by one, only for the birds to peck and chew at the ribbons. It doesn’t take long before they figure out how to unravel the ribbons and start wrapping themselves up and them to play.
Peter taking an extra risk to steal something else that isn’t even that valuable, but he knows that Jonathan would love it. Example: one time he broke into someone’s apartment just to grab some quick money and ended up walking out with a VHS copy of The Thing.
The night ends with Peter barely looking at the screen while bundled up with Jonathan while the taller man kept shoving him and telling him to LOOK because he needed to know what was happening to understand.
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actually speaking of here's a link to read melusine on internet archive and here's another link to read it on another site where it looks like you can also download a pdf. the books were out of print for a while but when i just googled it looks like the whole four book series got rereleased as ebooks this past summer under sarah monette's new writing name katherine addison, which you may recognize if you read the goblin emperor which i would also recommend. actually you know what here's the goblin emperor on the internet archive too that's also really good
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athena liu is so. like she's SOOOOO like she HATED herself for what she did and that hate and lack of self-respect made it impossible for her to love ppl properly, so she DIDN'T & ended up revering them, horrifically, turned their trauma into the next nyt bestseller and made them complicit in it all the while. her frightful inability to make a genuine connection that wasn't founded how pain can be commodified is so harrowing. like. she was exactly as the industry wanted her and we see through june how it rotted her from the inside out
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Paper girls was one of the most honest genuine portrayals of being a 12 year old girl I've ever seen. Even apart for them fact all this shit is happening around them they are still 12 year olds with 12 year old problems.
The period scene in particular was one of the best, truest scenes I've ever seen. It was beautiful, funny, awkward. It was perfect. 
It is so fucking authentic. Everyone rightly leans on how powerful the performances are, but you also get such a range in the writing. The period scene, the sleepover scene, the gentle bickering, the in-your-face meltdowns, the gremlin run up the stairs--it's all so perfectly tuned to what kids are like. And it never talks down to them; the rare time an adult tries to imply a situation is over their heads, they're instantly shot down. Because kids around that age are smart. They're learning who they are, how the world works, what their individual moral compass looks like, and it means they don't get things right every time, but they're capable. They can in one moment be reassuring and kind, and the next snappish and closed-off. This show allows room for that without ever feeling like a deviation from character, which is...frankly really impressive.
It always strikes me--in the best way possible--that these girls are all allowed to be mean. They're allowed to be catty, to be vulgar, to say the wrong thing with good intentions (Tiff pointing out KJ's missed her puppy's whole life), or the barbed thing because they're just being a dick (Mac's "you don't have to talk all the time" followed by KJ snickering). They aren't forced into stereotypical boxes, true, but they also aren't forced to be Sweet and Pretty and Kind. They can be those things, sure; when Erin's falling apart, everyone's there to catch her, and when Tiff's walkies are stolen, Mac's got her back, and when Mac is facing mortality, KJ won't let her do it alone or give up on herself. But they're also not always gentle with one another. A lot of the time, they butt heads. Sometimes they punch each other in the face. Sometimes they have to apologize and mean it for the friendship to continue, and it strengthens their bond every time. Sometimes they're stupidly reckless, lobbing the single brain cell from one girl to the next: Tiff running after the backpack, Mac going off on her own in the middle of the night, KJ stealing the motorbike, Erin getting drunk at a party. And sometimes they're so level-headed in the face of panic. They are all allowed to be incredibly nuanced, so full of life and hope and fear and anger. They're never dumbed down, even when they act like dipshits. I cannot remember the last show that not only took into account what historical periods were actually like, but what young girls are actually like to this degree. I will be gutted if we don't get a pickup, because, Jesus, imagine the growth in coming seasons.
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Kazutora in the anime reminds me again how he kept wanting to save Mikey even in Bonten and how he was not just fulfilling Baji's will of taking care of Mikey but also his OWN desire to save the friend who saved him from the black dragons, and also saved him by forgiving him.
Kazutora wanted to distance himself from others in fear of betrayal in the start, and it was Mikey who helped him open up and accept help from his friends, promising they would all protect eachother. It would have made so much sense to make it a whole circle by having Kazutora be the one to also reach out to Mikey while suffering from his dark impulses, making Mikey accept help from all his friends who love him, so he can be saved. Toman's true purpose of protecting eachother would be fulfilled, along the goals of the past timeline kazutora's. Because really, the way the story was written, Kazutora as a character was not finished until he freed Sano Manjiro from his suffering and they got to be close again, after healing from both their pasts.
Because really, Mikey was never saved, even though that was the whole point. No, re-living your life where everything is perfect and fine isn't healing. What it means to be saved, is to fully confront your past and acknowledge what happened, mend relations with others, and learn to still love and be loved. Mikey wasn't saved because they created a false reality where there was nothing to even be healed from. A big part of Mikey's character is being lonely at the top, pushing others away, and becoming isolated. How come, even in the "perfect" timeline, there is still mention from Mikey of being lonely?? Even if it's a half hearted joke, it makes no sense.
What was the point even, then. To save everyone? Even though the ending contradicts itself. To "save" everyone the way they did, they had to in the process, deem everyone who grew with trauma as irredeemable and unsaveable. Why did Mikey even reach out to Izana then? It makes sense, if the story is telling the reader, no matter how much you messed up, no matter how much you lost, you can still turn your life around and be happy, that no one is too far gone. Mikey approaches Izana as a brother, despite him killing Emma and wanting to destroy him, because he saw himself in Izana. They BOTH needed help. None of them got it. "Mikey, there is no way to save me, right?" No, I guess not, according to the ending. No one can actually turn back time. We can only live with what happens to us. Guess we are all fucked then.
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